1930s Art

Artist/ School: French School, first half 20th century. Indistinctly signed to the lower corner. Title: Still Life of Flowers on a window sill, looking outside. Medium: oil paintin...

Signed oil on canvas landscape circa 1930 by German impressionist painter Otto Eduard Pippel. This wonderful and good sized piece depicts a recently harvested field in Chiemsee, Bava...

Marcel DYF 1899 - 1985 This piece has been confirmed by Claudine Dyf This work is registered in the Marcel Dyf Archive under N° ID 5158 Picture Size: 29 x 36" (72 x 92cm) Outside F...

'Paris, la Bourse', gouache on paper, by Lucien Génin (circa 1930s). Created at the beginning of the 19th century by Napoleon, la Bourse, or the Stock Exchange, was intended to assert and encourage France’s prosperity in industry and trade. In 1826 the Stock Exchange was installed in the palace that the architect Brongniart had begun in 1808. Surrounded by a large peristyle of Corinthian columns, the rectangular structure reflects the official neo-classicism of the Empire Period. The artist, Génin, depicts a typically lively 1930s day in front of the building with cars of the period zooming by pedestrians on the walkway and others on the stairs leading to the entrance. He has an extremely charming, almost childlike style particularly the way he renders the people and the vehicles. The building, on the other hand, is accurate in its detail and more seriously presented. Our gallery has held and has sold over a dozen of Genin's paintings but this one stands out for its pure stylish appeal and ability to captivate while inducing a smile in the viewer. The artwork is in good overall condition - there are some minor blemishes not on the artwork itself but on the edges of the mount to which it is attached. The frame is in fair condition showing some nicks and scratches. Please enjoy the many photos accompanying the listing. Upon request a video can be provided. Signed by the artist in the lower right hand. About the Artist: After the devastation of the First World War, Lucien Génin (1894 - 1953) left his provincial home in the autumn of 1919 to find his fortune among the lively Parisians in the heart of Montmartre. Génin befriended the painters Frank Will, Gen Paul, Émile Boyer...

'Desert Flower', gouache on coloured paper, by Pierre Roy (circa 1930s). The artist has skilfully captured the beautiful white flowers extending from the ma...

This appealing original oil on canvas painting is by British artist Paul Earee. Painted in a Post Cubist manner circa 1930, this floral still life depicts a vase of flowers on a table in bold blocks of colour. A really vibrant painting in superb tones. Signed lower right. Provenance. Estate of the artist. Condition. Oil on canvas. Image size 24 inches by 20 inches and in excellent condition. Housed in a gallery frame with complementary tones, 31 inches by 27 inches approx framed. As Frederick Percy Eary, he was born at Sudbury, Suffolk on 16 July 1888, son of Albert Henry Eary (1862-1941), mat weaver, and his wife Hannah (1860-1939). Known as Paul Earee, he was an artist who was professionally trained as an ecclesiastical architect, art teacher and illustrator, using his spare time in painting, etchings and drawing with strong regional content. As an architect he designed many buildings and interiors in Sudbury including the pulpit of St Gregory...

In this sentimental work from 1939, Benton expresses his admiration for the rural lifestyle of the Midwest. He highlights the connection between man and the land by depicting two fig...

A. E. Halliwell (1905-1987) Easter Excursions from London Gouache 26 x 15 cm c.1930 Artist's stamp to reverse Provenance: Family of the artist A.E. Halliwell (1905–1986) was a Brit...

Suzanne Roche, French signed and dated 1930 signed oil painting on canvas, unframed canvas : 21 x 28 inches provenance: private collection, France condition: overall very good

'Pink Laurels in the Park, Côtes d'Azur', watercolour on art paper, by Tony Minartz (circa 1930s). The French Riviera is known for its beautiful parks, particularly in Nice, Menton,...

'Boats on a Pond', oil on canvas, by Charles Kvapil (circa 1930s). This tranquil artwork depicts people fishing from their small boats. The motionless pond is surrounded by lush foliage with some homes as backdrop. The painting is spattered with light. With hardly any air moving in the scene, the still water plays...

A very beautiful signed and dated 1936 impressionist oil on canvas by Lelia Caetani depicting the river Seine in Paris. The artist is very interesting - please see biography below - she was an Italian...

Portrait of Woman with Black Hair and Fringe styling by Anton Sailer (French 1903-1987) Signed & dated 1930 oil on canvas, framed Framed: 23.5 x 18 inches Canvas: 18.5 x 13.5 inches ...

Signed and dated oil on board figures in landscape by French post impressionist painter Gustave Cariot. The piece is set in Wiesbaden, Germany depicts a breathtaking view of the Rive...

Sun Beams Into Grand Central Station (1930) - Silver Gelatin Fibre Print (Photo by Hal Morey/Getty Images) Beams of sunlight streaming through the windows ...

'Man Smoking Shisha in Istanbul', watercolour on art paper, by Yves Brayer (1933). So many historic elements grace this stunning depiction by celebrated French artist and world trave...

'Sacré-Coeur, Montmartre at Willette Square, Paris', gouache on art paper (circa 1930s), by Lucien Génin. Created by the Director of Public Ways and Promenades under Napoleon III, Sq...

A beautiful large 1930's Modern British oil on board depicting a horse in an extensive farmyard. Excellent quality work, presented in a fine antique gilt frame. Artist: British Scho...

'The Yellow Pitcher', oil on canvas, by Charles Kvapil (1939). A prolific painter of bouquets, the artist created dozens of tableaux with flowers as sub...

Henri Lucien Joseph BURON This is potentially Henri Buron's premier work of art. It was exhibited in the Salon des Artistes Française in 1934 having been painted in 1933. The revers...

David Marcus Robinson 1918-1999, was an Irish painter and sculptor who worked in an elementary and archaic manner. He was known as Markey Robinson, bor...

This superb British nude portrait oil painting is attributed to the circle of Harold Knight. Painted circa 1930, it is a seated study of a nude woman in soft focus, arms raised to on...

'Nude Viewed from the Back', oil on canvas, by Charles Kvapil (1937). The world of art has for centuries depicted nudes in one form or another. Kvapil's wonderfully alluring versions may likely be inspired by Courbet and Cézanne. This nude appears on a chair with her back to the artist and viewer. There are plush reds, sensuous pinks and darker, patterned curtains...

A superb oil on canvas Post Impressionist work by British artist Forrest Hewit. This vibrant work depicts an external café scene under trees, with a dozen figures seated or standing at tables. It dates to circa 1930. One can feel the summer heat in this colourful piece. One of the most popular resort towns on the Italian Riviera, little Portofino has just over 500 permanent residents. But that all changes on summer days when the sun is shining, and the yachting set drops anchor in the harbour to wander about. Boutiques, art galleries, cafes and restaurants line the tiny streets. Signed lower right. Provenance. New English Art Club exhibition label verso. RBA label verso. Condition. Oil on canvas, 30 inches by 20 inches unframed and in excellent gallery condition. Housed in a fine frame, 35 inches by 25 inches framed. Good condition. Forrest Hewit (1870-1956) was a very unusual character amongst his fellow artists. Whereas many of his contemporaries turned away from commerce or the professions to become painters, he was very successful in following both paths. Towards the end of the 19th century Manchester was one of the foremost centres of the cotton trade in which Hewit established a career in which he rose to the top and became a prominent member of important institutions and various committees. Alongside this illustrious career ran an equally successful life as an artist. Considering the above, it is no surprise to find that in this field he also became a prominent figure as an Honorary Vice-President of the Manchester Academy of Fine Arts. His paintings are extremely rare as the majority of his output was purchased for permanent collections worldwide. He exhibited widely at the Royal Academy from the outset of his career; the Paris Salon; the New English Art Club; the Royal Hibernian Academy in 1940 and extensively at leading venues throughout England. When he retired from commercial life he had the opportunity to increase his output, which allowed him to stage a series of one-man exhibitions at the New Burlington Gallery in 1936; the Grosvenor Gallery in 1937; the Manchester Academy in 1938; the Goupil Gallery in 1939; Salford, his birthplace, in 1943 and Royal Society of Painters in Water Colours in 1948. He first studied under Thomas Cantrell Dugdale who was probably responsible for his interest in French painting. He also studied under Walter Richard Sickert...

Horst P Horst (1906-1999) (Black and White Photography) Lisa With Harp, 1939 Signed on reverse Silver gelatin print 20 x 16 inches Horst was a perfectionist who raised the standards...

Golfer teeing off circa 1939. (Photo by H. Armstrong Roberts) Beautiful large silver gelatine print of an elegant looking golfer fashionably dressed teeing off during the late 1930...

'Portrait of Boy' by Luigi Corbellini (circa 1930s). The artist painted this endearing young boy whose name remains unknown. Perhaps the slightly timid expre...

John Copley (1875 - 1950) Birds at Evening 1932 Image: 15 x 21.2 cm Frame: 33.0 x 38.2 cm Painter and printmaker John Copley was born in Manchester in 1875. He trained at Mancheste...

French Landscape with Silver Birch Trees in Dappled Light French Post-Impressionist, circa 1930's Oil on board, unframed Board: 19.5 x 24 inches Provenance: Private collection Condit...

Still Life with Violin by Ismael de la Serna (1898-1968) Oil on canvas 81 x 65 cm (31 ⁷/₈ x 25 ⁵/₈ inches) Signed lower centre, La Serna Executed circa 1930 Provenance: Private coll...

SIR CECIL BEATON, CBE (1904-1980) Ballet Costume Design for Le Pavillon - 1936 Signed and bears wardrobe mark l.r.: Beaton Watercolour and ink 49 by 39 cm., 19 ¼ by 15 ½ in. (fram...

Thames Divers (1934) - Silver Gelatin Fibre Print (Photo by H F Davis/Getty Images Archive) Two divers jumping off the Embankment into the River Thames in London, near Westminster...

GIORGIO MORANDI 1890-1964 Bologna 1890-1964 (Italian) Title: View of Montagnola, Bologna Veduta della montagnola di Bologna, ca. 1932 Technique: Original Hand Signed and Numbered ...

Portrait of a Lady in Purple Dress against a Pink and Blue Wallpaper background French School, circa 1930's signed lower front corner oil on canvas, unframed canvas: 22 x 18 inches p...

'Parc des Buttes-Chaumont' in Paris, gouache on art paper, by Lucien Génin (circa 1930s). A charming depiction of well turned out Parisians enjoying a day at the park. Boaters, strollers and swans all co-mingle around the peaceful lake. The reflection of the rocky bluff in the water is superbly treated by Génin. It's a cheerful and uplifting image of days-gone-by in 1930s Paris. The park takes its name from the 'bare hill' (chauve-mont) that once occupied the site. It became a place where gypsum was mined, and where the limestone was quarried to be used in buildings in Paris and the United States. Worse, though, it was a site that also became a dumping ground. Luckily, during the 19th-century renovation of Paris under Napoleon III, chauve-mont was chosen as a place for a large park, as part of the emperor's fascination with endowing Paris with green spaces. The artificial lake created at that time wraps around a hilly central island. The lake attracts waterfowl and other birds and is stocked with fish. The 19th-century planners cleaned up the site and added tons of soil to fill the pits left by a limestone mining operation. Then dynamite was used to "sculpt" the site into the craggy shapes seen today, including the 50-metre-high central hill with cliffs, an interior grotto, pinnacles, and arches. Up on top, overlooking the rest of the park - and depicted in this artwork - is a small, round belvedere, based on the Roman Temple of Vesta in Italy. From that spot you can see a lovely view of Montmartre and the white cupolas of the Sacre-Coeur. The painting is in very good condition. It has been newly framed and glazed with museum-quality glass (anti-reflective and UV protection) to preserve this significant artwork for decades to come. Dimensions with frame: H 62 cm / 24.4" W 76 cm / 29.9" Dimensions without frame: H 48.5 cm / 19.1" W 63 cm / 24.8" About the Artist: After the devastation of the First World War, Lucien Génin (1894 - 1953) left his provincial home in the autumn of 1919 to find his fortune among the lively Parisians in the heart of Montmartre. Génin befriended the painters Frank Will, Gen Paul, Émile Boyer, Marcel Leprin...

Anonymous, UK 1939 Keep Calm and Carry On Ministry of Information Lithographic poster 75 x 50 cm Very rare - we have traced copies in the Imperial War Museum collection but no other...

This charming Post-Impressionist Art Deco oil painting is by noted British prolific Royal Academy exhibitor and Royal Academician William Dring. It is possible that our painting was exhibited in 1954, No. 207 and entitled Summer rather than Summer Frolic. The painting is a garden scene of 4 girls enjoying the sun and one is dancing in the nude. Signed and dated William Dring 1931 lower right. Provenance. Bonhams, Modern Pictures and Illustrations, 11 November 2008, Lot 99. Condition. Oil on canvas, image size 24 inches by 20 inches and in good condition. Frame. Housed in a complementary frame, 30 inches by 26 inches framed and in good condition. William Dring RA (1904-1990) - a painter, draughtsman and teacher, he was born Dennis William Dring, but was known colloquially as John. He was the brother of the artist James Dring, he married the painter Grace Elizabeth Rothwell...

A. E. Halliwell (1905-1987) The Jewel that is London Airbrush and gouache 26 x 33 cm c.1930 Signed to reverse Provenance: Family of the artist A.E. Halliwell (1905–1986) was a Brit...

'Bouquet of Flowers with Vanitas', wax crayon on paper, by French artist, Louis Latapie (circa 1930s). A vanitas painting contains collections of objects symbolic of the inevitabilit...

Golfer teeing off circa 1939. (Photo by H. Armstrong Roberts) Beautiful large silver gelatine print of an elegant looking golfer fashionably dressed teeing off during the late 1930...

Russian Impressionist painting of a meadow by Zhukovsky Russian, 1938 Frame: Height 68cm, width 67.5cm, depth 4cm Canvas: Height 48cm, w...

Signed and dated oil on panel landscape by sought after French post impressionist painter Jacques Martin-Ferrieres. This beautiful piece depicts a view of Auribeau-sur-Siagne, is a c...

The Banks of the Lake by Marc Guillard (French b.1896) signed oil on board, framed Framed: 22 x 28 inches Board: 21 x 27 inches Inscribed Verso Provenance: Private collection, Loire ...

A fine large oil, school of Pierre Bonnard. circa 1950's. oil on canvas 55cmx75cm The original wood and textured gesso frame 72cmx92cm Titled 'On the Window Sill'. Indistinctly sign...

Sun Beams Into Grand Central Station (1930) - Silver Gelatin Fibre Print (Photo by Hal Morey/Getty Images) Beams of sunlight streaming through the windows ...

"Sun Beams Into Grand Central Station" by Hal Morey Beams of sunlight streaming through the windows at Grand Central Station, New York City, circa 1930. Un...

Sun Beams Into Grand Central Station (1930) - Silver Gelatin Fibre Print (Photo by Hal Morey/Getty Images) Beams of sunlight streaming through the windows ...

Charles Walter Simpson. English ( b.1885 - d.1971 ). Dartmoor Ponies, Devon. Oil On Board. Signed Lower Right. Image size 20.7 inches x 28.2 inches ( 52.5cm x 71.5cm ). Frame size 29.5 inches x 37 inches (75cm x 94cm ). Available for sale; this original oil painting is by Charles Simpson and dates from the 1930s. The painting is presented and supplied in a contemporary and sympathetic wood frame (which is shown in these photographs) mounted using conservation materials and behind non-reflective Artglass AR 70™ glass. The previous ply backboard has been retained and is secured onto the new replacement backboard for posterity. This vintage painting is in very good condition, commensurate with its age. It wants for nothing and is supplied ready to hang and display. The painting is signed lower right. Previously with Harris & Sons, 70 George Street, Plymouth, Devon in July 1936. Charles Walter Simpson, known as Walter, was a leading figure in the Newlyn and St Ives art colonies in the early part of the twentieth century. He is perhaps best known in America for his horse paintings but is also widely acclaimed for his mastery of birds. It has been said that as a painter of wildfowl Simpson can have few rivals. He worked in oils, watercolors and tempera. Walter was born at Camberley on 8th May 1855. His mother was Leonora (nee Devas) and his father was Major-General Charles Rudyard Simpson of the Lincolnshire Regiment. Initially Walter was educated by a private tutor, and he later attended the Herkomer School at Bushey. As a youngster Walter was destined for a military career. However, this was prevented by a riding accident which affected both his hearing and sight. He had a considerable talent for drawing and determined to become an artist instead. Walter was initially largely self-taught, but then received guidance from family friends such as G.F. Watts and H.W.B. Davis, RA. He later studied for a short time under the renowned animal artist Lucy Kemp-Welch at Bishley, then with Sir Alfred Munnings, with whom he developed a life-long friendship, at Swainsthorpe. Munnings encouraged him to visit Cornwall, where he studied under Stanhope Forbes RA in Newlyn. Simpson’s first home in West Cornwall was Penzer House in Newlyn, where he was living in 1908. Finally, Simpson completed his studies at the Academie Julien in Paris in 1910. On his return from Paris, Simpson moved to Cornwall again and became engaged to fellow artist Ruth Alison just a couple of days after first meeting her. They were married in 1913, living first in Newlyn and then in Lamorna at “Brodriggy”. They had a daughter, Leonora, born in 1914. In 1916 Simpson and his family moved to St. Ives to set up their own School of Painting, which they ran from numbers 1 and 2 Piazza Studios. During this period Simpson dominated the St. Ives art scene. The family moved back to London in 1924 but returned to Cornwall in 1931. Altogether, they moved between West Cornwall and London eleven times. From his studio in Cornwall Simpson painted in earnest, often on a grand scale, producing wonderful large decorative canvases, specialising in wild ducks, gulls and other sea birds. He had a reputation as an outstanding animal and bird painter. Paget described Charles Simpson in 1945 as “undoubtedly the best bird painter living. He alone, of all artists past and present, can make his birds appear out of their backgrounds as one approaches them, or the light is increased as in nature…”. Simpson relished painting en plein air and Laura Knight commented, "He was so prodigal with paint, he could be traced by the color left on the bushes!". Simpson first exhibited at the Royal Academy in 1906, initially painting mainly non-sporting subjects. From then on, he was a regular contributor to the Royal Academy exhibitions. It was not until 1924, when a rodeo was held at Wembley during which he worked in the ring and produced a book call El Rodeo...

This charming British 1930's Post Impressionist portrait oil painting of a ballerina is by noted female artist Cathleen Sabine Mann. Ballerinas are a popular subject matter in art, conveying great poise, movement and elegance and of course made popular by Degas. A similar composition featuring the same ballerina, but holding a black cat, is held in the Glasgow Museums Resource Centre. In our lovely painting from 1935, the dark haired ballerina is at rest, perched on the edge of an armchair, her pink tutu...

"Skating Waiter" by Horace Abrahams 8th January 1938: A waiter skates across the ice at St. Moritz carrying a tray of drinks for his customers. Unframed Paper Size: 60" x 40'' (in...

'The Church in Billy' (Calvados Region Normandy), oil on canvas by André Lemaître (1936). Billy is a former commune in Normandy, France. This depiction ...

This beautiful British 1930's portrait oil painting is by noted artist Frank Owen Salisbury or Frank O'Salisbury as he is also known. Painted in 1934, the composition is a half lengt...

'The Church of Saint-Nicolas du Chardonnet, Paris', gouache on art paper by Lucien Génin (circa 1930s). In Paris' 5th Arrondissement the site in which Saint-Nicolas du Chardonnet is ...

Farmers in Town (1939) Silver Gelatin Fibre Print - Oversized (Photo by Arthur Rothstein/Alamy) Farmers in town, Fairfield, Montana, USA, circa 1939. Additional Information: Un...

The Old Tree French Post-Impressionist artist, circa 1930's oil painting on board, unframed painting: 13.75 x 10.5 inches provenance: private collection, France condition: basic good...

This lovely Impressionist landscape oil painting is by prolific exhibitor and British artist Oliver Hall. Painted circa 1930 the composition is a path curving through some trees with...

Joan Crawford (1933) Archival Pigment Print - Oversized (Photo by Pictorial Press / Alamy Archives) 1933 Joan Crawford (1905-1977) US film actress. Additional Information: Unfr...

Joan Crawford - Silver Gelatin Fibre Print - Oversized (Photo by Pictorial Press / Alamy Archives) Joan Crawford (1905-1977) US film actress. Additional Information: Unframed Pa...