Miniature Photography

This work was acquired directly from The Andy Warhol Foundation for the Visual Arts. The work is in pristine condition and has never been framed. This is a unique work which comes w...

ZZ Top, Humble, Texas by Michael O'Brien is a color portrait of the members of the American rock band, ZZ Top. Formed in Houston, Texas, the band consisted of vocalist-guitarist Bill...

'She Knows' 2016, Edition 1/7 plus 2 Artist Proofs Based on a Polaroid, digital C-Print, not mounted. Signed on the back and with certificate. Artist inventory PL2016-214 Kirsten Th...

Los Angeles-based photographer Tyler Shields seeks “beauty in chaos,” capturing both young models and celebrities such as Lindsay Lohan and Mischa Barton. His polished editorial imag...

This is a vintage Marc Riboud photo of a Menashe Kadishman sculpture in the Billy Rose sculpture garden at the Israel Museum. Hand signed and editioned. This is for one Photograph from the portfolio entitled "Jerusalem: City of Mankind," The mounting is 14 X 17 inches. the actual photo measurement is between 9.25 X 14 to 10.5 X 13.5 inches (22.9 X 35.6 to 26.7 X 34.3 cm.) This is hand signed and editioned in pencil, on print mount recto; and stamped on the reverse with photographers name and copyright info. In a folding jacket with a printed credit and title. The first copy was awarded to the President of the United States, the second to the President of the State of Israel, the third to the Mayor of Jerusalem and the fourth to the Baron Edmond de Rothschild. Rare Cornell Capa and Baron Edmond De Rothschild “Jerusalem: City Of Mankind” Photo Album 1973. It has been produced by the international fund for concerned photography, INC, New York for the women’s division of the American Friends of the Israel Museum, New York. 15 copied were reserved for participating photographers. Color prints are made by dye transfer process from original transparencies and black and white enlargements are made from original negatives under the photographers supervision. Design and production – Arnold Skolnick / Bhupendra Karia. Color prints by Berkey K & L Custom Services INC, New York. Black and white prints by Igor Bakht Werner Braun – Moonrise over the Knesset Robert Burroughs – At the Western Wall. Cornell Capa – View from the Israel Museum sculpture garden. Leonard Freed – Reading from Sephardic Torah scrolls. Ernst Haas – In the Arab quarter, Old City. Charles Harbutt – Easter, Holy fire. Ron Havilio – Wallscape. Bhupendra Karia – Midday prayers, Al Aqsa grounds. Marc Riboud – Ecumenical landscape Billy rose garden, Israel museum. Ted Spiegel – Benedictine nun, Mount of Olives. Micha Bar-Am – Via Dolorosa on Friday. Marc Riboud (French: 1923 – 2016) was a French photographer, best known for his extensive reports on the Far East: The Three Banners of China, Face of North Vietnam, Visions of China, and In China. Riboud was born in Saint-Genis-Laval and went to the lycée in Lyon. He photographed his first picture in 1937, using his father's Vest Pocket Kodak camera. As a young man during World War II, he was active in the French Resistance, from 1943 to 1945. After the war, he studied engineering at the École Centrale de Lyon from 1945 to 1948. He moved to Paris where he met Henri Cartier-Bresson, Robert Capa, and Chim, David Seymour, the founders of Magnum Photos. By 1953 he was a member of the organization. His ability to capture fleeting moments in life through powerful compositions was already apparent, and this skill was to serve him well for decades to come. Over the next several decades, Riboud traveled around the world. In 1957, he was one of the first European photographers to go to China, and in 1968, 1972, and 1976, Riboud made several reportages on North Vietnam. Later he traveled all over the world, but mostly in Asia, Africa, the U.S. and Japan. Riboud has been witness to the atrocities of war (photographing from both the Vietnam and the American sides of the Vietnam War), and the apparent degradation of a culture repressed from within (China during the years of Chairman Mao Zedong's Cultural Revolution). In contrast, he has captured the graces of daily life, set in sun-drenched facets of the globe (Fès, Angkor, Acapulco, Niger, Bénarès, Shaanxi), and the lyricism of child's play in everyday Paris. In 1979 Riboud left the Magnum agency. Riboud's photographs have appeared in numerous magazines, including Life, Géo, National Geographic, Paris Match, and Stern. He twice won the Overseas Press Club Award, received the Lifetime Achievement Award at the 2009 Sony World Photography Awards and has had major retrospective exhibitions at the Musée d'Art Moderne de la Ville de Paris and the International Center of Photography in New York. Riboud was made an Honorary Fellow of the Royal Photographic Society in 1998. One of Riboud's best known images is Eiffel Tower Painter, taken in Paris in 1953. It depicts a man painting the tower, posed like a dancer, perched between the metal armature of the tower. Below him, Paris emerges from the photographic haze. Lone figures appear frequently in Riboud's images. In Ankara, a central figure is silhouetted against an industrial background, whereas in France, a man lies in a field. The vertical composition emphasizes the landscape, the trees, sky, water and blowing grass, all of which surround but do not overpower the human element. An image taken by Riboud on 21 October 1967, entitled "The Ultimate Confrontation: The Flower and the Bayonet," is among the most celebrated anti-war pictures. Shot in Washington, D.C. where thousands of anti-war activists had gathered in front of the Pentagon to protest against America's involvement in Vietnam. Select Exhibitions 1958 Photographs From The Museum Collection (Museum of Modern Art, New York) 1959 30th Anniversary Special Installation - Towards the "New" Museum (Museum of Modern Art) 1960...

Stunning color capture of Marilyn Monroe and Ray Anthony smiling in a helicopter. -- One-of-a-kind original vintage press print from the Celebrity Vault archives. Own a piece of his...

This floral photography has a dramatic sense of composition which recalls the careful arrangements of Dutch and Flemish still life paintings from the 17-18 century. Belgian photog...

'Side Kick' 2019, 20x20cm, Edition 1/7 plus 2 Artist Proofs Digital C-Print, based on a Polaroid, not mounted. Signed on the back and with certificate. Artist inventory PL219-684. K...

'Smoker's reflect' 2019, 20x20cm, Edition 1/7 plus 2 Artist Proofs Digital C-Print, based on a Polaroid, not mounted. Signed on the back and with certificate. Artist inventory PL219-...

'Vantage Point' 2019, 20x20cm, Edition 1/7 plus 2 Artist Proofs Digital C-Print, based on a Polaroid, not mounted. Signed on the back and with certificate. Artist inventory PL219-687...

'A breath of fresh air' 2019, 20x20cm, Edition 1/7 plus 2 Artist Proofs Based on a Polaroid, digital C-Print, not mounted. Signed on the back and with certificate. Artist inventory P...

Archival pigment print (Edition of 5 + 2 APs) Signed and numbered on label, verso This photograph is offered by ClampArt, located in New York City. Frances F. Denny writes: “During the research process for a prior series of photographs, I discovered two related facts about my family tree: a) Mary Bliss Parsons, my 8​th​ great-grandmother, was accused of witchcraft in 1674 in Northampton, Massachusetts, and b) less than two decades later in 1692, my 10t​h​ great-grandfather, Samuel Sewell, presided as a judge in the Salem Witch Trials. One body of work came and went, but this ancestral coincidence stayed with me. What is a witch? Who does that word belong to—now? “Major Arcana: Witches in America​ is a collection of portraits of women from across the United States who identify as witches. As early as 15th-century Europe, people condemned as witches faced a cruel fate: torture, and in many cases, death. Yet despite its history, recent decades have seen a reclaiming of the word ‘witch.’ In the mid-20th century, emerging pagan communities in the United States and Europe began embracing the term, and since then, ‘witch’ has been adopted by a diverse group of people. “Major Arcana​ explores the various ways the notion of witch-ness belongs to those who claim it, representing the witch as a self-sought identity that both empowers and politicizes its bearer. Each woman photographed for ​Major Arcana​ (including genderfluid and trans individuals) pursues a form of witchcraft, whether aligned with a religion (like Wicca or Voudou) or a self-defined practice. No two individuals inhabit the term ‘witch’ in quite the same way, but many consider themselves pagan, and engage in a diversity of traditions, including: mysticism, engagement with the occult, politically-oriented activism, polytheism, ritualized ‘spell-craft,’ and plant-based healing. Among those included in the series are self-proclaimed green witches, white witches, kitchen witches...

This gelatin silver print was created by American photographer Christopher Makos. Makos is well known for his relationships with icons like Andy Warhol, Tennessee Williams, and John ...

CBGB's, NYC, 1977 Silver gelatin print 11 x 14 inches Signed open edition Danny Fields, Joey Ramone of the Ramones and David Johansen outside CBGB, NYC. A...

Hand printed by artist. Signed in pencil on recto, signed and titled on verso. Stamped. Framed in silver archival mat and plexi.

Unmounted, unsigned. Authenticated and stamped by the Brett Weston Archive. Printed later.

Provence, France, 1955 - Elliott Erwitt (Black and White Photography) Signed, inscribed with title and dated on accompanying artist’s label Silver gelatin print, printed later Avail...

Patty Carroll has been known for her use of highly intense, saturated color photographs since the 1970’s. Her most recent project, “Anonymous Women,” consists of a 3-part series of s...

A quiet study in form and reflection, Tracing the Light captures the ephemeral meeting of ocean and shoreline. The gentle curves of wet sand illuminated by soft, angled light evoke t...

Works of Fire When I look into the night sky I am awestruck by the darkness that is the universe. As the sparse light of the stars descends, I am entangled in a state of wonder, sea...

Each image is hand-printed by the artist on archival paper Signed Edition of 17/ 3AP Ask about other sizes Renée Jacobs is one of the most celebrated pho...

Hamburg-Rathaus #02 - From the series Been there, done that - 2006, 20x20cm, Edition of 10. Archival pigment print, based on an original Polaroid on beautiful PHOTO RAG ® ULTRA S...

Tim Engelland (American, 1950-2012) Untitled, 1989 Woodcut 11 x 8 1/2 in. Signed and dated lower right Numbered lower left 29/250 A lifelong artist, Engelland specialized in oil po...

Finnish Photographer Christoffer Relander’s We Are Nature series blurs the line between the natural world and the human form to such a degree that it is impossible to tell where one ...

Modern black and white off-centered film negative of a photograph of a tree. The 24th image on the strip of film, the skewed composition creates an air ...

Illuminated (Deconstructivism) - 2015 - about the narrative potential of images. 20x24cm, Edition of 10, digital C-Print, based on a Polaroid, Artist Inventory 20271. Signature l...

Christian Rothmann ROBOTNICS Series C-Print 2019 Edition S (Edition of 10) 12 x 8.3 inches (30.5 x 21 cm) Signed, dated and numbered verso Other Edition Sizes available: - Edition M (Edition of 6) 35.4 x 23.6 inches (90 x 60 cm) - Edition L (Edition of 6) 47.2 x 31.5 inches (120 x 80 cm) - Edition XL (Edition of 3) 88.8 x 58.8 inches (225 x 150 cm) PUR - Price Upon Request -------------- Since 1979 Christian Rothmann had more than 40 solo and 80 group exhibitions worldwide. Christian Rothmann had guest lectures, residencies, art fairs and biennials in Europe, Japan, USA, Australia and Korea. Christian Rothmann (born 1954 in Kędzierzyn, Poland ) is a painter, photographer, and graphic artist.⁠ ⁠ In 1976 he first studied at the “Hochschule für Gestaltung” in Offenbach, Germany and moved to Berlin in 1977, where he graduated in 1983 at the “Hochschule der Künste”. From 1983 to 1995 he taught at the university as a lecturer and as an artist with a focus on screenprinting and American art history. To date, a versatile body of work has been created, which includes not only paintings but also long-standing photo projects, videos, and public art.⁠ ⁠ Guest lectures, teaching assignments, scholarships and exhibitions regularly lead Rothmann to travel home and abroad.⁠ ------------------------ Rothmann's Robots These creatures date back to another era, and they connect the past and the future. They were found by Christian Rothmann, a Berlin artist, collector and traveler through time and the world: In shops in Germany and Japan, Israel and America, his keen eye picks out objects cast aside by previous generations, but which lend themselves to his own work. In a similar way, he came across a stash of historic toy robots of varied provenance collected by a Berlin gallery owner many years ago. Most of them were screwed and riveted together in the 1960s and 70s by Metal House, a Japanese company that still exists today. In systematically photographing these humanoids made of tin - and later plastic - Rothmann is paraphrasing the idea of appropriation art. Unknown names designed and made the toys, which some five decades on, Rothmann depicts and emblematizes in his extensive photo sequence. In their photographs of Selim Varol's vast toy collection, his German colleagues Daniel and Geo Fuchs captured both the stereotypical and individual in plastic figures that imitate superheroes which were and still are generally manufactured somewhere in Asia. Christian Rothmann looks his robots deep in their artificially stylized, painted or corrugated eyes - or more aptly, their eye slits - and although each has a certain degree of individuality, the little figures remain unknown to us; they project nothing and are not alter egos. Rothmann trains his lens on their faces and expressions, and thus, his portraits are born. Up extremely close, dust, dents, and rust become visible. In other words, what we see is time-traces of time that has passed since the figures were made, or during their period in a Berlin attic, and - considering that he robots date back to Rothmann's childhood - time lived by the photographer and recipients of his pictures. But unlike dolls, these mechanical robots bear no reference to the ideal of beauty at the time of their manufacture, and their features are in no way modeled on a concrete child's face. In this art project the robots appear as figures without a context, photographed face-on, cropped in front of a neutral background and reduced to their qualities of form. But beyond the reproduction and documentation a game with surfaces is going on; our view lingers on the outer skin of the object, or on the layer over it. The inside - which can be found beneath - is to an extent metaphysical, occurring inside the observer's mind. Only rarely is there anything to see behind the robot's helmet. When an occasional human face does peer out, it turns the figure into a robot-like protective casing for an astronaut of the future. If we really stop and think about modern toys, let's say those produced from the mid 20th century, when Disney and Marvel films were already stimulating a massive appetite for merchandising, the question must be: do such fantasy and hybrid creatures belong, does something like artificial intelligence already belong to the broader community of humans and animals? It is already a decade or two since the wave of Tamagotchis washed in from Japan, moved children to feed and entertain their newly born electronic chicks in the way they would a real pet, or to run the risk of seeing them die. It was a new form of artificial life, but the relationship between people and machines becomes problematic when the machines or humanoid robots have excellent fine motor skills and artificial intelligence and sensitivity on a par with, or even greater than that of humans. Luckily we have not reached that point yet, even if Hollywood adaptations would have us believe we are not far away. Rothmann's robots are initially sweet toys, and each toy is known to have a different effect on children and adults. They are conceived by (adult) designers as a means of translating or retelling history or reality through miniature animals, knights, and soldiers. In the case of monsters, mythical creatures, and robots, it is more about creating visions of the future and parallel worlds. Certainly, since the success of fantasy books and films such as Lord of the Rings or The Hobbit, we see the potential for vast enthusiasm for such parallel worlds. Successful computer and online games such as World of Warcraft...

From the Odin's Cove series – Odin’s Cove is about a sense of place. It is a celebration of the beauty of nature in a visually stimulating landscape where untamed bramble and ivy su...

Tales of Self-Illumination (Self Portrait), 2001 22x22cm (plus a 2cm white border) Fine art print based on a Polaroid on RAG ULTRA SMOOTH, 305gsm, 100% cotton by HAHNEMÜHLE Hand sign...

This mid-1950s portrait photograph, captured by society photographer Slim Aarons, features Swedish model Inga Lindgren, wife of Argentinian finance minister Ceferino Alonso Irigoyen, wears designs by Vera Stewart with her standard poodles...

Winter Landscape, 2016, 40 x 40 cm, edition of 10, digital C-Print based on a Polaroid, hand-numbered and signed on the back by artist. unmounted Artist Statement “Since my childh...

"Playboy Daydream" Photography 18" x 18" inch Edition of 15 by Brendan North Not Framed Ships rolled in a tube ABOUT: Brendan North is a fine art photographer based in Los Angeles....

Toned gelatin silver print Signed, titled, dated, and numbered, recto 14 x 11 inches, sheet (Edition of 25) 20 x 16 inches, sheet (Edition of 25) 24 x 20 inches, sheet (Edition of 15) 40 x 30 inches, sheet (Edition of 15) This photograph is offered by ClampArt, located in New York City. Michael Crouser's series, "Mountain Ranch," is a ten-year look at the disappearing world of cattle ranching...

Cranmore Slopes and Trails 1955 Chromogenic Lambda Print Estate edition of 150 Skiers at the Cranmore Mountain Resort, North Conway, New Hampshire, USA, 1955. Estate stamped and h...

Archival inks on rag paper Signed, titled, dated, and numbered, verso 14 x 14 inches (Edition of 15) 20 x 20 inches (Edition of 7) This artwork is offered by ClampArt, located in N...

Titled with artist's reference number and signed in pencil by Cole Weston with Edward Weston's facsimile signature on back of mount. Printed later from the original negative by Cole ...

Adolph Studly, Swiss born American photographer. His work is kept in the Photographic Archive at The Museum of Modern Art Archives, New York. He was known for his gallery photograp...

11 x 14" vintage silver gelatin photograph of Warhol Superstar Jane Forth & Michael Findlay nude for 'After Dark' magazine, 1970. Comes directly from t...

Ease me - 2021 - 20x20cm, Edition of 7 plus 2 Artist Proofs, digital C-Print based on a Polaroid, Signed on the back and with certificate. Artist inventory PL2021-1075. Not mount...

'Ojos' 2009, Edition 1/10 plus 2 Artist Proofs. 30 × 30 × 0.8 cm. Digital Print based on a Multiple exposure Polaroid, mounted under Plexi. Signed on verso with Certificate. "To see...

This photograph of Marilyn Monroe was shot by photographer, George Barris, in 1962 on Santa Monica Beach in California. This photograph is from a collection entitled "The Last Photos...

Signed Silver gelatin print Available in two sizes: 11 x 14 inches 16 x 20 inches Also available as an editioned archival pigment print in two larger sizes, please enquire for deta...

3 Stefanie Schneider's Minis from 'Stranger than Paradise': 'Blue Mountains', 'Palm Trees at Wilcox', 'Blue Bridge', signed in front, not mounted Lambda digital Color Photographs bas...

'Kate Moss Supreme' photographed in New York's historic Soho area in 2012 by celebrated downtown photographer Fernando Natalici. In 2012, Moss was chosen as the face for Supreme’s spring campaign. Kate’s cold stare down British photographer Alasdair McLellan’s lens, while wearing Supreme's signature box logo tee, a leopard fur coat and cigarette burning down to the filter, makes for a chic New York City...

'Faith' 2015 digital C-Print, Edition 1/10, 20x30cm Signature label and Certificate. Not mounted. About Tao Ruspoli (born 7 November 1975) is an Italian-American filmmaker, photogra...

Stefanie Schneider's Minis 'The Girl IV' (The Girl behind the White Picket Fence), 2013 signed and signature brand on verso Lambda digital Color Photographs based on the Polaroid P...

Marvin Gaye Detroit 1976 by Leni Sinclair: Marvin Gaye photograph, Detroit, 1976, by the legendary & historic Detroit photographer Leni Sinclair; 2016's K...

1980s Keith Haring photograph: Rare vintage original Keith Haring darkroom photograph by New York underground photographer Lawrence Horn. Signed & d...

Jerusalem Wailing Wall Photo with couple at night. This is for one Photograph from the portfolio entitled "Jerusalem: City of Mankind," The mounting is 14 X 17 inches. the actual ph...

Coming from an earlier interest in portraits and street photography, my Nudes in Water are less about eroticism and more about body as the human vessel for our multi-faceted but brie...

Italian artist and actress Domiziana Giordano, Italian author Francesca Sanvitale (1928 - 2011), Dino Trappetti and Umberto Terrelli dining al fresco ...

The Journey II- Shot 2019 on 600 film. Influenced by 1950s and 1980s cinema, The Journey sees a young woman heading off into the unknown where fate and chance all come into play. Th...

Youth at mets Game waiting for Autograph on August 20th, 1970 Photographer is Fred McDarrah Over a 50-year span, McDarrah documented the rise of the Beat Generation, the city’s postmodern art movement, its off-off-Broadway actors, troubadours, politicians, agitators and social protests. Fred captured Jack Kerouac frolicking with women at a New Year’s bash in 1958, Andy Warhol adjusting a movie-camera lens in his silver-covered factory, and Bob Dylan offering a salute of recognition outside Sheridan Square near the Voice’s old office. Not just a social chronicler, McDarrah was a great photo-journalist. For years, McDarrah was the Voice's only photographer and, for decades, he ran the Voice’s photo department, where he helped train dozens of young photographers, including James Hamilton, Sylvia Plachy, Robin Holland...

"The Beauty of the Uncommon Tools" is from Tony Chirinos' project entitled, "The Precipice", - also released as a book project by Gnomic Book in 2021 - which serves as a photographic...

Girl from the Nant (2018) Edition of 10 - 40 x 40 cm - Digital C-Print based on a on a SX-70 Polaroid, not mounted. Signed on back and certificate. Artist: The image was partly insp...

Henry B. Cabot Jr. (standing, centre) with his son Henry Bromfield Cabot III and their host Barclay (Buzzy) H Warburton III (in striped shirt) aboard the brigantine 'Black Pearl', ci...

Black and white fine art long exposure cityscape - waterscape photography. Archival pigment ink print as part of a limited edition of 9. All Gerald Berghammer prints are made to orde...

This mid-1950s portrait photograph, captured by society photographer Slim Aarons, features a group of friends squeeze onto an inflatable raft at the Venice Lido, Venice, Italy. This...

Frida with Granizo by Nickolas Muray is a portrait of Frida Kahlo with her pet deer, Granizo. She places her hand lovingly on the deer while looking towards the viewer, with a cigare...

Metallic photograph of interior space with a bed. The photograph is layered and in black and white. The work is signed and titled by the artist. It is framed in a black frame.