Small Color Photography

Swim-in-Pool Supply Co. photograph from Richard Heeps 'Dream in Color' series. This fun original artwork really shows Richard's unique eye as a photographer. Captured in Las Vegas in...

Il Pellicano Tennis 1973 by Slim Aarons Slim Aarons Limited Estate Edition An Aston Martin DB6 sports car driving past the tennis courts at Il P...

"Markus Klinko is an award-winning, international fashion/celebrity photographer and director, who has worked with many of today's most iconic stars of film, music, and fashion. Kli...

'Princess Caroline Of Monaco' 1981 Slim Aarons Limited Estate Edition Print Prrincess Caroline of Monaco in the winter-garden room of her house on ...

Please bear in mind that all prints are produced to order. Lead times are expected between 5-10 days. Mirando al Cielo 7 is a beautiful 30cm x 30cm Digital Print on 50cm x 50cm Cott...

Color fine art long exposure waterscape - landscape photography. Archival pigment ink print as part of a limited edition of 7. All Gerald Berghammer prints are made to order in limit...

Shania Twain, Lake Placid, NY 1997 by photographer Timothy White Signed artist proof print 16x20" image on 17x22" paper

Waiting for Response (Strange Love) - 2005 50 x 40 cm, Edition of 10, Archival C-Print, based on an i-sight video chat. Signature label and certificate. Not mounted. A piece of S...

Atrium is a limited-edition photograph by British contemporary artist Gina Soden. This photograph is sold unframed as a print only. It is available in 3 dimensions: *54.8 cm × 44.64 cm (21.6" × 17.6"), edition of 15 copies *91.5 cm × 74 cm (36" × 29.1"), edition of 10 copies *120.92 cm × 96.61 cm (47.6" × 38"), edition of 3 copies All prints are signed and numbered. Contact us regarding framing options. This photograph, which was taken during the filming of the movie The Grand Budapest Hotel...

French Leave Hotel 1960 by Slim Aarons Slim Aarons Limited Estate Edition Guests at the French Leave Hotel, owned by actor Craig Kelly, at Eleuthera in ...

Signed limited edition print of James Brown, Augusta, Georgia, 1991 by celebrated photographer Timothy White. Edition number 25/25

Dreamcatcher (29 palms, CA) - 2008 48x47cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signature label and Certificate. Artist Inventory #4645...

Slim Aarons Estate Limited Edition C print 30x20" inches unframed. ' Kaufmann Desert House ' Former fashion model Helen Dzo Dzo Kaptur (in white lace) and Nelda Linsk (in yellow), ...

La Concha Motel Las Vegas swimming pool, captured from inside looking up. Part of Richard Heeps Dream in Colour series. This motel is a part of Las Vegas history, designed by Paul W...

Palm Trees Dive by (Stranger than Paradise) - 1999 44x59cm, Edition 2/10. Analog C-Print, hand-printed by the artist, based on the Polaroid. Certificate and Signature label. A...

Swimming In Spain 1970 by Slim Aarons Slim Aarons Limited Estate Edition Swimming and snorkelling in the bay at the Hostal De La Gavina, in S’agaro, Costa Brava, Spain, July 1970 ...

Waterhole - Planet of the Apes 05 - 1999 58x56cm, Edition of 10 plus 2 Artist Proofs. Analog C-Print, hand-printed by the artist, based on the original Polaroid. Signature label a...

Back Alley (Last Picture Show) - 2005 Edition 1/10, 58x57cm. Analog C-Print, hand-printed by the artist on Archive Fuji Chrystal Paper, based on the Polaroid. Artist inventory nu...

Blondie On The Roof Blondie on the roof of the Gramercy Park hotel New York 1978 Photo by Martyn Goddard Printed 2024. Signed limited edition photograph; edition of 25 in this siz...

Vintage chairs, poolside at the La Concha Motel Las Vegas swimming pool. Part of Richard Heeps Dream in Colour series. This motel is a part of Las Vegas history, designed by Paul Wi...

"Frolic In The Garden" Photography 20" x 16" in Ed. 1/15 by Aaron Mcpolin Medium: Archival Giclee Print Available sizes: Edition of 15 20 x 16 inch Edition of 7 30 x 24 inch Editio...

Translucent (29 Palms, CA) - 1999 50x49cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Certificate and Signature label. Artist Invent...

The Games we played (Till Death do us Part) - 2005 48x40cm, Edition of 10, plus 2 artist proofs. Archival C-Print print, based on the Polaroid. Certificate and Signature label, a...

This artistically recolored image features Marilyn Monroe posed in front of the "Hollywood" sign. In the early 1950s, Monroe became a popular actress with roles in several comedie...

Waiting for Randy (Wastelands), 2004 - Edition 5/5, 58x56cm. Analog C-Print, hand-printed by the artist, based on the Polaroid. Signature label and Certificate. Artist Inven...

Edition of 25 signed and numbered by the artist Peppa was the bishop's pig in Ghana. The sun shines into the stable and makes her ears light up. JJK is a pseudonym for one of the w...

Count Guido Monzino 1983 by Slim Aarons Slim Aarons Limited Estate Edition Italian mountain climber and explorer Count Guido Monzino (1928-1988) rowing on the waters of Lake Como towards his home, Villa del Balbianello...

Artist: Richard Corman Year: 1983 Title: Madonna Beauty Wall Edition Details: Archival pigment print on 100% cotton fine art paper, signed and numbered in the margins by the artis...

What I think she sees - 2020 50x50cm, Edition of 7 plus 2 Artist Proofs. Archival C-Print based on the Polaroid, not mounted. Signature label and certificate. Artist inventory -...

Organza dream - Signed limited edition archival pigment print, Edition of 5 This is an Archival Pigment print on fiber based paper ( Hahnemühle Photo Rag® Baryta 315 gsm , Acid-f...

Audrey Hepburn posed in a large-brimmed hat for a test shot for the film Breakfast at Tiffany's. Audrey Kathleen Ruston born on the 4th of May 1929 and passed on the 20th of January 1993. She was a British actress and humanitarian. Recognized as a film and fashion icon, she was ranked by the American Film Institute as the third-greatest female screen legend in Golden Age Hollywood...

Edward L. Rubin is an award-winning fine art photographer, a film and television production designer, and a fine art painter. He lives in his hometown of Los Angeles, studied archite...

Set of four framed ready to hang landscape nature photographs by Richard Heeps. Featuring. Three Palms, Clacton-on-Sea, 2021 (UK) Industrial Jungle, Lambra...

David Bowie Aladdin Sane "Eyes Open" print from Brian Duffy, taken during the phot shoot for the Aladdin Sane album cover. This "Eyes Open" shot was introduced for the first time to promote the hugely successful David Bowie Is...

Wallflower (29 Palms, CA) - 1999 58x56cm, Edition of 10, plus 2 Artist Proofs. Analog C-Print, hand-printed by the artist, based on the Polaroid. Signature label and Certificate,...

Sunrise Moments, November 23, 2014, 7-40-12 a.m., Cypress Creek, TX is a landscape photograph by David H. Gibson. The photograph is printed using arch...

Dada (Bombay all Day) - 2019 50x50cm, Edition of 7 plus 2 Artist Proofs. Archival C-Print based on the original Polaroid. Signature label with certificate. Artist inventory PL20...

This is from a series done about the Habad Hasidic Jewish community in Chicago. This is from the holiday Lag Baomer. Jay Wolke lives and works in Chicago, Illinois. He has had solo exhibitions at the Art Institute of Chicago, the St. Louis Art Museum, Harvard University and the California Museum of Photography. His photographs are in the permanent collections of the Museum of Modern Art, New York, the Whitney Museum of American Art, New York, the Art Institute of Chicago and the San Francisco Museum of Modern Art. Three monographs of his work have been published: All Around the House: Photographs of American-Jewish Communal Life (Art Institute of Chicago, 1998), Along the Divide: Photographs of the Dan Ryan Expressway (Center for American Places, 2004) and Architecture of Resignation: Photographs from the Mezzogiorno (Center for American Places, 2011). Kehrer Verlag will publish his fourth monograph, Same Dream Another Time, in 2017. Wolke received his B.F.A. in Printmaking / Illustration at Washington University, St. Louis, and an M.S. in Photography at the Institute of Design, Illinois Institute of Technology, Chicago. Since 1981 he has taught photography and art at various universities. From 1992-1999 he was Coordinator of Graduate Documentary Photography at the Institute of Design (IIT). In 1999-2000 he was Head of Art and Graduate Studies at Studio Art Centers International, Florence, Italy. He is currently a Professor of Photography at Columbia College Chicago, where he also served as Chair of the Art and Design Department from 2000-05 and again from 2008-14. Wolke has received grants and awards from the National Endowment for the Arts, the Illinois Arts Council, Focus Infinity Fund and the Ruttenberg Arts Foundation. His photographs have appeared in numerous publications including Geo France, New York Times Magazine, Financial Times Magazine, Village Voice, Exposure and Architectural Record. SELECT SOLO EXHIBITIONS 2015 Mostre Marte, Salerno, Italy, “Architecture of Resignation” 2014 PrimoPiano Gallery, Naples, Italy, “Architecture of Resignation” 2014 Foundation Studio Marangoni, Florence, Italy, “re-Located” 2014 Ralph Arnold Gallery, Loyola University, Chicago, “re-Located” 2013 Spertus Institute, Chicago, “All Around the House” 2012 University of Indiana Northwest Savanna Center, “Architecture of Resignation” 2010 Sheldon Arts Galleries, St. Louis, MO, “Architecture of Resignation” 2007 California Museum of Photography, Riverside, “Architecture of Resignation” 2006 St. Xavier University SXU Gallery, Chicago, “Architecture of Resignation” 2005 Schneider Gallery, Chicago, “Architecture of Resignation” 2005 City Gallery, Chicago Department of Cultural Affairs, “Along the Divide” 2002 Foundation Studio Marangoni, Florence, Italy, “Architecture of Resignation” 2002 St. Louis Art Museum, "All Around the House" 2000 Comunita Ebraica Salle Servi, Florence , Italy, “All Around the House” 1998 Art Institute of Chicago, "All Around the House" 1995 Harvard University, Carpenter Center, Cambridge, MA, "A Jewish View" 1994 Quad City Arts Center, Rock Island, IL "Temporary Usage" 1993 Northlight Gallery, Arizona State University, Tempe, "Temporary Usage" 1992 OK Harris Gallery, New York, NY, " Photographing American Dream Cities" 1991 Mid-Town Y Photography Gallery, New York, NY, "American Dream Cities” 1988 Portland School of Art, Portland, ME, "Las Vegas Portraits" 1987 Museum of Contemporary Photography, Chicago, IL, " Vegas Portraits" 1985 Chicago Historical Society, “Dan Ryan Project” SELECT GROUP EXHIBITIONS 2016 Le Murate, Florence, Italy, “Arno Collective Imaginary” w. Massimo Vitali, Arno Minkkinen 2015 Palazzo Reale, Milan, Italy, “Henri Cartier-Bresson e gli altri. I grandi fotografi e l’Italia”, 2014 Pitzer College Art Galleries, Claremont, CA, “Racial Imaginary” 2014 Black Box Gallery, Portland, OR, “Architecture, Landscape” 2014-15 Millennium Park Foundation, Chicago, “An Anatomy in Photographs” 2012 Chicago Cultural Center, “Industry of the Ordinary: 2003–2013” 2009 David Weinberg Gallery, Chicago, “Social Landscapes” 2009 Packer Schopf Gallery, Chicago, “39 Verbs” 2009 University of St. Francis, “The Night Hope Won” 2008-09 Chicago Cultural Center, “Made In Chicago: Photographs from Bank of America Collection” 2006 David Winton Bell Gallery, Brown University, Providence, "7 Documentarians: Berenic Abbott, Walker Evans, Larry Clark, Jim Dow, Danny Lyon, Garry Winogrand, Jay Wolke" 2006 Art Institute of Chicago. “Darkroom to Digital” 2005 Fort Worth Community Arts Center, “Cattle Drive” 2001 Illinois Art Gallery, “The Land Around Us” 1998 Carol Ehlers Gallery, Chicago, "Chicago Streets" 1996 Museum of Contemporary Photography, Chicago, "In Focus" 1995 Madison Arts Center, "Photography from Wisconsin, Minnesota, Illinois" 1994 Chicago Cultural Center, "Broad Spectrum" 1991 ARC Gallery, Chicago, "National Exposure" 1989 Art Institute of Chicago, "The City Inside and Out" 1989 Chicago Historical Society, "Changing Chicago, Public Diversions" 1988 Illinois State Museum, Springfield, "Lenscapes" 1987 Everson Museum, Syracuse, NY; Nabisco Corp., NJ; Fay Gold Gallery, Atlanta, GA "American Interiors", traveling exhibit curated Lieberman/Saul Gallery, NY 1986 National Endowment for the Arts/ Midwest Arts Alliance, national traveling 1985 University of Wisconsin, Milwaukee, "New Color Photography" 1985 Society for Cont Photography, Morgan Gallery, Kansas City, MO, "Photo '85" 1984 Art...

NOMAD, New York, photography by Richard Heeps capturing the iconic Empire State building in the mist as part of his series The Streets of New York. A sequence of photographs capturin...

Stefanie Schneider's work was used for Marc Forster's movie 'Stay'. Featuring Ewan McGregor, Naomi Watts and Ryan Gosling. Naomi and Ryan were both portraying artists and Stefanie's art was the art both created during the movie. Stefanie's images were also used for Ryan Gosling's memory sequence, for the end titles, for edits in between and as art paintings hanging in several scenes within the movie. Athena and Henry (Stay), from Ryan Gosling's memory sequence, - 2006, 56x55cm, Edition 1/5. Analog C-Print, printed by the artist on Fuji Archive Crystal Paper, matte surface, based on the Polaroid. Certificate and Signature label. Artist Inventory No. 2428.01. Not mounted. Torsten Scheid, “Fotografie, Kunst, Kino. Revisited.”, FilmDienst 3/2006, page 11-13

 Photography Art Cinema. Revisited Stay expands a traditional connection through new facets Interwoven between the media of photography and film is a veritable mesh-work of technical, motific, metaphorical and personal interrelationships. Extending from photo-film which, as in La Jetée by Chris Marker (France, 1962) is a montage of single, unmoving photographs all the way to the portrayal of photographic motifs in Hollywood cinema―most recently in Memento (USA, 2000) and One hour photo (USA, 2002)―is the range of filmic-photographic interactions on the one hand, and from the adaption of modes of cinematic production to the imitation of film stills on the other. For instance, with the legendary Untitled Film Stills (1978) of the American artist Cindy Sherman, who later made her debut as a film director with Office Killer (USA, 1997) and thereby, like many others, changed sides: Wim Wenders, Robert Frank and Larry Clark are doubtlessly the most successful of these photographic-filmic border crossers. This brief survey provides only a vague indication of the dimensions of this intermedial field, which in fact extends much further and is constantly being cultivated. Also as a motif in film, photography has experienced a historical transformation: Photographers were once considered to be technicians who mastered a craft but never achieved the status of artists. Photographer-figures were caught in the allure of beautiful appearance, incapable of penetrating to the actual essence of things. Such depth was reserved for literature or painting. When photography in film touched upon the sphere of art, then most often as its contrasting model, as the metaphor for a superficial access to the world. Coming to mind are Fred Astaire as a singing fashion photographer in Stanley Donen’s musical film Funny Face (USA, 1957), or the restless lifestyle-photographer in Michelangelo Antonioni’s genre-classic Blow up (GB, 1966). For the doubting Thomas, only that exists which can be photographed. He ultimately enters the world of fantasy and thereby the field of art only unwillingly, when he becomes entangled in the world of his images. The last of his detail-enlargements shows only the photographic grain and has lost all connection to reality. The photograph looks as if it had been painted by Bill, the painter who is both friend and antagonist to the protagonist.

 Photography as Art It was first around the end of the last century that numerous filmmakers discovered photography as a genuine art form. In The Bridges of Madison County (USA, 1995) a sensitive Clint Eastwood stands, camera in hand, on the threshold of artistic status, and in Smoke (USA, 1994) a tobacco merchant ripens into a philosopher through his involvement in photography. Finally, in John Water’s parody of the art market, Pecker (USA, 1998), a provincial tom-fool is hyped into celebrated stardom amid the New York art scene because of his blurred snapshots. This film about a postmodern Kaspar Hauser in photographic art (with clear parallels to Richard Billingham, the British shooting...

The subject is the conflation of women and the home. In the previous “Anonymous Women: Draped” photographic series, a lone woman is hidden in a vignette within the drapery, where she performs domestic trickery. The photographs are vignettes of women hidden behind drapes containing one figure and drapery, with an occasional prop or piece of furniture. In this series, “Reconstructed,” the woman becomes part of her domestic trappings and activities. I am creating narrative, full-size, still-life images comprised of many objects. “Reconstructed Series” is a commentary on our obsession with collecting, accumulating designing, and decorating, inviting hilarity and pathos about our relationship with “things.” They are installations made in the studio for the camera that play with color, space, and scale, and use household objects as subject matter. We are making a life-size box in the studio as a substitute for the home. A mannequin substitutes for the woman, who is camouflaged among her domestic objects in the space. The final outcome is a photograph and/or a short video. Growing up in the suburbs of Chicago provided the basis of all of my work, and I continually seek to come to terms with it. I grew up when suburban life was idealized; the home was a place of perfection and harmony, free from the harsh realities of the city, without crime, or messy interiors, where everyone’s drapes and sofa matched, where people were normal, without dark little secrets. It was at a time when the “woman’s place...

Untitled (Fairytales) - 2006, 49x48cm, Edition 2/5. Analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper, matte finish, based on the original Polaroid. Certi...

Deliverance (Haley and the Birds) - 2013 50x49cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory...

This mid-1980s winter landscape photograph, captured by society photographer Slim Aarons, features a group of men and women go cross-country skiing in Seefeld, Austria, 1985. This i...

Palm Springs Palm Trees (Californication) - 2023 50x49cm. Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist I...

Remove Before Flight ( The Lost Aviator ) 2019, Edition 1/10 plus 2 Artist Proof, 50x50cm, Digital Print based on a Polaroid on Hahnemühle photo rag paper, not mounted. Signed on ...

"Markus Klinko is an award-winning, international fashion/celebrity photographer and director, who has worked with many of today's most iconic stars of film, music, and fashion. Kli...

Forgotten Pool (2015), Edition of 10. 50 x 50 cm. Archival Print on Canson Baryta Fiber Rag 310gr, based on a Fuji Instant Film (not mounted). Signed on back with Certificate. Cr...

Signed limited edition print by Ed Caraeff of Jimi Hendrix setting fire to his Fender Stratocaster guitar while performing at the Monterey Internat...

Star me Kitten - 2017, 50x50cm. Edition of 7 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid, not mounted. Signature label with certificate. Artist inventory PL2017...

Lila and Sam (Stay) with Ewan McGregor and Naomi Watts, 2006, 50x50cm, Edition of 10, Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory No. 5067. Not mounted. Stefanie Schneider's art work was used for the Marc Forster movie 'Stay'. featuring Ewan McGregor, Naomi Watts and Ryan Gosling. Naomi and Ryan were both portraying artists and Stefanie's art was the art both created during the movie. Stefanie's images were also used for Ryan Gosling's memory sequence, for the end titles, for edits in between and as art paintings hanging in several scenes within the movie. Torsten Scheid, “Fotografie, Kunst, Kino. Revisited.”, Film...

Somewhere in Kazmierz, a limited edition photograph, signed, archival pigment ink “Once Upon A Time In Kazimierz is a novella told in staged photographs. It portrays an episode in t...

Please bear in mind that all prints are produced to order. Lead times between 15-20 days. Edition of 9/75 All items are shipped as a print only and come unframed. Tim Flach is a g...

TABACCHI at Day, one of a sequence of photographs from Richard Heeps series, 'A Short History of Milan' which began in November 2018 for a special project featuring at the Affordable...

A classic American icon, the roadside giant "Muffler Man", captured on Richard Heeps' road trip between Mecca and the Salton Sea. Part of a series of pictures by Richard Heeps featur...

Fun pop art typography, a total 'Sign Porn' fix, captured on an American road trip in Nevada. This artwork features in Richard Heeps' sold out book 'Man...

Planes I - 2008 50x49cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signature label and Certificate. Artist Inventory #4656. Not mounted. A...

Back Stop (Instantdreams) - 1998 58x57cm Edition of 5, plus 2 Artist Proofs. Analog C-Print, hand-printed by the artist on Archive Fuji Chrystal Paper, based on the Polaroid. Arti...