Flower Color Photography

Martin’s innovative photographs are created from plants grown by himself in his garden and greenhouse in Cambridge. A keen horticulturist, he cultivates his own plants and flowers, t...

Martin’s innovative photographs are created from plants grown by himself in his garden and greenhouse in Cambridge. A keen horticulturist, he cultivates his own plants and flowers, t...

Martin’s innovative photographs are created from plants grown by himself in his garden and greenhouse in Cambridge. A keen horticulturist, he cultivates his own plants and flowers, t...

Martin’s innovative photographs are created from plants grown by himself in his garden and greenhouse in Cambridge. A keen horticulturist, he cultivates his own plants and flowers, t...

Belgian photographer Isabelle Menin creates portraits of flowers that are not only gorgeous in form and color, but also uniquely expressive. Fresh blossoms and withering blooms melt ...

Martin’s innovative photographs are created from plants grown by himself in his garden and greenhouse in Cambridge. A keen horticulturist, he cultivates his own plants and flowers, t...

Martin’s innovative photographs are created from plants grown by himself in his garden and greenhouse in Cambridge. A keen horticulturist, he cultivates his own plants and flowers, t...

Martin’s innovative photographs are created from plants grown by himself in his garden and greenhouse in Cambridge. A keen horticulturist, he cultivates his own plants and flowers, t...

Martin’s innovative photographs are created from plants grown by himself in his garden and greenhouse in Cambridge. A keen horticulturist, he cultivates his own plants and flowers, t...

Anonymous Women: Domestic Demise In the latest narratives, “Domestic Demise,” the woman becomes the victim of domestic disasters. Her activities, obsessions and objects are overwhel...

Belgian photographer Isabelle Menin creates portraits of flowers that are not only gorgeous in form and color, but also uniquely expressive. Fresh blossoms and withering blooms melt ...

Anonymous Women: Domestic Demise In the latest narratives, “Domestic Demise,” the woman becomes the victim of domestic disasters. Her activities, obsessions and objects are overwhel...

Belgian photographer Isabelle Menin creates portraits of flowers that are not only gorgeous in form and color, but also uniquely expressive. Fresh blossoms and withering blooms melt ...

Seeing Green, limited edition, archival pigment ink photograph, signed Holding Arabesque investigates our relationship with food and nostalgia and how...

Purple Heart, limited edition archival ink photograph, signed and numbered Holding Arabesque investigates our relationship with food and nostalgia and how both are used as markers ...

Cherry On Top, limited edition photograph, archival, signed and numbered Holding Arabesque is an inward reflection that investigates our relationship with food and nostalgia and ho...

Asparagus in Bloom, limited edition photograph, archival ink, signed and numbered Holding Arabesque is an inward reflection that investigates our relationship with food and nostalgi...

Buddha's Hand, limited edition photograph, archival ink, signed and numbered Holding Arabesque is an inward reflection that investigates our relationship with food and nostalgia an...

Portrait of Mum flower by photographer Susan Pittard. Limited Edition of 15. Signed in pencil on bottom right.

1985, Film director Franco Zeffirelli at his home, Tre Ville, in Positano, Italy. Slim Aarons Estate Edition, Certificate of Authenticity included ...

Villeroy & Boch Mariefleur with Cabbage, limited edition photograph, signed and numbered. Eating is a physical need, but meals are a social ritual. Utilizing the passed-down heirlo...

Marchesa Camellia with Rhubarb, limited edition photograph, signed and numbered Eating is a physical need, but meals are a social ritual. Utilizing the passed-down heirlooms of fri...

5 Weeks in a Cask 4006, limited edition color photograph, signed and numbered. Focusing on subjects grand and mundane, Ernie Button takes color photographs of cities and sights on ...

Patty Carroll has been known for her use of highly intense, saturated color photographs since the 1970’s. Her most recent project, “Anonymous Women,” consists of a 3-part series of s...

Deanna Dikeman Donna in her Garden Year: 2024 Archival Pigment Print on Hahnemuehle Baryta Rag Framed Size: 13 x 13 x 0.25 inches COA provided *Ready to hang; matted and framed in a...

Rodger Helwig "Juul's Cosmos" Dahlia, Golden Gate Park Color Photograph C.2000 Gorgeous close up color photograph from the Dahlia garden near the conservatory of flowers in Golden G...

Artist: Jonathan Singer, American Title: Giant Pink Amazon Waterlily on Black Year: 2014 Medium: Digital Photograph, signed in pencil Image Size: 13 x 10 inches Size: 22.5 x 16 in. (...

This is an original photographic print from Southern California artist Michal Greenboim. It is a close up color print that is 13" x 19" x 0.5" (HxLxD) and is edition 5 of 10. It is u...

Diasec® mounting is a time proven system that has set the benchmark for face mounting photographic and fine art prints. Developed in the late 1960’s Diasec® was the first system that...

Photography has been my medium for the past twenty years. However, early in my career, I studied painting and worked as a scenic artist for the theater. The skills and sensibilities ...

Photography has been my medium for the past twenty years. However, early in my career, I studied painting and worked as a scenic artist for the theater. The skills and sensibilities ...

Photography has been my medium for the past twenty years. However, early in my career, I studied painting and worked as a scenic artist for the theater. The skills and sensibilities ...

Photography has been my medium for the past twenty years. However, early in my career, I studied painting and worked as a scenic artist for the theater. The skills and sensibilities ...

Photography has been my medium for the past twenty years. However, early in my career, I studied painting and worked as a scenic artist for the theater. The skills and sensibilities ...

Made in Sweden. Fine art photography 2018. Printed on Giclée on Canson Rag Photographique paper, the most premium quality fine art paper which delivers the most accurate and vibr...

1955: Swiss film star Ursula Andress (left) relaxes with artist Novella Parigini in a hammock in Rome. Slim Aarons Estate Edition, Certificate of Au...

Anonymous Women: Demise The subject is the conflation of woman and home. The woman is camouflaged among her domestic objects, activities, and obsessions. The still-life narratives co...

Anonymous Women: Demise The subject is the conflation of woman and home. The woman is camouflaged among her domestic objects, activities, and obsessions. The still-life narratives co...

Carla van de Puttelaar's photographs allow the eye to touch skin on many levels. Although her primary subject is often the female body, in recent years she has also begun to examine...

Carla van de Puttelaar's photographs allow the eye to touch skin on many levels. Although her primary subject is often the female body, in recent years she has also begun to examine...

The photography of Carla van de Puttelaar allows the eye to touch the skin on many different levels. Through her lens, she makes the viewer aware of the sensitivity and the sensualit...

Miles ALDRIDGE (*1964, Great Britain) Dinner Party #5, 2009 Chromogenic print Image 67.5 x 101.5 cm (26 5/8 x 40 in.) Sheet 77.5 x 111.5 cm (30 1/2 x 43 7/8 in.) Edition of 10, plus...

[Add Description Here] Slim Aarons Estate Edition, Certificate of Authenticity included Numbered and stamped by the Slim Aarons Estate Collector will receive the next number in the ...

FLORA ODYSSEY N°6 by Allan Forsyth [2021] Limited edition Archival Chromagenic Photographic Print Edition of 12 Image size: H:100 cm x W:100 cm Complete Size of Unframed Work: H:100...

Designer's Homes Smoking Black Dress, 1960 -- Gitta Schilling in a Dior gown photographed for LIFE in 1960. The ornate interior is the 17th century home of Suzanne Luling, then direc...

' Pink ' Signed Limited Edition Oversize print by Stuart Möller limited edition to 10 only this size - signed Gorgeous C print measuring a large 30 x 20" inches / ca 76 x 51 cm's paper size Produced by the artist. We ship regularly using Fedex Express and other international services. Stuart Möller, German, was born in Kabul Afghanistan and lives and works in London England. With his background in fine art, his works are observations often characterized by a contemplative, meditative quality. keywords : delicate delicateness fragile fragility feminine femininity flower abstract fine art photography plant organic light...

Signed and numbered by the artist.

Allan Forsyth AQUA FLORA N°10 112x85cm Archival Chromagenic Photographic Print Diasec Framed Edition 12 Allan Forsyth is an artist who explores a breadth of themes that is reflected...

Allan Forsyth Flame Flight Limited Edition Archival Chromagenic Photographic Print Edition 12 Sheet Size: H 118cm x W 100cm x D 2cm Diasec Framed Allan Forsyth is an artist who expl...

Designer's Homes Smoking Black Dress, 1960 -- Gitta Schilling in a Dior gown photographed for LIFE in 1960. The ornate interior is the 17th century home of Suzanne Luling, then direc...

Allan Forsyth UNTITLED GARDEN 2 Limited Edition Archival Chromagenic Photographic Print Edition 12 Sheet Size: H 100cm x W 100cm x D 2cm Diasec Framed Ready to Hang Please note that ...

This floral photography has a dramatic sense of composition which recalls the careful arrangements of Dutch and Flemish still life paintings from the 17-18 century. With a burst of light coming from the left irradiating a white flower in a blue china porcelain vase...

Allan Forsyth WILD HEART Limited Edition Archival Chromagenic Photographic Print Edition 25 Size: H 100cm x W 100cm x D 2cm Diasec Framed

Designer's Homes Smoking Black Dress, 1960 -- Gitta Schilling in a Dior gown photographed for LIFE in 1960. The ornate interior is the 17th century home of Suzanne Luling, then direc...

Aditya Dicky Singh, Untitled, photograph on fine-art Hahnemuhle archival paper 66" x 44" unframed (167cm x 112cm) 2022 Edition 1/10 *Should you wish the photographs to be printe...

Betty Hahn Title: Belladonna Date: 1980 Original Polaroid Large Format Print (Photo-Internal dye diffusion transfer) Location: Cambridge Massachusetts United States Dimensions: Image: 27 1/2 x 20 1/2 in. (69.9 x 52.1 cm), Paper: 29 1/4 x 21 1/2 in. (74.3 x 54.6 cm) This depicts a still life of a flower with an old botanical drawing print plate. From "Five Still Lifes" New York: Paradox Editions, Ltd., 1980. 5 original Polaroid color prints. Each hand signed, titled, dated and numbered 37/40 in ink in the margin. Each approximately 24 x 20in (image size). Each is on original as there are no negatives in this process. The photographers included: Robert Cumming, Robert Fichter, Betty Hahn, Victor Schrager and William Wegman. The photos were produced in the Polaroid Corporation’s 20×24 studio in Cambridge, Massachusetts. This is an internal Dye Diffusion print (large format) Polaroid print. These are exceedingly rare now. This format was used by many of the leading photographers of the second half of the 20th century, among them Peter Beard, Chuck Close, David Levinthal, Robert Frank, David Hockney, Lucas Samaras, Andy Warhol, Robert Mapplethorpe and, perhaps most significantly, Ansel Adams More recently Ellen Carey has created large abstract masterpieces using this format. Betty Hahn (born 1940) is an American photographer known for working in alternative and early photographic processes. She completed both her BFA (1963) and MFA (1966) at Indiana University. Initially, Hahn worked in other two-dimensional art mediums before focusing on photography in graduate school. She is well-recognized due to her experimentation with experimental photographic methods which incorporate different forms of media. By transcending traditional concepts of photography, Hahn challenges the viewer not only to assess the content of the image, but also to contemplate the photographic object itself. Betty Hahn was born on October 11, 1940 in Chicago, Illinois where she also grew up. At the age of ten, Hahn was given her first camera by an aunt. Hahn later on went to graduate from Scecina Memorial Catholic High School. Soon after, she enrolled at Indiana University with a full scholarship where she furthered her studies in Fine Arts, receiving both her BFA (1963) and her MFA (1966). Throughout her undergraduate years, she concentrated in drawing and painting; however, as she entered graduate study, she worked in photography. During this important developmental period, Hahn studied under one of the most well-known photography teachers of the time, Henry Holmes Smith, who encouraged Hahn's work in alternative processes. Once she graduated, Hahn moved to Rochester where she taught at the Rochester Institute of Technology until 1975. Hahn then relocated to Albuquerque where she was professor at University of New Mexico until her retirement in 1997. Hahn is best known for her explorations of alternative processes in photography, using both older methods of darkroom developing such as gum-bichromate and cyanotypes, with other art mediums, including hand-painting and even embroidery. She is noted as one of the first photographers to successfully integrate such a variety of art mediums. Hahn encourages the viewer to think more deeply through not only the use of different physical processes in her artwork, but also through the multiplicity of meanings in her photographs. In most of her work, Hahn integrates humor and irony as she explores the meanings generated by formal combinations. Some of her prints include the sprocket holes of the 35mm negative, which allude to its 35mm film origins: but by hand coloring with bright paints, she draws attention to the mixture of craft with industrial mediums. Once she started experimenting with the gum-bichromate process, Hahn started stitching into her photographs. Printing onto canvas and other fabrics allowed her to use thread to highlight certain aspects of the photograph. In combining her photographs with conventional practices, Hahn successfully intertwines formal and conceptual aspects. Not only does she speak to the mundane tasks of everyday life, but also about routine and normativity. In highlighting the ordinary in her work, Hahn elevates and revives that which has been lost in the practice of daily life. Embroidery references femininity, as Hahn underlines the feminist issue of the anonymity of women's handicraft. Her embroidery often emphasized flowers with its three-dimensionality, furthering the idea of femininity; she later on pursued this as a symbol and incorporated it in several of her other series. In her work, Hahn delivers a powerful feminist message in regards to women and embroidery. It is quite evident through time that women's labor is needlework, and that their labor is frequently undervalued as craft both when dissimilar and alike to men's work. In a time period where men overshadowed women in the traditional art, such as painting and sculpture, women oftentimes reverted to other mediums like textiles. It has been suggested that women's work, especially in embroidery, is of little value in the art field since it is considered a craft. Since "arts and crafts" are more often than not paired together, it is obvious they are in the same category; however, there is a clear distinction. For 300 years, women have been taught needlework through practice and tradition, and in inadvertently, promoted obedience and household effeminate behavior. As a result, instead of regarding stitching as an art, many viewed it as a thoughtless skill, lacking originality. On the contrary, however, it is far more than evident that the hand of woman is more than a mindless and conforming thing, it is one of sensitivity, thought, patience, perseverance, and strength. By incorporating embroidery and stitching, Betty Hahn pushes the audience to acknowledge the work of women not as craft or tradition, but as meticulous, creative and unique. Exhibitions The Division of Photographic History at the Smithsonian Institution exhibited Hahn's work in a group exhibit in the 1960s as a part of a developing series of displaying the works of women photographers. Afterwards her work was featured in multiple thematic exhibitions at the Smithsonian. Hahn's first solo show exhibiting her work was in 1973 at the Witkin Gallery in New York City. Thereafter, she received several grants from the National Endowment for the Arts in 1974, 1978, and 1983 to continue her work in explorative photography. Hahn's art has been exhibited throughout the country and worldwide featured in museums highlighting historical processes in Baltimore, Maryland (1972) and nature photography exhibitions in Osaka, Japan (1990). Her work has been displayed at the Albuquerque Museum of Art and Art History (2017), Phoenix Art Museum (2015), and the George Eastman House (2012, 2016). Hahn's work is held in private collectors, galleries, and in permanent museum collections, including the San Francisco Museum of Modern Art, Center for Creative Photography and the Museum of Modern Art. Exhibitions 1996 – George Eastman House International Museum of Photography and film, Rochester, New York 1997 – A History of Women Photographers, Akron Art Museum 1997 – Eye of the Beholder, Photographs of the Avon Collection, International Center of Photography, Midtown, New York City 1998 – Passing Shots: A Travel Series, University of New Mexico Art Museum, Albuquerque, New Mexico 1998 – The City Series, Taos, Albuquerque, Santa Fe, Cedar Rapids Museum of Art, Cedar Rapids, IA 1999 – Photography Or Maybe Not, a Betty Hahn traveling retrospective, Mikhailovsky Palace, St. Petersburg, Russia 2000 – 20/20 Twentieth Century Photographic Acquisitions by 20 leading patrons, Museum of New Mexico, Museum of Fine Arts 2000 – Photography Or Maybe Not, a Betty Hahn traveling retrospective, Santa Fe de Granada, Spain 2001 – In the Eyes of the Beholder: Ten Photographers View Albuquerque, The University of New Mexico Hospital, Albuquerque, NM 2002 – Sun Works Contemporary Alternative Photography, The Art Institute of Boston 2002 – Flowers from the Permanent Collection, The Albuquerque Museum, Albuquerque, New Mexico 2004 – 30th Anniversary Permanent Collection Exhibition, New Mexico State, University Art Gallery, Las Cruces, New Mexico 2005 – New Mexico State University Art Gallery, Las Cruces, New Mexico 2005 – Ace in the Hole, the legacy of Peter Walch, University Art Museum, University of New Mexico, Albuquerque, NM 2006 – The collectible moment, Norton Simon museum, Pasadena, California 2006 – The Social Lens, University of Virginia Art Museum, Charlottesville, Virginia 2007 – Seeing Ourselves: Masterpieces of American Photography, A Traveling 2007 – Exhibition, George Eastman House, Rochester, New York 2008 – Flower Power: a Subversive Botanical, New Mexico Museum of Art, Santa Fe, NM 2008 – Bernalillo County Arts Board Gallery, One Civic Plaza NW, Albuquerque, NM 2008 – Giving Shelter 516 Arts Albuquerque, NM (A Sister Exhibition to the Cradle Project) 2008 – Betty Hahn, Joyce Neimanas, and Judith Golden, Harwood Art Center Albuquerque, NM 2009 – Through the Lens: Creating Santa Fe, Palace of the Governors, The New Mexico History Museum, Santa Fe, 2009 – Altered Land: Photography in the 1970s, Sheldon Museum of Art, University of Nebraska, Lincoln, Nebraska 2010 – Sole Mates Cowboy Boots & Art, New Mexico Museum of Art 2010 – Rock Scissors Paper, Anderson Contemporary Arts, Albuquerque, NM 2010 – Recollection 2010, Works from the Colorado Photographic Arts Center, The Central Library, Vida Ellison Gallery, 2012 – 60 From the 60's (an exhibit of influential photos from the 1960s) George Eastman House, Rochester, New York 2012 – Albuquerque Now-Fall and Albuquerque Now-Winter, The Albuquerque Museum of Art and History, 2013 – It's About Time: 14,000 Years of Art in New Mexico, The New Mexico Museum of Art, Albuquerque, NM 2014 – Alternative Lineage – Honoring Betty Hahn; 5 Decades of Mentoring 2014 – Alternative Photographic Processes, Center for Photographic Art Carmel, California 2014 – Alternative Lineage, Northlight Gallery, Arizona State University, Tempe, Arizona 2014 – Transformational Imagemaking, Handmade Photography Since 1960 2014 – An Exhibition Curated by Robert Hirsch, CEPA Gallery, Buffalo, NY 2014 – Museum Project, dnj Gallery, Santa Monica, California 2014 – American Heritage Center and Art Museum, University of Wyoming, Laramie, Wyoming 2014 – Hubbard Museum of the American West, Ruidoso, New Mexico 2015 - One-Of-A-Kind, unique photographic objects from the Center of Creative Photography, University of Arizona, 2015 – Unconfined – Empowering Women Through Art, African American Performing Arts Center, New Mexico Expo, 2015 – Visualizing Albuquerque: Art of Central New Mexico, Albuquerque Museum, Albuquerque, NM 2015 – Healing ... For the Time Being, A mixed media exhibition in conjunction with On the Map: Albuquerque Art and Design, Jonathan Abrams MD 2015 – The AIPAD Photography Show, Represented by Joseph Bellows Gallery, New York, New York 2016 – Transformational Imagemaking, traveling exhibition March-16- April 16; Muhlenberg College, Allentown, Pa. 2016 – Fall-Rochester Institute of Technology, Bevier Gallery, Rochester, NY 2016 – 60 from the 60's: Selections from the George Eastman Museum, At the Hyde Collection, Glens Falls, New York (The featured artists included were Harry Callahan, Benedict J. Fernandez, Hollis Frampton...

Frida with Picasso Earrings is a color portrait of Frida Kahlo. She is dressed in magenta clothes with matching magenta flowers in her hair. She is wearing dangly earrings in the shape of hands. Frida is rested against a bright blue wall, with her hand gently placed on her chest. Frida with Picasso Earrings by Nickolas Muray is listed as a 13.75 x 9.5 inch carbon pigment print, with the paper size measuring 20 x 15 inches. This photograph is available in an edition of 30 through the Nickolas Muray Photo Archives. This photograph is titled, dated, numbered and signed by Nickolas Muray's Estate. Nickolas Muray (1892–1965) was a Hungarian born artist that worked in New York as a photographer, specializing in portraits of celebrities. His work was often seen in Vanity Fair magazine. Nick’s friendship with the Mexican artist, Miguel Covarrubias, lead to the introduction to Frida Kahlo when Nick visited Mexico. Diego Rivera and Frida Kahlo were introduced by Covarubbias and it was in 1931 when Nickolas and Frida’s love affair started. Later, when Frida had a solo exhibition at the renowned Julian Levy gallery...

Artist: Jonathan Singer (American, b. 1949) Title: Two Lilies Year: circa 2010 Medium: Digital Photograph on Aluminum Panel Image Size: 40 x 40 in. (101.6 x 101.6 cm)