Road Color Photography

A picture of Emptiness, Babylon… – Cawston’s Concrete Jungle is not a vision of the ultramodern, of orderly skyscrapers with comfortable interiors. It is rather of a Blade Runneresq...

A picture of Emptiness, Babylon… – Cawston’s Concrete Jungle is not a vision of the ultramodern, of orderly skyscrapers with comfortable interiors. It is rather of a Blade Runneresq...

Giant silos seem to twist to the heavens. Salvador Brazil – Cawston’s Concrete Jungle is not a vision of the ultramodern, of orderly skyscrapers with c...

Born in 1939 in Louisville Kentucky, David Gibson is primarily a self-taught photographer. Years of developing and refining his photographic technique have afforded him much recognit...

20 x 25 inch archival pigment print, edition 15. Signed, titled, dated and editioned on frame label provided. Larger sizes available as part of this edition - please inquire. All pri...

An abandoned cinema in Caibarien, Cuba. This pre-Revolutionary edifice was built when Cuba was a playground for tourists and mobsters alike, and America was still revered as somewhe...

Colours once bright now muted… their exuberance dimmed but not lost on the streets of Yangon, Burma – The Spaces in Between series developed out of visits to Naples in Italy and Hav...

'Beverly Hills Hotel' by Slim Aarons Limited Edition Slim Aarons Estate Edition Print. Numbered in ink to 150 only on front and emboss stamped on front. Cars parked outside the Beverly Hills Hotel on Sunset Boulevard in California, 1957. Beautiful classic cars parked outside the iconic Hotel, surrounded by giant palm trees, bathed in s soft glow light...

An abandoned cinema in Caibarien, Cuba. This pre-Revolutionary edifice was built when Cuba was a playground for tourists and mobsters alike, and America was still revered as somewhe...

Destination love in Las Vegas. – Cawston’s eye for colour, structure and the beauty of the mundane finds a world-in-waiting as he journeys across the American West. “The greatest par...

Lambda c-print on acrylic glass. This piece, created in 2024, showcases a masterful blend of photography and wet- and digital painting on a Lambda c-print placed either on a wooden p...

Destination love in Las Vegas. – Cawston’s eye for colour, structure and the beauty of the mundane finds a world-in-waiting as he journeys across the American West. “The greatest par...

A picture of Emptiness, Babylon… – Cawston’s Concrete Jungle is not a vision of the ultramodern, of orderly skyscrapers with comfortable interiors. It is rather of a Blade Runneresq...

Giant silos seem to twist to the heavens. Salvador Brazil – Cawston’s Concrete Jungle is not a vision of the ultramodern, of orderly skyscrapers with c...

Colours once bright now muted… their exuberance dimmed but not lost on the streets of Yangon, Burma – The Spaces in Between series developed out of visits to Naples in Italy and Hav...

The Robin Rice Gallery announces the new exhibition VISITOR by photographer Bill Phelps. The opening reception will be held on Wednesday September 27th from 6pm to 8pm at 325 West 11...

Close Up in Chanel Red Velvet, Cour de Rohan, 1955 -- A velvet dinner dress by Chanel, was photographed in the vine hung Paris courtyard, Cour de Roh...

Gwendolyn Brooks on the back steps of her home in Chicago, 1960. Printed later. Slim Aarons Gwendolyn Brooks 16 x 16 Inches Gwendolyn Elizabeth Bro...

Shimon Attie (b. 1957) Joachimstrasse, Ecke, Auguststrasse, Berlin, 1994 Edition 3/3 Dye coupler print on Kodak Ektacolor paper 27 x 34 inches (68.6 x 86.4 cm) (image) 34 x 40 inches (sheet) Presents well. Framed Dimensions 36.25 X 42.5 From series The Writing on the Wall. Attie projected found pre-war images of Jewish street-life in Berlin onto the same or nearby addresses in 1992/1993. Through this intervention, fragments of the past were introduced into the visual field of the present; long destroyed Jewish community life were visually simulated, momentarily recreated. The Writing on the Wall project was realized in Berlin’s former Jewish quarter, the Scheunenviertel, located in the Eastern part of the city, close to the Alexanderplatz. At the heart of Berlin, the Scheunenviertel was a center for eastern European Jewish immigrants from the turn of the century. The few historical photographs which remained after the Holocaust reflect the world of the Jewish working class rather than that of the more affluent and assimilated German Jews who lived mostly in the western part of the city.The juxtaposition between the projected images and the empty rooms reminds viewers of the fragility of memory, and how sites are activated/changed by presence and absence. Shimon Attie (born Los Angeles in 1957) is an American visual artist. He was awarded a Guggenheim Fellowship in 2008, The Rome Prize in 2001 and a Visual Artist Fellowship from Harvard University's Radcliffe Institute for Advance Study in 2007. His work spans a variety of media, including photography, site-specific installation, multiple channel immersive video installation, performance, and new media. Much of Attie's practice explores how a wide range of contemporary media may be used to re-imagine new relationships between space, time, place, and identity. Much, though not all, of Attie's work in the 90s dealt with the history of the second world war. He first garnered significant international attention by slide projecting images of past Jewish life onto contemporary locations in Berlin. More recent projects have involved using a range of media to engage local communities to find new ways of representing their history, memory and potential futures. Attie's artworks and interventions are site-specific and immersive in nature, and tend to engage subject matter that is both social, political and psychological. In 2013, Five monographs have been published on Attie's work, which has also been the subject of a number of films, which have aired on PBS, BBC, and ARD. Since receiving his MFA Degree in 1991, Attie has realized approximately 25 major projects in ten countries around the world. Most recently, in 2013-14, Shimon Attie was awarded the Lee Krasner Lifetime Achievement Award in Art. Judaica subject matter. He was born in 1957 and received an MFA in 1991. In 1991 he moved to Germany from his previous home in Northern California, and began to make work initially about Jewish identity and the history of the second world war. His work later evolved to engage broader issues of memory, place and identity more generally. Shimon Attie moved to New York City in 1997. Shimon Attie's work has been extensively reviewed by a wide variety of publications, including features and/or reviews in The New York Times, The Washington Post, The Los Angeles Times, Art in America, Art News, Art Forum, The Village Voice, The Boston Globe, and many others. Yasaman Alipour, writing in "The Brooklyn Rail: Critical Perspectives on Arts, Politics, and Culture", on Shimon Attie's solo exhibition "Facts on the Ground" at Jack Shainman Gallery in New York City: Attie achieves something profound: he presents a unique opportunity to contemplate Israel/Palestine without the distraction that is simultaneously a manifestation of the limitations of visual of written language and the possibilities of their alliance." Norman Kleeblatt, writing in a cover story for "Art in America" "Like many other artists in the wake of Marcel Broodthaers...

Dimensions: 8" x 10" Dimensions w/Frame: 12.5" x 15.5" Shimon Attie (born Los Angeles in 1957) is an American visual artist. He was awarded a Guggenheim Fellowship in 2008, The Ro...

An abandoned cinema in Caibarien, Cuba. This pre-Revolutionary edifice was built when Cuba was a playground for tourists and mobsters alike, and America was still revered as somewhe...

Mark Bartkiw brilliantly disrupts the landscape by juxtaposing expected elements with dream-like imagery. This C-print is sealed between dibond and plexiglass. This 30 x 30 inch im...

Maria Passarotti graduated in 2000 with a BFA from the Cooper Union for the Advancement of Science and Art in New York. Her most recent photographs are inspired by the intersection o...

Artist: Josephine Sacabo, American Title: Storm Light Year: 1985 Medium: Photograph, signed l.r. Size: 18 x 13 in. (45.72 x 33.02 cm)

Gwendolyn Brooks on the back steps of her home in Chicago, 1960. Complimentary dealer shipping to your framer, worldwide. Undercurrent Projects is p...

Pink Bicycle, Sultan Sea, CA by William Greiner is a color photograph of child's bike resting against a bush, abandoned in the Californian desert. Archival Pigment Print 24 x 36 in....

'Tram Turntable' A tram being manually rotated on a turntable in San Francisco, California, 1960. 40x40" inches / 101 x 101 cm paper size Estate Stamped Collection Edition to 1...

1957—Cars parked outside the Beverly Hills Hotel on Sunset Boulevard in California. Beverly Hills Hotel Slim Aarons Estate Edition 40x40 inches Numbered and stamped by the Slim Aar...

Jay Wolke lives and works in Chicago, Illinois. He has had solo exhibitions at the Art Institute of Chicago, the St. Louis Art Museum, Harvard University and the California Museum of...

Panoramic cityscape made from 3 pictures Pigment photographic paper - photography & fine art print © Jean Pierre De Neef Jean-Pierre De Neef came to photography like a new convert to religion, convinced that it would lend meaning to his life. His path took him first to a photographic laboratory, having once been a Cibachrome expert, regularly visited by French art photographers who made their way to Brussels to consult him. Well-versed in modern high performance techniques, nowadays Jean-Pierre De Neef produces art photos for several internationally known photographers whose works can be found in galleries and fairs the world over. Twelve years ago Jean-Pierre De Neef’s encounter with François Bayle, art critic and curator of the works of various photographers for Brussels Art Edition, enabled him to pursue his passion in new fields. He was at the side of the Italian photographer Fabrizio La Torre (Rome 1921, Brussels 2014) in the last few years of his life, who entrusted him with detailed instructions for digitising his archives and explained to him the results he was seeking. Jean-Pierre De Neef with his refined technical skills, and François Bayle with his creativity made up a team which was perfectly equipped to stage a number of well-received exhibitions of the work of Fabrizo La Torre - Museum of Ixelles (Brussels 2011), Principality of Monaco, an excellent Retrospective,(2014) and Bangkok (2019), which involved the presentation of the photos taken in Thailand between 1956 to 1961. Similar restoration work was performed on the photographic archives of the German photographer Jörg Krichbaum (d. 2002 in Brussels) and the remarkable photos of Rome...

Pigment photographic paper - photography & fine art print © Jean Pierre De Neef Artwork sold in perfect condition from a limited edition of 12 ex- Composition from an assembly of 16 shots digitaly edited and made in 2012 The Spanish Steps (piazza di Spagna...

30"x40" edition of 5, signed and editioned on reverse. This photograph was taken at the site of the former Maharishi Mahesh Yogi’s Ashram in Rish...

"Hong Kong Jour #33", photography by Didier Fournet. Didier Fournet is a contemporary "painter" thanks to photography: he chose pixels instead of brushes and reveals the beauty of t...

Digital chromogenic print from negative, edition 1/5, framed

Chromogenic print from negative

Cars parked on a tree-lined street in Palm Beach, Florida, circa 1953. C print 12 x 10 inches Framed Estate stamped and hand numbered edition of 150 with certificate of authenticit...

White Cadillac, Palm Springs, CA by William Greiner is a color photograph of a white car, focused on the logo with a desert landscape in the background. Archival Pigment Print 24 x...

Steve McCurry Moonrise in Mumbai, 1994 C-print 20x24 inches Edition of 30 Also available in 30x40 edition of 15 40x60 edition of 10

Throughout her career, Geesaman photographed public parks and formal gardens in the United States and Europe, focusing on the intersection of nature and artifice in the cultivated la...

Beach Hat Models in Red Jaguar -- Photographed by Mark Shaw for LIFE's June 1959 article "Bedecked Beach Hats hit the City" this image shows five models spo...

Alitalia - Historical Photos is a vintage photograph realized in the 1970s. This photo belongs to a precious testament album of Italian airline. Good conditions.

"Country Road" Color Nature Photography by Alexandra Steedman Archival pigment print on museum fine art paper Edition of 7 Includes certificate of authenticity. Signed and numbered ...

Edition of 10. Fujicolour / DMEL: professional photo paper (from Kodak).

John Dolan’s photographs revel in the extraordinary that lies beneath everyday, fleeting occurrences. And in this eloquent collection of twenty images shot in ravishing color and bla...

Bermuda Street Scene 1967 (printed later) Chromogenic Lambda Print Estate edition of 150 Bicycles, motorcycles, and cars on a street in Bermuda, June 1967. Estate stamped and hand ...

Melina Mercouri 1961 (printed later) Chromogenic print Estate stamped and hand numbered edition of 150 with certificate of authenticity from the estate. Actress Melina Mercouri ...

A fall day on on the beautiful island of Burano in Italy with its colorful houses. :: Photograph :: Color :: This piece comes with an official certificate of authenticity signed by ...

1955: John Bryant with his AC sports car in Kinnerton Place, London SW1. His passenger is Margaret McAulay Estate stamped and hand numbered edition of 150...

Signed, dated lower and numbered 2/15 lower right recto, unframed, printed later, other sizes available. Printed on Hahnemühle Fine Art paper Description: Quintessential image of ...

Listing is for UNFRAMED print. Inquire within for framing. Edition 3 of 25 After 30 years on West 11th Street, The Robin Rice Gallery celebrates its first ever exhibition for Robin...

Signed, dated, numbered lower right, recto 3/15, unframed, other sizes available, printed later, Printed on Hahnemühle Fine Art paper Visual relationships abound in this photo. The ...

John Conn, Cuba 159, limited edition Color Photograph taken in Cuba in 2016. It is a photograph, printed on 13x19 archival paper. Signed and Numbered. This is currently unframed. Edition of 15. This gold toned photograph is filled with a vintage car, people and the Cuban cityscape and buildings. John Conn got his start as a Marine Combat photographer, and later earned his BFA at the School of Visual Arts in New York. As a freelance photographer and writer, he has captured a range of subjects photojournalism delving into political and social issues, nature and landscapes, architecture, and underwater images. His work has appeared in: New York Times Sunday Magazine; Time/Life Books; IMAX Films; Village Voice; Human Rights Magazine; Shutterbug Magazine; Hasseleblad Magazine; American Photographer; RangeFinder Magazine; LensWork Magazine; Ocean Realm; Dive Travel Magazine; Picture Magazine; Discover Diving Magazine; Picture Magazine; Popular Photography; Nikon World; Black & White Photography; B&W Magazine; Studio Photography, to name a few. Starting in 1970, John travelled to South Africa capturing images of the people and social divide of Aparteid. His iconic Subway series shot between 1970 and 1982 in New York City is part of the permanent collection of the Museum of the City of New York, The New York Historical Society and Hoboken Historical Museum. In 2010, John Conn spent 45 days in Antarctica and Patagonia, traveling and hiking to capture the land and seascapes. He spent over 20 days journeying over 3,200 nautical miles in Antarctica before heading to Patagonia for the second part of his expedition. In 2014 John began a series of treks across the US photographing Americans, similar to what Robert Frank did in the late 1950’s. In 2015/16, he spent a month in Cuba photographing...

Beverly Hills Hotel by Slim Aarons Beautiful 1950's cars parked outside the iconic Beverly Hills Hotel on Sunset Boulevard in California, 1957. 20 x 20 inches / 50 x 50 cm paper ...

This listing is for an unframed print. Framing options are available. Peter Essick is inspired by the work of Walker Evans, Ray Metzker, Ansel Adams and David Hockney. Peter Essick is a photographer, author and drone pilot who specializes in nature and environmental themes. His latest series, "Memorial Drive," documents the thoroughfare that stretches between the Georgia State Capitol and the Confederate monument at Stone Mountain. Originally known as East Fair Street, Memorial Drive was one of the first roads in Atlanta, and connected the downtown commercial districts to the residential neighborhoods of East Lake and Kirkwood. In 1930, it was expanded all the way to Memorial Hall in Stone Mountain Park with the use of convict labor. The now 15-mile-long thoroughfare took on a new symbolic meaning to physically connect the State Capitol with the Confederate monument at Stone Mountain. According to an article in The Atlanta Constitution on February 2, 1930, Memorial Drive was “another step in the effort of Atlanta and Georgia to honor the memory of the heroes of the confederacy.” In the years since, Memorial Drive has acquired even more history. The street passes through communities of a wide diversity of people. These neighborhoods have seen cycles of development, economic decline, redevelopment and in some recent cases complete gentrification. People from all over the world as well as those from just across town have come to live and work on or near Memorial Drive. The street’s story is complex and of interest not only to developers and realtors, but also urban planners, sociologists, community activists, business owners, residents and even artists. Peter used a drone to take many of the photographs in the series, using a survey approach, he hopes to peak a viewers’ interest with the wide array of subjects. Named one of the forty most influential nature photographers in the world by Outdoor Photography...

Courtyard Chanel Red Velvet Dinner Dress, Cour de Rohan, 1955 -- A velvet dinner dress by Chanel, is photographed in the vine hung Paris courtyard, Cour de Rohan, in 1955. THE 24” x ...

Klosters 1963 C-Print Estate signature stamped and hand numbered edition of 150 with certificate of authenticity from the estate. Skiers pass by the Hotel Chesa Grischuna in Klos...

Chelsea Manhattan Street Art photographed in 2012 at the famed Comme Des Garcons, New York flagship store, by celebrated New York downtown photographer Fernando Natalici. C-Print on...

Karla HIRALDO VOLEAU (*1992, French-Dominican) Mi trovo strana, 2024 Inkjet on Hahnemuhle Photo Rag Baryta 44 x 66 cm (17 3/8 x 26 in.) Edition of 3 plus 2 artist's proofs Signed by ...