Miniature Landscape Photography

This silver gelatin print of one of Ansel Adams' most iconic images was printed by an assistant under Adams' supervision in the 1960s. It is signed in full by the artist in ink mount...

This early 1660s winter landscape photograph, captured by society photographer Slim Aarons, features skiers pass by a snow covered tree in Vail, Colorado, USA, 1964. This is an esta...

Black and white fine art long exposure waterscape - landscape photography. Archival pigment ink print as part of a limited edition of 20. All Gerald Berghammer prints are made to ord...

This silver gelatin print with exemplary provenance is unsigned but bears several stamps from the artist's family on the back of the mount, including the authentication stamp of Adam...

Pentti Sammallahti is a benchmark figure in contemporary Finnish photography. His works depict nature eroded and broken down by civilization, but h...

Antony Zega (1962-2019). Motel (Night), ca. 1985. Photographic print, 10 x 10 inches. Mounted to acid free matting board measuring 16 x 20 inches. Unsigned. Estate stamp on verso.

Hyomon, Study 1, Hokkaido, Japan is a black and white, limited edition photograph by photographer Michael Kenna. Michael Kenna is a master of contemporary photography. Known for c...

#10282-a Lake Erie, Buffalo, New York, USA 2011/2023 Signed in black ink, verso Archival pigment print 6 x 6 inches, sheet 5.25 x 2.25 inches, image This work is offered by CLAMP...

Michael Kenna is a master of contemporary photography. Known for clean compositions, long exposures and minimalist aesthetics, Kenna’s signature style remains highly influential amon...

Michael Kenna is a master of contemporary photography. Known for clean compositions, long exposures and minimalist aesthetics, Kenna’s signature style remains highly influential amon...

Stefanie Schneider's work was used for Marc Forster's movie 'Stay', featuring Ewan McGregor, Naomi Watts and Ryan Gosling. Naomi and Ryan were both portraying artists and Stefanie Sc...

Yellow Ball, East Hampton, NY, Archival Pigment Print, $ Ed. 2/5, 2016 Printed to Order *Photography: U Wash Truck, Death Valley and Mulford Lane, Amagansett 2012 have been feature...

Blowin' In The Wind I (The Last Picture Show) - 2002, 38x37cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Certificate and Signature la...

Blowin' In The Wind III (The Last Picture Show) - 2002, 38x37cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Certificate and Signature ...

Michael Kenna is master of contemporary photography. Known for clean compositions, long exposures and minimalist aesthetics, Kenna’s signature style remains highly influential among ...

Oil Fields #27, Bakersfield, California 2004 Signed and numbered, verso Chromogenic print (Edition of 100) 8 x 10 inches (20.3 x 25.4 cm) This work is of...

This is a vintage Ted Spiegel photo of a Benedictine Nun, Mount of Olives, Jerusalem. Hand signed and editioned A/P. This is for one Photograph from the portfolio entitled "Jerusalem: City of Mankind," The mounting is 14 X 17 inches. the actual photo measurement is between 9.25 X 14 to 10.5 X 13.5 inches (22.9 X 35.6 to 26.7 X 34.3 cm.) This is hand signed and editioned in pencil, on print mount recto; and stamped on the reverse with photographers name and copyright info. In a folding jacket with a printed credit and title. The red title sheet is just here for provenance and reference and is not included in this sale. The first copy was awarded to the President of the United States, the second to the President of the State of Israel, the third to the Mayor of Jerusalem and the fourth to the Baron Edmond de Rothschild. Rare Cornell Capa and Baron Edmond De Rothschild “Jerusalem: City Of Mankind” Photo Album 1973. It has been produced by the international fund for concerned photography, INC, New York for the women’s division of the American Friends of the Israel Museum, New York. 15 copied were reserved for participating photographers. Color prints are made by dye transfer process from original transparencies and black and white enlargements are made from original negatives under the photographers supervision. Design and production – Arnold Skolnick / Bhupendra Karia. Color prints by Berkey K & L Custom Services INC, New York. Black and white prints by Igor Bakht Werner Braun – Moonrise over the Knesset Robert Burroughs – At the Western Wall. Cornell Capa – View from the Israel Museum sculpture garden. Leonard Freed – Reading from Sephardic Torah scrolls. Ernst Haas – In the Arab quarter, Old City. Charles Harbutt – Easter, Holy fire. Ron Havilio – Wallscape. Bhupendra Karia – Midday prayers, Al Aqsa grounds. Marc Riboud – Ecumenical landscape Billy rose garden, Israel museum. Ted Spiegel – Benedictine nun, Mount of Olives. Micha Bar-Am – Via Dolorosa on Friday. An accomplished photojournalist with more than 50 years of experience, Ted Spiegel has covered assignments across the globe, but like the 19th-century artists of the famed Hudson River School, he's made the Hudson River Valley the focus of much of his life's work. Spiegel's love of the landscape and positive attitude infuse all his images. His January 1978 assignment for National Geographic magazine was a color photo essay on the Hudson River Valley. He has produced 15 other photo essays for National Geographic magazine on a variety of subjects, and has also produced several picture books on such topics as the Hudson River Valley, Saratoga and West Point. He also did a celebrated series of photos of John F Kennedy one of which was selected for the JFK USA postal stamp. Speigel’s biography on the National Geographic website espouses his zest for his home: “He’s covered assignments across the globe, but like the 19th-century artists of the famed Hudson River School, he’s made the Hudson River Valley the focus of much of his life’s work.” It also notes that he uses photography as a medium to encourage appreciation and respect for the environment’s beauty: “Spiegel’s love of the landscape and positive attitude infuse all his images, [and he] sees his landscape photography as a way to make people aware of the beauty in nature and a way to, in turn, encourage people to help protect and save the environment.” Photographers, like seeds in a rich environment, take root, grow and prosper. For Ansel Adams, the place was the West Coast -- Carmel, Calif., and Yosemite National Park. For Ted Spiegel, it is the Hudson River Valley -- Bear Mountain...

Michael Kenna is master of contemporary photography. Known for clean compositions, long exposures and minimalist aesthetics, Kenna’s signature style remains highly influential am...

Michael Kenna is a master of contemporary photography. Known for clean compositions, long exposures and minimalist aesthetics, Kenna’s signature style remains highly influential amon...

Michael Kenna travels the world, attuned to the aesthetic, emotional, and spiritual resonance of natural and urban landscapes, which he seeks to capture in his exquisite black-and-wh...

Lake Superior near Grand Marais, Michigan-- taken from a bluff. Measures 8 x 10 inches and is Unframed. Also available: 5 x 7 inches.

This intriguing offset lithograph print, signed and numbered out of 200 by an unknown artist in ballpoint pen, features a puff of smoke or a cloud hovering over a fence. The minimali...

Ancient View of the Port of Ensenada is a silver salt photograph realized by unknown photographer of the end of 19th Century. Very good condition, applied on a single cardboard. Ca...

Edition 5 of 45 Michael Kenna is a master of contemporary photography. Known for clean compositions, long exposures and minimalist aesthetics, Kenna’s signature style remains high...

Michael Kenna is master of contemporary photography. Known for clean compositions, long exposures and minimalist aesthetics, Kenna’s signature style remains highly influential among ...

Reportage from Albania - Tirana  is a vintage photograph realized in the Late 1970s. Good conditions.

Black and white fine art landscape photography. Archival pigment ink print as part of a limited edition of 9. All Gerald Berghammer prints are made to order in limited editions on Ha...

Edition 18 of 45 Michael Kenna is a master of contemporary photography. Known for clean compositions, long exposures and minimalist aesthetics, Kenna’s signature style remains hig...

'Cretan dream' 32x43 cm limited edition of 20. Taken in Crete, Greece 2022. Printed on heavyweight Photo rag Baryta Hahnehnmule fine art paper. Signed...

Vicki Stewart Layers of Time Year: 2024 Archival Pigment Print on Hahnemuehle Baryta Rag Framed Size: 13 x 13 x 0.25 inches COA provided *Ready to hang; matted and framed in a minim...

Ancient Views of Pei-ho River is a set of ten original vintage Albumen prints on single cardboard: 26 x 34 cm. Four same dimension images on the rear and six ones in various sizes o...

Discover this stunning photograph from Slim Aarons sought-after Palm Springs 'Poolside' series. 'Desert House Party' encapsulates the essence of vintage 1970s glamour, captured with vibrant color palette of bold yellow, crisp white, and vibrant turquoise, synonymous with the classic Palm Beach aesthetic. This coveted photograph, taken in 1970, presents an intimate glimpse into a poolside party at a desert house, a Palm Springs masterpiece by famed architect Richard Neutra for Edgar J. Kaufmann. This is not just a photograph, but an entry into the world of luxury, architecture, and the golden era of Palm Springs. Highlighted in the image are industrial designer Raymond Loewy, known for his unparalleled design philosophy, central and standing, and Nelda Linsk, elegantly dressed in a radiant yellow, an iconic cultural patron and the wife of prominent art dealer Joseph Linsk. Also captured in the frame is Helen Dzo Dzo, the former fashion model, gracefully adorned in white lace, adding a touch of timeless elegance to the vibrant gathering. The photograph artistically integrates the natural beauty of the Palm Springs landscape...

A black and white photograph, Pabst Blue Ribbon sign, Chicago, Illinois, 1946, by Walker Evans is sheet size: 11.75" x 10.44" and image size: 9.25" x...

NASA Apollo 14 commander Alan Shepard stands by the US flag on the moon with the shadow of Edgar D. Mitchell, module pilot, taking the picture. This is an 8" x 10" vintage chromoge...

A unique original silver gelatin black and white photography. Paris, The Parc Monceau public garden, 20th June 1926. Features: Original Silver Gelatin Print Photography Unframed. Press Photography. Press Agency: Anonymous. Photographer: Anonymous. Title: Paris, The Parc Monceau public garden, June 20th, 1926. View of the Roman colonnades in the garden. Provenance: Private collection. Image Size: 4.57 in high (11.6 cm) x 6.22 in wide (15.8 cm) - Archivally matted in a 17 x 13 mat. The piece will be shipped in a mat (17 x 13 in) that fits a standard-sized frame. No ink stamp, no legend. Note: The last picture shows the Parc and the Roman colonnades today. About: The eighth arrondissement of Paris, France, is home to the public park known as Parc Monceau, at the junction of Boulevard de Courcelles, Rue de Prony, and Rue Georges...

Artist Statement For me, an artistic process is an act of investigation – a passionate attempt to establish an understanding of the natural world – a version that incorporates both i...

Black and white fine art landscape photography. Archival pigment ink print as part of a limited edition of 9. All Gerald Berghammer prints are made to order in limited editions on Ha...

Gaia Diptych #078 by Jaume Llorens 18cm x 24cm Black-and-White print on Premio Kozo 180gsm White Paper by Awagami Factory Edition of 10 + 2 Artist's Proofs Crane Kalman Brighton ga...

This silver gelatin print on Kodak Vitava Athena paper is signed in pencil beneath the image with typeset title on the front of the sheet. This print was made in 1927 for the Parmeli...

Edition of 25 Signed, titled, negative date, print date and numbered. Sepia toned gelatin silver print Michael Kenna's black and white photographs are powerful and alluring. His ima...

Please note that as of 1st March 2025, the Slim Aarons Estate Stamped Collection aligned its pricing across the entire collection. Please bear in mind that all prints are produced t...

An atmospheric and magical photo by master of the lens, photographic and cinematic, that captures a tranquil corner of Hyde Park. As Suschitzky himself said ...

Roman was asked to photograph a very old vineyard in California by the Nature Conservancy before they removed this old plantation. The result is powerfu...

The Mosque of Muhammad Ali  is a black and white vintage photo, realized in Mid 20th Century by the photographer C. Zachary. Good conditions and aged. The photo depicts the Mosque ...

A quiet study in form and reflection, Tracing the Light captures the ephemeral meeting of ocean and shoreline. The gentle curves of wet sand illuminated by soft, angled light evoke t...

Edition of 45 Signed, titled, dated, and numbered. Michael Kenna's black and white photographs are powerful and alluring. His imagery transports you to iconic and placid landscapes ...

Out on the road - 2020 Edition of 7 plus 2 Artist Proofs, digital C-Print based on the Polaroid, not mounted. Signed on the back and with certificate. Artist inventory - PL2019-...

Algeria, the post office surrounded by police is a vintage photograph on photography paper, realized by an anonymous photographer With the stamp of Associated Press photo and typed-...

Daisy and Austen in front of Trailer (Till Death do us Part) - 2005 Including Stefanie Schneider's signed monograph "Instantdreams". 64 pages, hardcover, published by Avenso, 2014. ...

Almost Paradise (Wastelands) - 2003 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Artist inventory Number 894. Signature label and Certificate. Not mounted. For sale is a piece from the Wastelands series. Reality with the Tequila: Stefanie Schneider’s Fertile Wasteland by James Scarborough “How much more than enough for you for I for both of us darling?” (E. E. Cummings) Until he met her, his destiny was his own. Petty and inconsequential but still his own. He was cocksure and free, young and unaccountable, with dark hair and aquiline features. His expression was always pensive, a little troubled, but not of a maniacal sort. He was more bored than anything else. With a heart capable of violence. Until she met him, she was pretty but unappreciated. Her soul had registered no seismic activity. Dustbowl weary, she’d yet to see better days. A languorous body, a sweet face with eyes that could be kind if so inclined. Until she met him, she had not been inclined. It began when he met her. She was struck in an instant by his ennui. The sum of their meeting was greater than the imbroglios and chicaneries of their respective existences. He was struck by the blank slate look in her eyes. They walked, detached and focused on the immediate, obscenely unaware of pending change across a terrain of mountainous desert, their eyes downcast and world-weary, unable to account for the buoyant feeling in her heart. His hard-guy shtick went from potentiality to ruse. The gun was not a weapon but a prop, a way to pass time. Neither saw the dark clouds massing on the horizon. They found themselves alone in the expanses of time, unaware of the calamity that percolated even as they posed like school kids for the pictures. Happiness brimmed in that wild terrain. Maybe things were beginning to look up. That’s when the shooting started… Stefanie Schneider assumes that our experience of lived reality (buying groceries, having a relationship with someone, driving a car) does not correspond to the actual nature of lived reality itself, that what we think of as reality is more like a margarita without the tequila. Stefanie Schneider’s reality is reality with the tequila. She does not abolish concepts that orient us, cause and effect, time, plot, and storyline, she just plays with them. She invites us to play with them, too. She offers us a hybrid reality, more amorphous than that with a conventional subject, verb, and predicate. Open-ended, this hybrid reality does not resolve itself. It frustrates anyone with pedestrian expectations but once we inebriate those expectations away, her work exhilarates us and even the hangover is good. An exploration of how she undermines our expectation of what we assume to be our lived reality, the reasons why she under- mines our expectations, and the end result, as posited in this book, will show how she bursts open our apparatus of perception and acknowledges life’s fluidity, its density, its complexity. Its beauty. She undermines expectations of our experience of reality with odd, other-worldly images and with startling and unexpected compressions and expansions of time and narrative sequence. The landscape seems familiar enough, scenes from the Old West: broad panoramic vistas with rolling hills dotted with trees and chaparral, dusty prairies with trees and shrubs and craggy rocks, close-up shots of trees. But they’re not familiar. These mis-en-scenes radiate an unsettling Picasso Blue Period glow or the intense celestial blue of the cafe skies that Van Gogh painted in the south of France. Yellow starbursts punctuate images as if seen through the viewfinder of a flying saucer. At the same time, objects appear both vintage and futuristic, the landscape of a post-apocalyptic world. Landscapes change seemingly at random as do the seasons. Stefanie Schneider offers no indication of how time flows here, except that it conceivably turns in on itself and then goes its merry way. Time is a river whose source is a deep murky spring which blusters about with an occasional swirling eddy. That Stefanie Schneider thwarts an easy reading is obvious but why does she do this? Since she will not countenance anything linear, logical, or sequential, and because she does not relish anything concrete and specific, she has to roil things up a bit. Nor does she seem comfortable with a book of images that is settled, discrete, and accountable. Instead she wants to create a panoply of anxious moments...

'Venice #7' 2024 A photograph captured with a Polaroid camera. Printed on the finest archival paper, these limited edition photographs are designed to withstand the test of time, pr...

This 1660 winter landscape photograph, captured by society photographer Slim Aarons, features an individual skiing at Sugarbush, a mountain resort in Vermont, April 1960. This is an...

C-print Signed, titled, dated, and numbered, verso (Edition of 10) This photograph is offered by ClampArt, located in New York City. About the artist: Christopher Harris’s devastati...

Black and white fine art long exposure waterscape - landscape photography. Archival pigment ink print as part of a limited edition of 9. All Gerald Berghammer prints are made to orde...

The gallery has the most extensive New York City landscape art photography, due to our abiding love for the city. We present the work of different photographers, some of whom are eme...

Snowmass Picnic, Colorado, Estate Edition, Portrait Photograph This late 1960s winter landscape photograph, captured by society photographer Slim Aarons, features a stand-up fondue...

'Cadaques' , 2017 20x30cm, Edition 2/10. Archival Pigment Print. Signature label and Certificate. Not mounted. Published in Tao Ruspoli's Monography 'Midway on our Life's Journe...

Slab City Bible Belt (California Badlands) - 2016, 20x24cm, Edition 10/10, Archival Print, based on a Polaroid. Certificate and Signature label. artist Inventory # 19396. Not m...