Fountain Paintings

This painting of Lincoln Center, located in New York City, highlights the reflections seen its five arched windows. :: Painting :: Contemporary :: This piece comes with an official...

Milwaukee's iconic spots are captured in watercolor and available as hand-embellished giclée. They are printed on archival quality watercolor paper and specially hand embellished so each giclée is a unique mixed media piece of artwork. The artist Julia Taylor added special original touches to each print in 'The Milwaukee Series 2020' 32" x 22" art Growing up in a small farming community in Indiana, I learned to draw early in life. I earned spending money by sketching portraits at county fairs and illustrations in weekly papers. Art teachers in high school and college taught me ways to master drawing fluidly from life. In college, my small stained glass...

Artist Commentary: Needed a break from some recent intense paintings so I created this simple picture in 6 hours... Keywords: Abstract, sea life, colorful, green, red, blue, yellow ...

An abstracted view of the Art Institute of Chicago's Grand Staircase. The lone sculpture fictionally represents an armed officer pointing a gun at an absent figure. [b. 1977 – New York, NY ::: lives & works – New Haven, CT] CHRIS BARNARD received his BA from Yale and his MFA from The University of Southern California (USC) in Los Angeles. Having previously held faculty positions at Denison University, Indiana University, and USC, Barnard is currently associate professor of art at Connecticut College in New London. Barnard’s work has been shown in solo and group exhibitions in Los Angeles, New York, Chicago, and New Haven, among other locations, and can be found in public and private collections nationally and internationally. His work is represented by Fred Giampietro Gallery in New Haven, where he and his partner live. artist statement In my work I focus on white supremacy’s relationship to the privileged spaces of my experiences, such as private art and educational institutions. Amidst widening gaps in wealth and opportunity, discussions about race, power, justice and representation—across visual culture broadly—seem more relevant than ever. In many of my compositions, which reference real sites, I have inserted fictional elements to raise questions about the allegiances and priorities of these institutions, as well as people—including myself—who have benefitted from, or continue to support them. The resulting works are representational, but through gestural passages and color and surface manipulation, I aim to suggest instability, corrosion and decay. In the end, I strive to make engaging paintings that suggest dissonance and ambivalence, that entice and challenge viewers, just as painting them does for me. These paintings are rooted in my contemplating Whiteness and emerge from wrestling with the politics of painting—the connections and gaps between painting and lived experience. They also reflect: a love of paint, the act of painting, and the power of the painted image; a regard for practitioners past and present, as well as those for whom practice has not been possible; and an admission of painting’s complicity with hegemonic power. As always, my process remains driven by questions. In this case, questions like: What role does painting play in the face of concrete social crises? How can my paintings respectfully incorporate¬—rather than exploit—relevant and thought-provoking content and imagery? What does it mean to think about racism, dehumanization, injustice, etc., and then to paint such pictures, and in particular as a straight, White man? These questions and this body of work owe much to the work of others, and most acutely to four scholars’ books in particular: The History of White People, by Nell Irvin Painter; Ebony and Ivy: Race, Slavery, and the Troubled History of America’s Universities by Craig Steven Wilder; The New Jim Crow: Mass Incarceration in the Age of Colorblindness, by Michelle Alexander; and White Rage, by Carol Anderson...

This painting is part of a aesthetic study on a mysterious fountain by Bartolome Sastre. There are three pieces in this study, titled "Raixa". This painting measures 39.5" x 28.75" a...

Oil on board.

"Patio de los Leones" Artist: Borja Fernandez Medium: Oil on Canvas Size: 63.75" x 45"

The first time I visited Paris at the age of 14 and it was my first foreign trip. Immediately, I was overwhelmed with the culture, art, beauty, and history of Paris, it was fascinati...

Marla Korr attended Brooklyn College, earning both a B.A. and a M.F.A. There she studied with Philip Pearlstein, Lennart Anderson and Jimmy Ernst. She has also studied at Stevenson...

Trevor Young is a quintessentially American painter. He makes no bones about his affection for the trappings of car culture, life on the road, and 1960s West Coast art. His main subj...

Acrylic on canvas Carlos Sablòn Perez is a Cuban artist born in 1981 who lives & works in Châlons-en-Champagne, France. His talent is quickly recognized in the four corners of the C...

Painting: Acrylic, ink, neon color, Spray Paint, pastels on Canvas. Glückskinder IX (children of happiness) is a 60 cm/23.62 in H x 60 cm/23.62 in, 4 cm/1.5 in deep mixed media pai...

Fabienne Delord-Descourvières is a French painter who lives & works in Yermenonville in Eure-et-Loir, France.

Manhattan by M.Y. I am constantly looking for different techniques, colors and materials to experiment with, and always strive to achieve sensual harmony in every composition. I am...

The ambition, imagination, and wonder behind science fiction writing are fascinating, and nothing is more haunting than the cold, unending depths of outer space. This painting sugges...

Painting is part of my new Corona Collection. Sides are painted black, art is varnished with a matte finish and wired to hang without a frame. :: Painting :: Contemporary :: This ...

Framed, glazed & mounted Size - 36 x 38cm Award winning artist David Walker works in both oil paints and watercolours. Before concentrating on illustration and fine art painting Dav...

Signed lower left American, b. 1950 Marla Korr attended Brooklyn College, earning both a B.A. and a M.F.A. There she studied with Philip Pearlstein, Lennart Anderson...

Artist Commentary: Dark, raining and the street light silhoettes 2 birds. Keywords: bird, street light, street, black and white, painting, creepy, eerie, halloween, scary, white, bl...

Bat in Cave 2014 Signed, titled, and dated in ink, verso Oil on board 8 x 10 inches Contact gallery for price. This work is offered by ClampArt in New York City.