Framed Black and White Photography

A portrait of Nganamya, a Turkana woman from northern Kenya in 2019. John Kenny’s work is all shot on location in some of the remotest corners of Africa. His images are all taken wi...

A portrait of Nawoi, a Turkana woman from northern Kenya in 2019. John Kenny’s work is all shot on location in some of the remotest corners of Africa. His images are all taken with ...

The Arbore of southern Ethiopia are a small group living within a few square miles of the Omo Valley. They are located near to Lake Stefanie, known locally as Chew Bahir, a body of ...

Hand printed by the artist. Signed in pencil on recto, signed and titled on verso. Mint condition. Framed when it was purchased. Silver gun metal grey frame.

Photo b/w signed and dated on back New York 1998, numbered 2 of 5 He was born in Brazil in 1970 in Quartel Geral, in the state of Minas Gerais, where he began his professional activi...

"My artwork is always in progress. There is not a goal. There is not a category for my work. It is all about enjoying the process of every moment. On a blank sheet of washi calli...

Analog photograph on baryta paper in black and white titled "Der Deuscher Volke" , the photo depicts the German Parliament and the Berlin Wall before the fall . The photograph is by ...

This enchanting Rendille lady is from a large village in the Kaisut Desert in northern Kenya. She was living in one of the ‘purest’ parts of the Rendille homeland, where their langua...

"My artwork is always in progress. There is not a goal. There is not a category for my work. It is all about enjoying the process of every moment. On a blank sheet of washi calli...

I met this young married Samburu in the middle of a busy market in western Kenya. She was with a group of young women browsing the wooden stalls dotted across the dusty red earth in the lowlands of the Matthew’s Range. In Samburu communities young men spend years as warriors – a wandering lifestyle which make it impossible for them to marry. Instead they take girlfriends and give them beads and necklaces to indicate their relationship. Samburu girls adore receiving these presents and adorn themselves in more and more necklaces. The girl in this picture, although now married to an elder, still shows her beads from the time of being promised to a warrior: they are the band of 8 or so thin necklaces...

This artwork was created by the artistic duo Hunter & Gatti (2010–2023). These works are part of the archive managed and exhibited by Cristian Hunter. The artist's technique consists...

Listing includes framing, free shipping and 14-day returns. Yuji Obata Homage to Wilson A. Bentley #4, 2005 - 2006 19 x 13 inch archival pigment print Edition 3 of 10 Signed and editioned on verso Yuji Obata was born in Japan in 1962. He attended the Nihon University College of Art and currently resides in Tokyo. He has won numerous photography prizes in Japan, and his work was first shown outside of Japan in 2010 with Danziger Projects at Pulse Miami. In 2003, Obata was compelled to photograph winter scenes in Japan as he stood in front of Pieter Bruegel's painting "The Hunters in the Snow" in Vienna's Museum of Art History. Upon returning to Japan, he traveled to the country's northernmost island, Hokkaidō, known for its cold and snowy winters. As he worked there photographing ice skaters at a middle school rink and a local speed skating team, his enchantment with images of winter deepened. Traveling around different regions of the island in winter, he began noticing the varied qualities of the snow itself, and finally became fascinated with the unique challenge of photographing snowflakes. Obata drew inspiration from the story and works of W.A. Bentley, an American farmer and photographer who adapted a camera and microscope to photograph a single snow crystal for the first time in 1885. Bentley went on to photograph more than 5,000 snowflakes in his lifetime, and his technique was so successful that it continues to be used today. Like Bentley, Obata was obsessed with the challenge of doing something no one had done before – in his case photographing snowflakes in freefall rather than on a flat surface without digital or any other manipulation. It took Obata five years to achieve but his breakthrough resulted in the capture of pictures that allow the snowflakes to relate to each other in space and size, creating dynamic compositions and scenes. Obata chose the location to shoot the series, in the mountains of Hokkaidō, based on its history as the place where Dr. Ukichiro Nakaya did research that led to his invention of artificial snow. His most recent book "Wintertale" gathers his photographs of winter...

A portrait of Lemarleni, a Samburu man from northern Kenya in 2019. John Kenny’s work is all shot on location in some of the remotest corners of Africa. His images are all taken wit...

Series: The Western Collection Archival Pigment Print Unframed Sizes: 32" x 48" - $6,250.00 40" x 60" - $9,500.00 48" x 72" - $12,250.00 Framed Sizes: 39" x 55" - $7,750.00 47" x 6...

The Suguta Valley is separated from Lake Turkana by a chain of volcanoes . It is one of the most inhospitable places on earth with temperatures sometimes reaching 60 degrees centigr...

Michael Mardikes Benton walking dog (Thomas Hart Benton Plate #6) Year: 1956, 2021 Pigment Ink on Archival Paper Photograph Image Size: 19x13.5 in Paper Size: 22x17 in Edition: Unique Monogrammed by hand Label signed and numbered by Estate Representative COA provided by Authorizing Body Additional COA provided by representing Gallery Ref.: 924802-908 Image included in the exhibition An Artist at Home in America: Michael Mardikes’ Photographs of Thomas Hart Benton at the Kansas City Public Library (November 20, 2021-May 15, 2022) One night in late 2020, as Nick Vedros was leaving the home of his Aunt Myrt and Uncle Michael Mardikes, his aunt suddenly asked him, “What are we going to do with all the negatives?” The noted Kansas City photographer was not sure what his 89-year-old aunt was talking about, until she handed him a notebook filled with more than 1000 negatives chronicling Thomas Hart Benton at home and in his studio. They had been filed away for almost seven decades. This startling discovery was the inspiration for the exhibition, “An Artist at Home in America: Michael Mardikes’ Photographs of Thomas Hart Benton” on view at the Kansas City Public Library Central Library. The exhibition is a must-see, not just for fans of Thomas Hart Benton but for devotees of exemplary photojournalism. Of the 1,080 photographs Mardikes took, only four had been published in an article he wrote for “This Month in Kansas City” magazine in 1966. The others were never printed, nor was their existence common knowledge. Although Vedros had been aware of his uncle’s assignment with Benton, he was stunned to discover that so much additional material existed. Vedros, who decided at age 12 to become a photographer himself after seeing his uncle’s work, was determined to organize an exhibition, and was especially interested in doing it as quickly as possible given his uncle’s advanced age and increasing frailty. Collaborating with Dan White, a photographer, master printer and friend since their time together at the University of Missouri journalism school, they selected 34 images to be printed and framed, researching the details with Steve Sitton, the director of the Thomas Hart Benton Home and Studio Historic Site. Michael Mardikes had had a brief career as a commercial photographer before going on to work in management at the Ford Motor Company and later at UMKC. He made the acquaintance of Benton through Eugene Pyle, a former student of Benton’s and Mardikes’ photography instructor at the Art Institute. In 1955, Benton asked Mardikes to photograph him; Mardikes visited Benton 35 to 40 times, over a period of a few months in late 1955 and early 1956. Sitton told Vedros that not only was Mardikes’ amount of access incredible, but that the resulting body of work was unmatched. As the project progressed, Benton became focused on a mural commission for the River Club in 1956. Henry Adams, preeminent Benton scholar and former curator at The Nelson-Atkins Museum of Art, provided some context for this particular work: “The commission to paint ‘Traders at Westport Landing’ came at a low point in Benton’s career, 1956, and initiated the late phase of Benton’s mural paintings. It was the first of a series of murals depicting the exploration and settlement of the west, which culminated in the Truman Library mural, which was completed in 1962. All these murals feature trading and friendly contact with the Indians, rather than conflict, and are arresting in their bright color and meticulous rendering of carefully researched detail. The River Club, which commissioned ‘Traders at Westport Landing,’ overlooks the Missouri River and has a panoramic view very similar to the one in Benton’s painting.” This group of black and white photos not only documents the artist’s working process but also reveals other aspects of his daily life: one memorable image reveals Rita Benton massaging her husband’s stiff shoulders after a long day in his studio. Other images show members of the River Club board visiting Benton’s studio to check on the progress of the mural. One charming image captures a candid moment of Rita Benton and Myrt Mardikes as they collaborated in the Benton kitchen making chicken kapama for their husbands. Nan Chisholm Nan Chisholm is an art consultant and appraiser of 19th- and 20th-century paintings. After a long association with Sotheby’s, she founded her own business in 2003. She has appeared as a fine art appraiser...

A portrait of Acuan, a Turkana man from northern Kenya in 2019. John Kenny’s work is all shot on location in some of the remotest corners of Africa. His images are all taken with na...

The town of Assaita is in the fiercely hot lowlands of the Rift Valley at the very north eastern edges of Ethiopia, near to Djibouti. Unlike Ethiopia’s highlands, which are renowned for their long history of orthodox Christianity...

I was drawn to this Rendille lady by her startling blue eyes and magnetic stare. It was fascinating to see one or two others in the community and other settlements of the Kaisut Dese...

This gelatin silver print was created by American photographer Christopher Makos. Makos is well known for his relationships with icons like Andy Warhol, Tennessee Williams, and John ...

Turmi in southern Ethiopia is one of the largest Hamer settlements. Turmi’s size is due to its dirt road to the outside world, and its location near to water: an ephemeral river floo...

The portrait of a Nuer man was taken on the Ethiopian border with Southern Sudan. The distinctive scarification on his forehead, consisting of six parallel lines, is used to ident...

The Arbore of southern Ethiopia are a small group living within a few square miles of the Omo Valley. They are located near to Lake Stefanie, known locally as Chew Bahir, a body of ...

Photograph by photographer Federico Vacca Massaro signed and numbered 5/50, from the 2016 film "Indivisibili" by Edoardo De Angelis

The bearded one… in Old Havana. The Spirit of the Revolution series documents the generation of Cubans that saw the dramatic changes of 1959 as young adults. They have a strength of...

47x71 inches (120x180cm) Edition of 10 Archival Pigment Print Mounted and Framed - Ask us for framing options. Björn Persson is an internationally renowned artist based in Stockho...

A portrait of Lemarleni, a Samburu man from northern Kenya in 2019. John Kenny’s work is all shot on location in some of the remotest corners of Africa. His images are all taken wit...

The Viñales valley in western Cuba is a place of stunning beauty where perhaps the finest tobacco leaves in the world are grown. The tobacco farmers live hard but proud lives. The S...

A woman of Santiago de Cuba. The Spirit of the Revolution series documents the generation of Cubans that saw the dramatic changes of 1959 as young adults. They have a strength of ch...

A portrait of Merayun, a Rendille woman from northern Kenya in 2019. John Kenny’s work is all shot on location in some of the remotest corners of Africa. His images are all taken wi...

El revolucionario – a gentleman of Old Havana. The Spirit of the Revolution series documents the generation of Cubans that saw the dramatic changes of 1959 as young adults. They hav...

Series: The Equestrian Collection Archival Pigment Print Unframed Sizes: 40" x 32" - $6,250.00 60" x 48" - $9,500.00 75" x 60" - $12,250.00 Framed Sizes: 47" x 39" - $7,750.00 67" ...

Te veo… I see you. Matanzas 2005. The Spirit of the Revolution series documents the generation of Cubans that saw the dramatic changes of 1959 as young adults. They have a strength ...

Fine art print country legend, Linda Ronstadt, taken by Lynn Goldsmith in 1978 Framed with a stylish metal frame and non-glare museum glass, signed lim...

Ilse Bing All Paris in a Box, 1931 Signed and dated Signed and inscribed with title and date on reverse Silver gelatin print 15 3/4 x 18 3/4 inches Ilse Bing (1899-1998), working wi...

This Nuer man from the far west of Ethiopia was displaced from South Sudan. He has the characteristic six forehead line scars of his group and the most beautiful pattern of dots and...

Listing includes framing with UV plexiglas, free shipping and a 14 day return policy. Lora Webb Nichols Mary and Maude Platt, 1912 15 x 15 inch gelatin silver print Image Size: 10.75 x 11 inches frame size 18 x 18 x 2 inches Edition of 15 Lora Webb Nichols was born in 1883 and grew up in the small mining town of Encampment, Wyoming. At the age of 16 Lora received her first camera and from that moment and for the next few decades she produced work that is both stunning in its singular voice and revealing in the world it opens up for us. At first Nichols photographed her family, friends, and the landscape around Encampment, but when the town experienced a copper mining boom Nichols expanded her scope to become a photographer for hire shooting portraits and industrial photographs. When the boom collapsed, Nichols took the risk of opening her own business in Encampment - The Rocky Mountain Studio - which opened in 1925. The studio ran for ten years, accumulating 24,000 negatives that illustrate the lives and environment of the people living in and around the town while creating a distinctive and surprising body of work. If one was to attempt an analogy – Nichols’ pictures fit somewhere between Lartigue and Lange - joyful and generous while objectively intimate. In particular what seems to distinguish Nichols’ work is the way she sees the world from a female perspective. As Vince Aletti...

Lord Fauntleroy Ahmedabad Street Market - FRAMED SET OF 6 Pigment Prints Year: 2015 Visible Size: 9.25 x 9.25 inches (each) Framed: 10.6 x 10.6 inches (each) Signed: On Label Edition...

Lord Fauntleroy Ahmedabad 151209-582 Pigment Print Year: 2015 Visible Size: 9.25 x 9.25 inches Framed: 10.6 x 10.6 inches Signed: On Label Edition: 8 COA provided *White frame with...

Lord Fauntleroy Ahmedabad 151209-411 Pigment Print Year: 2015 Visible Size: 9.25 x 9.25 inches Framed: 10.6 x 10.6 inches Signed: On Label Edition: 8 COA provided *White frame with...

Lord Fauntleroy Ahmedabad 151209-427 Pigment Print Year: 2015 Visible Size: 9.25 x 9.25 inches Framed: 10.6 x 10.6 inches Signed: On Label Edition: 8 COA provided *White frame with...

Lord Fauntleroy Ahmedabad 151209-312 Pigment Print Year: 2015 Visible Size: 9.25 x 9.25 inches Framed: 10.6 x 10.6 inches Signed: On Label Edition: 8 COA provided *White frame with...

Alexandre Manuel Zhangjiajie 5, China, Lost in Abstraction, 2019 20x20 in (50x50cm) - Edition of 10 Archival Pigment Print Image size 20x20inches (50x50cm) Framed size: 28x28inches (...

Hand printed by the artist. Museum quality frame with 8ply over mat. Framed in black wood.

Robert Adams Harney County, Oregon 2005 Set of four photogravures Each image: 19 7/8 x 15 5/8 inches; 51 x 40 cm Each frame: 29 x 25 inches; 74 x 64 cm Edition of 30 Each signed, ...

Calm as a Palm - 21st Century Contemporary Black and White Photographic Print, Polaroid Original, Shadow Gapped Frame - Photographic Print on Aluminium Dibond - Edition of 10 + 1, wi...

David Bowie and Rodney Bingenheimer, 1972 20" x 16" Rodney Bingenheimer is credited with bringing the glam-rock phenomenon David Bowie to American audiences. No one in Los Angeles ...

This is a 3-D motion lenticular - its moves when you walk past it and it is incredibly 3-D there are little lenses on the face that create this effect. It is professionally framed a...

Artist: Francesco Scavullo (after) Title: Pavarotti, 1977 Portfolio: A Photographic Retrospective, Volume I: Song Medium: Gelatin Silver Print Year: 2004 Edition: 106/150 Signed: Sig...

Series: The Western Collection Archival Pigment Print Unframed Sizes: 32" x 40" - $6,250.00 48" x 60" - $9,500.00 75" x 60" - $12,250.00 Framed Sizes: 39" x 47" - $7,750.00 55" x 6...

C-Print in a custom black frame

From Nathan Coe’s Nude Collection series Final edition! Ed. 2/3, includes frame. With his passion for formal technique and composition, internationally renowned photographer Nathan...

Hand printed by artist. Framed in black wood with high quality materials including museum glass.

Series: The Western Collection Archival Pigment Print Unframed Sizes: 40" x 32" - $6,250.00 60" x 48" - $9,500.00 75" x 60" - $12,250.00 Framed Sizes: 47" x 39" - $7,750.00 67" x 5...

Framed moving Lenticular x-ray photograph cones with COA Nick Veasey We live in a world obsessed with image. What we look like, what our clothes look like, houses, cars… I like to ...

Tricia Sample Boat, Barn, Truck 1977 Matte black and white photo 12.5" x9.5" Frame measures 16.25"x19.25" Gallery label on reverse from the Friends of Photography Gallery Friends of Photography was a nonprofit organization started by Ansel Adams and others in 1967 to promote photography as a fine art. During its existence the organization held at least 330 photography exhibitions at its galleries in Carmel and San Francisco, California, and it published a lengthy series of monographs under the name Untitled. Among those who were featured in their exhibitions and publications were well-known photographers Ansel Adams, Wynn Bullock, Ruth Bernhard, Harry Callahan, Roy DeCarava, Lee Friedlander, Emmet Gowin, Mary Ellen Mark, Barbara Morgan, Aaron Siskind, Paul Strand, Brett Weston, Edward Weston and Minor White, as well as then newly starting photographers such as Marsha Burns, William Garnett, Richard Misrach...

Artist: Wolf von dem Bussche American (born Germany) 1934-2014 Title: Washington Square with Trade Center Towers II Year: 1976 Medium: Gelatin Sil...

Michael Mardikes Color Test (Thomas Hart Benton Plate #3) Year: 1956, 2021 Pigment Ink on Archival Paper Photograph Image Size: 9x12 in Paper Size: 11x14 in...

Alexandre Manuel Constellation, China, 2019 20x20 in (50x50cm) - Edition of 10 Archival Pigment Print Image size 20x20inches (50x50cm) Framed size: 28x28inches (70x70cm) Mounted and...

A vibrant young Jessica Lang shows off her Scottie in this relaxed portrait of the rising star at her cottage retreat in Minnesota in 1976. Art Shay Jessica Lange...