House Paintings

"East Santa Cruz (California)" is a captivating oil on canvas board by artist Jon Blanchette (1908-1987). The painting features a striking yellow farmhouse set against dark gray storm clouds, capturing the beauty and drama of the California landscape. The composition, with its bold contrast between the warm farmhouse and the looming storm, evokes a sense of both tranquility and tension. Presented in a custom frame, the outer dimensions of the painting measure 21 ¾ x 25 ¾ x 1 ½ inches, with the image size measuring 16 x 20 inches. This artwork is in very good vintage condition, reflecting the care and craftsmanship of its creation. Please contact us for a detailed condition report. Expedited and international shipping options are available—please reach out for a personalized shipping quote. About the Artist: Jon Blanchette, born on March 29, 1908, in Somerset, England, immigrated to Battle Creek, Michigan in 1918. He displayed artistic talent from a young age and went on to study at the Pittsburgh Art...

Heller covers monumental and lesser-known works starting with Frank Lloyd Wright and tracing his design principles through his son Lloyd Wright, and students Richard Neutra, Rudolph ...

Landscape with figures in a cottage signed by W.Greaves oil on canvas, framed dated 1909 framed: 10 x 19 inches canvas: 9 x 18 inches provenance: private collection, UK condition: ve...

Judd Mercer's (US based) "Holy Harvest" is an gouache painting that depicts an old large building, cast in the warm sun's glow, partially hidden by the trees looming over and near it...

This work is part of our exhibition America Coast to Coast: Artists of the 1940s Untitled (Farm in Winter), 1940s, oil on canvas, signed lower right, 26 x 30 inches, presented in an original frame Julius Delbos...

California Suburbs - Plein Aire Landscape in Acrylic on Canvas Suburban landscape by California Plein Aire artist Nick White (American, 1943-2009). Two homes sit side by side on a w...

Mediterranean Garden Scene by Regine David (female French artist, 1910-2018) inscribed verso, dated 1986 watercolor painting on artist paper, unframed panting: 10 x 6.5 inches condit...

French Chateau Courtyard signed by Regine David (female French artist, 1910-2018) watercolour painting on artist paper, unframed panting: 15 x 19.5 inches inscribed verso condition: ...

Adam S. Umbach Biography American, b. 1986 Adam Umbach was born in Chicago, and currently lives and works in Brooklyn, New York. After being inspired from an early age by the modern...

Sunny Provençal Countryside signed by Regine David (female French artist, 1910-2018) watercolor painting on artist paper dated 1975 painting: 13 x 18 inches inscribed verso condition...

Title: British Impressionist Watercolor of Church Reflection by the Riverside by Anthony Avery (British 1946-2023) Original watercolor on artists paper, unframed Dimensions: 15.5 x 1...

Signed lower left, 'Pauline Palmer' (American, 1867-1938) and painted circa 1915, two years after the artist's first solo exhibition at the Art Institute of Chicago. Exhibited: Chicago Galleries Association and titled, 'Sunny Yards' (attached, partial label from original frame) A staunch proponent of pure Impressionism at the turn of the twentieth century, Pauline Palmer influenced the world of American art far beyond her Midwestern art community. Primarily known for her landscapes and portraits, Palmer rejected the waves of modernism that hit the United States in the teens and twenties, remaining true to the traditions of Impressionism. In 1923, she established the Association of Chicago Painters and Sculptors as an alternative to the increasing number of institutions celebrating Abstraction and Cubism. Pauline Palmer was enrolled at the Art Institute of Chicago from 1893 to 1898, and studied with some of the most prominent artists of the period, including William Merritt Chase and Frank Duveneck. Following her graduation, Palmer moved to Paris and attended the Académie de la Grande Chaumiére and the Académie Colarossi, where she studied under Raphael Collin. While in France, she exhibited with success including at the Paris Salon each year from 1903-06 and, again, in 1911. Her principal teacher and friend in Paris was the American Impressionist, Richard Emil Miller, whose shimmering handling of light made a profound impression upon her. Palmer also traveled extensively throughout Europe, a rite of passage for aspiring artists of her time. Returning to Paris, she studied with Gustave Courtois and Lucien Simon, both exemplars of compositional structure. Upon her return to the United States, Palmer set up her first American studio in the legendary Tree Studios building in Chicago. The artist's husband, Dr. Albert Palmer, whom she had married in 1891, both supported and encouraged his wife's artistic development. The couple kept a summer home in Provincetown, Massachusetts, where she made friends with many of the Portuguese fishermen's families, often using their children and the routines of their daily lives as subject matter for her painting. Pauline Palmer exhibited widely and with success, including in Italy, France, Norway and throughout the United States. Her works were shown at the National Association of Women Painters and Sculptors and, beginning in 1899, she exhibited at the Art Institute of Chicago for twenty-seven consecutive years. Over the course of her long career, she exhibited over 250 paintings at the Art Institute of Chicago, including at two solo exhibitions. She was the recipient of numerous prizes, medals and juried awards including nearly all the AIC's major awards, purchase prizes and honorable mention citations. Palmer also received a gold medal from the Colarossi Academy in Paris. Involved in numerous artist organizations, she was a member of the Chicago Municipal Art League, the Chicago Art Guild, the Chicago Arts Club and a charter member of the Chicago Women's Salon. Elected the first woman president of the Chicago Society of Artists, she went on to serve as president of both the Art Institute Alumni Association and the Chicago Association of Painters and Sculptors. Considered by the Modernists of her day to be a traditionalist, Pauline Palmer remained true to her artistic vision and she continues to be regarded as one of the leading women of American Impressionism. Her light-filled, colorful compositions captured landscapes and scenes of American daily life with unusual freshness and seeming effortlessness. Celebrated during her life as "Chicago's Painter Lady," Palmer was honored twelve years after her death by a posthumous retrospective at the Art Institute of Chicago and the establishment of an annual scholarship awarded in her honor by the Art Institute of Chicago. (with thanks to Hali Thurber) CHRONOLOGY 1867, Born in McHenry, IL 1885, Moves to Chicago to teach art 1891, Marries Dr. Albert Elwood Palmer 1893, Exhibits, World's Columbian Exposition, Chicago 1896, First exhibits at the Art institute of Chicago 1898, Exhibits at Exposition in Omaha, NE 1899, First exhibit, Pennsylvania Academy of Fine Arts 1900-1902, Studies with various artists in Paris 1901, Exhibits at Exposition in Buffalo 1903-1906, Exhibits at Paris Salon 1904, Exhibits at Universal Exposition in St. Louis, 1907, Four prizes at the Art Institute of Chicago 1911, Exhibits at the Paris Salon 1911, Exhibits at the Expositione de Belle Arti, Naples 1913, Solo exhibition, Art Institute of Chicago 1915, First prize, Society of Western Artists 1917, Opens first American studio in Chicago 1918, First woman president, Chicago Society of Artists 1918-1929, holds position of president for 11 years 1918-1921, Silver medals, Society of Chicago Artists 1921, Silver medal at Peoria Society of Allied Artists 1927, President, The Art Institute Alumni Association 1929-1931, President, Chicago Association of Painters and Sculptors 1938, Dies, Trondheim, Norway AWARDS 1904, Universal Exposition in St. Louis, bronze medal 1907, Art Institute 's Chicago Artists' Exhibition 1915, Society of Western Artists exhibition, first prize 1918, Society of Chicago Artists, silver medal 1921, Peoria Society of Allied, silver medal Solo Exhibitions: 1913, Art Institute of Chicago 1939, Art Institute of Chicago, memorial exhibition Union League Club of Chicago, memorial exhibition Group Exhibitions: 1893, World's Columbian Exposition in Chicago 1896, Art institute of Chicago 1898, Exposition in Omaha, NE 1899, Pennsylvania Academy of Fine Arts 1899-1926, Art Institute of Chicago 1901, Exposition in Buffalo 1903-06 Paris Salon 1904, Universal Exposition in St. Louis 1911, Paris Salon 1911, Expositione de Belle Arti, Naples 1915, Exposition in San Francisco 1950, Chicago Galleries Association 1984, Lakeview Museum of Arts and Sciences, Peoria Memberships: 1918-29, First woman President,Chicago Society of Artists 1927, President of The Art Institute Alumni Association 1929-31, President of Chicago Association of Painters and Sculptors Reference: E. Benezit, Dictionnaire des Peintres, Sculpteurs, Dessinateurs, et Graveurs, Jacques Busse, 1999 Nouvelle Édition, Gründ 1911, Vol. X, page 523; Thieme-Becker Allgemeines Lexikon der Bildenden Künstler von der Antike bis zu Gengenwart, Ulrich Thieme and Felix Becker, Deutscher Taschenbuch Verlag 1992, Vol. XXVI, page 129; Who Was Who in American Art 1564-1975: 400 Years of Artists in America, Peter Hastings Falk, Sound View Press 1999, Vol. III, page 2512; Mantle Fielding’s Dictionary of American Painters, Sculptors and Engravers, Glen B. Opitz, Apollo Press 1983, page 708; Biographical Encyclopedia of American Painters, Sculptors & Engravers of the U.S.: Colonial to 2002, Bob Creps, Dealer’s Choice Books, Inc. 2002, Vol. II, page 1047; Mallett’s Index of Artists, Daniel Trowbridge Mallett, Peter Smith: New York 1948 Edition, R.R. Bowker Company 1935, page 326; Pauline Lennards Palmer...

Georgina Klitgaard Johnny Walker’s Place, circa 1929 Signed lower right Oil on canvas 34 x 42 inches Georgina Klitgaard’s art has sometimes gotten lost in the critical propensity t...

Charming Cottage Garden by Regine David (female French artist, 1910-2018) watercolor painting on artist paper painting: 13 x 14 inches condition: This painting is in excellent condit...

Title: British Original Watercolor of a Rural Village Lane By Anthony Avery (British 1946-2023) Original watercolor on artists paper, unframed Dimensions: 11.25 x 15.25 inches (Heigh...

José Salvaggio, pedal artist from France, at Galerie Bonnard! The French artist José Salvaggio finds his subject in the French world around him. You do...

Signed lower right: 'C.E.L. Green'. Two labels verso: 'Brockton Art Center/Fuller Memorial/Cat. #19/C.E.L. Green:/Shore and Landscape/Painter of Lynn and Newlyn/Sept.9-Nov.1, 1980'; ...

Oil on wooden panel realized by Fausta Settimj in the 1930s. Good condition.

Very nicely painted American school Trompe L'oeil still life painting. Finely executed with great detail. Signed. Framed. Ready to hang!

Oil on canvas Helen Uter is an established Franco-American painter born in 1955 who lives and works in Donnery, near Orléans, France. Heavily influenced by Edward Hopper, she creat...

A visually appealing study of a farmer's cottage with figures conversing outside. Well presented in a gilt-effect frame. Unsigned. Handwritten label to the reverse with the location....

Riverside Village by Regine David (female French artist, 1910-2018) oil painting on board, unframed measures: 10.75 x 13.75 inches condition: This painting is in excellent condition...

Modernist Cityscape by Helen Greenfield (British 20th century) gouache painting on artist paper, unframed artist paper: 19.5 x 14.5 inches condition: overall very good provenance: a...

Rolf Stoll (American, 1892-1978) Spanish Seaside Village (Cadaques Catalonia) Oil on canvas Signed lower right 28 x 38 inches Exhibited: The 11th Annual May Show, Cleveland Museum of Art, 1929 Rolf Stoll, a painter of figure subjects, landscapes and floral still lifes, was an important member of the Cleveland art scene during the second quarter of the century. He was also an influential teacher, as well as one of Ohio’s foremost portrait painters. Rolf Stoll was born in Heidelberg, Germany, in 1892. As a boy, he attended a military academy, during which time he developed an interest in art. He received his early formal training at the Academy of Fine Arts in Karlsruhe and at the Academy of Fine Arts in Stuttgart. He emigrated to the United States in 1912, settling in New York City. A decade later, after studying at the school of the National Academy of Design and supporting himself by working as a commercial artist, Stoll decided to leave New York. Upon the recommendation of Warren Pryor, one of his teachers, he decided to move to Cleveland, Ohio. After arriving in Cleveland, Rolf Stoll continued to work as a commercial artist. However, in 1926, he joined the faculty of the Cleveland School of Art, where he taught drawing. Two years later Stoll was appointed head of the school’s portrait painting department. A talented portraitist, Stoll’s sitters included industrialists, community leaders and many prominent members of Cleveland and Ohio society, as well as over twenty faculty members from Case Western Reserve University. Stoll also gave portrait classes at the John Huntington Polytechnic Institute from 1926 to 1953. In his male portraits especially, he was admired for his ability to convey the dignity of his sitter’s professional position without sacrificing individuality. As noted by one contemporary reviewer, Stoll was a “master of rich color, a searching student of human types, a forceful portrayer of all that the face reveals of the mind and the soul.” In addition to his activity as a portraitist, Rolf Stoll painted figure subjects and floral still lifes. He was also known for his views of the Ohio countryside and Canada. Stoll also painted views of Spain and depictions of Spanish peasants, inspired by an extended trip to that country (1926), during which time he was entertained by the famous Spanish portrait painter, Ignacio Zuloaga. Moving easily between oil and watercolor, Stoll worked in an direct realist style, combining his characteristic firm draftsmanship with the use of simplified forms and decorative color. Rolph Stoll was a member of the Cleveland Society of Artists, the Cleveland Print Club...

A beautiful oil on panel depicting the Piazza of San Gimignano, a walled medieval town in the hills of Sienna province in Tuscany, by Bruno Guaitamacchi...

Edition of 100 Archival pigment ink on Innova Etching Cotton Rag 315 gsm fine art paper

This piece, "Summerhill", is a 12x24 acrylic painting on board by artist Del Bourree Bach featuring quiet rural landscape. The moon slowly begins to r...

Title: Mid Century French Original Pastel Drawing of Stone House with Courtyard Artist: Josine Vignon (French 1922-2022) Medium: Oil Pastel on artist paper Size: 18.75 (height) x ...

Signed lower right, 'F. Coburn' for Frank Coburn (American, 1862-1938); additionally titled, verso, 'Henry, Ill., June, 1918' and titled, 'The Old Mill'. Framed dimensions: 30 x 1.75...

English artist Jonjo Elliot's large scale still life works are a collision of expressionistic fauvism and his collections encourage a youthful candor. Plants thrive in environments t...

Artist/ School: Barbara Doyle, British b. 1917 Barbara Doyle (British b.1917, born in Halifax Yorkshire, lived most of her life on the South Coast of England. She was an extremely a...

Quaint Village with Church Spire - Idyllic Oil Painting by Regine David (female French artist, 1910-2018) oil painting on board, unframed measures: 16 x 13 inches condition: This pa...

This layered paper and drawing collage titled "House Studies Series V" is an original artwork by Seth Clark made of paper, charcoal, pastel, graphite, and acrylic on wood. Through a ...

"En Provence" signed by Regine David (female French artist, 1910-2018) oil painting on canvas, unframed measures: 13 x 18 inches condition: the painting is in very sound and presenta...

Street view. 2013. Cardboard, oil, 97x123 cm

The Old Mill by the River signed by F. E. Jamieson (British 1895-1950), signed with artists pseudonym oil on canvas, framed framed: 21 x 24.5 inches canvas: 18 x 22 inches provenance...

Doesn't this scene just make you want to be there, in this cottage in the country? I liked this painting enough that I actually put some money into it with a restorer to get it into ...

This impressionistic landscape painting captures a serene rural scene, with a winding path leading to a rustic wooden house nestled among lush green trees. The artist's loose brushst...

Impressionistic, en plein air summer landscape of a rural country field overlooking a barn and silo Bright, sunny palette of green, blue and beige #5712 Gardenworks, painted by Harr...

Artist: Boris Serdyuk Work: Original oil painting, handmade artwork, one of a kind Medium: Oil on Canvas Style: Impressionism Year: 2020 Title: Cherry Blossom Size: 19.5" x 27.5" x...

A magnificent 19th century landscape in oil. The scene depicts a German watermill, tucked away in a rocky valley with woodland trees. Illegibly signed to the lower right and titled i...

Charming mid century country landscape with cottage with thatched roof and chickens foraging. Signed "H. H." and dated "1955." Condition: good; some edge and corner wear consistent w...

This charming landscape painting captures a serene path lined with trees, leading towards a sun-drenched Mediterranean town. The artist's loose brushstrokes and choice of colour effe...

Signed with a monogram. Presented in a wooden frame. On board.

"Tudor House in Winter Landscape" by Roy Merrington (British, contemporary) Signed, Oil painting on canvas, unframed painting size: 16 x 21.75inches Lovely depiction of this traditional English landscape and a fine view of a Tudor period...

Title: Light Through Pergolas Artist: Rafael Durán Benet (1931-2015) Technique: Oil on canvas board Dimensions: 13 x 16 in (painting) / 15 x 18 in (with frame) Year of Creation: ...

Artist/ School: French School, circa 2007, indistinctly signed and dated Title: Chateau de Sceaux Medium: oil painting on canvas, unframed, signed canvas: 19.75 x 24 inches Prove...

Mid 19th Century European School "Rustic Mill" Original Oil Painting c.1850 A lumber mill in an alpine setting Original oil painting - No visible signature The canvas appears to h...

Signed lower right "J. Purvit", presumably by Latvian artist Vilhelms Purvitis (1872 - 1945), but we do not claim. The tranquil, unfrozen river flowing on the outskirts of the village, situated on a hill in a picturesque location, whimsically reflects the houses and trees along the shore, adding an extra charm to the scene. The autumn leaves, not yet completely fallen, show bright colors peeking out from under a light blanket of snow covering the trees. In the distance, the mountain ranges add depth and dimension to the scene, while the green trees against the changing backdrop highlight the smooth transition of seasons. The winter sky with its cold hues and the fiery sunset casting beautiful pink shades across the all scene set the mood and create a captivating atmosphere. This painting once again reminds us of the beauty of nature that surrounds us... if only we find the time to pause and appreciate it. Antique oil painting on canvas, signed, unframed. Size app.: 50 x 69.5 cm (roughly 19.7 x 27.4 in). Overall in very good ready to hang condition with just minimal wear. Please study good resolution images for cosmetic condition. In person actual painting may appear darker or brighter than in our pictures, strictly depending on sufficient light in your environment. Weight of app. 2 kg is going to measure 4 kg packed for shipment. Vilhelms Purvitis, landscape painter and educator who founded the Latvian Academy of Art and was its rector from 1919 to 1934. In 1890 Purvītis started studies at the Imperial Academy of Arts in Saint Petersburg, Russia from 1890 to 1897, primarily under Arkhip Kuindzhi...

The Old French Town by Regine David (female French artist, 1910-2018) oil painting on board, unframed measures: 13 x 16 inches condition: the painting is in very sound and presentabl...

Oil on board. Signed lower right.

A place where lives have been well-lived is conveyed in this watercolor painting of a Victorian home by Diane Baldwin (American, 20th century). Signed "...

Picturesque Village by Max Toutain (1935-2006) oil painting on board, unframed board : 16 x 20 inches Provenance: all the paintings we have by this artist have come from the artists ...

Romona Youngquist was born on January 11, 1960 in Yuba City, California, but grew up in Eastern Oklahoma. Youngquist essentially started out in life as a child of nature, spending her time exploring the woods with her dog and collecting critters. While exploring, she also studied the design and color of nature. She recalls many times standing in a field just staring in fascination at the values of the deciduous trees against a dark Oklahoma sky before a storm then rushing home to draw what she had seen. Technically self-taught, she thinks of nature as her real teacher. In 1994 she was awarded a grant from the Alaska State Council for the Arts to study with Oregon landscape painter Michael Gibbons. In the late 1990’s she studied with Michael Workman, a leading Landscape painter from Utah. She has taken their valuable lessons and strengthened her own individual style. Romona also admires the work of Russell Chatham, Emil Carlson...

Cityscape, Original oil Painting, Ready to Hang Artist: Oleg Kateryniuk Work: Original oil painting, handmade artwork, one of a kind Medium: Oil on Ca...

English country side painting by Alfred A Waters (1849 - 1912 United Kingdom). Watercolor on paper. Late 19th century. Unframed.