Tree Color Photography

Slim Aarons Estate Print - Palm Beach Street - Oversize Cars parked on a tree-lined street in Palm Beach, Florida, circa 1953. (Photo by Slim Aarons) Chromogenic print paper size...

Patrick Sansone uses analog cameras and film to create photographs that reference stillness, lure, and intermission. Decaying signage, abandoned industrial sites, and defunct storefr...

"Road to Davenport 2", a serene color photograph on Fujicolor professional paper by Richard F. Singer (American, 20th Century). Signed "Richard Singer" and dated "16" lower right. Ti...

Sunset (Oxana’s 30th Birthday) - 2007 Including Stefanie Schneider's new monograph "A Half Forgotten Dream" signed. 192 pages, hardcover, published by Snap Collective, 2024. featu...

The Party Is Over (Oxana’s 30th Birthday) - 2007 Including Stefanie Schneider's new monograph "A Half Forgotten Dream" signed. 192 pages, hardcover, published by Snap Collective, 20...

Oasis (Sidewinder) - 2005 Including Stefanie Schneider's new monograph "A Half Forgotten Dream" signed. 192 pages, hardcover, published by Snap Collective, 2024. 20x20cm, Edition...

La Coquille Club, Florida Car Park by Toni Frissell 40 x 30" inches / 101 x 76 cm paper size Archival pigment print unframed (framing available please enquire) Limited Signature...

End of the Road (Sidewinder) - 2005 Including Stefanie Schneider's new monograph "A Half Forgotten Dream" signed. 192 pages, hardcover, published by Snap Collective, 2024. 20x20cm...

A group of people relaxing by a pool near Lake Tahoe, California, 1959 (printed later). Relaxing at Lake Tahoe Slim Aarons Estate Edition 40x40 inches Slim Aarons Estate Edition N...

With Midwestern resources at her disposal, artist Mary Block explores the beauty surrounding her. Here, Block uses a Red Bud tree to enhance its artistry by painstakingly adjusting each pixel to achieve a depth, brightness and clarity not found in nature alone. This piece is framed in a simple black frame measuring 32 x 43 x 1.75 inches. Mary Block The Night Sky dye sublimation print on aluminum 30h x 41w in 76.20h x 104.14w cm 2/20 MBK005 Mary Block b. 1951, St. Louis, MO Education 1975 Mechanical Engineering Department, Stainless Steel Casting in Cooperation with Alloy Casting Corporation. University of Illinois - Champaign 1974 Master of Fine Arts Candidate. School of Fine Arts. University of Iowa. 1973 Bachelor of Fine Arts. College of Fine Arts. University of Illinois – Champaign Exhibitions 2022 Kiss Me, Its Snowing, Gallery Victor Armendariz, Chicago, IL Illinois Artists’ List, Curator: K. Eaton. Mary Block Sculpture and Print: A Dialogue Between Form and Image. University of Illinois. School of Art and Design, Link Gallery. Champaign/Urbana. 1996 ASID Showcase, Chicago, IL 1995 New Glass Review, Corning Museum. Corning, NY. International Exhibition/Catalog featuring innovative glass sculpture. 1996 Solo Exhibition, Nina Own Gallery, Chicago, IL 1996 Gallery Artists, Nina Owen Gallery. Chicago, IL 1995 Gallery Artists, Nina Owen Gallery. Chicago, IL 1995 Sandy and Dave, Group Exhibition. North Shore/Skokie Sculpture Park. Skokie, IL 1994 Sandy and Dave, Group Exhibition. North Shore/Skokie Sculpture Park. Skokie, IL 1992 Twenty Women, Adler Cultural Center. Libertyville, IL 1991 The Discerning Eye-National Exhibition, Charles A. Wustum Museum. Racine, WI 1988 North Shore Skokie Sculpture Walk, Curator: J. Folise. McCormick Blvd, Skokie, IL Public Commissions 2022 Skyway Prints, Delta Airlines. Skyway Lounge, O’Hare Airport, Chicago, IL 2018 Mindfulness Center Sculpture, Roslyn Road School, Barrington. IL 2011 Grove School Children’s Amphitheater, Ft. Grove School, Barrington, IL 2007 Generations, Village Hall of Deerfield, Deerfield, IL 1999 Lifetime Learners, Danville Community College. Danville, IL 1997 Heroic Women Collection, Las Sendes Sculpture Park, Phoenix, AZ 1996 Wrapped Figure, Columbia College, Chicago, IL Book With Hands Memorial, Oak Grove...

Oberon's Lunch Film star Merle Oberon and lunch guests at her villa, La Consentida, Acapulco. The star is second from the right facing the camera. Circa 1966. 40 x 60" inches / 101...

Fairytales, dyptych - 2005 20x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signature label and Certificate. Artist Inventory No. 007 Not ...

Snow Silence (Stranger than Paradise) - 2005 20x20cm, (each) Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signature label and Certificate. Artis...

Palm Tree Restaurant II (Stranger than Paradise) - 2005 20x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signature label and Certificate. ...

The Letter (The Girl behind the White Picket Fence) - 2005 20x24cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signature label and Certificate...

Guests at a party at the home of Sebastiano Bergese in Marbella, Spain, August 1967. This iconic photograph showcases the fabulous vintage beach fashion...

Large-scale photographer Troy House celebrates people’s primordial attraction to the beach. He travels the world capturing iconic, breathtaking scenes – oft...

Bathers by a pool on the shore of Lake Tahoe, California, 1959. Fashionable bathers relax underneath parasols and on sun loungers beside the swimming pool, overlooking Lake Tahoe o...

This landscape photograph by iconic mid-century photographer Slim Aarons depicts bathers by a pool at the Tahoe Tavern on the shore of Lake Tahoe, California, in the Sierra Nevada Mo...

In this classic seaside portrait, captured by society photographer Slim Aarons, Sarah Marson Williams enjoys a cocktail on the beach at the Hilton Hotel, Needhams Point, Barbados, Ap...

Sunset (Oxana’s 30th Birthday) - 2007 featuring Radha Mitchell including Stefanie Schneider's new monograph "A Half Forgotten Dream" signed. 196 pages, hardcover, published by Snap ...

The Party is Over (29 Palms, CA) - 2007 including Stefanie Schneider's new monograph "A Half Forgotten Dream" signed. 196 pages, hardcover, published by Snap Collective, 2024. 20x...

Palm Beach Street Cars parked on a tree-lined street in Palm Beach, Florida, circa 1953. Slim Aarons Chromogenic C print Printed Later Slim Aarons Estate Edition Produced utilis...

Signed and numbered, verso This artwork is offered by ClampArt, located in New York City. The images in this series are an attempt to capture human stories in everyday life, those ...

This is a large archival pigment photograph by artist Paul Cava depicting a series of nine still life photographs of autumn leaves arranged in a grid. It is printed on Hahnemuhle Pho...

Barbados Bliss by Slim Aarons Ava Marshall relaxes with a book amongst the bougainvillea in Barbados, April 1976. 60 x 60 inches / 152 x 152 cm paper ...

North Shore Mirage (California Badlands) - 2008 20x20cm, Edition of 10, Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory #18078 Not mo...

Salton Sea Palm Tree (California Badlands) - 2008 20x20cm, Edition of 10, Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory #19400 Not ...

Beverly Hills Hotel Slim Aarons Limited Edition Estate Print Cars parked outside the Beverly Hills Hotel on Sunset Boulevard in California, 1957. Paper size 20 x 20 inches / 51 x...

This is an archival pigment photograph by artist Paul Cava depicting a highly detailed autumn leaf in a minimalist arrangement on a textured background. It is printed on Hahnemuhle P...

Please note that as of 1st March 2025, the Slim Aarons Estate Stamped Collection aligned its pricing across the entire collection. Please bear in mind that all prints are produced t...

Indian Summer VII (The Last Picture Show) - 2005 20x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print print, based on the Polaroid, Certificate and Signature label Arti...

Indian Summer VI (The Last Picture Show) - 2005 20x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print print, based on the Polaroid, Certificate and Signature label Artis...

Newport Scenes 1962 Golfers and their cars at the Newport Country Club, Rhode Island, USA, 1962. by Toni Frissell 40 x 30" inches / 101 x 76 cm paper size Archival pigment prin...

Stowe Ski Slope 1955 Cars parked at the foot of a ski slope at the Stowe Mountain resort, Vermont, USA, 1955. by Toni Frissell Very large 60 x 40" inche...

Indian Summer V (The Last Picture Show) - 2005 20x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print print, based on the Polaroid, Certificate and Signature label Artist...

Slim Aarons Pool At Lake Tahoe 1959 (printed later) C print Estate stamped and numbered edition of 150 with Certificate of authenticity Caption: Ba...

Rebecca Skinner’s “Nesting” is a 18 x 12 inch metal print and is part of her “Awakening” series. An antique Voltswagen Bug car rests in a foggy landscape in ru...

Beachside At The Mill Reef 1959 Visitors enjoy the sea and sun at the Mill Reef Club, Antigua, 1959. by Toni Frissell 20 x 24" inches / 51 x 60 cm paper size Archival pigment p...

This is an archival pigment photograph by artist Paul Cava depicting a highly detailed autumn leaf in a minimalist arrangement on a textured background. It is printed on Hahnemuhle P...

Palm Blue House A tall palm tree stretches above the shell of a blue coloured house near Galle, Sri Lanka, 2013. by Stuart Möller Born in Kabul, part German and Anglo-Indian and ...

In Hiding (29 Palms, CA) - 2005 20x20cm, Edition of 10, plus 2 Artist Proofs, Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory #5723. Not...

Veronica Vicente (Pontevedra, 1988) presents "In free verse", a series of nine color photographs, in which she delves into the nature of identity and the layers that hide the true se...

Veronica Vicente (Pontevedra, 1988) presents "In free verse", a series of nine color photographs, in which she delves into the nature of identity and the layers that hide the true se...

The Party is over (Oxana's 30th Birthday) - 2007, from the 29 Palms, CA project - 20x25cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signatur...

Into Eternity (Wastelands) - 2003 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Artist inventory Number 893. Signature label and Certificate. Not mounted. For sale is a piece from the Wastelands series. Reality with the Tequila: Stefanie Schneider’s Fertile Wasteland by James Scarborough “How much more than enough for you for I for both of us darling?” (E. E. Cummings) Until he met her, his destiny was his own. Petty and inconsequential but still his own. He was cocksure and free, young and unaccountable, with dark hair and aquiline features. His expression was always pensive, a little troubled, but not of a maniacal sort. He was more bored than anything else. With a heart capable of violence. Until she met him, she was pretty but unappreciated. Her soul had registered no seismic activity. Dustbowl weary, she’d yet to see better days. A languorous body, a sweet face with eyes that could be kind if so inclined. Until she met him, she had not been inclined. It began when he met her. She was struck in an instant by his ennui. The sum of their meeting was greater than the imbroglios and chicaneries of their respective existences. He was struck by the blank slate look in her eyes. They walked, detached and focused on the immediate, obscenely unaware of pending change across a terrain of mountainous desert, their eyes downcast and world-weary, unable to account for the buoyant feeling in her heart. His hard-guy shtick went from potentiality to ruse. The gun was not a weapon but a prop, a way to pass time. Neither saw the dark clouds massing on the horizon. They found themselves alone in the expanses of time, unaware of the calamity that percolated even as they posed like school kids for the pictures. Happiness brimmed in that wild terrain. Maybe things were beginning to look up. That’s when the shooting started… Stefanie Schneider assumes that our experience of lived reality (buying groceries, having a relationship with someone, driving a car) does not correspond to the actual nature of lived reality itself, that what we think of as reality is more like a margarita without the tequila. Stefanie Schneider’s reality is reality with the tequila. She does not abolish concepts that orient us, cause and effect, time, plot, and storyline, she just plays with them. She invites us to play with them, too. She offers us a hybrid reality, more amorphous than that with a conventional subject, verb, and predicate. Open-ended, this hybrid reality does not resolve itself. It frustrates anyone with pedestrian expectations but once we inebriate those expectations away, her work exhilarates us and even the hangover is good. An exploration of how she undermines our expectation of what we assume to be our lived reality, the reasons why she under- mines our expectations, and the end result, as posited in this book, will show how she bursts open our apparatus of perception and acknowledges life’s fluidity, its density, its complexity. Its beauty. She undermines expectations of our experience of reality with odd, other-worldly images and with startling and unexpected compressions and expansions of time and narrative sequence. The landscape seems familiar enough, scenes from the Old West: broad panoramic vistas with rolling hills dotted with trees and chaparral, dusty prairies with trees and shrubs and craggy rocks, close-up shots of trees. But they’re not familiar. These mis-en-scenes radiate an unsettling Picasso Blue Period glow or the intense celestial blue of the cafe skies that Van Gogh painted in the south of France. Yellow starbursts punctuate images as if seen through the viewfinder of a flying saucer. At the same time, objects appear both vintage and futuristic, the landscape of a post-apocalyptic world. Landscapes change seemingly at random as do the seasons. Stefanie Schneider offers no indication of how time flows here, except that it conceivably turns in on itself and then goes its merry way. Time is a river whose source is a deep murky spring which blusters about with an occasional swirling eddy. That Stefanie Schneider thwarts an easy reading is obvious but why does she do this? Since she will not countenance anything linear, logical, or sequential, and because she does not relish anything concrete and specific, she has to roil things up a bit. Nor does she seem comfortable with a book of images that is settled, discrete, and accountable. Instead she wants to create a panoply of anxious moments...

This work is offered by CLAMP in New York City. Signed on label, verso

This is an archival pigment photograph by artist Paul Cava depicting a highly detailed autumn leaf in a minimalist arrangement on a textured background. It is printed on Hahnemuhle P...

Kentucky Thoroughbred by Alain Le Garsmeur A thoroughbred horse on the Calumet horse farm, Blue grass country, Lexington, Kentucky, USA, 1984. Paper size 30 x 40 inches / 76 x 101 c...

This is an archival pigment photograph by artist Paul Cava depicting a highly detailed autumn leaf in a minimalist arrangement on a textured background. It is printed on Hahnemuhle P...

Oasis (Sidewinder) - 2005 50x49cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Signature label and certificate. Artist Inventory Number ...

29 Palms Oasis (29 Palms, CA) - 2013 40x48cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Signature label and certificate. Artist Invent...

Girls (Till Death do us Part) - 2016 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C- Print, based on the Polaroid. Certificate and signature label. Artist inventory numb...

This is an archival pigment photograph by artist Paul Cava depicting a highly detailed autumn leaf in a minimalist arrangement on a textured background. It is printed on Hahnemuhle P...

Balloon Tree 2018 Signed and numbered, verso Archival pigment print 50 x 40 inches (Edition of 2) 40 x 30 inches (Edition of 3) including mounting/framing 24 x 20 inches (Editio...

Inclined (Wastelands) - 2003 20x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Artist inventory Number 1184. Signature label and ce...

Blue Day (Wastelands) - 2003 38x37cm, Edition 2/5. Analog C-Print, hand-printed by the artist, based on the original Polaroid. Artist inventory Number 837. Signature label and c...

Blue Day (Wastelands) - 2003 20x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Artist inventory Number 837. Signature label and cer...