Miniature Photography

Coming from an earlier interest in portraits and street photography, my Nudes in Water are less about eroticism and more about body as the human vessel for our multi-faceted but brie...

'Untitled' 2013, Edition of 10 plus 2 Artist Proofs, Digital C-Print, based on a Polaroid 59, not mounted, 15.2cm x 10.8cm, not mounted, Signed, embossed stamp and artist certificate...

Title: "Building in Black and White" Medium: Custom Archival Pigment Print on Archival Paper Date: 2019 Dimensions: 10 x 8 in. Signed, dated and inscribed on label COA provided Multi...

A unique original silver gelatin black and white photography. Street musicians, and singers in Lyon, France, circa 1930. Street musicians playing accordion with singers in Lyon, Fra...

Hyomon, Study 1, Hokkaido, Japan is a black and white, limited edition photograph by photographer Michael Kenna. Michael Kenna is a master of contemporary photography. Known for c...

Photographer: Lynn Davis Title: Meroe, Sudan Date Of Negative: 1988 Type Of Print: Gelatin Silver Print Date Of Print: 1999 Edition: 37/50 Numbered in ink, on the verso, left side Si...

Weekending - Polaroid - Unique piece - 2020 Original Polaroid - Unique Piece, signed and titled on back. 7.8 x 7,7cm (image area) 10.7 x 8.7 cm ( including white Polaroid frame)...

Cricket in Antigua (1960) - Limited Estate Stamped (Photo By Slim Aarons) Cricketers on the field during a match between the Leeward Islands and the MCC, Antigua, West Indies, ...

War in Algeria is a Vintage Photo photograph realized in the 1960s. Good conditions and aged.

Black and white fine art long exposure waterscape - landscape photography. Archival pigment ink print as part of a limited edition of 9. All Gerald Berghammer prints are made to orde...

Portrait of Neil Young is a vintage black and white photograph realized in the 1970s. Good conditions.

11 x 14" vintage silver gelatin photograph of composer and musician Ravi Shankar, performing at the Cathedral of St. John the Divine in 1976. Signed by Ja...

Stefanie Schneider's Minis - The size of a Polaroid. Lollipop (Beachshoot) featuring Radha Mitchell, 2005. Lambda digital Color Photographs based on the Polaroid. Sandwiched in ...

Black and white fine art long exposure waterscape - landscape photography. Archival pigment ink print as part of a limited edition of 20. All Gerald Berghammer prints are made to ord...

The Prince (The Princess and her Lover), 2007, part of the 29 Palms, CA project, Edition of of 10, 20x20cm, digital C-Print based on a Polaroid, Signature label and Certificate, a...

Appenzellar Spitzhauben, limited edition photograph, signed and numbered. In Augustan Rome, it was believed that chickens were the divine messengers of the gods. The title is a refe...

"I like to go back to a place. Seasons change. Light, which is theater, changes. Nature is tumultuous, and our contact with it makes life happen.” David H. Gibson is a lifelong ph...

Listing includes framing with UV plexi, free shipping to the continental US and a 14-day return policy. One 4.5 x 3.25 inch unique vintage Kodak print of Tina Chow (1975). Prints are on active consignment from the estate of Antonio Lopez. Purchase includes certificates of authenticity from the estate of Antonio Lopez. These Kodak prints are not signed by Antonio Lopez. Antonio Lopez Biography - The foremost fashion illustrator of the 1970s and 80s, Antonio (as he signed his work) was and remains one of the most highly regarded and influential figures in the fashion world. While not initially known as a photographer, Antonio was rarely without his favorite Instamatic camera, and as his career progressed he turned increasingly to photography to create fashion stories, portraits, and elaborate mise-en-scènes. A serial Svengali, as the writer Karin Nelson noted: “Lopez brilliantly transformed the women in his world. Under his tutelage, Jerry Hall, a long tall Texan he met at Paris’s Club Sept, evolved into a golden goddess. He put Jessica Lange in gold lamé evening dresses after discovering her in Paris studying mime, and gave aspiring model Tina Lutz her start (and an introduction to future husband Michael...

Sparks - 2024 - 20x25cm, Edition of 7 plus 2 Artist Proofs. Archival C-Print based on the original Polaroid. Signature label with certificate. inventory PL2024-27. Not mounted...

Living in a Dream (Till Death do us Part) - 2005 20x20cm, Edition of 10, Archival C-Print print, based on the Polaroid. Certificate and Signature label, artist Inventory No. 9781. Not mounted. on offer is a piece from the movie "Till Death do us Part" Stefanie Schneider’s Till Death Do Us Part or “There is Only the Desert for You.” BY DREW HAMMOND Stefanie Schneider’s Til Death to Us Part is a love narrative that comprises three elements: 1. A montage of still images shot and elaborated by means of her signature technique of using Polaroid formats with outdated and degraded film stock in natural light, with the resulting im ages rephotographed (by other means) enlarged and printed in such a way as to generate further distortions of the image. 2. Dated Super 8 film footage without a sound track and developed by the artist. 3. Recorded off-screen narration of texts written by the actors or photographic subjects, and selected by the artist. At the outset, this method presupposes a tension between still and moving image; between the conventions about the juxtaposition of such images in a moving image presentation; and, and a further tension between the work’s juxtaposition of sound and image, and the conventional relationship between sound and image that occurs in the majority of films. But Till Death Do Us Part also conduces to an implied synthesis of still and moving image by the manner in which the artist edits or cuts the work. First, she imposes a rigorous criterion of selection, whether to render a section as a still or moving image. The predominance of still images is neither an arbitrary residue of her background as a still photographer—in fact she has years of background in film projects; nor is it a capricious reaction against moving picture convention that demands more moving images than stills. Instead, the number of still images has a direct thematic relation to the fabric of the love story in the following sense. Stills, by definition, have a very different relationship to time than do moving images. The unedited moving shot occurs in real time, and the edited moving shot, despite its artificial rendering of time, all too 2009often affords the viewer an even greater illusion of experiencing reality as it unfolds. It is self-evident that moving images overtly mimic the temporal dynamic of reality. Frozen in time—at least overtly—still photographic images pose a radical tension with real time. This tension is all the more heightened by their “real” content, by the recording aspect of their constitution. But precisely because they seem to suspend time, they more naturally evoke a sense of the past and of its inherent nostalgia. In this way, they are often more readily evocative of other states of experience of the real, if we properly include in the real our own experience of the past through memory, and its inherent emotions. This attribute of stills is the real criterion of their selection in Til Death Do Us Part where consistently, the artist associates them with desire, dream, memory, passion, and the ensemble of mental states that accompany a love relationship in its nascent, mature, and declining aspects. A SYNTHESIS OF MOVING AND STILL IMAGES BOTH FORMAL AND CONCEPTUAL It is noteworthy that, after a transition from a still image to a moving image, as soon as the viewer expects the movement to continue, there is a “logical” cut that we expect to result in another moving image, not only because of its mise en scène, but also because of its implicit respect of traditional rules of film editing, its planarity, its sight line, its treatment of 3D space—all these lead us to expect that the successive shot, as it is revealed, is bound to be another moving image. But contrary to our expectation, and in delayed reaction, we are startled to find that it is another still image. One effect of this technique is to reinforce the tension between still and moving image by means of surprise. But in another sense, the technique reminds us that, in film, the moving image is also a succession of stills that only generate an illusion of movement. Although it is a fact that here the artist employs Super 8 footage, in principle, even were the moving images shot with video, the fact would remain since video images are all reducible to a series of discrete still images no matter how “seamless” the transitions between them. Yet a third effect of the technique has to do with its temporal implication. Often art aspires to conflate or otherwise distort time. Here, instead, the juxtaposition poses a tension between two times: the “real time” of the moving image that is by definition associated with reality in its temporal aspect; and the “frozen time” of the still image associated with an altered sense of time in memory and fantasy of the object of desire—not to mention the unreal time of the sense of the monopolization of the gaze conventionally attributed to the photographic medium, but which here is associated as much with the yearning narrator as it is with the viewer. In this way, the work establishes and juxtaposes two times for two levels of consciousness, both for the narrator of the story and, implicitly, for the viewer: A) the immediate experience of reality, and B) the background of reflective effects of reality, such as dream, memory, fantasy, and their inherent compounding of past and present emotions. In addition, the piece advances in the direction of a Gesammtkunstwerk, but in a way that reconsiders this synaesthesia as a unified complex of genres—not only because it uses new media that did not exist when the idea was first enunciated in Wagner’s time, but also because it comprises elements that are not entirely of one artist’s making, but which are subsumed by the work overall. The totality remains the vision of one artist. In this sense, Till Death Do Us Part reveals a further tension between the central intelligence of the artist and the products of other individual participants. This tension is compounded to the degree that the characters’ attributes and narrated statements are part fiction and part reality, part themselves, and part their characters. But Stefanie Schneider is the one who assembles, organizes, and selects them all. THE RELATIONSHIP BETWEEN THIS IDEA (above) AND PHOTOGRAPHY This selective aspect of the work is an expansion of idea of the act of photography in which the artistic photographer selects that which is already there, and then, by distortion, definition or delimitation, compositional and lighting emphasis, and by a host of other techniques, subsumes that which is already there to transform it into an image of the artist’s contrivance, one that is no less of the artist’s making than a work in any other medium, but which is distinct from many traditional media (such as painting) in that it retains an evocation of the tension between what is already there and what is of the artist’s making. Should it fail to achieve this, it remains, to that degree, mere illustration to which aesthetic technique has been applied with greater or lesser skill. The way Til Death Do Us Part expands this basic principle of the photographic act, is to apply it to further existing elements, and, similarly, to transform them. These additional existing elements include written or improvised pieces narrated by their authors in a way that shifts between their own identities and the identities of fictional characters. Such characters derive partially from their own identities by making use of real or imagined memories, dreams, fears of the future, genuine impressions, and emotional responses to unexpected or even banal events. There is also music, with voice and instrumental accompaniment. The music slips between integration with the narrative voices and disjunction, between consistency and tension. At times it would direct the mood, and at other times it would disrupt. Despite that much of this material is made by others, it becomes, like the reality that is the raw material of an art photo, subsumed and transformed by the overall aesthetic act of the manner of its selection, distortion, organization, duration, and emotional effect. * * * David Lean was fond of saying that a love story is most effective in a squalid visual environment. In Til Death Do Us Part, the squalor of the American desert...

Led Zeppelin in the studio in San Francisco, CA. 1969 Printed and Signed by photographer

Portrait and Patriotic Epitaph written by Garibaldi is a CDV albumen print, datable around 1870 circa. The portrait contains a patriotic dedication on the front and a long epitaph hand-written on the back. Very good condition, slight signs of wear on the edges, typical of an object touched and revered and in any case written in pen on almost its surface. Cm 9,5 x 5,5 In the picture a reproduction of an unpublished painting by Garibaldi, which can be placed for its physiognomy and clothing in the years after the "Expedition of the Thousand" (1860). The photographic print also dates around 1860/1870. On the front low margin there is written a powerfull patriottic slogan: "Venite a morire con me" (come die with me), on the back, in same ink and same handwriting there is a long epitaph, readable for almost all of its entirety, reminiscent of a young and strong man who fell for Italy. Unfortunately this long and poetic text, written on the small surface of the CDV, presents some illegible words written on the iedges, which certainly contained the signature, the date and probably the name to which it is dedicated. in the text there are no coretions, but the punctuation and the stylistic form, with some repetitions, suggests that it was written in one go. The handwriting, compared to other autographs by Garibaldi seems the same, especially in the use and in the form of capital letters, used as on other similar writings by Garibaldi to emphasize the words closest to the idea of death for the homeland. It is reasonable to think that this portrait was given to the loved ones of an important fallen soldier, by Giuseppe Garibaldi as his habit. There are other similar documents, in which the hero dedicates poetic verses to famous or friends, in this case, however, the expressive power refers to images of the period of the first Italian battles...

Breeze - 2024 - 20x20cm, Edition of 7 plus 2 Artist Proofs. Archival C-Print based on the original Polaroid. Signature label with certificate. inventory PL2024-039. Not mount...

Hans Namuth Robert Rauschenberg, Carolyn Brown, circa 1960s Stamped on verso Photography 13 3/4 x 10 3/4 inches Provenance Estate of Carolyn Brown, New York 2025. Born in Essen, G...

photo-eye Gallery is very excited to share new works from represented artist Maggie Taylor. After completing her prodigious series of illustrations for Lewis Carroll's Through the Lo...

The photograph captures and translates the American South of the 1960s. Southern State, 1964 by Leonard Freed, is an 11” x 14” gelatin silver photograph from the photographer's Black...

Emergence 2019, Edition 1/10 plus 2 Artist Proof, 20x24cm. Digital Print based on a Polaroid photograph on Hahnemühle photo rag paper. Signature label and certificate. Not mounted....

Passionate, sensitive and an eye for detail, light and color, this is the working method of Dutch photographer Ursula van de Bunte (1969). She is a...

Michael Kenna is a master of contemporary photography. Known for clean compositions, long exposures and minimalist aesthetics, Kenna’s signature style remains highly influential amon...

11 x 14" vintage silver gelatin photograph of Photorealist Artist John Kacere at an exhibition of his paintings in 19712. Comes directly from the Jack Mitchell Archives with a certi...

Black and White Fine Art cityscape - urban landscape photography. Najadenbrunnen towards the Columbary in the park of Schoenbrunn Palace, Vienna, Austria. Archival pigment ink print,...

Ed Ruscha Some Los Angeles Apartments, 1970 Softback monograph with stiff wraps Second Edition Limited Edition of 3000 (the first edition in 1968 was 700) 7 × 5 1/2 inches Accompanie...

Paris - Nude in front of Montparnasse tower

Ten years ago, after a particularly tumultuous period in his life, Michael Kenna quietly made a decision to expand his photographic practice to include the human form. Kenna is well known for his minimalistic landscapes, and has been vocal in the past about the absence of the human figure in his photographs stating, "I feel they gave away the scale and became the main focus of the viewer’s attention." But, believing "fixed dogma is not a creative tool...

'Library' London, United Kingom 2024 Limited edition of 20. The photograph is signed front and back and comes with a Certificate of Authenticity. Carefully placed in a secure ca...

Patty Carroll has been known for her use of highly intense, saturated color photographs since the 1970’s. Her most recent project, “Anonymous Women,” consists of a 3-part series of s...

Warhol superstar Joe Dallesandro photographed nude for After Dark magazine, 1970, shortly after starring in Andy Warhol's 'Trash'. Vintage 11 x 14 inch silver gelatin exhibition phot...

Silver Gelatine Print by Erich Andres, ca 1950. Andres was born 1905 in Germany and passed away 1992. He started his career as a photographer in 1920. He was one of the first photogr...

Transportation of Marble Blocks is a Silver Salt print realized in the 1910s. From Alinari archive. Good conditions and aged.

'Porto Venere No.3' Lerici, Italy 2024 Limited edition of 20. Printed on Hahnemühle photo rag Baryta 308 Gsm fine art paper, these limited edition photographs are designed to with...

'Daydream' London United Kingdom, 2022 Photographed using large format 4x5 film camera. From limited edition of 20. The photograph is signed front bottom right corner and comes ...

Silver Gelatine Print by Erich Andres, ca 1950. Andres was born 1905 in Germany and passed away 1992. He started his career as a photographer in 1920. He was one of the first photogr...

Erin Eggerman ASB Railroad Bridge Lift Mechanism Year: 2024 Archival Pigment Print on Hahnemuehle Baryta Rag Framed Size: 13 x 13 x 0.25 inches COA provided *Ready to hang; matted ...

Dogs, USA, Greenwich, CT is a 5" x 7" black and white photograph, stamped “vintage” by the Freed estate on verso (back) of gelatin silver press. Provenance: Freed archive. The photo...

Stand, 2017, Edition 2/7 Based on a Polaroid Digital C-print, not mounted. Signed on the back and with certificate. Artist inventory PL2017-156 Kirsten Thys van den Audenaerde is a ...

This print is currently featured in our exhibition, Warm Regards, and will be available to ship after the show closes June 24th, 2017. Pentti Sammallahti is a benchmark figure in co...

Bobby Lying in Bed from “Pink Narcissus” (Bobby Kendall), late 1960s/2022 Estate stamped and numbered on label, verso Digital C-print 15 x 15 inches, image (Edition of 25) $2,000 ...

11 x 14" vintage silver gelatin photograph of Adagio dancers Luis Villanueve and Zinaida Yeviko, 1975, signed by Jack Mitchell on the print verso. Comes directly from the Jack Mitch...

Dancer/Choreographer Lar Lubovitch, 1971. This is an 8 x 10" vintage silver gelatin photograph that was published by a newspaper or magazine which they u...

Edition 5 of 45 Michael Kenna is a master of contemporary photography. Known for clean compositions, long exposures and minimalist aesthetics, Kenna’s signature style remains high...

Osvaldo Salas, widely recognized as one of the world’s great press photographers, was born in Havana, Cuba in 1914. At the age of fourteen, he left Havan...

Plane ghost - 2008 40x40cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signature label and Certificate. Artist Inventory #4638. Not mounted. ...

Archival pigment print (Edition of 15) Signed in pencil, verso 9 x 9 inches, image From the series, "Allowed to Grow Old" This artwork is offered by ClampArt, located in New York C...

Edition 25 Framed Chromaluxe A classic handbag from Chanel. Inside is a gun, a mobile phone, a lipstick and powder. A man with x-ray vision, NICK VEASEY creates art that shows what ...

Michael Kenna is a master of contemporary photography. Known for clean compositions, long exposures and minimalist aesthetics, Kenna’s signature style remains highly influential amon...

Vintage Polaroid print (Unique) Signed in pencil, verso This artwork is offered by ClampArt, located in New York City. Price includes framing. Jim French first began drawing and then photographing male erotica in the 1960s. Originally a successful fashion illustrator, French and an old army buddy partnered to open a mail order company in New York City they called Luger. French contributed homoerotic drawings of hyper-masculine types such as soldiers, cowboys, and bikers. Eventually he bought out his business partner, and by 1967, under the pseudonym Rip Colt, he founded the now infamous Colt Studio...

Ed Feingersh photographed Marilyn Monroe for Redbook magazine in March 1955 for a story which would follow Monroe through her daily routine, the photography to be candid and shot wit...

Héliogravure on vélin paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Man Ray, Electa Editrice Portfolios, 1980. Published and printed ...

"Venus Goes Swimming" Photography 18" x 18" inch Edition 1/15 by Brendan North Available sizes: Edition of 15: 18" x 18" inch Edition of 7: 30" x 30" inch Edition of 3: 40" x 40" i...

Hanna Seidel (1925 to 2005) lived and worked in Argentina for many years. She was a world traveller, journeying to South America in the 1950s and to Central America, Japan, India, an...