20th Century Black and White Photography

11 x 14" vintage silver gelatin photograph, signed by Jack Mitchell. Comes directly from the Jack Mitchell Archives with a certificate of authenticity. This photograph was from a session for After Dark magazine and was selected and signed by Jack Mitchell as one of his favorites. Jack’s artist statement on his work for the magazine: “After Dark was a magazine of entertainment, theater and the arts. It was a popular magazine, with a gay slant, enjoyed by many gay men, and some broad minded women and men. As well as (I learned years later) many closeted male youngsters. The magazine was ahead of its time, as advertisers were reluctant to place ads in an essentially gay magazine...

Martin Luther King Jr.. in Memphis, Tennessee - (4-15-67). Martin Luther King Jr. was an American Baptist minister, activist, and political philosopher who was one of the most promi...

Albert Einstein giving a lecture at a podium, 1946. Albert Einstein was a German-born theoretical physicist who developed the theory of relativity, one of the two pillars of modern ...

Elizabeth Hurley photographed by British celebrity and fashion photographer John Stoddart. This risqué iconic black and white photograph expresses her incredible figure, capturing the actress completely naked, against the head of a large Grecian bust...

This black and white glamour portrait features Hungarian-American actress, singer, and socialite, Eva Gabor. She was widely known for her role on the television sitcom Green Acres as Lisa Douglas, the wife of Eddie Albert's character, Oliver Wendell Douglas. She voiced "Duchess" in the Disney film The Aristocats, and Miss Bianca in Disney's The Rescuers and The Rescuers Down Under. Gabor was successful as an actress in film, on Broadway and on television. She was also a successful businessperson, marketing wigs, clothing and beauty products. Her elder sisters, Zsa Zsa and Magda Gabor...

Black and white capture of a Marilyn Monroe posed for her role in "Bus Stop", circa 1956. -- One-of-a-kind original vintage press print from the Celebrity Vault archives. Own a piec...

Black and white capture of star actor James Dean in a cowboy hat. A stunning vintage press print acquired by Globe Photos from London Features. -- One-of-a-kind original vintage pre...

11 x 14" vintage silver gelatin photograph of Bejart Ballet dancer Jorge Donn, 1979. Signed by Jack Mitchell on the print verso. Comes directly from the Jac...

Artwork sold in perfect condition Print called "Art 2014", format 42 x 60 cm. SERIES OF 5 PRINTS + 2 AP The buildings in the center of Rome, built from the Renaissance until the unit...

Fashion Show, Brooklyn, New York, USA 1963 by Leonard Freed is a 19" x 13" signed and numbered archival pigment print in an edition of 10. Signed by the estate, Freed's widow Brigitte Freed, on back of photograph. Available: 3/10. Provenance: Freed Estate *** Artist’s Bio: Leonard Freed (1929-2006) was an American photographer from Brooklyn, New York. His "Black in White America" series made him known as a documentarian, a social documentary photographer. Freed worked as a freelance photographer from 1961 onwards and as a Magnum photographer Freed traveled widely abroad and, in the US, photographing African Americans (1964-65), events in Israel (1967-68, 1973), and the New York City police department...

Rare early 1950s Original Vintage Gelatin Silver Photograph by DOUGLAS JULEFF - also known as DOUG OF DETROIT - of model, one of the finest, STAN STANCZYK. Stanczyk was a Gold Medali...

Rare early 1950s Original Vintage Gelatin Silver Photograph by DOUGLAS JULEFF - also known as DOUG OF DETROIT - of bodybuilder and model GENE STAGGS. This is #2 of two images of Stag...

A much sought after photograph Le Petit Parisien, 1952 by French photographer Willy Ronis is a black and white image, a gelatin silver print, measuring 30 x 23,5 cm 12 x 9in. The w...

11 x 14" vintage silver gelatin photograph, signed by Jack Mitchell. Comes directly from the Jack Mitchell Archives with a certificate of authenticity. This photograph was from a session for After Dark magazine and was selected and signed by Jack Mitchell as one of his favorites. Jack’s artist statement on his work for the magazine: “After Dark was a magazine of entertainment, theater and the arts. It was a popular magazine, with a gay slant, enjoyed by many gay men, and some broad minded women and men. As well as (I learned years later) many closeted male youngsters. The magazine was ahead of its time, as advertisers were reluctant to place ads in an essentially gay magazine...

This mod portrait features Twiggy posed full-length in a doorway, smiling with arms extended. Twiggy is an English model, actress, and singer widely known by the nickname Twiggy. Sh...

A classic 1960's Photograph depicting the Reverend, Dr. Martin Luther King. One of the most famous and influential men of the 20th Century, the Baptist minister, Nobel Peace Prize wi...

Park Avenue A view of neatly arranged office and apartment blocks along Park Avenue in New York City. 30 x 30" inches / 76 x 76 cm paper size Estate Stamped Collection Edition t...

Bob, Mick and Pete, by Michael Putland, 1978 Limited Estate Edition Bob Marley, Mick Jagger and Peter Tosh backstage after the Rolling Stones concert at the Palladium Theatre, New Y...

Terry O’Neill CBE is one of the world’s most collected photographers, with work hanging in national art galleries and private collections worldwide. From presidents to pop stars, he ...

Capturing the Jewish diaspora and the Hasidic community in Brooklyn, New York in the 1950s, this is subject matter which American photographer Leonard Freed from Brooklyn widely cov...

Dancer Steven-Jan Hoff photographed nude for After Dark magazine, 1972. Vintage silver gelatin exhibition photograph made by Jack Mitchell. American photographer Jack Mitchell (192...

James Dean posed leaning with his hand on a fence post while filming a scene for "Giant", 1955. Giant was the last of James Dean's three films as a leading actor, and earned him his second and last Academy Award nomination – he was killed in a car crash before the film was released. Nick Adams was called in to do some voice dubbing for Dean's role in "Giant". After his death in a car crash, Dean became the first actor to receive a posthumous Academy Award nomination for Best Actor and remains the only actor to have had two posthumous acting nominations. In 1999, the American Film Institute ranked him the 18th best male movie star of Golden Age Hollywood in AFI's 100 Years...100 Stars...

Stretch - Signed limited edition archival pigment print - Edition of 10 This image was captured on film in 1982. Unframed From the same photoshoot, the so-called 'Zip' print by...

Signed limited edition print Robert Plant of Led Zeppelin at a Runaways show in LA 1978. Plant pictured here with Cherie Currie and Joan Jett of The Runa...

An original signed archival pigment print on Hahnemühle Photo Rag® Baryta 315 gsm paper by Scottish artist Ian Sanderson (1951- 2020) titled ‘ Sandrine ‘ who was captured on film in...

VREELAND, DIANA. Allure. 208 pp. contain approx. 200 b&w reproductions of the photographs of Horst, Avedon, Beaton and Penn among others with comm...

Awesome black and white action shot of Sammy Davis Jr. in mid-jump. Sammy Davis Jr. was an American singer, dancer, actor, vaudevillian, and comedian sometimes called "the greatest ...

Black and white candid capture of model Twiggy getting into a car with a man holding an umbrella overhead. Twiggy, is an English model, actress, and singer. She was a British cultur...

Héliogravure on vélin paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Man Ray, Electa Editrice Portfolios, 1980. Published and printed ...

1969: French singer, Francoise Hardy sitting on a motorbike. (Photo by Reg Lancaster/Express/Getty Images) As an authorized Getty Images Gallery partn...

Image size is 10 x 6.5 inches. Signed, titled and dated by the artist on verso.

Rare early 1950s Original Vintage Gelatin Silver Photograph by DOUGLAS JULEFF - also known as DOUG OF DETROIT - of body beautiful model JEAN O'STRAND. Photograph is an excellent exam...

Spectator Tennis (1938) Silver Gelatin Fibre Print - Oversized (Photo by H. Armstrong Roberts/Alamy) 1st December 1938. Spectators watching a tennis match at a country club. Addi...

Beaton, Cecil & Daniela Palazzoli (Editor) Cecil Beaton – Portfolio, 1981; Electa Editrice Portfolios - LIMITED EDITION Milano, Italy: Electa Editrice Publishers, 1981. Limited Edition Portfolio. This is no. 785 out of an edtion of 1000. A portfolio of twelve heliogravure plates with tissue guard-leaves and limitation leaflet with preface. Housed in portfolio and slipcover, portfolio: 16 1/4 x 12 1/2 in (415 x 317 mm); each print approximately 8 5/8 x 6 5/8 in (220 x 170 mm). Subjects include Gary Cooper, 1930s; Buster Keaton, 1931; Marlene Dietrich, 1935; John Wiessmuller, 1933; Greta Garbo, 1946; Marlon Brando, 1947; Audrey Hepburn, 1954; Frank Sinatra, Sammy Davis Jr., Dean Martin in "High Society", 1956; Marilyn Monroe, 1952; Rudolf Nureyev, November, 1962; Edith Sitwell, 1962; and Pablo Picasso...

Edition 25 Also available in 101 x 127 cm / 40 x 50 inch, Edition 10 Black and white portrait of the singer and actress Grace Jones. From personality portraits and advertising cam...

Taken from the world’s largest photographic archive, (Hulton Archive and Getty Images), the Getty Images Gallery collection features an extraordinary time capsule of the last century...

Hans Namuth Rauschenberg, Carolyn Brown, circa 1960s Stamped on verso Photograph 13 3/4 x 10 3/4 inches Provenance Estate of Carolyn Brown, New York 2025. Born in Essen, Germany, ...

Combined Edition 25 Also available in 50 x 60 cm/ 20 x 24 inch and as combined Edition 10 in 76 x 101 cm / 30 x 40 inch 101 x 127 cm / 40 x 50 inch Portrait of the famous English ac...

Edition 25 Also available in 101 x 127 cm / 40 x 50 inch, Edition 10 Black and white portrait as contact sheet of famous artist David Hockney in Malibu with his little Dachshund. From personality portraits and advertising campaigns to magazine layouts and fine art work, Greg Gorman has developed a unique style in his profession. His distinctive use of light in his black and white portraits is one of the identifying aspects of a Gorman photograph. Gorman’s strength has been photographing motion picture and music personalities. His work has been used in film advertising and publicity campaigns as well as album and CD covers. Some of the motion picture celebrities that he has photographed include Ben Affleck, Lauren Bacall, Alec Baldwin, Antonio Banderas, Kim Basinger, Marlon Brando, Pierce Brosnan, Kevin Costner, Bette Davis, Robert De Niro, Brad Pitt, Andy Garcia, Sir Anthony Hopkins, Dustin Hoffman, Sophia Loren, Al Pacino, Barbra Streisand, Kiera Knightley, Clive Owen, Jennifer Lopez and John Travolta. In the music field, Mr. Gorman has worked with Elton John, Michael Jackson, David Bowie, Morrissey, John Mayer...

The Washington Monument (1960) Silver Gelatin Fibre Print - Oversized (Photo by H. Armstrong Roberts/Alamy) The Washington Monument seen from Lincoln Memorial Washington DC USA, ...

'Bucking Bronco' is a black and white photographic print by Michael Ormerod. Featured in the 2024 posthumous solo exhibition, 'Michael Ormerod: Vanishing Point'. Michael Ormerod w...

Jack Mitchell, American Photographer (1925-2013). Joe Dallesandro, ca. 1973. 11 x 14 inches; 12 x 15 inches framed. Period print from artist's studio. The image was intended for ...

Héliogravure on vélin paper. Inscription: unsigned and unnumbered, as issued. Paper Size: 15.75 x 11.75 inches. Notes: From the folio, Erwin Blumenfeld, Electa Editrice Portfolios, 1...

Guests at a fancy dress party held at the Romanoff Restaurant in Hollywood, Los Angeles in 1950. Slim Aarons Safari Party at Romanoff's, 1950 Chromogenic Lambda print Estate stampe...

Rare 1940s Original Vintage Gelatin Silver Photograph by DOUGLAS JULEFF - also known as DOUG OF DETROIT - of bodybuilder and Mr. America contender MIKE DUBEL. Dubel competed in the 1...

This photo captures a 25-year-old Bruce Springsteen just after his visit to Tower Records. Springsteen was in LA promoting his new album, Born to Run, 1975. The album was Springsteen...

Nude #125, 1999 by Carl Hyatt is a signed, vintage gelatin silver, gold toned print. It is 8" x 10", matted 16" x 20", and signed. The photographer focuses on aesthetic and spiritual...

Rare, signed silver gelatin print, an early portrait of the Rolling Stones outside the Donmar rehearsal theatre, London, 1964 12x16" silver gelatin darkroom print, signed and number...

Photogravure on papier gravure Cartiere Enrico Magnani à la main, mounted on papier Cartiere Enrico Magnani à la main moulé-pressé paper, as issued. Inscription: unsigned and unnumbe...

This work features a photographic portrait of Helen Frankenthaler, taken by renowned musician and photographer Jim Arkatov, founder of the Los Angeles Chamber Orchester, and author of the 1998 book "The Creative Personality". The photograph is hand signed and dated '92 by Jim Arkatov. Framed alongside the photograph is a typed letter, hand signed in marker with a personal annotation ("Thanks again!!") by Helen Frankenthaler, thanking Mr. Arkatov for sending her glossy prints of his photograph and stating that she looks forward to seeing his book. Arkatov's original signed portrait, along with Frankenthaler's original signed letter, are elegantly framed in a museum quality wood frame under UV plexiglass. There is also a die-cut window in the back of the frame to reveal Arkatov's signature on the back of his photograph. Measurements: Framed 14.25 inches (vertical) by 19.75 inches (horizontal) by 1.75 inches (depth) Photographic portrait of Helen Frankenthaler: 9.25 inches (vertical) by 7.25 inches (horizontal) Letter from Frankenthaler to Arkatov: 7 inches (vertical) by 6.25 inches (horizontal) This collection was acquired from the Estate of Jim Arkatov. Below is an excerpt from his 2019 obituary in the Los Angeles Times: "...His was an immigrant’s story, a child from Russia who landed in San Francisco, befriended violinist Isaac Stern — whose fame was still to come — took up the cello and decided to pour his life into making music. James Arkatov found work with the Pittsburgh Symphony Orchestra and then with the philharmonic in San Francisco before coming to L.A. as a Hollywood studio musician who worked on movie soundtracks and backed up Ella Fitzgerald on some of her more memorable recordings, such as “Ella Fitzgerald Sings the George and Ira Gershwin Song Books.” Amazed at the dazzling talent around him in Hollywood, he came up with a simple but lasting idea — form their own orchestra. The Los Angeles Chamber Orchestra made its debut on an April evening in 1968, as hundreds squeezed into the newly built Mark Taper Forum. Arkatov played cello as usual as the ensemble drifted through the works of Mozart, Vivaldi, Haydn and other legends of the classics who’d written music specially for smaller orchestras. Arkatov, who lived long enough to see the orchestra celebrate its 50th anniversary, died Saturday at his home in Los Angeles. He was 98. “The orchestra represented a contextualized part of L.A. that had simply never been captured,” said his son, Alan Arkatov, the chair of the education and technology program at USC’s Rossier School of Education. “L.A. simply didn’t have this type of ensemble.” Arkatov was born in Odessa, Russia, on July 17, 1920, and moved around Europe before sailing with his family to San Francisco, where his father opened a photo studio. One of his early childhood friends was Stern, who would become an international star who performed on the world’s biggest stages. Arkatov, who began playing the cello when he was 9, formed a string quartet with Stern when they were teens. After stints as a cellist in San Francisco, Pittsburgh and Indianapolis, Arkatov became a member of the NBC Orchestra, the studio musicians who supplied the soundtracks for the movies that kept Hollywood humming. Pulling from the talent of Hollywood like an NFL team on draft day, he cobbled together a roster capable of handling the delicate and nuanced music written for chamber orchestras. In contrast to the L.A. Phil, which filled the stage with 100 or so musicians, the chamber orchestra was but half that size. The idea was to create a group that would play works written expressly for such an orchestra, many of them from the Baroque era. “The ensemble was never meant to compete with the Philharmonic,” Arkatov’s son said...." Helen Frankenthaler Biography: Helen Frankenthaler (1928-2011), whose career spanned six decades, has long been recognized as one of the great American artists of the twentieth century. She was eminent among the second generation of postwar American abstract painters and is widely credited for playing a pivotal role in the transition from Abstract Expressionism to Color Field painting. Through her invention of the soak-stain technique, she expanded the possibilities of abstract painting, while at times referencing figuration and landscape in unique ways. She produced a body of work whose impact on contemporary art has been profound and continues to grow. Frankenthaler was born on December 12, 1928, and raised in New York City. She attended the Dalton School, where she received her earliest art instruction from Rufino Tamayo. In 1949 she graduated from Bennington College, Vermont, where she was a student of Paul Feeley. She later studied briefly with Hans Hofmann. Frankenthaler’s professional exhibition career began in 1950, when Adolph Gottlieb selected her painting Beach (1950) for inclusion in the exhibition titled Fifteen Unknowns: Selected by Artists of the Kootz Gallery. Her first solo exhibition was presented in 1951, at New York’s Tibor de Nagy Gallery, and that year she was also included in the landmark exhibition 9th St. Exhibition of Paintings and Sculpture. In 1952 Frankenthaler created Mountains and Sea, a breakthrough painting of American abstraction for which she poured thinned paint directly onto raw, unprimed canvas laid on the studio floor, working from all sides to create floating fields of translucent color. Mountains and Sea was immediately influential for the artists who formed the Color Field school of painting, notable among them Morris Louis and Kenneth Noland. As early as 1959, Frankenthaler began to be a regular presence in major international exhibitions. She won first prize at the Premiere Biennale de Paris that year, and in 1966 she represented the United States in the 33rd Venice Biennale, alongside Ellsworth Kelly, Roy Lichtenstein, and Jules Olitski. She had her first major museum exhibition in 1960, at New York’s Jewish Museum, and her second, in 1969, at the Whitney Museum of American Art, followed by an international tour. Frankenthaler experimented tirelessly throughout her long career. In addition to producing unique paintings on canvas and paper, she worked in a wide range of media, including ceramics, sculpture, tapestry, and especially printmaking. Hers was a significant voice in the mid-century “print renaissance” among American abstract painters, and she is particularly renowned for her woodcuts. She continued working productively through the opening years of this century. Frankenthaler’s distinguished, prolific career has been the subject of numerous monographic museum exhibitions. The Jewish Museum and Whitney Museum shows were succeeded by a major retrospective initiated by the Modern Art Museum of Fort Worth that traveled to The Museum of Modern Art, New York, the Los Angeles County Museum of Art, and the Detroit Institute of Arts, MI (1989); and those devoted to works on paper and prints organized by the National Gallery of Art, Washington, D.C. (1993), among others. Select recent important exhibitions have included Painted on 21st Street: Helen Frankenthaler from 1950 to 1959 (Gagosian, NY, 2013); Making Painting: Helen Frankenthaler and JMW Turner (Turner Contemporary, Margate, UK, 2014); Giving Up One’s Mark: Helen Frankenthaler in the 1960s and 1970s (Albright-Knox Art Gallery, Buffalo, NY, 2014–15); Pretty Raw: After and Around Helen Frankenthaler (Rose Art Museum, Brandeis University, Waltham, MA, 2015); As in Nature: Helen Frankenthaler, Paintings and No Rules: Helen Frankenthaler Woodcuts...

Total Edition of 15 signed and numbered with label Also available in: 40 x 50 cm / 16 x 20 in 120 x 160 cm / 47 x 63 in A portrait of a naked model from the side, she looks like a B...

Model Michael Findlay, nude portrait study, 1970. This is a vintage silver gelatin photograph made by hand by master photographer Jack Mitchell. Comes ...

This iconic 1989 photograph features actress Gina Bellman posing on top of a column, accompanied by two monkeys. It was shot by celebrity and fashion phot...

Film still featuring Sophia Loren in The Pride and the Passion 1957. The Pride and the Passion is a 1957 American Napoleonic-era war film in Technicolor and VistaVision from United ...

This early print of this image was made in 1980. It is titled, signed and stamped on verso, by the Executor of the Hujar Estate.

Black and white candid capture of starlet Marilyn Monroe smiling for gathering paparazzi. -- One-of-a-kind original vintage press print from the Celebrity Vault archives. Own a piece of history and kick-start your collection with our one-of-a-kind pieces of your favorite celebrities. -- "The Marilyn Monroe community was shocked and stunned at the untimely passing of truly one of the greatest Monroe sculptors of all time, Kim Goodwin...

Lisa - Signed limited edition archival pigment print, Edition of 10 Morning light in Bordeaux, France. This image was captured on film. The negative was scanned creating a digita...

Listing includes free shipping for unframed prints and a 14 day return policy. Joan Didion by Julian Wasser 20 x 16 inch gelatin silver print Edition 3 of 15 Signed on verso by Julian Wasser *Please inquire for international shipments. Quotes will be provided at cost via FedEx. Description - Julian Wasser started his career in photography in the Washington DC bureau of the Associated Press where he met and accompanied the famous news photographer Weegee – who would become a lasting influence on him. In the mid-60s Wasser moved to Los Angeles as a contract photographer for TIME, LIFE, and FORTUNE magazines and becoming internationally known as the go to guy for getting candid but memorably composed photographs. (His iconic images of Jack Nicholson and Anjelica Huston; Marcel Duchamp and Eve Babitz; and a young Jodie Foster are already classics.) In 1968 TIME Magazine assigned Wasser to go to the home of the young writer Joan Didion whose book Slouching Towards Bethlehem was becoming a literary sensation. “I’d read her fiction,” said Wasser. “and she didn’t miss a thing. She was such a heavyweight person.” Wasser shot Didion at her rented house on Franklin Avenue in Hollywood, where she lived with her husband, the writer John Gregory Dunne, and their daughter, Quintana Roo. “It was a nice, cozy house,” Wasser remembers. “And she was a very easy person to talk to...

Black and white studio portrait of actress Audrey Hpeburn posed sitting with a Yorkie. Audrey Hepburn was a British actress. Hepburn had a successful career in Hollywood and was rec...

Vintage Travel Elegance circa 1925 by H Armstrong Roberts Archive Passengers Awaiting Boarding Beside Classic Propeller Aircraft circa 1925 Giant supersize silver gelatine print ...