Miniature Landscape Photography

Silver Gelatine Print by Erich Andres, ca 1950. Andres was born 1905 in Germany and passed away 1992. He started his career as a photographer in 1920. He was one of the first photogr...

View of Brunnen is a vintage black and white photograph realized in the Early 20th Century. Good conditions.

A unique original silver gelatin black and white photography, Place des Renaux in Lyon, France, March 1927. The photograph presents a view of Place des Renaux in Lyon, France, with ...

A unique original silver gelatin black and white photography. View from the Place des Vosges in Paris, November 1928. Features: Original Silver Gelatin Print Photography Unframed. Press Photography. Press Agency: Anonymous. Photographer: Anonymous. Title: Place des Vosges in Paris, November 1928. Provenance: Private collection. Image Size: 4.33 in high (11.6 cm) x 5.51 in wide (14.5 cm) - Archivally matted in a 17 x 13 mat. We will ship the piece in a mat (17 x 13 in) that fits a standard-sized frame. No ink stamp, no legend. Note: The Place des Vosges, originally the Place Royale, is the oldest planned square in Paris, France. It is located in the Marais district and straddles the dividing line between The 3rd and 4th arrondissements in Paris. It was a fashionable and expensive square to live in during the 17th and 18th Centuries and one of the main reasons for the chic nature of Le Marais among the Parisian nobility. Originally known as the Place Royale, the Place des Vosges was built by Henri IV from 1605 to 1612. It is an authentic square (140 m × 140 m) and embodied one of the first European programs of royal city planning (Plaza Mayor in Madrid, begun in 1590, precedes it). It was built on the site of the Hôtel des Tournelles and its gardens: at a tournament at the Tournelles, a royal residence, Henri II was wounded and died. Catherine de Medici had the Gothic complex demolished, and she moved to the Louvre Palace. The Place Royale, inaugurated in 1612 with a grand carousel to celebrate the engagement of Louis XIII and Anne of Austria...

Alfred Stieglitz. Lower Manhattan, New York City, 1910 (printed 1911), vintage photogravure from Camera Work 36.

A unique original silver gelatin black and white photography. The International Decorative Arts Exhibition in Paris, in October 1925. By the river Seine, access to the Department Sto...

Landscape is a  vintage photo, realized in the 19th Century . The artwork is a well-balanced composition.

Home, Sweet 29 (Oxana's 30th Birthday) - 2010, from the 29 Palms, CA project - 20x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on a Polaroid. Signature lab...

Home Sweet Home (Oxana's 30th Birthday) - 2010, from the 29 Palms, CA project - 20x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on a Polaroid. Signature la...

A unique original silver gelatin black and white photography. A view of Paris with Notre Dame Cathedral, June 1927. Features: Original Silver Gelatin Print Photography Unframed. Pres...

This landscape of a lily pad shows a couple of leaves and a lovely yellow lily centered on the photograph. In the foreground is a large green leaf duplicated in the background by oth...

The sepia color in this fine art photograph provides an alluring visual component that goes beyond the image of the leaf shown. The photographer has presented the essence of a leaf ...

Spring Fantasy - 2016, Edition 3/7. Archival C-Print based on the original Polaroid. Signature label with certificate. Artist inventory PL2016-130. Not mounted. Kirsten Thys ...

This is a Platinum Palladium print from one of her first ocean-based beach series, a body of platinum/palladium prints that focused on the water's surface. Later, she transferred her...

This is a Platinum Palladium print from one of her first ocean-based beach series, a body of platinum/palladium prints that focused on the water's surface. Later, she transferred her...

Black and white fine art cityscape - landscape photography. Archival pigment ink print, edition of 9. Signed, titled, dated and numbered by artist. Certificate of authenticity includ...

'Bay of Poets' Lerici, Italy 2023 Limited edition of 20 Photograph shot using mid-century large format film camera Linhof. Printed on archival Hahnemühle Photo Rag Baryta paper....

'Nida' Is a 35mm black and white photograph of Baltic coast sand dunes in Nida, Lithuania taken during the summer of 2016. From a limited edition of 20. Printed on Hahnemühle Phot...

At the very end of the afternoon, a very violent and lasting tornado of EF-4 intensity evolved under the bases of a particularly vigorous supercell. Here she is at the height of her ...

The Alps chain chisels the horizon while a marvelous sea of ​​clouds, crossed by the lights of the city, comes alive above the Pays de Gex (from the Jura Mountains, Ain, France). Dec...

Cortina D'Ampezzo No.2, 2024 It is a black and white film photograph of Dolomite mountains, made using a 4x5 Large format camera Linhof. Ugne Pouwell does all the processing and pri...

Historical Photo is a  vintage photo, realized in the Early 20th Century . The artwork is a well-balanced composition.

Cortina D'Ampezzo No.3, 2024 It is a black and white film photograph of Dolomite mountains, made using a 4x5 Large format camera Linhof. Ugne Pouwell does all the processing and pri...

Dolomites No.2, 2024 It is a black and white film photograph of Dolomite mountains, made using a 4x5 Large format camera Linhof. Ugne Pouwell does all the processing and printing in...

Historical Photo is a  vintage photo, realized in the Early 20th Century . The artwork is a well-balanced composition.

Dolomites No,2, 2024 It is a black and white film photograph of Dolomite mountains, made using a 4x5 Large format camera Linhof. Ugne Pouwell does all the processing and printing in...

Desert Living (California Dreaming) - 2017 40x48cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Invento...

Historical Photo is a  vintage photo, realized in the Early 20th Century . The artwork is a well-balanced composition.

Frailejones el Verjón, 2018 by Miguel Winograd From the Series Bruma Selenium- Toned Gelatin Silver Prints Sheet Size: 11 in H x 14 in W Image Size: 10 in H x 12.5 in W Edition of...

El Palmar en la Niebla Chingaza, 2019 by Miguel Winograd From the Series Bruma Selenium- Toned Gelatin Silver Prints Sheet Size: 14 in H x 11 in W Image si...

Bamboo Sticks in Sudan is a black and white vintage photo, realized in the early 20th century by M. Venieris. 

Rebecca Swanson, Eye of the Iris I, Limited Edition Photograph, 15x15. It is available with Plexifacemount or white frame as shown. This stunning image is filled purples and a vibr...

By hanging out of a helicopter hovering 300 feet in the air, Antoine Rose uniquely captures the Hamptons from a sharp 90 degree angle. This piece is a snapshot of shared beach activi...

Digital C-Print, 12 x 15 framed.

Titled the 'Sundance Series', these artworks are a development of traditional landscape photographs and they have created a unique perspective as if captured through a telescope or a...

'Dolomites' 2022 It is a black and white film photograph of Dolomite mountains, made using a 4x5 Large format camera Linhof. Ugne Pouwell does all the processing and printing in the...

The Old Days  Photo - Ivory is a black and white vintage photo, realized in the early 20th century.  The scene is meticulously captured.

Guadalupe (The Last Picture Show) - 2005 38x37cm, Edition 2/5. Analog C-Print, hand-printed by the artist on Archive Fuji Crystal Paper, based on the Polaroid. Artist inventory...

Untitled (The Last Picture Show), 2005 38x36cm, Edition 2/5. Analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper, based on the original SX-70 Polaroid. Inventory No. 781.02. Signature label and Certificate. Not mounted. LIFE’S A DREAM (The Personal World of Stefanie Schneider) by Mark Gisbourne Projection is a form of apparition that is characteristic of our human nature, for what we imagine almost invariably transcends the reality of what we live. And, an apparition, as the word suggests, is quite literally ‘an appearing’, for what we appear to imagine is largely shaped by the imagination of its appearance. If this sounds tautological then so be it. But the work of Stefanie Schneider is almost invariably about chance and apparition. And, it is through the means of photography, the most apparitional of image-based media, that her pictorial narratives or photo-novels are generated. Indeed, traditional photography (as distinct from new digital technology) is literally an ‘awaiting’ for an appearance to take place, in line with the imagined image as executed in the camera and later developed in the dark room. The fact that Schneider uses out-of-date Polaroid film stock to take her pictures only intensifies the sense of their apparitional contents when they are realised. The stability comes only at such time when the images are re-shot and developed in the studio, and thereby fixed or arrested temporarily in space and time. The unpredictable and at times unstable film she adopts for her works also creates a sense of chance within the outcome that can be imagined or potentially envisaged by the artist Schneider. But this chance manifestation is a loosely controlled, or, better called existential sense of chance, which becomes pre-disposed by the immediate circumstances of her life and the project she is undertaking at the time. Hence the choices she makes are largely open-ended choices, driven by a personal nature and disposition allowing for a second appearing of things whose eventual outcome remains undefined. And, it is the alliance of the chance-directed material apparition of Polaroid film, in turn explicitly allied to the experiences of her personal life circumstances, that provokes the potential to create Stefanie Schneider’s open-ended narratives. Therefore they are stories based on a degenerate set of conditions that are both material and human, with an inherent pessimism and a feeling for the sense of sublime ridicule being seemingly exposed. This in turn echoes and doubles the meaning of the verb ‘to expose’. To expose being embedded in the technical photographic process, just as much as it is in the narrative contents of Schneider’s photo-novel exposés. The former being the unstable point of departure, and the latter being the uncertain ends or meanings that are generated through the photographs doubled exposure. The large number of speculative theories of apparition, literally read as that which appears, and/or creative visions in filmmaking and photography are self-evident, and need not detain us here. But from the earliest inception of photography artists have been concerned with manipulated and/or chance effects, be they directed towards deceiving the viewer, or the alchemical investigations pursued by someone like Sigmar Polke. None of these are the real concern of the artist-photographer Stefanie Schneider, however, but rather she is more interested with what the chance-directed appearances in her photographs portend. For Schneider’s works are concerned with the opaque and porous contents of human relations and events, the material means are largely the mechanism to achieving and exposing the ‘ridiculous sublime’ that has come increasingly to dominate the contemporary affect(s) of our world. The uncertain conditions of today’s struggles as people attempt to relate to each other - and to themselves - are made manifest throughout her work. And, that she does this against the backdrop of the so-called ‘American Dream’, of a purportedly advanced culture that is Modern America, makes them all the more incisive and critical as acts of photographic exposure. From her earliest works of the late nineties one might be inclined to see her photographs as if they were a concerted attempt at an investigative or analytic serialisation, or, better still, a psychoanalytic dissection of the different and particular genres of American subculture. But this is to miss the point for the series though they have dates and subsequent publications remain in a certain sense unfinished. Schneider’s work has little or nothing to do with reportage as such, but with recording human culture in a state of fragmentation and slippage. And, if a photographer like Diane Arbus dealt specifically with the anomalous and peculiar that made up American suburban life, the work of Schneider touches upon the alienation of the commonplace. That is to say how the banal stereotypes of Western Americana have been emptied out, and claims as to any inherent meaning they formerly possessed has become strangely displaced. Her photographs constantly fathom the familiar, often closely connected to traditional American film genre, and make it completely unfamiliar. Of course Freud would have called this simply the unheimlich or uncanny. But here again Schneider almost never plays the role of the psychologist, or, for that matter, seeks to impart any specific meanings to the photographic contents of her images. The works possess an edited behavioural narrative (she has made choices), but there is never a sense of there being a clearly defined story. Indeed, the uncertainty of my reading here presented, acts as a caveat to the very condition that Schneider’s photographs provoke. Invariably the settings of her pictorial narratives are the South West of the United States, most often the desert and its periphery in Southern California. The desert is a not easily identifiable space, with the suburban boundaries where habitation meets the desert even more so. There are certain sub-themes common to Schneider’s work, not least that of journeying, on the road, a feeling of wandering and itinerancy, or simply aimlessness. Alongside this subsidiary structural characters continually appear, the gas station, the automobile, the motel, the highway, the revolver, logos and signage, the wasteland...

River in Sudan is a black and white vintage photo, realized in the early 20th century. 

House in Sudan is a black and white vintage photo, realized in the early 20th century by M. Venieris. 

Old Days - is a  vintage photo, realized in the Mid-20th Century . The artwork is a well-balanced composition.

Khartum Market is a black and white vintage photo, realized in the early 20th century by M. Venieris. 

View of Chambei is a black and white vintage photo, realized in the early 20th century 

Old Days  is a  vintage photo, realized in the Mid-20th Century . The artwork is a well-balanced composition.

By hanging out of a helicopter hovering 300 feet in the air, Antoine Rose uniquely captures the Hamptons from a sharp 90 degree angle. This piece is a snapshot of shared beach activi...

Hand printed by artist Signed in pencil on recto. Taken in Quebec City

'Frozen beach #7' 2023 A photograph captured with a Polaroid camera that showcases the winter landscape of Lithuania in black and white. Printed on the finest archival paper, these...

'Baltic freeze #4' 2022 A photograph captured with a 35mm camera showcases the winter landscape of Lithuania in black and white. Printed on the finest archival paper, these limited...

Dolomites No.3, 2024 It is a black and white film photograph of Dolomite mountains, made using a 4x5 Large format camera Linhof. Ugne Pouwell does all the processing and printing in...

'Sunset' 2024 A photograph captured with a Polaroid camera. Printed on the finest archival paper, these limited edition photographs are designed to withstand the test of time, prese...

Series: Indulgence Chromogenic Print on Kodak Endura Luster Paper All available sizes and editions: 18" x 18" 30" x 30" 45" x 45" 60" x 60" 70" x 70" Editions of 3 + 2 Artist Proofs ...

"Black Rocks, Lake Superior" is a black & white landscape photograph measuring 17.5x15.5" unframed. All of Rick's photographs are printed on Hahnemühle Fine Art Paper using archival pigment-based inks. There are other edition sizes available, namely 14x12.5" and 10x8". Photographs are rolled carefully and shipped in a tube. Framing is optional and quoted separately. Black Rocks, Lake Superior is from a series that was taken in and around Lake Superior Provincial Park near Wawa, Ontario. The rocks are along the shoreline near Michipicoten. Rick Bogacz...

Archival pigment print (Edition of 11) Signed, dated, and numbered, verso This photograph is offered by ClampArt, located in New York City. Please note that prices increase as editi...

Un coup de foudre tombe à l’avant d’une très impressionnante masse orageuse.

'Frozen beach #5' 2023 A photograph captured with a Polaroid camera that showcases the winter landscape of Lithuania in black and white. Printed on the finest archival paper, these...

Historical Photo  - Lisbon is a  vintage photo, realized in the 1970s. The artwork is a well-balanced composition.

Hand Printed Photograph by the artist Signed in pencil on recto Edition 30/75 Printed 2008 Comes with a limited edition hard bound slip case cover book 'Fractal Dreams' Signed, titl...