Unframed Color Photography

Slim Aarons Limited Estate Edition Dining Al Fresco On Capri Italian artist and actress Domiziana Giordano, Italian author Francesca Sanvitale (1928 - 2011), Dino Trappetti and Umbe...

Poolside Chic 1970 by Slim Aarons Slim Aarons Limited Estate Edition Guests by the pool at Nelda Linsk’s desert house in Palm Springs, California, January 1970. The house was designed by Richard Neutra for Edgar J. Kaufmann. Nelda Linsk, wife of art dealer Joseph Linsk, is wearing yellow on the left, Helen Dzo Dzo is at centre in a white crochet outfit...

Gold Marilyn Oversize Signed limited edition - Pop Art - Marilyn Monroe by the London based contemporary pop art image creator and artist, BATIK. Measures approximately 40 x 30" ...

Pittsburgh: A Look Back - Photographs from the 1980’s I came back to live in Pittsburgh in 1975. I could see the city was changing and evolving into what would ultimately be calle...

Artist: Richard Corman Year: 1983 Title: Madonna Beauty Wall Edition Details: Archival pigment print on 100% cotton fine art paper, signed and numbered in the margins by the artis...

'Speedboat Landing' August 1973:A Magnum motorboat belonging to Count Filippo Theodoli arrives at the private jetty of the Il Pellicano Hotel in Porto Ercole, Italy. 24 x 20" inc...

'Santa Monica Palm Trees' (Stranger than Paradise) - 2016 20x20cm, Edition of 10, Archival C-Print, based on the Polaroid, Certificate and Signature label, Not mounted. Instantdr...

Vice - 2024 - 50x50cm, Edition of 7 plus 2 Artist Proofs. Archival C-Print based on the original Polaroid. Signature label with certificate. inventory PL2024-046. Not mounted....

The series, Entrelazar, is based on the selection of an urban element, the lamppost: a vertical element that rises above the urban landscape and is repeated in the city of Bogotá. Th...

Rosa East Park Giles Revell is a dynamic, abstract archival pigment print. Available in this size of 50cm x 50cm in an edition of 25. Larger prints are available, please contact the...

'Monte Carlo Beach Club' Guests around the pool at the Monte Carlo Beach Club, Monaco, August 1970. 40 x 60" inches / 102 x 152 cm paper size Estate Stamped Collection Edition ...

Edition of 5 Carolyn'Monastra's series called "lovely, dark and deep,” excerpted from Robert Frost poem, explores the natural wonders of the wilderness. Dramatic and awe-inspiring l...

The first encounter I had with the abyss, was arriving to a place that does not exist, a point suspended in time where I am without being. An unreal world expands in front of me, eve...

Jose Sierra work is deeply influenced by themes of self-representation and a homoerotic gaze. Through his unique aesthetic, he creates abject staged environments that challenge tradi...

Castro’s labor-intensive, photo-collage works of drug kingpins, smugglers, hitmen, countrymen, street vendors, soldiers, paramilitaries, kidnappers, and pimps pose showing with pride...

Blue Notes - 2018 Edition of 7 plus 2 Artist Proofs, Archival C-print, based on the Polaroid, not mounted. Signed on the back and with certificate. Artist inventory PL2018-431. ...

The artists computer-generated paintings merge craftsmanship and technology, creating an eclectic and unique style. Through her art, she aims to illuminate the world. Tcherassi's wo...

MASSIMO LISTRI Castello di Friedstein a Gotha, Germany, 1999 48 x 60 inches 120 x 150 cm Edition of 5 Chromogenic Print Signed, dated, and numbered on verso label Unframed (Framin...

Aditya Dicky Singh Untitled Photograph on fine-art Hahnemuhle archival paper 65" x 44" unframed (165cm x 112cm) 2017 Edition 1/15 *Should you wish the photograph to be printed ...

large format photograph from a series of colorful floral explosions, flower power and liquid clouds captured in water FLORA lI by Christian Stoll 27 x 40 inches (68.5 x 102cm) sign...

ABOUT THIS ARTIST: In rich, cinematic reds and browns, vivid yellows, and muted neutral shades, Adrian Samson’s photographs seduce viewers into a radiant, chromatic universe. With a ...

'Orange Poppies' Analogue colour floral photography. London, United Kingdom 2024. Limited edition of 20. Printed on the finest archival Hahnemühle Photo Rag paper, these limited ...

Slim Aarons Poolside Pairs (Kaufmann Desert House) 1970 (printed later) C Print Estate stamped and numbered edition of 150 with certificate of authenticity Former fashion model Hel...

Dahlia 8 is a rich and luxurious Archival Inkjet Print by contemporary photographer Philip Gatward. It is available in this size of 32" x 38" from a Limited Edition of 10. Gatwar...

Artist: Jeffrey Mayer Limited Edition: Signed and hand numbered in the margin, archival pigment print on 100% cotton paper with a Baryta finish. Authorized worldwide release of 100 ...

From The series Guerreros Unique Photomontage on archival paper Unframed Signed, titled and dated by the artist The root of these unique photographic works by the artist Celso Cas...

CZ Guest With Her Great Dane 1955 by Slim Aarons Slim Aarons Limited Estate Edition American socialite C.Z. Guest (Mrs Winston F.C. Guest) (1920 – 2003) with a large Great Dane do...

Marianne Faithfull poses for a portrait backstage at Aston Studios during the filming of Thank Your Lucky Stars TV show in May 1965 in Birmingham, United Kingdom. Image is part of David Redfern...

'Primary Colors' (Stranger than Paradise) - 2001 each 20x20cm plus 5 cm in between each print together, 70x70cm, sold out Edition of 10, Artist Proof 2/2, Archival C-Print print,...

Verbier Vacation, 1964 C print Estate stamped and hand numbered edition of 150 with certificate of authenticity from the estate. Holiday-makers take the sun on a mountain top in Ver...

Marbella House Party 1967 by Slim Aarons Slim Aarons Limited Estate Edition Guests at a party at the home of Sebastiano Bergese in Marbella, Spain, 1967. unframed c type print pr...

Vintage candid image of The King, Elvis Presley photographed early in his career in 1956 in Memphis Tennessee by Lloyd Dinkins. Elvis Aaron Presley, also known simply as Elvis, was an American singer, musician, and actor. He is regarded as one of the most significant cultural icons of the 20th century and is often referred to as the "King of Rock and Roll" or simply "The King". His energized interpretations of songs and sexually provocative performance style, combined with a singularly potent mix of influences across color lines during a transformative era in race relations...

"David Bowie: Smoking, 2002" 60 x 48 in Edition 4/12 by Markus Klinko David Bowie staring at the horizon is from Klinko's photo session for the cover of Heathen, released in 2002. T...

Nobuyoshi ARAKI (*1940, Japan) 67 Shooting Back #GDN224, 2007 RP Direct print 50.8 x 60 cm (20 x 23 5/8 in.) Print only – Nobuyoshi Araki Nobuyoshi Araki (Tokyo, 1940) is a Tokyo-ba...

Northern Carmine Bee-Eater and Grevy's Zebra by Cheryl Medow is a 21 x 24 inch archival pigment print, available in an edition of 10. This photograph features a colorful bird perched on a branch, with three zebras in a grassy field in the background. The image size 16 x 20 inches, the paper size is 21 x 24 inches. This photograph is signed and numbered in pencil, and blind stamp on print margin by Cheryl Medow. This photograph is signed, titled, dated, and print type in pencil on print verso by Cheryl Medow. This photograph is available in multiple sizes: Paper size: 14 1/2 x 18 in., Image size: 10.4 x 13 in., Edition of 25, $1700 Paper size: 21 x 24 in., Image size: 16 x 20 in., Edition of 10, $2300 Paper size: 31 x 36 in., Image size: 24 x 30 in., Edition of 6, $2900 Santa Barbara art photographer Cheryl Medow creates images that entice the viewer to enter her world, both real and imagined. Cheryl Medow's background in the arts is diverse, but interconnected. Medow studied ceramics at the famed Chouinard Institute and received a BA in Art from UCLA, concentrating on life drawing with charcoal and pastels. Continuing her art education, she studied printmaking at Hand Graphics in Santa Fe, New Mexico. With a wealth of materials and techniques, Medow layers her photographs and weaves them together to create visual narratives. There have been numerous articles written about her work. Avian Alchemy by Becca Cudmore was published by Audubon News/Culture on June 5, 2015, Proof. National Geographic - An Altered Reality by Becky Harlan along with National Geographics Sunday Stills, Sunday, July 12, 2015 and an article in Inspire Adobe Photoshop For The Birds by Alyssa Coppelman in August. In 2016, Medow was included in the SLIDESHOW Night at the Annenberg Space for Photography in Century City, California. She received the Juror's Award at PhotoPlace Gallery in Middlebury Vermont for Great Blue Heron With Chicks Revisited and her print will be exhibited from March 23 through April 22 and White Ibis With Fish will be part of the Online Gallery Annex at PhotoPlace. Medow was a finalist in the 89th Annual International Competition at The Print Center in Philadelphia given the Olcott Family Award. She is also a finalist at the LensCulture Earth Awards 2015. In 2015, Medow's images were exhibited at The G2 Gallery in Venice, CA and at Flock: Birds On The Brink / Ganna Walksa Lotusland, curated by Nancy Gifford...

Self-Portrait - 2020, Part of the series shot during the second UK lockdown. Edition of 10. 20x20cm. Digital C-Print based on a Polaroid. Not mounted. Leanne Surfleet is an analo...

Channeling the energy of “water-signs” in astrology, he captures these mysterious men thru a romantic lens. The embrace of the shadows and the light mixed with the gaze of their bodi...

Fog (The Last Picture Show) 2005 20x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Certificate and signature label. Artist inventory...

A party of skiers adjourn for drinks at the bar on top of peak KT-22, Squaw Valley, California, 1961. Second from right is American lawyer and businessman Alexander Cochrane Cushing ...

Oz Tennis Stars 1956 by Slim Aarons Slim Aarons Limited Estate Edition Australian tennis players Lew Hoad and Ken Rosewall at the Newport Tennis week i...

This is an exclusive handprinted limited edition cyanotype diptych of foamy gorgeous clouds. Details: + Title: Floating Clouds Diptych + Year: 2023 + Edition Size: 20 + Stamped and ...

Original photo transfer on acetate and colored paper mounted on paper. Hand signed on front by the artist. Authenticated by Andy Warhol Art Authentication Board...

Living in a Dream (Till Death do us Part) - 2005 20x20cm, Edition of 10, Archival C-Print print, based on the Polaroid. Certificate and Signature label, artist Inventory No. 9781. Not mounted. on offer is a piece from the movie "Till Death do us Part" Stefanie Schneider’s Till Death Do Us Part or “There is Only the Desert for You.” BY DREW HAMMOND Stefanie Schneider’s Til Death to Us Part is a love narrative that comprises three elements: 1. A montage of still images shot and elaborated by means of her signature technique of using Polaroid formats with outdated and degraded film stock in natural light, with the resulting im ages rephotographed (by other means) enlarged and printed in such a way as to generate further distortions of the image. 2. Dated Super 8 film footage without a sound track and developed by the artist. 3. Recorded off-screen narration of texts written by the actors or photographic subjects, and selected by the artist. At the outset, this method presupposes a tension between still and moving image; between the conventions about the juxtaposition of such images in a moving image presentation; and, and a further tension between the work’s juxtaposition of sound and image, and the conventional relationship between sound and image that occurs in the majority of films. But Till Death Do Us Part also conduces to an implied synthesis of still and moving image by the manner in which the artist edits or cuts the work. First, she imposes a rigorous criterion of selection, whether to render a section as a still or moving image. The predominance of still images is neither an arbitrary residue of her background as a still photographer—in fact she has years of background in film projects; nor is it a capricious reaction against moving picture convention that demands more moving images than stills. Instead, the number of still images has a direct thematic relation to the fabric of the love story in the following sense. Stills, by definition, have a very different relationship to time than do moving images. The unedited moving shot occurs in real time, and the edited moving shot, despite its artificial rendering of time, all too 2009often affords the viewer an even greater illusion of experiencing reality as it unfolds. It is self-evident that moving images overtly mimic the temporal dynamic of reality. Frozen in time—at least overtly—still photographic images pose a radical tension with real time. This tension is all the more heightened by their “real” content, by the recording aspect of their constitution. But precisely because they seem to suspend time, they more naturally evoke a sense of the past and of its inherent nostalgia. In this way, they are often more readily evocative of other states of experience of the real, if we properly include in the real our own experience of the past through memory, and its inherent emotions. This attribute of stills is the real criterion of their selection in Til Death Do Us Part where consistently, the artist associates them with desire, dream, memory, passion, and the ensemble of mental states that accompany a love relationship in its nascent, mature, and declining aspects. A SYNTHESIS OF MOVING AND STILL IMAGES BOTH FORMAL AND CONCEPTUAL It is noteworthy that, after a transition from a still image to a moving image, as soon as the viewer expects the movement to continue, there is a “logical” cut that we expect to result in another moving image, not only because of its mise en scène, but also because of its implicit respect of traditional rules of film editing, its planarity, its sight line, its treatment of 3D space—all these lead us to expect that the successive shot, as it is revealed, is bound to be another moving image. But contrary to our expectation, and in delayed reaction, we are startled to find that it is another still image. One effect of this technique is to reinforce the tension between still and moving image by means of surprise. But in another sense, the technique reminds us that, in film, the moving image is also a succession of stills that only generate an illusion of movement. Although it is a fact that here the artist employs Super 8 footage, in principle, even were the moving images shot with video, the fact would remain since video images are all reducible to a series of discrete still images no matter how “seamless” the transitions between them. Yet a third effect of the technique has to do with its temporal implication. Often art aspires to conflate or otherwise distort time. Here, instead, the juxtaposition poses a tension between two times: the “real time” of the moving image that is by definition associated with reality in its temporal aspect; and the “frozen time” of the still image associated with an altered sense of time in memory and fantasy of the object of desire—not to mention the unreal time of the sense of the monopolization of the gaze conventionally attributed to the photographic medium, but which here is associated as much with the yearning narrator as it is with the viewer. In this way, the work establishes and juxtaposes two times for two levels of consciousness, both for the narrator of the story and, implicitly, for the viewer: A) the immediate experience of reality, and B) the background of reflective effects of reality, such as dream, memory, fantasy, and their inherent compounding of past and present emotions. In addition, the piece advances in the direction of a Gesammtkunstwerk, but in a way that reconsiders this synaesthesia as a unified complex of genres—not only because it uses new media that did not exist when the idea was first enunciated in Wagner’s time, but also because it comprises elements that are not entirely of one artist’s making, but which are subsumed by the work overall. The totality remains the vision of one artist. In this sense, Till Death Do Us Part reveals a further tension between the central intelligence of the artist and the products of other individual participants. This tension is compounded to the degree that the characters’ attributes and narrated statements are part fiction and part reality, part themselves, and part their characters. But Stefanie Schneider is the one who assembles, organizes, and selects them all. THE RELATIONSHIP BETWEEN THIS IDEA (above) AND PHOTOGRAPHY This selective aspect of the work is an expansion of idea of the act of photography in which the artistic photographer selects that which is already there, and then, by distortion, definition or delimitation, compositional and lighting emphasis, and by a host of other techniques, subsumes that which is already there to transform it into an image of the artist’s contrivance, one that is no less of the artist’s making than a work in any other medium, but which is distinct from many traditional media (such as painting) in that it retains an evocation of the tension between what is already there and what is of the artist’s making. Should it fail to achieve this, it remains, to that degree, mere illustration to which aesthetic technique has been applied with greater or lesser skill. The way Til Death Do Us Part expands this basic principle of the photographic act, is to apply it to further existing elements, and, similarly, to transform them. These additional existing elements include written or improvised pieces narrated by their authors in a way that shifts between their own identities and the identities of fictional characters. Such characters derive partially from their own identities by making use of real or imagined memories, dreams, fears of the future, genuine impressions, and emotional responses to unexpected or even banal events. There is also music, with voice and instrumental accompaniment. The music slips between integration with the narrative voices and disjunction, between consistency and tension. At times it would direct the mood, and at other times it would disrupt. Despite that much of this material is made by others, it becomes, like the reality that is the raw material of an art photo, subsumed and transformed by the overall aesthetic act of the manner of its selection, distortion, organization, duration, and emotional effect. * * * David Lean was fond of saying that a love story is most effective in a squalid visual environment. In Til Death Do Us Part, the squalor of the American desert...

Racquet Club Pool 1968 by Slim Aarons Slim Aarons Limited Estate Edition Guests in the pool at the Villa Vera Racquet Club, Acapulco, Mexico, 1968. un...

Stefanie Schneider's work was used for Marc Forster's movie 'Stay', featuring Ewan McGregor, Naomi Watts and Ryan Gosling. Naomi and Ryan were both portraying artists and Stefanie Sc...

A view from the umbrella boxes towards the tennis court at Newport Casino, Newport, Rhode Island, USA, 1953. Susanna Boylston Bolton 1965 (printed later) C print Estate stamped and ...

Bill, 2002 by Celso José Castro Daza From the Series Guerreros One of-a kind Photomontage on archival paper Unframed Signed, titled and dated by the artist The root of these unique ...

Tennis In The Bahamas 1957 by Slim Aarons Slim Aarons Limited Estate Edition Two women stand talking to a man on the edge of a tennis court in the Bahamas, circa 1957. Behind the ...

image size: 9 3/4 x 12 5/8 inches William Wegman is a renowned photographer famous for his unique and artistic photographs of Weimaraner puppies. His approach to is far from conven...

A Princess' Life (High Desert) - 2019 Edition 1/10, 20x20cm. Digital C-Print, based on the Polaroid. Signature label and Certificate. Artist Inventory # 22182 Not mounted. Stef...

This striking underwater fine art photograph captures a figure draped in flowing white fabric, suspended between worlds with vibrant red blossoms and yellow spherical elements. The r...

"The Beauty of the Uncommon Tools" is from Tony Chirinos' project entitled, "The Precipice", - also released as a book project by Gnomic Book in 2021 - which serves as a photographic...

Extra large scale photograph of lush tropical rainforest botanical tableau, from a series of highly detailed large format nature observations, an homage to the fantastical jungle pai...

From The series Guerreros Unique Photomontage on archival paper Unframed Signed, titled and dated by the artist The root of these unique photographic works by the artist Celso Cast...

Motley Crue Bubble Bath - Signed and Limited Edition Mick Rock Estate Print Motley Crue in a bubble bath, 1986. (photo Mick Rock). All prints are number...

large scale still life photograph of the original iconic droid robot from the classic Star Wars movies Star Wars (R2-D2) by Tom Schierlitz 60 x 48 inches (152 x 122cm) signed edition of 7 40 x 32 inches (102 x 81cm) signed edition of 25 archival quality fine art pigment print limited art edition published by Edition EKTAlux...

When Lawrence Schiller got the assignment from the French magazine Paris Match to photograph Marilyn Monroe on the 20th century Fox set of Something’s Got To Give, he thought nothing...

This stunning color action shot features American actor Steve McQueen. Often called "The King of Cool", whose "anti-hero" persona developed at the height of the counterculture of the...

Anthony Bourdain was famous for traveling the globe and exploring the local cuisine in No Reservations and Parts Unknown. As soon as he returned home t...

Flamingos In Flight 1979 by Slim Aarons Slim Aarons Limited Estate Edition Flamingos in flight, Curacao, Netherlands Antilles, January 1979. unframed c type print printed 2023 16...