Fountain Paintings

Oil on canvas

I am an artist and painter exploring female-centric visions and stories of violence, resistance, and tribulation inspired by women’s complicated history in the American West. Growing...

My favorite weather- rain. The smell of the air after a fresh rainfall. The trees and grass are a more vibrant green after it rains, it's like a new beginning. :: Painting :: Impre...

Oil on canvas, ''I offer art collectors series about the world we live in simultaneously with reality, they can live in these colorful, interesting, modern and dynamic world filled ...

Milwaukee's iconic spots are captured in watercolor and available as hand-embellished giclée. They are printed on archival quality watercolor paper and specially hand embellished so each giclée is a unique mixed media piece of artwork. The artist Julia Taylor added special original touches to each print in 'The Milwaukee Series 2020' 32" x 22" art Growing up in a small farming community in Indiana, I learned to draw early in life. I earned spending money by sketching portraits at county fairs and illustrations in weekly papers. Art teachers in high school and college taught me ways to master drawing fluidly from life. In college, my small stained glass...

"Patio de los Leones" Artist: Borja Fernandez Medium: Oil on Canvas Size: 63.75" x 45"

Fabienne Delord-Descourvières is a French painter who lives & works in Yermenonville in Eure-et-Loir, France.

Biography Creating paintings inspired by western movies and by Remington and Russell, he is a native of the West, having been born and raised in rural Colorado. He studied art at Ba...

Artist Commentary: Needed a break from some recent intense paintings so I created this simple picture in 6 hours... Keywords: Abstract, sea life, colorful, green, red, blue, yellow ...

Trevor Young is a quintessentially American painter. He makes no bones about his affection for the trappings of car culture, life on the road, and 1960s West Coast art. His main subj...

"The Old Vaduz, Liechtenstein" depicts a cozy corner of the capital of the Principality of Liechtenstein with a picturesque fountain in the foreground. The sunlight falls softly on t...

Oil on board.

Marcel Dyf French, 1899-1985 “Place de La Concorde” , 1948 Signed Dyf and dated 1948 Paris (lr) Oil on canvas Canvas: 29 x 39.75 Inches (73.6 x 99 cm) Framed: 35 x 45.25 Inches ...

The first time I visited Paris at the age of 14 and it was my first foreign trip. Immediately, I was overwhelmed with the culture, art, beauty, and history of Paris, it was fascinati...

Painting: Acrylic, ink, neon color, Spray Paint, pastels on Canvas. Glückskinder IX (children of happiness) is a 60 cm/23.62 in H x 60 cm/23.62 in, 4 cm/1.5 in deep mixed media pai...

The ambition, imagination, and wonder behind science fiction writing are fascinating, and nothing is more haunting than the cold, unending depths of outer space. This painting sugges...

Painting is part of my new Corona Collection. Sides are painted black, art is varnished with a matte finish and wired to hang without a frame. :: Painting :: Contemporary :: This ...

Signed lower left American, b. 1950 Marla Korr attended Brooklyn College, earning both a B.A. and a M.F.A. There she studied with Philip Pearlstein, Lennart Anderson...

Acrylic on canvas Carlos Sablòn Perez is a Cuban artist born in 1981 who lives & works in Châlons-en-Champagne, France. His talent is quickly recognized in the four corners of the C...

American, b. 1956 Scott Duce is an international artist working in New York. Duce’s work is included in many corporate, museum, and private collections. Notable collections include ...

An abstracted view of the Art Institute of Chicago's Grand Staircase. The lone sculpture fictionally represents an armed officer pointing a gun at an absent figure. [b. 1977 – New York, NY ::: lives & works – New Haven, CT] CHRIS BARNARD received his BA from Yale and his MFA from The University of Southern California (USC) in Los Angeles. Having previously held faculty positions at Denison University, Indiana University, and USC, Barnard is currently associate professor of art at Connecticut College in New London. Barnard’s work has been shown in solo and group exhibitions in Los Angeles, New York, Chicago, and New Haven, among other locations, and can be found in public and private collections nationally and internationally. His work is represented by Fred Giampietro Gallery in New Haven, where he and his partner live. artist statement In my work I focus on white supremacy’s relationship to the privileged spaces of my experiences, such as private art and educational institutions. Amidst widening gaps in wealth and opportunity, discussions about race, power, justice and representation—across visual culture broadly—seem more relevant than ever. In many of my compositions, which reference real sites, I have inserted fictional elements to raise questions about the allegiances and priorities of these institutions, as well as people—including myself—who have benefitted from, or continue to support them. The resulting works are representational, but through gestural passages and color and surface manipulation, I aim to suggest instability, corrosion and decay. In the end, I strive to make engaging paintings that suggest dissonance and ambivalence, that entice and challenge viewers, just as painting them does for me. These paintings are rooted in my contemplating Whiteness and emerge from wrestling with the politics of painting—the connections and gaps between painting and lived experience. They also reflect: a love of paint, the act of painting, and the power of the painted image; a regard for practitioners past and present, as well as those for whom practice has not been possible; and an admission of painting’s complicity with hegemonic power. As always, my process remains driven by questions. In this case, questions like: What role does painting play in the face of concrete social crises? How can my paintings respectfully incorporate¬—rather than exploit—relevant and thought-provoking content and imagery? What does it mean to think about racism, dehumanization, injustice, etc., and then to paint such pictures, and in particular as a straight, White man? These questions and this body of work owe much to the work of others, and most acutely to four scholars’ books in particular: The History of White People, by Nell Irvin Painter; Ebony and Ivy: Race, Slavery, and the Troubled History of America’s Universities by Craig Steven Wilder; The New Jim Crow: Mass Incarceration in the Age of Colorblindness, by Michelle Alexander; and White Rage, by Carol Anderson...

Artist Commentary: Dark, raining and the street light silhoettes 2 birds. Keywords: bird, street light, street, black and white, painting, creepy, eerie, halloween, scary, white, bl...

Bat in Cave 2014 Signed, titled, and dated in ink, verso Oil on board 8 x 10 inches Contact gallery for price. This work is offered by ClampArt in New York City.