Framed Color Photography

Richard Heeps became well-known for his Burlesque Photography after he spent 2003 capturing performances in Britain & America. He spent a lot on time with his subjects on a number of...

Pink Tinted Cassette from the Heidler & Heeps Tape Collection. The Heidler & Heeps collaborations are creative representations of Natasha Heidler and Richard Heeps’ personal past and...

I was visiting Newfoundland when I spotted this opportunity for a wonderful picture, spanning two worlds. My wife and I had gone on a 2-hour hike with my sister ending in a beautiful...

This image is from the series "Kroma". Pascal Goet looks for flowers, butterflies and other insect of items from the microworlds to attract our attention to the beauty of nature. P...

Ed. of 21, estate-stamped, posthumous print. Includes black frame. Norman Parkinson was the preeminent fashion photographer in Great Britain from the late 1930s until his death in 1...

RISAKU SUZUKI (*1963, Japan) Water Mirror 17, WM-707 2017 Chromogenic print Sheet 120 x 155 cm (47 1/4 x 61 in.) Frame 124 x 159 x 5 cm (48 7/8 x 62 5/8 x...

Hitachi TV, photograph by Richard Heeps captured at the top of Victoria Peak in Hong Kong. A sense of nostalgia with seventies inspired mustard wallpaper as a retro kitsch backdrop f...

"Southern Magnolia #1, Atlanta, GA" is a nocturne photograph of an urban tree featuring hues of white, green, orange and yellow. This listing is for a framed print. Additional unfram...

Ed. 1/5, includes white frame. Coe’s 2022-23 Nantucket series captures the nostalgic essence of the island complemented by the artist’s signature element of surprise. Emphasizing th...

In this contemporary, hyper-detailed archival pigment print on watercolor paper, a white moth with brown circular markings at the tips of its bottom wings, and light, golden brown st...

Ordinary Places Sixteen Piece Installation, British vintage interior photography by Richard Heeps. Richard Heeps 'Ordinary Places' Series...

Pleasure Park, vintage seaside architecture typography photography from Richard Heeps' series, On-Sea. This artwork is a limited edition of 25 gloss photographic print from negative...

Vintage chairs, poolside at the La Concha Motel Las Vegas swimming pool. Part of Richard Heeps Dream in Colour series. This motel is a part of Las Vegas history, designed by Paul Wi...

RISAKU SUZUKI (*1963, Japan) SAKURA 16,4-19 2016 Chromogenic print Sheet 120 x 154 cm (47 1/4 x 60 in.) Edition of 5; Ed. no. 1/5 Framed The Sakura (Japanese term for ‘cherry blosso...

"Marvin Gaye'" framed color photograph. This photograph was originally displayed in a guest room of the original Hard Rock Hotel and Casino in Las Vegas, Nevada, and comes with a cer...

Jung LEE (*1972, South Korea) LOVE #1, 2019 C-Type Print, Diasec Sheet 160 x 200 cm (63 x 78 3/4 in.) Frame 166,8 x 206,9 x 3,5 cm (65 5/8 x 81 1/2 x 1 3/8 in.) Edition of 5, plus 2 ...

Darren Almond Fullmoon@Beacon 1999-2004 C-print mounted on aluminum in artist’s frame 48 x 48 inches; 122 x 122 cm Edition of 5 Signed in ink (verso) Available from Matthew Marks G...

Ed. 3/5, includes white frame. With his passion for formal technique and composition, internationally renowned photographer Nathan Coe’s works exude a deep reverence for the classic...

Daisy's Mantelpiece, domestic vintage interior photograph from Richard Heeps' series, Ordinary Places. Ordinary Places was Richard's first colour collection shot between 1986-1991 a...

ABOUT THIS ARTIST: Merve Türkan and Ulaş Kesebir, are a self taught photography duo based in London. They have been working professionally since 2014 and in the end of the 2020 they ...

This work features hues of pink, purple, green and yellow. This photograph is an archival inkjet print, mounted to Sintra and face mounted to polished acrylic, edition 1 of 1. Frame...

Trailer Bathroom, interior photography by Richard Heeps part of his Dream in Color series. The artwork has a gorgeous soft pink color palette and a vintage style with a hint of flami...

Ed. 4/7, includes white frame. David Burdeny translates his intimate appreciation for the structure, details, and metaphorical value of space into sublime observations on how the co...

Doug Rickard (American b.1968) Limited Edition Archival Pigment Print. Features the work titled; A New American Picture - Detroit. Signed on verso and numbered 4/5. Work: 26 in. x 41 1/2 in. Frame: 26 1/2 in. x 42 in. Doug Rickard’s A New American Picture offers a startling and fresh perspective on American street photography. All of the images are appropriated from Google Street View; over a period of two years, Rickard took advantage of the technology platform’s comprehensive image archive to virtually drive the unseen and overlooked roads of America, bleak places that are forgotten, economically devastated, and abandoned. With an informed and deliberate eye, Rickard finds and decodes these previously photographed scenes of urban and rural decay. A New American Picture depicts American street scenes, located using the internet platform Google Street View. Over a four-year period, Rickard took advantage of Google’s massive image archive to virtually explore the roads of America looking for forgotten, economically devastated, and largely abandoned places. After locating and composing scenes of urban and rural decay, Rickard re-photographed the images on his computer screen with a tripod- mounted camera, freeing the image from its technological origins and re-presenting them on a new documentary plane. The low-resolution images that Rickard favors have a dissolved, painterly effect, and are occasionally populated with figures who acknowledge the camera, but whose faces are blurred, masking their identity. The photographs are thus imbued with an added surrealism and anonymity, which reinforces the isolation of the subjects and emphasizes the effects of an increasingly stratified American social structure. Rickard’s work evokes a connection to the tradition of American street photography, with knowing references to Walker Evans, Robert Frank and Stephen Shore. He both follows and advances that tradition, with a documentary strategy that acknowledges an increasingly technological world—a world in which a camera mounted on a moving car can generate evidence of the people and places it is leaving behind. Collectively, these images present a photographic portrait of the socially disenfranchised and economically powerless, those living an inversion of the American Dream.Doug Rickard (born 1968) is an American artist and photographer. He uses technologies such as Google Street View and YouTube to find images, which he then photographs on his computer monitor. His photography has been published in books, exhibited in galleries and held in the permanent collection of the San Francisco Museum of Modern Art. Rickard is best known for his book A New American Picture (2010). He is founder and publisher of the website on contemporary photography, American Suburb X, and the website These Americans which publishes some of his collection of found photographs. This work features a black, African American man in the foreground walking in a bleak neighborhood in Detroit, Michigan. Rickard was born in San Jose, California and brought up in Los Gatos in the San Francisco Bay Area. His father was a prominent pastor and many family members were preachers and missionaries, with a "very Reaganesque, patriotic view of America", a country "special and unique". Rickard studied United States history—slavery, civil rights—and sociology, at University of California, San Diego, and "lost his faith in this family vision. His adult view of America was a land not just of great achievement but also of massive injustice." At age 12 he witnessed his father having a secret extramarital affair, that years later in 1988 he confessed to his congregation. Rickard says this experience prompted him "to look for the fault lines in the American dream." He lives in Shingle Springs, near Sacramento, California. For his series A New American Picture, Rickard "wanted to look at the state of the country in these areas where opportunity is non-existent and where everything is broken down", where "the American dream was shattered or impossible to achieve". It is said that this work comments on United States politics, poverty, racial equality and the socioeconomic climate, class; the use of technology in art, privacy, surveillance, and the large quantity of images on the web. He cites as influences the photobooks American Photographs (1938) by Walker Evans, The Americans (1958) by Robert Frank, Uncommon Places (1982) by Stephen Shore and American Night (2003) by Paul Graham. The work was first exhibited as part of Anonymes: Unnamed American in Photography and Film, curated by David Campany and Diane Dufour at Le Bal, Paris, in 2010. To mark that occasion Rickard produced the first edition of the book, with the publisher White Press. Its first American museum show was at New York's Museum of Modern Art. Select Publications: Aperture Remix. New York: Aperture, 2012. A series of books made in homage to another Aperture publication, each in an edition of 5 copies. Rickard's was a response to Uncommon Places by Stephen Shore. The other publications were by Rinko Kawauchi, Vik Muniz, Alec Soth, Taiyo Onorato & Nico Krebs, Martin Parr, Viviane Sassen, Penelope Umbrico and James Welling. Produced in conjunction with the exhibition Aperture Remix. A New American Picture. Nazraeli Press Six by Six, set 4 v. 5. Portland, OR: Nazraeli, 2012. Edition of 100 copies. The other volumes are by Robert and Kerstin Adams, Edward Burtynsky, Kenro Izu, Catherine Opie and Issei Suda. Staking Claim: a California Invitational. San Francisco: Modernbook, 2013. Photographs by Rickard as well as Matthew Brandt, Susan Burnstine, Eric William Carroll, John Chiara, Chris Engman, Robbert Flick, Todd Hido, Siri Kaur, Mona Kuhn, Matt Lipps, David Maisel, Klea McKenna, Mark Ruwedel, Paul Schiek and Christina Seely. Catalogue of an exhibition held at the Museum of Photographic Arts, San Diego, CA. Select Exhibitions: Solo exhibition 2012: Yossi Milo Gallery, New York, October–November 2012. Group Exhibitions 2010: Anonymes: L’Amérique sans nom: Photographie et Cinéma (Anonymous: Unnamed America in Photography and Film), Le Bal, Paris, September–December 2010. A thematic exhibition with works by Rickard as well as Jeff Wall, Walker Evans, Chauncey Hare, Lewis Baltz, Standish Lawder, Sharon Lockhart...

Cash Register, detail photograph from Richard Heeps' commission to document the Preston Hall Museum in Stockton-on-Tees. This artwork is a limited edition of 25 gloss photographic ...

David Burdeny Elephant Mother and Calf, Amboseli, 2020 Archival Pigment Print Signature Label Price for Print only. Ask us for framing options.

Deanna Dikeman Donna in her Garden Year: 2024 Archival Pigment Print on Hahnemuehle Baryta Rag Framed Size: 13 x 13 x 0.25 inches COA provided *Ready to hang; matted and framed in a...

Girl down the Road (The Last Picture Show) - 2006 Edition of 10, 58x57cm. Analog C-Print, hand-printed by the artist on Archive Fuji Chrystal Paper, based on the Polaroid. Artist...

Fine art inkjet print on special paper rag Ask us for framing options Hans Withoos career spans more than twenty years worldwide. After graduating from the Art Academy. He specializ...

30 Cents Singapore Orchid, from the Heidler & Heeps Stamp Collection. These historic postage stamps that make up the Heidler & Heeps Stamp Collection, Singapore Series 'Postcards fro...

Buick in the Dust, features an American Car, on a British Beach (Hemsby, Norfolk) driven by a German. Richard spent years honing his skills as a drag racing photographer, a sport he ...

Fine art inkjet print on special paper rag Ask us for framing options Hans Withoos career spans more than twenty years worldwide. After graduating from the Art Academy. He specializ...

ICES Blue Curacao, bold pop art street photography from Richard Heeps' series, On-Sea. Created as an ode to Richard's childhood visits to his grandparents living on the Sussex coast...

Heidler & Heeps B Side Vinyl Nine Piece Installation. Acclaimed contemporary photographers, Richard Heeps and Natasha Heidler have collaborated to make this beautifully mesmerising c...

Work comes with a Certificate of Provenance issued by Christie’s. Stamped on the verso by the Estate of the Artist and The Andy Warhol Foundation for the Visual Arts. Foundation num...

Heidler & Heeps Vinyl Collection Twelve Piece Multicolour Installation. Acclaimed contemporary photographers, Richard Heeps and Natasha Heidler have collaborated to make this beautif...

Ed. 2/3, includes white frame. With his passion for formal technique and composition, internationally renowned photographer Nathan Coe’s works exude a deep reverence for the classi...

The Kiss (Sidewinder) - 2005 125x154cm, Edition 2/5, analog C-Print, hand-printed by the artist on Fuji Crystal Archive paper, based on the original Polaroid. Signed on verso. Artist Inventory No. 3120.02. Mounted on Aluminum with matte UV-Protection. This piece ships in a crate. Schneider harnesses the unpredictable chemical mutations of expired Polaroid film, where bursts of color erupt across the surface, destabilizing the photograph's traditional allegiance to reality. These vivid distortions draw her characters into ethereal, trance-like dreamscapes. Like fleeting sequences from a vintage road movie, Schneider’s images shimmer with a transitory quality, dissolving before any definitive conclusions can be drawn. Their ephemeral essence is conveyed through subtle gestures and enigmatic motives. Refusing to yield to the constraints of reality, Schneider’s work keeps alive a delicate interplay of dream, desire, fact, and fiction, blurring the boundaries between them with poetic ambiguity. Stefanie Schneider’s work echoes the heart of American art, channeling the cinematic nostalgia of Ed Ruscha’s roadscapes, the stark sensuality of Georgia O’Keeffe’s deserts, and the haunting solitude of Edward Hopper...

This listing is for three artworks from the Heidler & Heeps Vinyl Collection. Acclaimed contemporary photographers, Richard Heeps and Natasha Heidler have collaborated to make this ...

large format photograph of Malbacco Desiata, a secret swim hole in Tuscany, by iconic Italian photographer Massimo Vitali, renowned for his grand scale to...

I wanna be sedated from The crazy Adventures of David C.' - 2019 Original Polaroid - Unique Piece 1/1, signed and titled on back. 7.8 x 7,7cm (image area) 10.7 x 8.7 cm ( includ...

Jaquelin Carioscia Golden Maze III Archival Pigment Print Year: 2024 Visible Size: 11.5 x 17.5 inches Framed: 15 x 21 x 0.75 inches Signed: On Label COA provided *Ready to hang; fra...

Set of seven framed rainbow color Richard Heeps' iconic 'ICES' pop art photography prints. Created as an ode to Richard's childhood visits to his grandparents living on the Sussex c...

No Parking, urban architecture photograph from Richard Heeps' series, A Short History of London. The stark Brutalist architecture has sense of beauty as the hypnotic symmetry draws y...

'Brutalist Symphony', photograph by Richard Heeps from the London's Barbican Estate. There is a subtle beauty in the light and colour of this conceptual architectural photograph of t...

Jersey Girls Gold, from Richard Heeps Jersey Shore series. Vintage matchbooks from the Chelsea flea market featuring nudes from the 1940's are reimag...

Richard Heeps photographed the Rockabilly scene in England, Europe and America over seven years culminating in his book, 'Man's Ruin'. 'Miss Shifty' captures the chic vintage fashion...

Limited edition, signed and numbered with certificate of authenticity - 60x60cm - 15 proofs + 4 AP About the Artist: Pascal Goet, a French artist and phot...

Aspen Farmhouse, photograph from Richard Heeps' series, A View of the Fens from the Car with Wings. Richard visits this abandoned building in The Fens capturing it as the landscape a...

'Utopian Foyer III', Italian Brutalist architecture photography by Richard Heeps' from his series 'A Short History of Milan'. There is a reoccurring linear, structural theme through...

MICHAEL WOLF (*1954, Germany) Transparent City #01 2007 C-print Sheet 121,9 x 152,4 cm (48 x 60 in.) Frame 127 x 158 cm (50 x 62 1/4 in.) Edition of 9,...

'Utopia', Italian Brutalist architecture photography by Richard Heeps' from his series 'A Short History of Milan'. There is a reoccurring linear, structural theme throughout the ser...

'Telephone I' part of Richard Heeps 'Dream in Colour' Series. This cool Palm Springs interior photography combines gorgeous colours of bold red and dreamy blue and it has a mid-cent...

Norman Parkinson (1913-1990) was one of the Twentieth Century’s most celebrated fashion photographers. He pioneered epic storytelling in his images, taking portrait and fashion photo...

AILA (Yellow), from the Heidler & Heeps Tape Collection. The Heidler & Heeps collaborations are creative representations of Natasha Heidler and Richard Heeps’, personal past and thei...

Chair, vintage industrial interior photograph from Richard Heeps' series, Ordinary Places. Ordinary Places was Richard's first colour collection shot between 1986-1991 and it insta...

Rayburn, vintage interior photograph from Richard Heeps' series, Ordinary Places. This modest kitchen range has farmhouse charm with endless details of a life drawing your eyes aroun...

Printed in the United States, a shades of blue artwork in the Heidler & Heeps B Side Vinyl Collection. Acclaimed contemporary photographers, Richard Heeps and Natasha Heidler have co...

This listing is for three artworks from the Heidler & Heeps Vinyl Collection. Each artwork measures 24"x24". They can be hung any distance apart to suit your space. Each piece is a l...

Drawing her inspiration from the grand masters of photography – Avedon, Lindbergh, Newton or Toscani, amongst others – Cécile Plaisance uses lenticular printing to allow the viewer t...