People Color Photography

'Yachting Trip' LIMITED EDITION ESTATE STAMPED print - limited to 150 only. Selvaggia Borromeo wades ashore from her yacht during a holiday on the Costa Smeralda in Sardinia, Augus...

Shot at the the Forum in Inglewood California in 1972 during the tour supporting the Zeppelin’s untitled fourth studio album commonly called Led Zeppelin IV. This image was chosen by...

Dreams and fantasies from the past and present are portrayed by Léa Bon’s subjects, which she uses as her own personal dolls. Léa Bon work is a profound exploration of dreams and fa...

Signed dated and numbered lower right recto. , Edition 3 of 15, Printed later. Unframed , other size available - Printed on Hahnemühle Fine Art paper Mitchell Funk is a pioneer of...

Breaking the Waves 114x142 cm, Edition 1/3. Analog C-Print, hand-printed by the artists, based on a Polaroid. Certificate and Signature label, artist Inventory No. 133.08. Moun...

Doubt - The Getaway (The Last Picture Show) - 1999 20x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Artist Inventory #21164. Signa...

Francesca Woodman in Providence, Rhode Island (1976) photographed by George Lange. 11 x 14" archival pigment print 17 x 21 x 2" frame with UV plexgias Edition 2 of 10, signed and e...

The subject is the conflation of women and the home. In the previous “Anonymous Women: Draped” photographic series, a lone woman is hidden in a vignette within the drapery, where she performs domestic trickery. The photographs are vignettes of women hidden behind drapes containing one figure and drapery, with an occasional prop or piece of furniture. In this series, “Reconstructed,” the woman becomes part of her domestic trappings and activities. I am creating narrative, full-size, still-life images comprised of many objects. “Reconstructed Series” is a commentary on our obsession with collecting, accumulating designing, and decorating, inviting hilarity and pathos about our relationship with “things.” They are installations made in the studio for the camera that play with color, space, and scale, and use household objects as subject matter. We are making a life-size box in the studio as a substitute for the home. A mannequin substitutes for the woman, who is camouflaged among her domestic objects in the space. The final outcome is a photograph and/or a short video. Growing up in the suburbs of Chicago provided the basis of all of my work, and I continually seek to come to terms with it. I grew up when suburban life was idealized; the home was a place of perfection and harmony, free from the harsh realities of the city, without crime, or messy interiors, where everyone’s drapes and sofa matched, where people were normal, without dark little secrets. It was at a time when the “woman’s place...

On the brink - 2020 50x50cm, Edition of 7 plus 2 Artist Proofs, digital C-Print based on a Polaroid. Signed on the back and with certificate. Artist inventory PL2020-943. Not moun...

The Dutch proverb “a Jan Steen household” originated in the 17th century and is used today to refer to a home in disarray, full of rowdy children and boisterous family gatherings. Th...

Dancer Gregory Hines in costume for his starring role in "Sophisticated Ladies" on Broadway photographed in 1980. One of Mitchell's most beautiful...

Ferry passenger taking the air in his thermal underwear on the deck of a ferry heading up the Yangste River – Cawston won the BJP Nikon Endframe Award in 2009. His prize was funding ...

"Target Practice" Photography 30" x 24" inch Edition of 7 by Brendan North Not Framed Ships rolled in a tube ABOUT: Brendan North is a fine art photographer based in Los Angeles. H...

Signed limited edition 16x20" print of Debbie Harry, lead singer of US band Blondie, photographed in London in 1977 by Brian Aris. Limited edition number 10...

Chromogenic print Signed, titled, dated, and inscribed in black ink, verso This photograph is offered by ClampArt, located in New York City. Jeff Mermelstein is an American photojournalist and street photographer known for his photographs of New York City street life, as well as September 11th...

The symbol of American Capitalism is cloaked in the symbol of American Freedom. A monumental American Flag drapes the shiny facade of the New York Stock Exchange. Bright light illu...

Agneta II by Blank Barbie pop art work of the iconic Agneta Fältskog of Swedish music super band ABBA. Japan 1978 paper size 30x30 inches / 76 x 76 cm ...

Gil at Fourteen ( A Crack in the Mirror) - 2019 60 x 50 cm, Edition of 10 +2 Artist Proofs. Photograph printed in Hanemühle Baryta Photo Rag 340gr, based on the original reclaim...

Almost daily between 1993 and 2004, Alejandro Cartagena would commute on a suburban bus from Monterrey to the suburban city of Juarez and back. Working at his family’s restaurant, he...

A dramatic seascape with golden seas complemented by an equally golden sky is depicted with a child seen from the back gazing out into infinity. The viewer can read into it what he/...

Showing a body that is hidden is the aesthetic apology for the insane judgment that the artist himself has taken as an excuse for not being 'pointed at' or rather as self-pointing. T...

Woman in pop style. Silver Highlight Chromogenic Photograph Face Mounted to Acrylic. About the Artist: My art is a mix of media combining images, textures, vintage memorabilia...

Amalfi Coast Salerno Italian Landscape Watercraft Boats by Slim Aarons 16 x 20" print. Limited Edition Estate Stamped Print. Edition of 150. Printed Later. Conca dei Marini, 1984 i...

The artist explores the intersection between submission and domination with this set of photographs.For this series the artist explores the moment when nature in animal form intertwi...

Dreams and fantasies from the past and present are portrayed by Léa Bon’s subjects, which she uses as her own personal dolls. Léa Bon work is a profound explo...

Exploring color in the darkness, inspired by the Italian and Dutch renaissance. He brings hints of the fauna of his native South American vibrant and passionate colors. Bringing them...

'Acapulco Villa' Las Brisas, the home of Eustaquio Escandon in Acapulco, January 1968. 72 x 48" inches / 183 x 122 cm paper size Estate Stamped Collection Edition to 150 Pho...

Francesca Woodman in Providence, Rhode Island (1976) photographed by George Lange. 11 x 14" archival pigment print 17 x 21 x 2" frame with UV plexgias Edition 2 of 10, signed and e...

This artwork was created by the artistic duo Hunter & Gatti (2010–2023). These works are part of the archive managed and exhibited by Cristian Hunter. The artist's technique consists...

Under Water (The Last Picture Show), 2001, 20x20cm. Edition of 10, plus 2 Artist Proofs. Archival C-Print based on a Polaroid. Certificate and Signature label. Artist Inventor...

Edition of 7 Group Portrait. Surma ethnic group, Ethiopia. To my mind this photo has it all: it’s a striking display of the colorful face- and body-paint and elaborate orna- ments ...

'Penelope' from the movie Immaculate Springs - 1998 Edition of 10, 20x30cm, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signature Label and Certificate. Artis...

David Bowie (photo Mick Rock) - signed limited edition print David Bowie backstage, 1973. (photo Mick Rock) paper size : 24x20 inches / 51 x 61 cm Stamped and numbered by the Est...

'Henley Regatta' Free mooring at the Angel Hotel at Henley-on-Thames on the River Thames, during the Henley Regatta, 1955. Paper Size 24x20 inches /...

The Accident - The Getaway (The Last Picture Show) - 2000 20x25cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Artist Inventory #341. ...

'Chalet Costi' Skiers outside the Chalet Costi in Zermatt, 1968. 20x20" inches / 51 x 51 cm paper size Estate Stamped Collection Edition to 150 Photo by Slim Aarons Printed...

Skiing In Gstaad 1977 by Slim Aarons Slim Aarons Limited Estate Edition Christine Camerana, Caroline Stoop, and Christine Semenenko Warrender prepare for a day on the slopes in Gs...

Frank Sinatra at Capitol Records during a recording session for the song "Monique", 1954. "Monique" is a song Frank Sinatra recorded under Capito...

'Bahamas Speed Week' 1963 Slim Aarons Limited Estate Edition Print Gordon Butler's Chevrolet Corvette Sting Ray at the Bahamas Speed Week at the O...

Dial Zero - 2020 Edition of 10 - 40 x 40 cm Digital C-Print based on a on a Polaroid, not mounted. Signed on back and certificate. Clare Marie Bailey Works and Lives: UK Clare ...

Bruce Lee TV, photograph by Richard Heeps captured at the top of Victoria Peak in Hong Kong. Seventies inspired mustard wallpaper is the backdrop for a black and white vintage Sanyo ...

'You used to call me on my Cell Phone', 2017, Collage of 16 original Polaroids, Unique Piece. Framed and signed on verso. Kirsten Thys van den Audenaerde ...

Large-scale photographer Troy House celebrates people’s primordial attraction to the beach. He travels the world capturing iconic, breathtaking scenes – often from a bird’s-eye view ...

Untitled (Into the Sun) - 2001 48x47cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signature label and Certificate. Artist Inventory No. 1308. N...

Leisure and Fashion, Colony Hotel, 1961 - Palm Trees and Glamour in Palm Beach by Slim Aarons depicts an elegant young woman enjoying a cocktail by the poolside at the Colony Hotel i...

Archival pigment print Signed and numbered, verso 11 x 14 inches (Edition of 15) 20 x 24 inches (Edition of 10) This photograph is offered by ClampArt, located in New York City. Pl...

Ormond Gigli's Sardinia, Italy, 1969, is a limited edition archival pigment print. A 22.5" x 20" print in an edition of 8 is signed recto (front of photo). Provenance: the artist's...

Sudden Urge (Wastelands) - 2003 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Artist inventory Number 809. Signature label and Certificate. Not mounted. For sale is a piece from the Wastelands series. Reality with the Tequila: Stefanie Schneider’s Fertile Wasteland by James Scarborough “How much more than enough for you for I for both of us darling?” (E. E. Cummings) Until he met her, his destiny was his own. Petty and inconsequential but still his own. He was cocksure and free, young and unaccountable, with dark hair and aquiline features. His expression was always pensive, a little troubled, but not of a maniacal sort. He was more bored than anything else. With a heart capable of violence. Until she met him, she was pretty but unappreciated. Her soul had registered no seismic activity. Dustbowl weary, she’d yet to see better days. A languorous body, a sweet face with eyes that could be kind if so inclined. Until she met him, she had not been inclined. It began when he met her. She was struck in an instant by his ennui. The sum of their meeting was greater than the imbroglios and chicaneries of their respective existences. He was struck by the blank slate look in her eyes. They walked, detached and focused on the immediate, obscenely unaware of pending change across a terrain of mountainous desert, their eyes downcast and world-weary, unable to account for the buoyant feeling in her heart. His hard-guy shtick went from potentiality to ruse. The gun was not a weapon but a prop, a way to pass time. Neither saw the dark clouds massing on the horizon. They found themselves alone in the expanses of time, unaware of the calamity that percolated even as they posed like school kids for the pictures. Happiness brimmed in that wild terrain. Maybe things were beginning to look up. That’s when the shooting started… Stefanie Schneider assumes that our experience of lived reality (buying groceries, having a relationship with someone, driving a car) does not correspond to the actual nature of lived reality itself, that what we think of as reality is more like a margarita without the tequila. Stefanie Schneider’s reality is reality with the tequila. She does not abolish concepts that orient us, cause and effect, time, plot, and storyline, she just plays with them. She invites us to play with them, too. She offers us a hybrid reality, more amorphous than that with a conventional subject, verb, and predicate. Open-ended, this hybrid reality does not resolve itself. It frustrates anyone with pedestrian expectations but once we inebriate those expectations away, her work exhilarates us and even the hangover is good. An exploration of how she undermines our expectation of what we assume to be our lived reality, the reasons why she under- mines our expectations, and the end result, as posited in this book, will show how she bursts open our apparatus of perception and acknowledges life’s fluidity, its density, its complexity. Its beauty. She undermines expectations of our experience of reality with odd, other-worldly images and with startling and unexpected compressions and expansions of time and narrative sequence. The landscape seems familiar enough, scenes from the Old West: broad panoramic vistas with rolling hills dotted with trees and chaparral, dusty prairies with trees and shrubs and craggy rocks, close-up shots of trees. But they’re not familiar. These mis-en-scenes radiate an unsettling Picasso Blue Period glow or the intense celestial blue of the cafe skies that Van Gogh painted in the south of France. Yellow starbursts punctuate images as if seen through the viewfinder of a flying saucer. At the same time, objects appear both vintage and futuristic, the landscape of a post-apocalyptic world. Landscapes change seemingly at random as do the seasons. Stefanie Schneider offers no indication of how time flows here, except that it conceivably turns in on itself and then goes its merry way. Time is a river whose source is a deep murky spring which blusters about with an occasional swirling eddy. That Stefanie Schneider thwarts an easy reading is obvious but why does she do this? Since she will not countenance anything linear, logical, or sequential, and because she does not relish anything concrete and specific, she has to roil things up a bit. Nor does she seem comfortable with a book of images that is settled, discrete, and accountable. Instead she wants to create a panoply of anxious moments...

The angel is a being that religion has bequeathed us as a sign of purity, innocence, and goodness, from the same source, we have been sold to the devil as the form that represents ev...

For What I’ve Lost (The Girl Behind the White Picket Fence) - 2013 Including Stefanie Schneider's new monograph "A Half Forgotten Dream" signed. 192 pages, hardcover, published by S...

Part of Richard Heeps 'Man's Ruin' Series, and the sequence of artworks 'Wendy Flamin' Eyeball', 'Wendy Resting' & 'Oldsmobile and Sinful Barbie's' shot at the Rockabilly Weekender, ...

Richard Heeps became well-known for his Burlesque Photography after he spent 2003 capturing performances in Britain & America. He spent a lot on time with his subjects on a number of...

Three framed artworks from Richard Heeps Burlesque series. Belles of Shoreditch, The Whoopee Club, London, 2003 Delilah Right Red Hand III, The Whoopee Club, London, 2003 Boudoir, T...

Falling Stars - 2022 50x40cm. Edition of 10 plus 2 Artist Proofs. Archival Print based on a mixed-media collage of an original Polaroid on Hahnemuhle photo rag paper. Signature ...

Julie London Singer Julie London enjoying breakfast in bed at the Beverly Hills Hotel, circa 1957 20 x 20" - paper size Estate Stamped Collection Edition to 150 Photo by Slim...

This is a 39.5 x 59 inches archival giclée black and white print on archival exhibition paper. It is part of a limited edition of 6 plus 2 AP. Signed and numbered in the back. An edition of 10 and an edition of 20, smaller in size, are also available. This photograph is part of J. L. Fievet’s CV series, shot during the early months of 2020, during which New York City was in total lock down because of the Covid-19 emergency. Fievet spent day in and day out roaming the streets, documenting the breathtaking change that transformed the city. Fievet’s iconic photographs tried to seize the stark contrast between the surreal aspect of NYC empty streets with the resiliance of New Yorkers who kept pursuing normalcy within a unique situation. This joyful portrait...

Digital C-print Signed and numbered, verso 11 x 14 inches, sheet (Edition of 20) 16 x 20 inches, sheet (Edition of 10) This photograph is offered by ClampArt, located in New York ...

The Millennial Falcon (Sidewinder) - 2005 100x98cm, Edition 1/5. Analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper, based on the Polaroid. Artist Invento...

Elizabeth Taylor on the Set of "Giant" by Globe Photos This stunning black and white image features actress Elizabeth Taylor posed outdoors while behind the scenes of the film "Gia...

'Le Regard', 2016, Edition 2/7 plus 2 Artist Proof Based on a Polaroid, digital C-Print, not mounted. Signed on the back and with certificate. Artist inventory PL2016-182 Kirsten Th...