1980s Black and White Photography

Vintage Portrait of Monica Vitti is a vintage b/w photo realized in the early 1980s. Monica Vitti is born in Rome on November 3, 1931. Admitted in 1950 to the Academy of Dramatic A...

ADN Kronos, Julio Iglesias, 1980 c.a. 23 x 17 cm. Beautiful b / w photo that portrays Julio Iglesias, the legend of Latin music of "If you leave me is ...

Edition of 25 signed and numbered by the artist This still-life picture of the flower "Calla" was shot on analog 4x5 inch film in the 80s. JJK is a pseudonym for one of the world's...

Edition of 25 signed and numbered by the artist This still-life picture of the flower "Calla" was shot on analog 4x5 inch film in the 80s. JJK is a pseudonym for one of the world's...

Vintage Photo. The Italian Actor Marcello Mastroianni shows his award.

Jane - Signed limited edition archival pigment print - Edition of 5 Photographed in Brighton, England in 1987 This image was captured on film. The negative was scanned creating a...

Portrait of Vladimir Horowitz during the concert of Rome is a vintage black and white photograph on photography paper, realized in 1984 in Rome by Ag...

Edition of 45 Signed, titled, negative date, print date and numbered. Sepia toned gelatin silver Michael Kenna's black and white photographs are powerful and alluring. His imagery t...

Monica Vitti and Franco Carraro is a vintage black and white photograph realized by Agenzia Giornalistica Italia S.p.A in the 1980s. Good condition. Monica Vitti is born in Rome on November 3, 1931. Admitted in 1950 to the Academy of Dramatic Art (where she will return in 1986 as a teacher), and graduated in 1953, she immediately tackles the scenes in L'avaro di Molière (1954), The island of the parrots of S. Tofano (1954), They founded a city of C. Meano (1954), Mother Courage and her children of B. Brecht (1954). Between 1956 and 1959 she also participated in television broadcasts and acted in numerous adaptations of famous theatrical texts. She made her film debut playing secondary parts in Laugh, Laugh, Laugh! by E. Anton, 1955; A mink coat by G. Pellegrini, 1956; Le dritte di M. Amendola, 1958. Dubbing actress of Il scido di M. Antonioni (1957), she meets the director who, after having directed her to the theater in I am a camera by J. Van Druten (1957) and in Secret Scandals by Antonioni and E. Bartolini (1957), he calls her as the protagonist in L'avventura (1960), a film with which V. is a leading actress. Always led by Antonioni, from now on she will play suffering characters who embody a profound crisis of feelings. Apart from a brief television parenthesis (a transposition of the short story The White Nights by F. Dostoevskij, directed by V. Cottafavi), La notte (1961), L'eclisse (1962) and Deserto rosso (1963) belong to a happy partnership with Antonioni (who will be revived episodically for the production of The Mystery of Oberwald [1980], a courageous experiment of intertwining cinema and electronic techniques, propitiated by the exhumation of a play by J. Cocteau, L'aigle à deux têtes). In the second half of the Sixties, however, the producers showed that they preferred her as an actress endowed with caricatural flair, fine humor, vitalistic exuberance, communicative immediacy; and audiences pay her a growing success, not always corresponding to the quality of her filmography or the variety of her interpretations, among which are the very convincing ones in Modesty Blaise...

Concert of Vladimir Horowitz is a vintage black and white photograph on photography paper, realized in 1985. With the stamp of "Lelli and Masotti" a...

Monica Vitti is a black and white photo of the Italian actress, taken in 1980s. Monica Vitti is born in Rome on November 3, 1931. Admitted in 1950 to th...

Portrait of Vladimir Horowitz during the concert is a vintage black and white photograph on photography paper, realized in 1985 by an anonymous photo...

B / w photo of Baez interpreting Sting's composition dedicated to women victims of the Chilean regime. Photo by Andrea Muti

The Japanese director Akira Kurosawa receives the Gold Palm from the British Actor Dirk Bogarde and Kirk Douglas, for his film "Kagemusha" during the Cann...

Brighton 27 - Platinum Palladium print over silver on vellum paper Edition 1 of 8 , plus 2 AP ( Small size ) An old Harley Davidson motorcycle in front of a gas station garage ...

Franci - Signed limited edition archival pigment print - Edition of 5 This image was captured on film in 1986. The negative was scanned creating a digital file which was then prin...

Sarah 2 - Signed limited edition archival pigment print - Edition of 5 Photographed in Brighton, England in 1989 This image was captured on film. The negative was scanned creati...

Vintage Photo. The American Actor Dustin Hoffman.

Vintage Photo. Burt Lancaster in a scene from the series "I Promessi Sposi".

Promo Film Festival, Stanley Kubrick directing, end 1980s. Vintage b/W Photo of the famous American Director Stanley Kubrick, directing Shining. In Pe...

Defence of Nature is an original b/w photograph representing the indoor of the Marino Gallery (in Mignanelli Square, Rome) where Joseph Beuys' exhibition was held. This photo was ver...

Mathew - Signed limited edition archival pigment print - Edition of 10 Will be part of Ian Sanderson's future Brighton 1980s retrospective exhibition This image was captured o...

These are vintage prints from the 1980's. The last photo shows a gallery or museum label from an accompanying piece (there were three sequence shots in this series) but is not on thi...

Mystery Artist Untitled (Female Bodybuilder), c. 1980 Black and white photograph mounted to foam board Image: 12 3/4 x 10 1/2 in. Board: 19 7/8 x 16 1/2 in.

Actors Steve Martin and Michael Caine starring in Frank Oz’s film ‘Dirty Rotten Scoundrels’ in which the pair play competing con artists, Cote d’Azure, 1988. Paper size: 20 H x 16 W...

Original black and white photograph of the 1989 with the portrait of the famous artist. Signed by Jannis Kounellis. Photograph by Claudio Abate. Include ...

An iconic photograph of John Lennon and Yoko Ono outsitde the Dakota Hotel in Manhattan. The photo was taken November 21st, 1980. The print is signed, titled and numbered 5/15 in ma...

Lamu Jazz - Signed limited edition archival pigment print, Edition of 5 This image was captured on film in 1988. The negative was scanned creating a digital file which was then...

Signed and numbered, verso Edition of 15 This work is offered by ClampArt in New York City.

Listing is for UNFRAMED print. Inquire within for framing. Edition of 25. CURRENT EXHIBITION - runs through September 11th, 2016. Any framed photographs purchased during the show will be available after September 11th. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph. ABOUT: In the hazy, warm New York summer, little is more refreshing than reclining on the beach in the mist of the icy ocean waves or enjoying a family trip to the country house. Each summer, Rice curates her favorite show, the Summertime Salon, which reminds us of this exact seasonal sentiment. The two, long walls of the gallery become mosaicked, top to bottom, side to side, in photographs that evoke all the preeminent feelings and memories of summer. Each year, the Summertime Salon matures and Rice’s annual masterpiece comes into fruition. This year is no exception. The show is a haven of what the Robin Rice Gallery stands for, a community of art and experience. As the largest annual exhibition, the Summertime Salon is carefully pieced together, the results are staggering. The works of the 53 gallery artists come together communally, reinforcing the overall sense of unity that the show creates as a whole. In knowing the photographs so fluently, Rice strategically places them together in a way that will enhance the individual stories contained in each. Details from one image flow from into the next, elevating every photograph in a distinctly unique way. This year’s invitational image, “Surf Club” by Silvia Lareo-Vasquez, features a woman in a vintage sun hat reclining in the pool with a drink. The black and white image evokes an extreme sense of nostalgia in its cinematic portraiture and supple texture. Though the figure of the woman is tauntingly beautiful, the drink is the darkest tone, nearing black, and is centered in the frame. With this, we are reminded of the refreshing notes of summer and the utter serenity of taking the day off to relax. The show’s imagery is evocative of all eras of summer, thus any viewer can relate or connect to one of the images. As Rice likes to say, “There’s something for everyone.” One image by Benjamin Heller details a strong owl flying...

Gorgeous archival digital photograph, limited edition giclee by Graham Nash (American, b. 1942) of an abstracted photogpah of his mother Mary Nash. #12/25. Titled, signed and dated '89. Stamp and signed on verso. Condition: Excellent. Unframed. Image size: 22"50"H x 15.25"W. Size including border: 24.33"H x 22.50"W. The original photo is in the Rock & Roll Hall of Fame Museum. Graham said about this photo, "This is a photo I took of my mother Mary when I was 11, in 1953. She was 33. It was the first image I took where I realized that it's possible that I see differently than most people. Normally my mother would be making the bed, or cooking breakfast — mother stuff. I'd never seen my mother in this contemplative mood. I'd never seen her either looking into her future or wondering if her life had been what she wanted or thinking about her past. I don't know. I only know that that's an incredible moment in my mother's existence." While best known as a founding member of the rock band Crosby, Stills, Nash, and (sometimes) Young, Nash also developed a parallel career as a photographer, collector, and pioneer of digital imaging. Nash's photographs include revealing portraits of family and friends, images of life on the road, still lifes and landscapes, street photographs, bad credit people, and a unique series of self-portraits which often shows him reflected in windows and mirrors. His photography establishes Nash as a masterful visual artist with a keen eye for moments and scenes not immediately available to the common eye. In 2006, fifty years of Graham Nash's photographic images were shown in his first solo museum exhibition, Eye to Eye: Photographs by Graham Nash, at San Diego's Museum of Photographic Arts. MoPA Director Arthur Ollman...

Stockings - Signed limited edition archival pigment print - Edition of 5 This image was captured on film. The negative was scanned creating a digital file which was then prin...

Untitled (During training. . .) During training for the Michael Spinks fight, Trump Plaza, Atlantic City, June 1988 Signed and numbered, verso Gelatin si...

Madame du Barry’s Chair 1984 Signed, titled, dated, and inscribed “AP,” in pencil, verso; Artist stamp in ink, verso Gelatin silver print 9.25 x 9.2...

Flower - Signed limited edition archival pigment print, 1989 - Edition of 5 This image was captured on film. This print that is being offered is a high-quality Archival Pigment...

Feeling the Spirit by Earlie Hudnall, Jr. depicts a group of men and women standing outside, singing into a microphone. A woman dressed in white stands in front of the group, passion...

This 1986 black and white photograph was shot by British celebrity and fashion photographer, John Stoddart, captures Oscar-winning actress Tilda Swinton,...

Koo Stark Black and white silver gelatin portrait photograph of photographer Horst P. Horst, official 80th birthday image. Frame: 17 1/4 x 23 1/4 inches Sight: 10 1/4 x 13 1/4 inches Condition: Good. Kathleen Norris Stark (born April 26, 1956), better known as Koo Stark, is an American photographer and actress, known for her relationship with Prince Andrew. She is a patron of the Julia Margaret Cameron Trust, which runs the museum of the Victorian pioneer photographer. Early life and education Stark was born in New York. Her parents were Wilbur Stark, a writer and producer, and Kathi Norris, a writer and television presenter in New York City. She is the youngest of three children, the others being Pamela and Brad. At the time of her birth, the family was living in the city's Manhattan borough.[1] Her grandfather, Edwin Earl Norris, was a cabinetmaker and musician, playing the French horn and the viola in the Newark Symphony Orchestra. Her mother's family were Presbyterians.[2][3] After a divorce in the 1960s, her mother remarried.[4] Koo Stark attended the Hewitt School in New York and the Glendower Preparatory School in Kensington, London. After training at a stage school, she began her film acting career. (she acted in the original Star Wars!) Stark also began to work as a fashion model, particularly for Norman Parkinson. In February 1981, she was at the National Theatre as an understudy in the Edward Albee play Who's Afraid of Virginia Woolf? Stark has worked as a photographer since the 1980s, and may have been the first person to turn the tables on the pursuing paparazzi by taking photos of them. Prince Andrew has told how in 1983 a photographic printer, Gene Nocon, invited Stark to take photographs of people taking photos of her, for his exhibition, Personal Points of View, planned for October. She persuaded Nocon to include Andrew's work as well. Her early photographs led to a book deal, for which she took lessons from Norman Parkinson. She travelled to Tobago, where he lived, and he became her mentor. Her book Contrasts (1985) included about a hundred of her photographs. She went on to study the work of leading photographers, including Angus McBean, whom she met and photographed, developing her interests in photography to include reportage, portraits, landscapes, still life, and other work. The book Contrasts was launched at Hamiltons Gallery, London, in September 1985, at an exhibition of the same name. In 1994, the Gallery Bar at the Grosvenor House Hotel in Park Lane hosted an exhibition called 'The Stark Image', forty photographs by Stark, including several previously unpublished. In 1998, her work was featured at the Como Lario in Holbein Place, Belgravia. In July 2001 she had an exhibition called 'Stark Images" at the Fruitmarket Gallery in Edinburgh, duplicated from June to July 2001 at Dimbola Lodge on the Isle of Wight. A solo exhibition of portraits was at the Winter Gardens, Ventnor, from September to October 2010,[29] and another at Dimbola Lodge from February to April, 2011. On 22 April 1987, a charity auction at Christie's, St James's, for the Campaign to Protect Rural England, featured signed work by David Bailey, Patrick Lichfield, Don McCullin, Terence Donovan, Fay Godwin, Heather Angel, Clive Arrowsmith, Linda McCartney, Koo Stark, and fifteen others, Views by Stark, including some of Kirby Muxloe Castle, were in G. H. Davies's England's Glory (1987), a CPRE book launched at the same time. Pictures by Stark have appeared in Country Life and other magazines. Several of her portraits are in the National Portrait Gallery, and work is also in the collections of the Victoria and Albert Museum, both in London. A Leica user, Stark has said her camera transcends mere function and is a personal friend. A solo exhibition hosted by the Leica gallery in Mayfair in May 2017 was entitled Kintsugi, a Japanese word for a way of renovating things that have been broken. Stark explained the title: "Kintsugi is a way of learning to see individual beauty, and to appreciate the value of experience and honesty. It is the antithesis of digital, airbrushed, Photoshop-homogenised 'beauty'." In August the exhibition was repeated in Manchester, to mark the opening of a new Leica store there. Stark has been a practising Buddhist since meeting the Dalai Lama. She continues to live in London and is a member of the Chelsea Arts Club. She is a Patron of the Julia Margaret Cameron Trust, at Dimbola Lodge on the Isle of Wight, home of the Victorian pioneer photographer Julia Margaret Cameron. Stark met Prince Andrew in February 1981, and they were close for some two years, before and after his active service in the Falklands War. Tina Brown has claimed that this was Andrew's only serious love affair. In October 1982 they took a holiday together on the island of Mustique. According to Lady Colin Campbell, Andrew was in love, and the Queen was "much taken with the elegant, intelligent, and discreet Koo". However, in 1983, after 18 months of dating, they split up under pressure from the Queen. In 1997, Prince Andrew became the godfather of Stark's daughter, and in 2015, when the Prince was accused by Virginia Roberts over the Jeffrey Epstein connection, Stark came to his defence, stating that he was a good man and she could help to rebut the claims. Photographic exhibitions 'Contrasts', Hamiltons Gallery, Carlos Place, London, September 1985 'The Stark Image', Gallery Bar at Grosvenor House Hotel, London, 1994 'Stark Images', Dimbola Lodge, Isle of Wight, June to July 2001 'Stark Images', Fruitmarket Gallery, Market Street, Edinburgh, July 2001 'Portraits by Koo Stark', Winter Gardens, Ventnor, Isle of Wight, September to October 2010 'Koo Stark: Contrasts', Dimbola Lodge, Isle of Wight, February to April, 2011 'Kintsugi', Leica gallery, Bruton Place, Mayfair, May 2017 'Kintsugi', Leica store, Police Street, Manchester, August 2017 'Kintsugi Portraits', San Lorenzo, Beauchamp Place, London SW3, November 2017 Horst Paul Albert Bohrmann (1906 – 1999), who chose to be known as Horst P. Horst, was a German-American fashion and Fine Art photographer. The younger of two sons, Horst was born in Weißenfels-an-der-Saale, Germany, to Klara (Schönbrodt) and Max Bohrmann. His father was a successful merchant. In his teens, he met dancer Evan Weidemann at the home of his aunt, and this aroused his interest in avant-garde art. In the late 1920s, Horst studied at Hamburg Kunstgewerbeschule, leaving there in 1930 to go to Paris to study under the architect Le Corbusier. While in Paris, he befriended many people in the art community and attended many galleries. In 1930 he met Vogue photographer Baron George Hoyningen-Huene, a half-Baltic, half-American nobleman, and became his photographic assistant, occasional model, and lover. He traveled to England with him that winter. While there, they visited photographer Cecil Beaton, who was working for the British edition of Vogue. In 1931, Horst began his association with Vogue, publishing his first photograph in the French edition of Vogue in December of that year. It was a full-page advertisement showing a model in black velvet holding a Klytia scent bottle. His first exhibition took place at La Plume d'Or in Paris in 1932. It was reviewed by Janet Flanner in The New Yorker, and this review, which appeared after the exhibition ended, made Horst instantly prominent. Horst made a portrait of Bette Davis the same year, the first in a series of public figures he would photograph during his career. Within two years, he had photographed Noël Coward, Yvonne Printemps, Lisa Fonssagrives, Count Luchino Visconti di Modrone, Duke Fulco di Verdura, Baron Nicolas de Gunzburg, Princess Natalia Pavlovna Paley, Daisy Fellowes, Princess Marina of Greece and Denmark, Cole Porter, Elsa Schiaparelli, and others like Eve Curie. Horst rented an apartment in New York City in 1937, and while residing there met Coco Chanel, whom Horst called "the queen of the whole thing". He would photograph her fashions for three decades. He met Valentine Lawford, British diplomat in 1938, and they lived together until Lawford's death in 1991. Horst adopted a son, Richard J. Horst, whom they raised together. In 1941, Horst applied for United States citizenship. In 1942, he passed an Army physical, and joined the Army on July 2, 1943. On October 21, he received his United States citizenship as Horst P. Horst. He became an Army photographer, with much of his work printed in the forces' magazine Belvoir Castle. In 1945, he photographed United States President Harry S. Truman, with whom he became friends, and he photographed every First Lady in the post-war period at the invitation of the White House. In 1947, Horst moved into his house in Oyster Bay, New York. He designed the white stucco-clad building himself, the design inspired by the houses that he had seen in Tunisia during his relationship with Hoyningen-Huene. Horst is best known for his photographs of women and fashion, but is also recognized for his photographs of interior architecture, still lifes, especially ones including plants, and environmental portraits. One of the great iconic photos of the Twentieth-Century is "The Mainbocher Corset" with its erotically charged mystery, captured by Horst in Vogue’s Paris studio in 1939. Designers like Donna Karan continue to use the timeless beauty of "The Mainbocher Corset" as an inspiration for their outerwear collections today. His work frequently reflects his interest in surrealist style and surrealism and his regard of the ancient Greek ideal of physical beauty. Horst P Horst signed color photograph in color. Horst is listed as one of the best photographers ever along with Diane Arbus, Ansel Adams, and Robert Mapplethorpe His method of work typically entailed careful preparation for the shoot, with the lighting and studio props (of which he used many) arranged in advance. His instructions to models are remembered as being brief and to the point. His published work uses lighting to pick out the subject; he frequently used four spotlights, often one of them pointing down from the ceiling. Only rarely do his photos include shadows falling on the background of the set. Horst rarely, if ever, used filters. While most of his work is in black & white, much of his color photography includes largely monochromatic settings to set off a colorful fashion. Horst's color photography did include documentation of society interior design, well noted in the volume Horst Interiors. He photographed a number of interiors designed by Robert Denning and Vincent Fourcade of Denning & Fourcade and often visited their homes in Manhattan and Long Island. After making the photograph, Horst generally left it up to others to develop, print, crop, and edit his work. One of his most famous portraits is of Marlene Dietrich, taken in 1942. She protested the lighting that he had selected and arranged, but he used it anyway. Dietrich liked the results and subsequently used a photo from the session in her own publicity. In the 1960s, encouraged by Vogue editor Diana Vreeland, Horst began a series of photos illustrating the lifestyle of international high society which included people like: Consuelo Vanderbilt, Marella Agnelli, Gloria Guinness, Baroness Pauline de Rothschild and Baron Philippe de Rothschild, Helen of Greece and Denmark, Baroness Geoffroy de Waldner, Princess Tatiana of Sayn-Wittgenstein-Berleburg, Lee Radziwill, Duke of Windsor and Duchess of Windsor, Peregrine Eliot, 10th Earl of St Germans and Lady Jacquetta Eliot, Countess of St Germans, Antenor Patiño, Oscar de la Renta and Françoise de Langlade, Desmond Guinness and Princess Henriette Marie-Gabrielle von Urach, Andy Warhol, Nancy Lancaster...

Mother and Child Gelatin Silver Print Image: 15.4×22.8 cm Sheet: 20.2×25.2 cm Unspecified standalone photograph used in the manuscript for Mashima Publishing's "The Book of Rural Li...

Exceptional photograph. Purchased from Kolbrener. Framed by Kolbrener. OUT OF PRINT!

An original signed archival pigment print on Hahnemühle Photo Rag® Baryta 315 gsm paper by Scottish artist Ian Sanderson (1951- 2020) titled ‘ Woodingdean 1 ‘ Signed by Ian Sanders...

An original signed archival pigment print on Hahnemühle Photo Rag® Baryta 315 gsm paper by Scottish artist Ian Sanderson (1951- 2020) titled ‘ Table Top ‘ who was captured on film i...

Salmon - Signed limited edition archival pigment print, 1985 - Edition of 5 This image was captured on film. The negative was scanned creating a digital file which was then printe...

1987 Gelatin silver print Signed, titled, and dated in black ink, verso 20 x 16 inches, sheet size 14.5 x 14.5 inches, image size This artwork is offered by ClampArt, located in N...

Signed, titled and dated in pencil on print verso.

Albert WATSON (*1942, Scotland) Kara Young, New York City, 1989 Archival pigment print Image 61 x 51 cm (24 x 20 in.) Sheet 76 x 61 cm (30 x 24 in.) Edition of 25 plus 2 artist's pro...

Lisa Jack Barack Obama, Occidental College, No. 15, 1980 Signed, dated, and numbered on the reverse Gelatin silver print Sight 21 1/2 x 14 1/2 inches Edition 7/50 Provenance: M&B, L...

Gelatin silver print Signed, titled, and dated in pencil, verso 14 x 11 inches, sheet 8.875 x 8.875 inches, image This artwork is offered by ClampArt, located in New York City.

Cactus - Signed limited edition archival pigment print - Edition of 5 This image was captured on film in 1989. The negative was scanned creating a digital file which was then pr...

Jane - Signed limited edition archival pigment print - Edition of 5 Photographed in Brighton, England in 1987 This image was captured on film. The negative was scanned creating a...

Gelatin silver print Signed, titled, and dated in pencil, verso 14 x 11 inches, sheet 9.125 x 9.125 inches, image This artwork is offered by ClampArt, located in New York City.

Hand printed silver gelatin photograph dry mounted on board. Mat with a texture. Signed in pencil lower right.

Table top - Signed limited edition archival pigment print - Edition of 5 This image was captured on film in 1985. The negative was scanned creating a digital file which was then...

Hot fan - Signed limited edition archival pigment print - Edition of 5 Record cover for 'Hot Little Mamma' , London 1981 This image was captured on film. This print that is be...

Gelatin silver print Signed, dated, and numbered (1/25) in black ink, recto 20 x 16 inches, sheet 13.75 x 14 inches, image This photograph is offered by ClampArt, located in New York City. About the artist: Robert Giard is best remembered for his figurative and portrait photography. He received a B.A. from Yale (1961), then an M.A. in Comparative Literature from Boston University (1965). For a time he taught intermediate grades at the New Lincoln School, but by 1972, he began to photograph, concentrating first on landscapes of the South Fork of Long Island, portraits of friends (many of them artists and writers in the region), and nude figures. His most famous work includes formal portraits of significant gay and lesbian authors, including Edward Albee, Allen Ginsberg, David Leavitt, and Michael Cunningham...

Bruce Cratsley, American (1944-1998) Vintage gelatin silver print Connections A surrealist image of a mannequin in a store window with nude Roman figurines, a light study. Hand signed, titled and dated 1987 verso image (each): 15 1/4 x 15 1/4 inches, matted to 24 X 20 inches Provenance: From the collection of AGFA Graphics Corporation David Bruce Cratsley (1944 - 1998) was an American photographer specialized in still lifes, portraits of friends, and life in New York City. He had a reputation of master of light and shadow. Bruce Cratsley attended Swarthmore College, graduating in 1966, and then, in the early 1970s, The New School for Social Research, studying under Lisette Model. Cratsley worked for many years as a gallerist at Marlborough Gallery before quitting in 1986 to become a full-time photographer. As "Bruce Cratsley", he exhibited in various New York galleries, like: Laurence Miller Gallery, Howard Greenberg Gallery and Witkin Gallery. Cratsley was represented by Yancey Richardson Gallery, a dealer of fine art photography based in SoHo. He was photographed by Elsa Dorfman...

Edition of 15 Signed, dated and numbered. Toned gelatin silver print Chema Madoz is one of the most important contemporary Spanish photographers, who is greatly known for his monoch...

This photograph is printed on Japanese Paper. The price is for an unframed photograph. 11" X 14" Edition of 25. The Robin Rice Gallery is pleased to announce, 25 Years of Polaroi...

Cactus - Signed limited edition archival pigment print, 1989 - Edition of 5 This image was captured on film. The negative was scanned creating a digital file which was then prin...

Signed, numbered and dated on front of the mount. Signed, dated, numbered and titled with artist's copyright stamp on back of the mount.