Miniature Photography

Portrait of Andy Warhol, 1986 by Christopher Makos is an 10 x 8in vintage gelatin silver print on fiber paper. The photograph is stamped (in black ink) on verso (photo back). Provenance: Private Collector *** Artist’s Bio: Christopher Makos (1948- ) is an American photographer and visual artist. He studied architecture in Paris and was an apprentice to Man Ray. Andy Warhol was Makos' good friend and frequent portrait subject. His photographs of Andy Warhol have been exhibited in galleries and museums, including the Guggenheim Museum in Bilbao,Tate Modern in London, Whitney Museum of American Art in New York, IVAM in Valencia (Spain), Reina Sofia Museum in Madrid, among others. Makos’ pictures have appeared in publications, including Paris Match and the Wall Street Journal. The visual artist is the author of numerous books, such as Warhol/Makos In Context (2007), Andy Warhol China...

Rémy Duval, 'School Children, L'ile Saint Louis, Paris', photogravure, 1946. A fine, richly-inked impression in warm black ink, on cream wove B.F.K. Rives p...

11 x 14" vintage silver gelatin photograph of American Ballet Theatre dancer Ruth Ann Koesun, 1962. Comes directly from the Jack Mitchell Archives with...

Finely detailed hand tinted color landscape photograph of Stanford Memorial Church produced by Bear Photo Service (American, 1930s). Photographer is unknown. Numbered 904 bottom right. Displayed in a rustic gilt-toned wood frame with antique glass. Image size: 7"H x 11"W. Stanford Memorial Church is located on the Main Quad at the center of the Stanford University...

Three Graces, Antique Gallery of Florence is a black and white photograph of the early 20th century. Good conditions, aged with foxing.

The Tears we cried (Till Death do us Part) - 2007, 20x20cm, Edition of 10. Digital C-Print print, based on a Polaroid, Certificate and Signature label. Artist Inventory No. 8583. N...

Patty Carroll has been known for her use of highly intense, saturated color photographs since the 1970’s. Her most recent project, “Anonymous Women,” consists of a 3-part series of s...

When would forever be a good time? part II (Till Death do us Part) - 2007, 20x24cm, Edition of 10, digital C-Print print, based on the Polaroid. Certificate and Signature label, ...

Cindy Sherman The Nine Lives of Cindy, 2019 Printed Bone Porcelain 12 1/2 in diameter Limited Edition of 100 Plate signed verso and also accompanied by plate signed documentation card/official Certificate of Authenticity In original box Produced exclusively for the National Portrait Gallery in the United Kingdom on the occasion of the 2019 Cindy Sherman exhibition which also traveled to the Vancouver Art Gallery. Acquired directly from the National Portrait Gallery before it sold out. Cindy Sherman Biography: Born in 1954 in Glen Ridge, New Jersey, Cindy Sherman lives and works in New York NY. Her ground-breaking photographs have interrogated themes around representation and identity in contemporary media for over four decades. Coming to prominence in the late 1970s with the Pictures Generation group alongside artists such as Sherrie Levine, Richard Prince and Louise Lawler, Sherman studied art at Buffalo State College in 1972 where she turned her attention to photography. In 1977, shortly after moving to New York, Sherman began her critically acclaimed Untitled Film Stills. A suite of 69 black and white portraits, Untitled Film Stills sees Sherman impersonate a myriad of stereotypical female characters and caricatures inspired by Hollywood pictures, film noir, and B movies. Using a range of costumes, props and backdrops to manipulate her own appearance and to create photographs resembling promotional film images, the series explores the tension between artifice and identity in consumer culture which has preoccupied the artist’s practice ever since. Sherman continued to channel and reconstruct familiar personas known to the collective psyche, often in unsettling ways. In 1981, the artist created her Centerfolds, a series of photographic double spreads inspired by men’s erotic magazines...

Southern Landscape Photographs by Sally Mann Text by John Stauffer Edited by John Wood Edition: 58 copies 11 bound and 3 loose platinum prints 13 x 15 inches Handcrafted in New England THIS ITEM IS ONLY AVAILABLE AS PART OF THE COMPLETE 21ST COLLECTION. This limited edition book comes with 11 bound and 3 loose Sally Mann photographs...

Kate Breakey's artistic process is an act of investigation – a passionate attempt to establish an understanding of the natural world – a version that incorporates both intellectual a...

Signed and labeled on recto. Vintage platinum print Image 4.5 x 5.75", Mount 5 x 7.25", Mat 16 x 20"

Shadow body is a colour field abstract artwork, focusing on the interplay of form and tone within a monochromatic composition. The deep blue hue creates a sense of depth and fluidity...

'Hide and Seek II', 2016, Edition 1/7 plus 2 Artist Proof Based on a Polaroid, digital C-Print, not mounted. Signed on the back and with certificate. Artist inventory PL2016-208 Ki...

Flo Smith (left) and Lily Pulitzer share a secret at a pool party, Palm Beach, Florida, April 1961. Description and alt text: In this classic image of midcentury poolside glamour, two suntanned white women share a moment by the sparkling blue and green reflective swimming pool. Flo Smith wears a breezy straw hat and sailor striped top with white shorts, and Lily Pulitzer wears a mod Grecian vase print and coral pants, and a vibrant pink kerchief. The figures in the foreground are in crisp detail, and the lush background of palm trees and cool blue sky is in soft focus. There is a beautiful contrast between the soft-focus background foliage and its graphic, bright reflection in the pool in the middle ground. Flo holds a white bag and her nails are painted red, echoing the trim of her hat. Pulitzer wears a jade bracelet, echoing the jade of the pool and her top, and her nails are natural. A blue cabana can be seen in the background. Flo holds an arm around Lily's waist, and Lily lightly tips the corner of Flo's hat. This is a perfect image for a collector of classic photography, midcentury glamour, or iconic friendship. Color chips for complementary decorative shades of soft red, deep pink, delft blue (sky), and jade greens (pool, palms and poolside foliage) can be seen in slideshow. Slim Aarons Estate Edition, Certificate of Authenticity included Numbered and stamped by the Slim Aarons Estate Collector will receive the next number in the edition Modern printing from original transparency C-type print on Fuji Crystal Archive Paper, Crisp detail, continuous tone and brilliant color Paper weight 210gms Matte Satin Surface Complimentary dealer shipping to your framer, worldwide. Over the course of a career lasting half a century, Slim Aarons (1916-2006) portrayed high society, aristocracy, authors, artists, business icons, the celebrated and their milieu. In doing so, he captured a golden age of wealth, privilege, beauty and leisure that occurred alongside—but quite separate from—the cultural and political backdrop of the second half of the Twentieth Century. Photograph is unframed Slide show includes a close-up of the Slim Aarons estate's stamp. Collector will get the next number in the edition * We are pleased to offer the entire archive of the Slim Aarons Estate, offering the official Slim Aarons Estate Edition (only offered in this edition of 150). * Undercurrent Projects, New York, is proud to represent Aarons' full collection of photography, negatives and transparencies. Housed at Getty Images Hulton Archive in London, The Slim Aarons Estate has released the limited Estate edition as a Lambda print, which is a modern c-type prints. They have chosen Lambda prints for their sharpness, clarity, colour saturation and quality, compared to archival inkjet prints. Lambda printing gives true continuous tone. Internal tags are vintage glamour, vintage Palm Beach, midcentury glamour featuring Lily Pulitzer, Slim Aarons, classic midcentury photography, perfect reflection, iconic friendship, historic glamour, red, pink, blue and green, turquoise and jade...

'Black rose' 2023 From Limited edition of 20. Printed on archival Hahnemühle Photo Rag Baryta paper. Signed both front and back with Certificate of Authenticity. Photograph is s...

'Orange Poppies' Analogue colour floral photography. London, United Kingdom 2024. Limited edition of 20. Printed on the finest archival Hahnemühle Photo Rag paper, these limited ...

Coming from an earlier interest in portraits and street photography, my Nudes in Water are less about eroticism and more about body as the human vessel for our multi-faceted but brie...

Grip - 2020 20x20cm, Edition of 7 plus 2 Artist Proofs, Archival C-Print based on a Polaroid. Signed on the back and with certificate. Artist inventory PL2020-839. Not mounted. ...

This silver gelatin print is signed in ink on the front of the mount beneath the image with title in pencil on the back of the mount. Likely printed in the early 1960s. From the co...

Stefanie Schneider's work was used for Marc Forster's movie 'Stay', featuring Ewan McGregor, Naomi Watts and Ryan Gosling. Naomi and Ryan were both portraying artists and Stefanie Sc...

In the artist's Art and Design print series, Rome, 2015 by Roberta Fineberg (RF) is a pink and purple photopolymer monoprint that transports viewers to the vibrant Roman city. Render...

Male model Brahm multiple-exposure nude portrait study, 1970. This is a vintage silver gelatin photograph made by hand by master photographer Jack Mitchell. Comes directly from the J...

Gaze - 2020 20x20cm, Edition of 7 plus 2 Artist Proofs, digital C-Print based on a Polaroid. Signed on the back and with certificate. Artist inventory PL2020-911. Not mounted. Ki...

Willy Ronis is one of the most famous members of the French Humanist photography. Silver print on photographic paper Hand-signed by the artist lower right Stamp of the artist's stud...

'Yellow Poppies' ('Mono No Aware' Series) Limited edition archival photograph. Unframed, hand signed and numbered _________________ Buds, blooms, and the fading glories of Icelandic ...

Awesome black and white capture of film actress Marilyn Monroe smiling while riding an elephant. -- One-of-a-kind original vintage press print from the Celebrity Vault archives. Ow...

"The sea, My source" Medium: Archival pigment print on premium matte photo paper Dimensions: 20 x 27 cm / 7.8 x 10.6 inches (unframed) Edition: Limited Edition of 50 Signed on the ba...

image size: 8 1/2 x 8 inches William Wegman is a renowned photographer famous for his unique and artistic photographs of Weimaraner puppies. His approach to is far from conventiona...

Andy Warhol Portrait of Roy Lichtenstein, 1975 Polaroid dye-diffusion print Authenticated by the Andy Warhol Foundation for the Visual Arts, bears the Foundation stamp verso Also acc...

Hand printed by artist. Amazing tonal range. Framed ready to hang

Original Black and White Photograph of Johnny Weissmuller Black and white photograph 1932, depicting Olympic swimmer Johnny Weissmuller (Hungary, 1904-1984) by George Hurrell (Ameri...

Kate #3, 2002 by American photographer Leonard Freed is in the photographer's series "Kate." This is an 11" x 14" gelatin silver photograph signed verso (back of photo) by the Freed ...

Original vintage 1949 photograph by DON WHITMAN - Western Photography Guild - of popular celebrity Physique Model ED FURY. This is an early original gelatin silver print from the for...

Voyeurism for Playboy is a black and white photograph realized by Helmut Newton. Black and white photograph.  From the series "Voyeurism " realized by Newton for Playboy magazine.

Kenn Duncan (1928-1986). Fashion editorial photo of male model Pat Anderson, ca. 1973. 11 x 14 inches; 12 x 15 inches framed. The print was used for publication in After Dark Magazine. From the estate of William Como, Editor in Chief, After Dark Magazine. Kenneth Duncan was born September 22, 1928, in New Jersey. He began his career as a skater and then a dancer. After breaking his foot and taking a six-week course on photography at a YMCA, he became a photographer. Duncan worked as a principal photographer for After Dark and Dance Magazine. His photographs also regularly appeared in Vogue, Harper's Bazaar, Life, Time, and Newsweek. In addition, he photographed a score of Broadway shows, including Hair, Applause, The Elephant Man, and Sophisticated Ladies and many dance and Broadway stars including Chita...

Pentti Sammallahti was born in 1950 in Helsinki, Finland. Sammallahti was surrounded by works from his grandmother, Hildur Larsson, who was a photographer in the early 1900s. Sammallahti has been photographing the world around him with a poetic eye since the age of eleven. At the age of nine, he visited "The Family of Man...

Hand-tinted albumen print, 7 3/4 x 10 inches (195 x 252 mm), pasted onto a gold-edged board with caption hand-written in black ink.

From June and Oris collection - June As she steps inside, day gives way to night. The air is thick with warmth, heavy with the scent of simmering broth. Hands move in quiet rhythm...

11 x 14" vintage silver gelatin photograph of twin brothers Jay and Jed Johnson photographed for 'After Dark' magazine on June 8, 1970. Comes dire...

Fugitives (Till Death do us Part) - 2005, 40x48cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Certificate and Signature label. Artist...

Titled with artist's reference number and signed in pencil by Cole Weston with Edward Weston's facsimile signature on back of mount. Printed later by Edward's son Cole Weston. The We...

11 x 14" vintage silver gelatin photograph, signed by Jack Mitchell. Comes directly from the Jack Mitchell Archives with a certificate of authenticity. This photograph was from a se...

This photograph by Jack Pierson is offered by CLAMP in New York City. Artist signature stamp in black ink, verso; Also dated 2018 and inscribed, verso

An insipid notion (The astonished world) is a collection of unreal experiences caused by the feeling of late and inexperienced love, and the inability to fully k...

The Dwell - 2018 20x24cm, Edition of 10 plus 2 Artist Proofs. Archival Print on Hahnemühle photo rag paper, based on the Mixed Media collage of a Spectra Polaroid and glitter. Si...

Michael Kenna is a master of contemporary photography. Known for clean compositions, long exposures and minimalist aesthetics, Kenna’s signature style remains highly influential amon...

Victor Arimondi (1942-2001). Portrait, ca. 1975. Period print measures 9 x 12 inches. Artist studio stamp on verso. Victor Arimondi (November 8, 1942 – July 24, 2001) was an Italian American photographer and model who lived and worked in Europe before moving to the United States in the late 1970s. His early fashion photography, his portraits of Grace Jones and other artists, and his male nudes photographed in New York and San Francisco captured the pre-AIDS culture of the 1970s and early 1980s. Arimondi's nudes were collected in several books, including David Leddick's award-winning[1] The Male Nude, (New York: Taschen 1998, 2005 and 2015). The photographer's later work documented homeless individuals in San Francisco's Tenderloin neighborhood and the toll of the AIDS epidemic on the city. His photographs, featured in several posthumous exhibitions, also are in the collections of Sweden's museum of modern art, Moderna Museet, and San Francisco's GLBT Historical Society. Biography Arimondi was born Vittorio Maria Tevitti to his unwed mother, Alessandra Calligaris, in Bologna, Italy on November 8, 1942. His mother struggled financially, which left an impression on her only child. In 1948, she temporarily left him at a children's boarding school and orphanage in Italy to move to Sweden for a job. There she met and married Bruno Arimondi, who adopted her son. The family returned to Naples, Italy in 1952 where Victor graduated from high school.[1] In 1960, Arimondi returned to Sweden to study at the University College of Arts, Crafts and Design in Stockholm, although he did not graduate. Meanwhile, he worked at several blue collar jobs, including as a mailman, before he gave up on traditional full-time work to pursue what he considered more essential— a life of creative expression. He created costume-like clothing for himself and friends and at age 19 became a fashion model. Even as a teenager, the Italian born photographer who spent his 20s and 30s primarily based in Sweden, noted that he preferred fantasy to the trials of real life.[1] That conflict, and his passion for beauty as well as his sexual energy, were major factors in his life and his work.[2] From 1965 through 1972 Arimondi worked as model in London, Milan, Germany, New York and Stockholm, appearing in catalogs and fashion magazines including Vogue , Harper's Bazaar and Esquire and on the runway in several Valentino fashion shows. In 1972 he decided to try working on the other side of the lens as a photographer to better express his creativity.[2] Arimondi moved to New York in 1979 and continued to build his photography portfolio. Portrait of Bearded Man, New York City, 1979 Two years later, in 1981, he moved to San Francisco where he lived and worked for twenty years until his death of AIDS at age 58 on July 24, 2001. The year he moved to San Francisco, Arimondi opened a photo gallery in the Haight-Ashbury neighborhood for a short time. When he struggled financially, he gave up on trying to earn a living through commercial fashion photography and closed the gallery.[3] Arimondi returned to modeling for the financial benefits, though he did so on less of an international scale than in his early years. He continued to create photographic portraits of the denizens of the San Francisco gay and arts cultures, to shoot male nudes and publish his work in magazines, and he began to compose and photograph evocative still lifes using his own photographic images. Many of them touched on the death of dozens of his former photography models from AIDS. Arimondi was in the midst of a new photography project that brought together his background as a fashion photographer and his more recent social documentary work when he died several months after he learned he was HIV-positive.[4] The project featured his former colleague, haute couture cover model Ivy Nicholson,[5] who he found living homeless in San Francisco. Several of the haunting portraits he took of her were later included in a noted group exhibit at SF Camerawork. Art Arimondi's early photography in the 1970s in Stockholm included portraits of the stars of Sweden's fashion, theater and dance worlds. His first two photography exhibits were in Stockholm and met with mixed reviews. But as he matured as a photographer and tapped into his fashion world contacts, Arimondi landed a number of commercial fashion jobs, including shooting for the Italian designer Salvatore Ferragamo S.p.A.'s I.Magnin department store ad that ran in Vogue. Marlboro Man Nude, New York City,1980. He also shot other artists and models for his own portfolio, including Grace Jones, the Norwegian actress, Liv Ullmann, and the American writer, Norman Mailer. Arimondi's aesthetic vision was focused on fantasy and drama, and he prided himself on pushing limits.[6] Although less well-known than his San Francisco contemporary...

Artworks sold in perfect condition : Set # 2 composed of 5 Gallery Print 30x40 cm This is an exceptional offer that we are presenting today. For almost four years, here on 1stdibs, a...

The Games we played (Till Death do us Part) - 2005 20x20cm, Edition of 10, plus 2 artist proofs. Archival C-Print print, based on the Polaroid. Certificate and Signature label, a...

Pentti Sammallahti Cilento, Italy 1999 Gelatin Silver print

(After) Andy Warhol, Screen Test: Edie Sedgwick, 1965 Semi-Gloss 250gsm conservation digital paper Image size: 20 x 30 cm (7.87 x 11.81 in) Paper size: 28 x 36 cm (11.02 x 14.17 i...

Starry Night draws a poetic parallel between the natural world and the celestial, capturing a dense cluster of leaves punctuated by tiny, glowing white blooms. The composition evokes...

Self-Portrait - 2020, Part of the series shot during the second UK lockdown. Edition of 10. 20x20cm. Digital C-Print based on a Polaroid. Not mounted. Leanne Surfleet is an analo...

Black and white fine art landscape photography. Path lined with cypress trees, Tuscany, Italy. International award-winning photography. Archival pigment ink print, edition of 9. Sign...

'Poppy Bloom’ London, United Kingdom 2024. It is a still life black and white film photograph, made with a large format 4x5 Linhof camera. The photograph is signed front and back...

Squares - 2021 - 20x24cm, Edition of 7 plus 2 Artist Proofs, digital C-Print based on a Polaroid, Signed on the back and with certificate. Artist inventory PL2021-1048. Not mount...

Rebecca Skinner’s “Forbode” is a 18 x 12 inch black and white interior photograph of an abandoned, decaying hallway with peeling walls and open doors, evoking an eerie, forgotten, an...

This is a vintage Marc Riboud photo of a Menashe Kadishman sculpture in the Billy Rose sculpture garden at the Israel Museum. Hand signed and editioned. This is for one Photograph from the portfolio entitled "Jerusalem: City of Mankind," The mounting is 14 X 17 inches. the actual photo measurement is between 9.25 X 14 to 10.5 X 13.5 inches (22.9 X 35.6 to 26.7 X 34.3 cm.) This is hand signed and editioned in pencil, on print mount recto; and stamped on the reverse with photographers name and copyright info. In a folding jacket with a printed credit and title. The first copy was awarded to the President of the United States, the second to the President of the State of Israel, the third to the Mayor of Jerusalem and the fourth to the Baron Edmond de Rothschild. Rare Cornell Capa and Baron Edmond De Rothschild “Jerusalem: City Of Mankind” Photo Album 1973. It has been produced by the international fund for concerned photography, INC, New York for the women’s division of the American Friends of the Israel Museum, New York. 15 copied were reserved for participating photographers. Color prints are made by dye transfer process from original transparencies and black and white enlargements are made from original negatives under the photographers supervision. Design and production – Arnold Skolnick / Bhupendra Karia. Color prints by Berkey K & L Custom Services INC, New York. Black and white prints by Igor Bakht Werner Braun – Moonrise over the Knesset Robert Burroughs – At the Western Wall. Cornell Capa – View from the Israel Museum sculpture garden. Leonard Freed – Reading from Sephardic Torah scrolls. Ernst Haas – In the Arab quarter, Old City. Charles Harbutt – Easter, Holy fire. Ron Havilio – Wallscape. Bhupendra Karia – Midday prayers, Al Aqsa grounds. Marc Riboud – Ecumenical landscape Billy rose garden, Israel museum. Ted Spiegel – Benedictine nun, Mount of Olives. Micha Bar-Am – Via Dolorosa on Friday. Marc Riboud (French: 1923 – 2016) was a French photographer, best known for his extensive reports on the Far East: The Three Banners of China, Face of North Vietnam, Visions of China, and In China. Riboud was born in Saint-Genis-Laval and went to the lycée in Lyon. He photographed his first picture in 1937, using his father's Vest Pocket Kodak camera. As a young man during World War II, he was active in the French Resistance, from 1943 to 1945. After the war, he studied engineering at the École Centrale de Lyon from 1945 to 1948. He moved to Paris where he met Henri Cartier-Bresson, Robert Capa, and Chim, David Seymour, the founders of Magnum Photos. By 1953 he was a member of the organization. His ability to capture fleeting moments in life through powerful compositions was already apparent, and this skill was to serve him well for decades to come. Over the next several decades, Riboud traveled around the world. In 1957, he was one of the first European photographers to go to China, and in 1968, 1972, and 1976, Riboud made several reportages on North Vietnam. Later he traveled all over the world, but mostly in Asia, Africa, the U.S. and Japan. Riboud has been witness to the atrocities of war (photographing from both the Vietnam and the American sides of the Vietnam War), and the apparent degradation of a culture repressed from within (China during the years of Chairman Mao Zedong's Cultural Revolution). In contrast, he has captured the graces of daily life, set in sun-drenched facets of the globe (Fès, Angkor, Acapulco, Niger, Bénarès, Shaanxi), and the lyricism of child's play in everyday Paris. In 1979 Riboud left the Magnum agency. Riboud's photographs have appeared in numerous magazines, including Life, Géo, National Geographic, Paris Match, and Stern. He twice won the Overseas Press Club Award, received the Lifetime Achievement Award at the 2009 Sony World Photography Awards and has had major retrospective exhibitions at the Musée d'Art Moderne de la Ville de Paris and the International Center of Photography in New York. Riboud was made an Honorary Fellow of the Royal Photographic Society in 1998. One of Riboud's best known images is Eiffel Tower Painter, taken in Paris in 1953. It depicts a man painting the tower, posed like a dancer, perched between the metal armature of the tower. Below him, Paris emerges from the photographic haze. Lone figures appear frequently in Riboud's images. In Ankara, a central figure is silhouetted against an industrial background, whereas in France, a man lies in a field. The vertical composition emphasizes the landscape, the trees, sky, water and blowing grass, all of which surround but do not overpower the human element. An image taken by Riboud on 21 October 1967, entitled "The Ultimate Confrontation: The Flower and the Bayonet," is among the most celebrated anti-war pictures. Shot in Washington, D.C. where thousands of anti-war activists had gathered in front of the Pentagon to protest against America's involvement in Vietnam. Select Exhibitions 1958 Photographs From The Museum Collection (Museum of Modern Art, New York) 1959 30th Anniversary Special Installation - Towards the "New" Museum (Museum of Modern Art) 1960...

'Dolomites' 2022 It is a black and white film photograph of Dolomite mountains, made using a 4x5 Large format camera Linhof. Ugne Pouwell does all the processing and printing in the...