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Size: Miniature
Historical Photo of Prison - 1970s
Located in Roma, IT
Historical Photo of Prison  is a vintage black and white photograph realized in the 1970s. Good conditions.
Category

1970s Contemporary Landscape Photography

Materials

Photographic Paper

Home Sweet Home (Oxana's 30th Birthday) - Polaroid
Located in Morongo Valley, CA
Home Sweet Home (Oxana's 30th Birthday) - 2010, from the 29 Palms, CA project - 20x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on a Polaroid. Signature la...
Category

2010s Contemporary Landscape Photography

Materials

Archival Paper, Photographic Paper, C Print, Color, Polaroid

Castelejo
Located in London, GB
'Castelejo' Castelejo, Portugal 2021 Limited edition of 20.
Category

2010s Contemporary Landscape Photography

Materials

Photographic Paper, Giclée

Richard Klein, American Glassware, 2010-2024, Found and altered objects
Located in Darien, CT
In the mid 1990s Richard Klein started working with found glass objects, including bottles, drinking glasses, ashtrays, and eyeglasses. Initially, Klein rejected any object with commercial or advertising content, but in 2015 he became fascinated with the promotional content that was screen printed on ashtrays from the 1950s, 1960s and early 1970s. This period was before smoking was looked at as being primarily a negative habit, and iconic American businesses, including Howard Johnson’s, International House of Pancakes (iHop) and Holiday Inn, all produced promotional ashtrays printed with their graphic identity. By the time Klein became interested in these objects, the businesses had either ceased to exist, or had changed their logos, and many of their signature buildings, which where examples of classic, “Pop” roadside architecture, has been torn down or repurposed. The artist wanted to connect the glass objects with the business’s sites that were still recognizable and spoke of their history, so he began researching where original buildings still stood. Klein then embarked on a series of road trips to photograph these sites with the intention of combining the photographs with the promotional glass objects. This led him to as far south as Maryland and as far north as upstate New York from his home in Connecticut. American Glassware (2010-present) which is presented in a small, wall-mounted vitrine. American Glassware is composed of three glass objects: a “souvenir” Walden Pond ashtray made by me as a multiple; a real souvenir ashtray from the 1964-65 New York World’s Fair; and an authentic “Happy Face” drinking glass from the same era. They are all nestled in crumpled, vintage newspaper from 1967, and are presented together in a dilapidated cardboard box, as if they have been found in someone’s attic or basement. Once again, in a similar manner to the Glass House Ashtray, versions of his Walden Pond ashtray (Walden Pond Souvenir) have been injected into the collectable stream of tag sales and flea markets, creating a souvenir that never existed. The ashtray is screenprinted with an image of Thoreau’s cabin on Walden Pond as pictured on the title page of his book Walden, or Life in the Woods (1854). (The original illustration was created by Thoreau’s sister, Sophia.) Walden Pond Souvenir was originally produced for the 2010 exhibition Renovating Walden at the Tufts University Art Gallery in Medford, MA. Richard Klein is a Connecticut-based artist, independent curator and writer. As an artist, he has exhibited widely, including the Neuberger Museum of Art at SUNY Purchase; Caren Golden Fine Art, New York; the John Michael Kohler Arts Center, Sheboygan, WI; Hales Gallery, London; Gavlak Gallery, Palm Beach, FL; deCordova Sculpture Park and Museum, Lincoln, MA; James Barron Art, Kent, CT; The Portland Institute of Contemporary Art (PICA), Portland, OR; Schoolhouse Gallery, Provincetown, MA; Stephan Stoyanov Gallery, NY; Katonah Museum of Art, Katonah, NY; Brattleboro Museum and Art Center, Brattleboro, VT; Ortega y Gasset Projects, Brooklyn, NY; Exhibit by Alberson Tulsa, OK; Incident Report/Flow Chart Foundation, Hudson, NY; ICEHOUSE Project Space, Sharon, CT; Kenise Barnes Fine Art in Kent, CT and with ODETTA Gallery at the Equity Gallery in New York City.. Reviews of his work have appeared in Two Coats of Paint, Whitehot Magazine, The New York Times, Sculpture Magazine, Art in America, and The New Yorker. In the summer of 2024 he will be the first Artist-In-Residence at Peck Ledge Light...
Category

2010s Assemblage Still-life Sculptures

Materials

Metal

Palm Springs 13
Located in Sante Fe, NM
Further to Fly is a series of Wet Plate Collodion Photograms that continues in my practice of using drawings on mylar layered with light-sensitive materials in the darkroom to create...
Category

2010s Contemporary Black and White Photography

Materials

Photogram

Stefanie Schneider Polaroid sized unlimited Mini 'Oasis' (Sidewinder) - signed
Located in Morongo Valley, CA
Stefanie Schneider Polaroid-sized unlimited Mini 'Oasis' (Sidewinder) - 2005 - signed in front, not mounted. 1 Archival Color Photograph based on the Polaroid. Polaroid sized op...
Category

Early 2000s Contemporary Color Photography

Materials

Archival Paper, C Print, Color, Lambda, Polaroid

Roy's - 21st Century, Polaroid, Landscape Photography, Contemporary, Color
Located in Morongo Valley, CA
Roys (Amboy), 2018, 20x24cm, Edition of 7 plus 2 Artist Proofs. Archival C-Print based on the original Polaroid. Signature label with certificate. Artist Inventory Number PL201...
Category

2010s Contemporary Landscape Photography

Materials

Archival Paper, Photographic Paper, C Print, Color, Polaroid

El Pulpo Mechanico, 21st Century, Landscape Photography, Contemporary
Located in Morongo Valley, CA
El Pulpo Mechanico (Black Rock City), Edition 1/10, 20x30cm, 2010, digital Print, printed on Velvet Watercolor, 310gsm, Bright White, Acid Free, Signature label and Certificate. Published in Tao Ruspoli's Monography 'Midway on our Life's Journey’, 2018 The Exaltation of Imagination Photographs and Musings in Defense of Burning Man by Tao Ruspoli The press around Burning Man had gotten so bad that I almost felt embarrassed to be going this year. Even Daniel Pinchbeck, famed psychonaut and burner par excellence, had written a thoughtful piece explaining why, after 15 consecutive years, he wasn’t going back this year: the festival had changed too much--the rich had taken over, it had gone from a relevant and fascinating social experiment to epitomizing the worst elements of capitalist excess. Besides, he seemed to be saying, the world is going through too many crises, both ecological and humanitarian, to justify the extravagance of an event like this. Two burners heading to Temple, one of the massive temporary structures in Black Rock City The burning of the Temple which happens every year the night after the man burns. Keith Spencer...
Category

2010s Contemporary Landscape Photography

Materials

Archival Ink, Archival Paper, Color, Archival Pigment

Eiffel Tower, Paris, limited edition photograph, cityscape, fine art print
Located in Vienna, Vienna
Black and white fine art cityscape - landscape photography. Archival pigment ink print as part of a limited edition of 9. All Gerald Berghammer prints are made to order in limited ed...
Category

2010s Contemporary Black and White Photography

Materials

Digital Pigment

Street Spirit (Bombay Beach, CA) - Polaroid, Landscape Photography
Located in Morongo Valley, CA
Street Spirit (Bombay Beach, CA) - 2022 20x20cm. Edition of 7 plus 2 Artist Proofs. Archival C-Print based on the original Polaroid. Signature label with certificate. Artist Inv...
Category

2010s Contemporary Landscape Photography

Materials

Archival Paper, Photographic Paper, C Print, Color, Polaroid

The Heart, Antelope Canyon, Arizona, black and white photography, fine art print
Located in Vienna, Vienna
Black and white fine art landscape photography. Archival pigment ink print as part of a limited edition of 9. All Gerald Berghammer prints are made to order in limited editions on Ha...
Category

2010s Contemporary Black and White Photography

Materials

Black and White

Hill Edge Tree, Shibecha, Hokkaido, Japan
Located in Sante Fe, NM
Michael Kenna is a master of contemporary photography. Known for clean compositions, long exposures and minimalist aesthetics, Kenna’s signature style remains highly influential amon...
Category

2010s Contemporary Black and White Photography

Materials

Silver Gelatin

Building Construction Site in Paris, 1927 - Silver Gelatin B and W Photography
Located in Atlanta, GA
A unique original silver gelatin black and white photography. A building construction site in Paris, France, March 1927. A Haussmann building in Paris is undergoing a major renovati...
Category

1920s Art Deco Black and White Photography

Materials

Silver Gelatin

'Eyed Birtch' - black and white polaroid still life photography
Located in London, GB
'Eyed Birtch' 2024 A photograph captured with a Polaroid camera. Printed on the finest archival paper, these limited edition photographs are designed to withstand the test of time, ...
Category

21st Century and Contemporary Contemporary Black and White Photography

Materials

Photographic Film, Archival Ink, Photographic Paper, Giclée

NASA, Gemini 4, First US Spacewalk: Ed White Over the Pacific Ocean, C-Print
By Nasa
Located in New york, NY
In orbit above the Pacific Ocean in June 1965, NASA Gemini 4 Astronaut Ed White is the first to spacewalk (tethered by a 25 foot cord) outside the craft. This is an 8" x 10" vintage...
Category

1960s Contemporary Landscape Photography

Materials

Photographic Film, Photographic Paper

Cortina D'Ampezzo No.3, Analogue Black and White Dolomite Photography, Ltd. 20
Located in London, GB
Cortina D'Ampezzo No.3, 2024 It is a black and white film photograph of Dolomite mountains, made using a 4x5 Large format camera Linhof. Ugne Pouwell does all the processing and pri...
Category

21st Century and Contemporary Contemporary Landscape Photography

Materials

Film, Photographic Film, Photographic Paper, Giclée

East River View (Stay) - Polaroid, 21st Century
Located in Morongo Valley, CA
Stefanie Schneider's work was used for Marc Forster's movie 'Stay', featuring Ewan McGregor, Naomi Watts and Ryan Gosling. Naomi and Ryan were both portraying artists and Stefanie Schneider's art was the art both characters created during the movie. Stefanie's images were also used for Ryan Gosling's memory sequence, for the end titles, for edits in between and as paintings hanging in several scenes within the movie. East River View (Stay) - 2006 20x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on a Polaroid. Certificate and Signature label, artist Inventory No. 2598. Not mounted. Torsten Scheid, “Fotografie, Kunst, Kino. Revisited.”, FilmDienst 3/2006, page 11-13

 Photography Art Cinema. Revisited Stay expands a traditional connection through new facets interwoven between the media of photography and film is a veritable mesh-work of technical, motific, metaphorical and personal interrelationships. Extending from photo-film which, as in La Jetée by Chris Marker (France, 1962) is a montage of single, unmoving photographs all the way to the portrayal of photographic motifs in Hollywood cinema―most recently in Memento (USA, 2000) and One hour photo (USA, 2002)―is the range of filmic-photographic interactions on the one hand, and from the adaption of modes of cinematic production to the imitation of film stills on the other. For instance, with the legendary Untitled Film Stills (1978) of the American artist Cindy Sherman, who later made her debut as a film director with Office Killer (USA, 1997) and thereby, like many others, changed sides: Wim Wenders, Robert Frank and Larry Clark are doubtlessly the most successful of these photographic-filmic border crossers. This brief survey provides only a vague indication of the dimensions of this intermedial field, which in fact extends much further and is constantly being cultivated. Also as a motif in film, photography has experienced a historical transformation: Photographers were once considered to be technicians who mastered a craft but never achieved the status of artists. Photographer-figures were caught in the allure of beautiful appearance, incapable of penetrating to the actual essence of things. Such depth was reserved for literature or painting. When photography in film touched upon the sphere of art, then most often as its contrasting model, as the metaphor for a superficial access to the world. Coming to mind are Fred Astaire as a singing fashion photographer in Stanley Donen’s musical film Funny Face (USA, 1957), or the restless lifestyle-photographer in Michelangelo Antonioni’s genre-classic Blow up (GB, 1966). For the doubting Thomas, only that exists which can be photographed. He ultimately enters the world of fantasy and thereby the field of art only unwillingly, when he becomes entangled in the world of his images. The last of his detail-enlargements shows only the photographic grain and has lost all connection to reality. The photograph looks as if it had been painted by Bill, the painter who is both friend and antagonist to the protagonist.

 Photography as Art It was first around the end of the last century that numerous filmmakers discovered photography as a genuine art form. In The Bridges of Madison County (USA, 1995) a sensitive Clint Eastwood stands, camera in hand, on the threshold of artistic status, and in Smoke (USA, 1994) a tobacco merchant ripens into a philosopher through his involvement in photography. Finally, in John Water’s parody of the art market, Pecker (USA, 1998), a provincial tom-fool is hyped into celebrated stardom amid the New York art scene because of his blurred snapshots. This film about a postmodern Kaspar Hauser in photographic art (with clear parallels to Richard Billingham, the British shooting...
Category

Early 2000s Contemporary Landscape Photography

Materials

Archival Paper, Photographic Paper, C Print, Color, Polaroid

Fissured Rock, scottish Coast, Isle of Sky, minimalist black and white landscape
Located in Vienna, Vienna
Black and white fine art long exposure waterscape - landscape photography. Archival pigment ink print as part of a limited edition of 9. All Gerald Berghammer prints are made to orde...
Category

2010s Contemporary Black and White Photography

Materials

Archival Ink, Archival Paper, Archival Pigment, Photographic Film, Digit...

Venice No.2 - black and white polaroid photography, Limited edition of 20
Located in London, GB
'Venice No.2' 2024 A photograph captured with a Polaroid camera. Printed on the finest archival paper, these limited edition photographs are designed to withstand the test of time, ...
Category

21st Century and Contemporary Contemporary Black and White Photography

Materials

Photographic Film, Archival Ink, Photographic Paper, Giclée

Erich Andres, Vintage, Barcelona, Germany, 1957, 17, 5 x 12, 4 cm
Located in Cologne, DE
Silver Gelatine Print by Erich Andres, 1957. This black-and-white photograph from 1957 captures the bustling Plaza de España in Barcelona, Spain. In the foreground, a grand traffic ...
Category

1950s Modern Black and White Photography

Materials

Black and White, Silver Gelatin

England, UK, Black and White Photography, Picnic with Birds by Leonard Freed
Located in New york, NY
The photograph shot in England, Picnic with Birds, 2001 by Leonard Freed is a 5" x 7" gelatin silver photograph, stamped “vintage” by the Freed estate on ...
Category

Early 2000s Contemporary Black and White Photography

Materials

Silver Gelatin, Photographic Film, Photographic Paper

Bosque Húmedo Tropical II Nuquí, Silver Gelatin Print
Located in Miami Beach, FL
The artist looks for a path between tangled branches. Reconfiguring a personal archive of diverse Colombian landscapes, experimenting with a variety of printing materials to reconstr...
Category

21st Century and Contemporary Naturalistic Black and White Photography

Materials

Black and White, Silver Gelatin

Coney Island (Stay) - Polaroid, 21st Century, Contemporary, Color
Located in Morongo Valley, CA
Stefanie Schneider's work was used for Marc Forster's movie 'Stay'. Featuring Ewan McGregor, Naomi Watts and Ryan Gosling. Naomi and Ryan were both portraying artists and Stefanie's art was the art both created during the movie. Stefanie's images were also used for Ryan Gosling's memory sequence, for the end titles, for edits in between and as art paintings hanging in several scenes within the movie. “I never remember the details of a Stefanie Schneider image, just the whole. She treads a third path between reality and dream that connects the two and truly sparks my artistic, visual freedom.” (Marc Forster) This piece: Coney Island (Stay) - 2006 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signature label and Certificate. Artist Inventory # 2196. Not mounted. Torsten Scheid, “Fotografie, Kunst, Kino. Revisited.”, FilmDienst 3/2006, page 11-13

 Photography Art Cinema. Revisited Stay expands a traditional connection through new facets Interwoven between the media of photography and film is a veritable mesh-work of technical, motific, metaphorical and personal interrelationships. Extending from photo-film which, as in La Jetée by Chris Marker (France, 1962) is a montage of single, unmoving photographs all the way to the portrayal of photographic motifs in Hollywood cinema―most recently in Memento (USA, 2000) and One hour photo (USA, 2002)―is the range of filmic-photographic interactions on the one hand, and from the adaption of modes of cinematic production to the imitation of film stills on the other. For instance, with the legendary Untitled Film Stills (1978) of the American artist Cindy Sherman, who later made her debut as a film director with Office Killer (USA, 1997) and thereby, like many others, changed sides: Wim Wenders, Robert Frank and Larry Clark are doubtlessly the most successful of these photographic-filmic border crossers. This brief survey provides only a vague indication of the dimensions of this intermedial field, which in fact extends much further and is constantly being cultivated. Also as a motif in film, photography has experienced a historical transformation: Photographers were once considered to be technicians who mastered a craft but never achieved the status of artists. Photographer-figures were caught in the allure of beautiful appearance, incapable of penetrating to the actual essence of things. Such depth was reserved for literature or painting. When photography in film touched upon the sphere of art, then most often as its contrasting model, as the metaphor for a superficial access to the world. Coming to mind are Fred Astaire as a singing fashion photographer in Stanley Donen’s musical film Funny Face (USA, 1957), or the restless lifestyle-photographer in Michelangelo Antonioni’s genre-classic Blow up (GB, 1966). For the doubting Thomas, only that exists which can be photographed. He ultimately enters the world of fantasy and thereby the field of art only unwillingly, when he becomes entangled in the world of his images. The last of his detail-enlargements shows only the photographic grain and has lost all connection to reality. The photograph looks as if it had been painted by Bill, the painter who is both friend and antagonist to the protagonist.

 Photography as Art It was first around the end of the last century that numerous filmmakers discovered photography as a genuine art form. In The Bridges of Madison County (USA, 1995) a sensitive Clint Eastwood stands, camera in hand, on the threshold of artistic status, and in Smoke (USA, 1994) a tobacco merchant ripens into a philosopher through his involvement in photography. Finally, in John Water’s parody of the art market, Pecker (USA, 1998), a provincial tom-fool is hyped into celebrated stardom amid the New York art scene because of his blurred snapshots. This film about a postmodern Kaspar Hauser in photographic art (with clear parallels to Richard Billingham, the British shooting...
Category

Early 2000s Contemporary Landscape Photography

Materials

Archival Paper, Photographic Paper, C Print, Color, Polaroid

View on the city of Sandakan - Vintage Photo 1938
Located in Roma, IT
Vintage View on the city of Sandakan is a b/w photographic print on polished paper, taken very likely in 1938 by Press Photo, Berlin. Stereotype on the back. In very good conditions....
Category

1930s Modern Black and White Photography

Materials

Photographic Paper

Ancient View of Uramino Jacki Fall - Japan - 1893
Located in Roma, IT
Uramino Jacki Fall - 21 August 1893 - Japan. Nicco. This ancient photo is part of a journey throughout the world performed by Prince Franz Ferdinand von Osterreich Este (1863-1914), heir to the throne of the Austro-Hungarian Empire. Despite his affairs and the growing importance of his role within the Empire, he took a year off his duties to travel the world, from North Africa to India, East Asia, Australia, and America, where he attended the 1893 Chicago World’s Fair...
Category

1890s Landscape Photography

Materials

Paper, Photographic Paper

Trajan's Forum, Rome - Vintage Photo - 1970s
Located in Roma, IT
Trajan's Forum, Rome -  Vintage Photo is a colored photograph of the 1970s. Good conditions.
Category

1970s Modern Figurative Photography

Materials

Photographic Paper

Above the Clouds (29 Palms, CA)
Located in Morongo Valley, CA
Above the Clouds (29 Palms, CA) - 2008 40x40cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signature label and Certificate. Artist Inventory #...
Category

Early 2000s Contemporary Color Photography

Materials

Archival Paper, Photographic Paper, C Print, Color, Polaroid

Reportage from Albania - Tirana - Photograph - 1970s
Located in Roma, IT
Reportage from Albania - Tirana  is a vintage photograph realized in the Late 1970s. Good conditions.
Category

1970s Contemporary Landscape Photography

Materials

Photographic Paper

David Burdeny - Material Shop, Photography 2022, Printed After
Located in Greenwich, CT
Tokyo, Japan Pigment Print 15 x 12 inches: Edition of 15 26 x 21 inches: Edition of 10 40 x 32 inches: Edition of 7 55 x 44 inches: Edition of 5 David Burdeny (b. 1968. Winnipe...
Category

2010s Contemporary Landscape Photography

Materials

Archival Pigment

Deming, New Mexico; March
Located in Sante Fe, NM
In “American Motel Signs” Steve Fitch crisscrossed the United States documenting the colorful dynamic, advertisements inviting weary traveler to park their car and pack it in for the...
Category

20th Century Contemporary Color Photography

Materials

Archival Pigment

'Frozen beach #7' - black and white analogue landscape photography
Located in London, GB
'Frozen beach #7' 2023 A photograph captured with a Polaroid camera that showcases the winter landscape of Lithuania in black and white. Printed on the finest archival paper, these...
Category

21st Century and Contemporary Contemporary Black and White Photography

Materials

Photographic Film, Archival Ink, Photographic Paper, Giclée

Ancient Bridge Views III (Stay)
Located in Morongo Valley, CA
Ancient Bridge Views III (Stay) - 2006 20x20cm, Edition of 5 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory No. 2490. Not mounted. Torsten Scheid, “Fotografie, Kunst, Kino. Revisited.”, FilmDienst 3/2006, page 11-13

 Photography Art Cinema. Revisited Stay expands a traditional connection through new facets Interwoven between the media of photography and film is a veritable mesh-work of technical, motific, metaphorical and personal interrelationships. Extending from photo-film which, as in La Jetée by Chris Marker (France, 1962) is a montage of single, unmoving photographs all the way to the portrayal of photographic motifs in Hollywood cinema―most recently in Memento (USA, 2000) and One hour photo (USA, 2002)―is the range of filmic-photographic interactions on the one hand, and from the adaption of modes of cinematic production to the imitation of film stills on the other. For instance, with the legendary Untitled Film Stills (1978) of the American artist Cindy Sherman, who later made her debut as a film director with Office Killer (USA, 1997) and thereby, like many others, changed sides: Wim Wenders, Robert Frank and Larry Clark are doubtlessly the most successful of these photographic-filmic border crossers. This brief survey provides only a vague indication of the dimensions of this intermedial field, which in fact extends much further and is constantly being cultivated. Also as a motif in film, photography has experienced a historical transformation: Photographers were once considered to be technicians who mastered a craft but never achieved the status of artists. Photographer-figures were caught in the allure of beautiful appearance, incapable of penetrating to the actual essence of things. Such depth was reserved for literature or painting. When photography in film touched upon the sphere of art, then most often as its contrasting model, as the metaphor for a superficial access to the world. Coming to mind are Fred Astaire as a singing fashion photographer in Stanley Donen’s musical film Funny Face (USA, 1957), or the restless lifestyle-photographer in Michelangelo Antonioni’s genre-classic Blow up (GB, 1966). For the doubting Thomas, only that exists which can be photographed. He ultimately enters the world of fantasy and thereby the field of art only unwillingly, when he becomes entangled in the world of his images. The last of his detail-enlargements shows only the photographic grain and has lost all connection to reality. The photograph looks as if it had been painted by Bill, the painter who is both friend and antagonist to the protagonist.

 Photography as Art It was first around the end of the last century that numerous filmmakers discovered photography as a genuine art form. In The Bridges of Madison County (USA, 1995) a sensitive Clint Eastwood stands, camera in hand, on the threshold of artistic status, and in Smoke (USA, 1994) a tobacco merchant ripens into a philosopher through his involvement in photography. Finally, in John Water’s parody of the art market, Pecker (USA, 1998), a provincial tom-fool is hyped into celebrated stardom amid the New York art scene because of his blurred snapshots. This film about a postmodern Kaspar Hauser in photographic art (with clear parallels to Richard Billingham, the British shooting...
Category

Early 2000s Contemporary Landscape Photography

Materials

Archival Paper, Photographic Paper, C Print, Color, Polaroid

From here to Eternity (Bombay Beach, CA) - Polaroid, Landscape Photography
Located in Morongo Valley, CA
From Here to Eternity (Bombay Beach, CA) - 2022 20x20cm. Edition of 7 plus 2 Artist Proofs. Archival C-Print based on the original Polaroid. Signature label with certificate. Ar...
Category

2010s Contemporary Landscape Photography

Materials

Archival Paper, Photographic Paper, C Print, Color, Polaroid

Big Ben and Bodicea, London
Located in Middletown, NY
A superb VINTAGE print by consummate visual artist Wolfgang Suschitzky, whose photographs capture London's sites, people, moods, and lights in a masterful and perceptive manner. Arch...
Category

Mid-20th Century Modern Landscape Photography

Materials

Silver Gelatin

Jardin Majorelle - Morocco analogue color architecture photography
Located in London, GB
'Jardin Majorelle' 2022 The Majorelle Garden, located in Marrakech, Morocco, spans one hectare and serves as both a botanical garden and an artistic landscape. Conceived by the French Orientalist artist Jacques Majorelle...
Category

21st Century and Contemporary Contemporary Color Photography

Materials

Archival Paper, Photographic Film, Giclée

The Safari Inn (California Badlands) - Contemporary, Polaroid, Landscape
Located in Morongo Valley, CA
The Safari Inn (California Badlands) - 2010 20x24cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventor...
Category

2010s Contemporary Landscape Photography

Materials

Archival Paper, Photographic Paper, C Print, Color, Polaroid

SOS (Bombay Beach, CA) - Polaroid, Landscape Photography
Located in Morongo Valley, CA
SOS (Bombay Beach, CA) - 2022 20x20cm. Edition of 7 plus 2 Artist Proofs. Archival C-Print based on the original Polaroid. Signature label with certificate. Artist Inv. #PL2022-...
Category

2010s Contemporary Landscape Photography

Materials

Archival Paper, Photographic Paper, C Print, Color, Polaroid

'Frozen beach #8' - black and white analogue landscape photography
Located in London, GB
'Frozen beach #8' 2023 A photograph captured with a Polaroid camera that showcases the winter landscape of Lithuania in black and white. Printed on the finest archival paper, these...
Category

21st Century and Contemporary Contemporary Black and White Photography

Materials

Photographic Film, Archival Ink, Photographic Paper, Giclée

Dunes - black and white sand dune photography, limitd edition of 20
Located in London, GB
'Dunes' Kanab, Utah, USA 2023 Limited edition of 20. Photograph shot using large format film camera Linhof. Printed on archival Hahnemühle German Etching fine art paper. Signed ...
Category

21st Century and Contemporary Contemporary Black and White Photography

Materials

Film, Photographic Film, Photographic Paper, Giclée

David Burdeny - Mudflat, Ariake Sea, Kyushu, Japan, 2010, Printed After
Located in Greenwich, CT
David Burdeny (b. 1968. Winnipeg, Canada) graduated with a Masters in Architecture and Interior Design and spent the early part of his career practicing in his field before establish...
Category

2010s Contemporary Landscape Photography

Materials

Archival Pigment

Plane Mirage (Stranger than Paradise)
Located in Morongo Valley, CA
Plane Mirage - 2008 40x40cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signature label and Certificate. Artist Inventory #4645. Not mounted...
Category

Early 2000s Contemporary Color Photography

Materials

Archival Paper, Photographic Paper, C Print, Color, Polaroid

Operating Limitations (Stranger than Paradise)
Located in Morongo Valley, CA
Operating Limitations (Stranger than Paradise) - 2008 40x40cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signature label and Certificate. Art...
Category

Early 2000s Contemporary Color Photography

Materials

Archival Paper, Photographic Paper, C Print, Color, Polaroid

Airspace (Stranger than Paradise)
Located in Morongo Valley, CA
Airspace (Stranger than Paradise) - 2008 40x40cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signature label and Certificate. Artist Inventory...
Category

Early 2000s Contemporary Color Photography

Materials

Archival Paper, Photographic Paper, C Print, Color, Polaroid

Sand Dune Arches - black and white rock arch photography, limited edition of 20
Located in London, GB
'Sand Dune Arches' Utah, USA, 2023 Limited edition of 20 Photograph shot using mid-century large format film camera Linhof. The photograph is signed front bottom right corner and...
Category

21st Century and Contemporary Contemporary Black and White Photography

Materials

Film, Photographic Film, Photographic Paper, Giclée

Tree, South of France
Located in Sante Fe, NM
Kate Breakey's artistic process is an act of investigation – a passionate attempt to establish an understanding of the natural world – a version that incorporates both intellectual a...
Category

2010s Contemporary Landscape Photography

Materials

Gold Leaf

Moab Memories
Located in Morongo Valley, CA
'Moab Memories', 2017, Edition 2/7 plus 2 Artist Proofs Based on an original Polaroid, Digital C-print, not mounted. Signed on the back and with certificate. Artist inventory PL2017-...
Category

2010s Contemporary Landscape Photography

Materials

Photographic Paper, C Print, Color, Polaroid

Starlite Motel (California Badlands) - Contemporary, Polaroid, Landscape
Located in Morongo Valley, CA
Starlite Motel (California Badlands) - 2010 20x24cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory...
Category

2010s Contemporary Landscape Photography

Materials

Archival Paper, Photographic Paper, C Print, Color, Polaroid

Plane tarmac (Stranger than Paradise)
Located in Morongo Valley, CA
Plane tarmac - 2008 40x40cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signature label and Certificate. Artist Inventory #4670. Not mounted....
Category

Early 2000s Contemporary Color Photography

Materials

Archival Paper, Photographic Paper, C Print, Color, Polaroid

Plane tear (Stranger than Paradise)
Located in Morongo Valley, CA
Plane tear - 2008 40x40cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signature label and Certificate. Artist Inventory #4651. Not mounted. ...
Category

Early 2000s Contemporary Color Photography

Materials

Archival Paper, Photographic Paper, C Print, Color, Polaroid

Planes blue sky (Stranger than Paradise)
Located in Morongo Valley, CA
Plane blue sky - 2008 40x40cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signature label and Certificate. Artist Inventory #4637. Not mounte...
Category

Early 2000s Contemporary Color Photography

Materials

Archival Paper, Photographic Paper, C Print, Color, Polaroid

Mirage (Stranger than Paradise)
Located in Morongo Valley, CA
Mirage (Stranger than Paradise) - 2008 40x40cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signature label and Certificate. Artist Inventory #...
Category

Early 2000s Contemporary Color Photography

Materials

Archival Paper, Photographic Paper, C Print, Color, Polaroid

Plane touch down (Stranger than Paradise)
Located in Morongo Valley, CA
Plane touch down - 2008 40x40cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signature label and Certificate. Artist Inventory #4660. Not moun...
Category

Early 2000s Contemporary Color Photography

Materials

Archival Paper, Photographic Paper, C Print, Color, Polaroid

California Depression (California Badlands) - Contemporary, Polaroid, Landscape
Located in Morongo Valley, CA
California Depression (California Badlands) - 2010 20x24cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inv...
Category

2010s Contemporary Landscape Photography

Materials

Archival Paper, Photographic Paper, C Print, Color, Polaroid

Copacabana Beach, Rio de Janeiro, Brazil
Located in Sante Fe, NM
Edition 5 of 45 Michael Kenna is a master of contemporary photography. Known for clean compositions, long exposures and minimalist aesthetics, Kenna’s signature style remains high...
Category

Early 2000s Contemporary Black and White Photography

Materials

Silver Gelatin

Cherokee, North Carolina; August
Located in Sante Fe, NM
In “American Motel Signs” Steve Fitch crisscrossed the United States documenting the colorful dynamic, advertisements inviting weary traveler to park their car and pack it in for the...
Category

20th Century Contemporary Color Photography

Materials

Archival Pigment

Backyard - Contemporary, Polaroid, Photograph, Landscape, 21st Century, Color
Located in Morongo Valley, CA
Backyard (2014) 40x40 cm, Edition of 10 plus 2 Artist Proofs. Giclée Print on Hahnemühle Fine Art Baryta, based on the Fuji Instant Film. Signed on back with Certificate. Not mou...
Category

2010s Contemporary Color Photography

Materials

Archival Paper, C Print, Color, Archival Pigment, Polaroid

New York and the East River, 1975 Silver Gelatin Black and White Photography
Located in Atlanta, GA
An original silver gelatin black and white photograph by Poly-Press, Bonn, Germany. A view of Manhattan and the East River, circa 1975. Features: Original silver gelatin photography ...
Category

1970s Modern Black and White Photography

Materials

Silver Gelatin

Limpia Creek, Fort Davis, Texas
Located in Sante Fe, NM
Born in 1939 in Louisville Kentucky, David Gibson is primarily a self-taught photographer. Years of developing and refining his photographic technique have afforded him much recognition, especially for his panoramic landscapes of Texas and the Four Corners region. Gibson's luminous black-and-white landscapes demonstrate a remarkable sensitivity to light and mood. Dramatic clouds, imminent storms and an occasional lighting strike...
Category

21st Century and Contemporary Contemporary Black and White Photography

Materials

Silver Gelatin

'Baltic freeze #3' - black and white analogue landscape photography 42 x 29 cm
Located in London, GB
'Baltic freeze #3' 2022 A photograph captured with a 35mm camera showcases the winter landscape of Lithuania in black and white. Printed on the finest archival paper, these limited...
Category

21st Century and Contemporary Contemporary Black and White Photography

Materials

Photographic Film, Archival Ink, Photographic Paper, Giclée

Twelve Clouds, Softly, Slowly (C)
Located in Sante Fe, NM
Artist Statement For me, an artistic process is an act of investigation – a passionate attempt to establish an understanding of the natural world – a version that incorporates both i...
Category

2010s Contemporary Black and White Photography

Materials

Pastel, Pencil, Archival Pigment

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