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Medium: Plexiglass
Lakeshore - white, blue, beach, abstract, manipulated, photograph on dibond
By Mark Bartkiw
Located in Bloomfield, ON
A moody sky looms large over turquoise waters and a bright white shore. Mark Bartkiw’s mesmerizing ethereal photographs play with our perception of reality by slightly distorting ima...
Category
2010s Contemporary Plexiglass Landscape Photography
Materials
Plexiglass, C Print
At the beach
By Igal Pardo
Located in New York, NY
Selected art photography exhibitions
1993 – "Limbos - a place for photography", Tel Aviv, Israel Curator - Judith Guweta
1994 - "Monada", cobalt - Jerusalem. ...
Category
21st Century and Contemporary Contemporary Plexiglass Landscape Photography
Materials
C Print, Plexiglass
Duplication - white, pink, abstract figurative, landscape, photography on dibond
By Mark Bartkiw
Located in Bloomfield, ON
As if in a dream, the fragmented images of several figures reflected in the water on a beach appear in this surreal photographic print by Mark Bartkiw. As an artist, he is fascinated...
Category
2010s Contemporary Plexiglass Landscape Photography
Materials
Plexiglass, C Print
Flat Iron II
By Tom Leighton
Located in Boca Raton, FL
Diasec mounted photo - face mounted to plexi with sintra backing
Also available in 48 x 48 inches.
Tom Leighton’s works are an exploration of environments, both natural and construc...
Category
21st Century and Contemporary Contemporary Plexiglass Landscape Photography
Materials
Plexiglass, Photographic Paper
Glow Words, sunset, Fine Art Photography, Mounted in Plexiglass
Located in Armonk, NY
Glow Words, sunset is a fine art photograph mounted in plexiglass. Allyson sees the world through a unique lens, her work ranges from urban graffiti to capturing different forms in n...
Category
2010s Other Art Style Plexiglass Landscape Photography
Materials
Plexiglass
City Trees
Located in New York, NY
French photographic artist, Jean Philippe Kadzinski currently resides in New York, where he produces rhythmic depictions of the opportune city....
Category
2010s Contemporary Plexiglass Landscape Photography
Materials
Photographic Film, Mixed Media, Photographic Paper, Photogram, Plexiglass
Porto Miggiano (framed) - large scale photograph of Italian Mediterranean beach
Located in San Francisco, CA
large scale photograph of iconic summer beach scene in Southern Italy's Puglia by Italian photographer Massimo Vitali, renowned for his grand s...
Category
21st Century and Contemporary Contemporary Plexiglass Landscape Photography
Materials
Plexiglass, Wood, Photographic Film, Archival Paper, Photographic Paper,...
Anne's Heart, Limited Edition Photograph, Plexifacemount, Trees, Blue
Located in Riverdale, NY
Anne's Heart is a limited edition photograph by Nancy C. Woodward. This is a limited edition photograph with a plexifacemount. It 24" x 36". It is filled with Blues and white . It is $2,450. This is an edition of 30. It was originally photographed in 2015.
Nancy C. Woodward is an award winning photographic and mixed media artist.
Her shadow portraits, colorful trees and ethereal landscapes depict unique views of the natural world. Nancy photographs moments when the natural world appears changed. Through experimenting with different color palettes, papers, fibers, mediums and surfaces, she brings new realms into view.
Ms. Woodward has a studio along with twenty other working artists, at Firing Circuits Artist Studios in Norwalk, Connecticut. She was an Artist in Residence at Silver Lake Conference Center in Sharon, Connecticut for ten years. She is a member of the Ridgefield Guild of Artists, The Katonah Museum Artists...
Category
2010s Contemporary Plexiglass Landscape Photography
Materials
Plexiglass, Archival Paper, Archival Pigment
Renaissance - Revival 5
Located in Miami, FL
Archival photo print under acrylic glass.
Dimensions: 48 x 48 in.
Depth: 1/4 in.
Artist and photographer Paul-Émile Rioux lives in Montréal, Canada.
His lifelong interest in cutti...
Category
2010s Contemporary Plexiglass Landscape Photography
Materials
Plexiglass, Archival Pigment
Renaissance - Revival 4
Located in Miami, FL
Archival photo print under acrylic glass.
Dimensions: 48 x 48 in.
Depth: 1/4 in.
Artist and photographer Paul-Émile Rioux lives in Montréal, Canada.
His lifelong interest in cutti...
Category
2010s Contemporary Plexiglass Landscape Photography
Materials
Plexiglass, Archival Pigment
Cloud Diptych Masterprint + NFT
Located in Miami, FL
Masterprint with NFT and Certificate of Authenticity
Archival photo print under acrylic glass.
Edition of 3 Masterprint + NFT
Dimensions: 2x 60x40 in.
Depth: 1/8 in.
About the Mas...
Category
2010s Contemporary Plexiglass Landscape Photography
Materials
Plexiglass, Archival Pigment
3 red parasols
Located in New York, NY
Flying with his own plane, one hand of the wheel and the other with his camera, Klaus shoots these amazing aerials. None have been manipulated or color corrected.
Category
21st Century and Contemporary Contemporary Plexiglass Landscape Photography
Materials
C Print, Plexiglass
Clouds Mosaic
Located in Miami, FL
Archival photo print under acrylic glass.
Dimensions: 18x 15 x 15 in.
Depth: 1 in.
Dimensions: 48in X 97.4 in
Artist and photographer Paul-Émile Rioux lives in Montréal, Canada.
...
Category
2010s Contemporary Plexiglass Landscape Photography
Materials
Archival Pigment, Plexiglass
Clouds 4
Located in Miami, FL
Archival photo print under acrylic glass.
Dimensions: 48 x 48 in.
Depth: 1/4 in.
RIOUX started the Cloud project in 2022.
Paul-Emile Rioux’s series Cloud, like his other work, is a ...
Category
2010s Contemporary Plexiglass Landscape Photography
Materials
Plexiglass, Archival Pigment
Retroflag
Located in New York, NY
Using the facades of red and blue buildings, Kadzinski recreates the stars and stripes of the American flag. Beige stripes that are cracking like paint go between the rows of red fac...
Category
2010s Contemporary Plexiglass Landscape Photography
Materials
Photographic Paper, Plexiglass, Archival Paper, Archival Pigment
Clouds 18
Located in Miami, FL
Archival photo print under acrylic glass.
Dimensions: 48 x 48 in.
Depth: 1/4 in.
Artist and photographer Paul-Émile Rioux lives in Montréal, Canada.
His lifelong interest in cutti...
Category
2010s Contemporary Plexiglass Landscape Photography
Materials
Plexiglass, Archival Pigment
Clouds 17
Located in Miami, FL
Archival photo print under acrylic glass.
Dimensions: 48 x 48 in.
Depth: 1/4 in.
Artist and photographer Paul-Émile Rioux lives in Montréal, Canada.
His lifelong interest in cutti...
Category
2010s Contemporary Plexiglass Landscape Photography
Materials
Plexiglass, Archival Pigment
Clouds 16
Located in Miami, FL
Archival photo print under acrylic glass.
Dimensions: 48 x 48 in.
Depth: 1/4 in.
Artist and photographer Paul-Émile Rioux lives in Montréal, Canada.
His lifelong interest in cutti...
Category
2010s Contemporary Plexiglass Landscape Photography
Materials
Plexiglass, Archival Pigment
Clouds 15
Located in Miami, FL
Archival photo print under acrylic glass.
Dimensions: 48 x 48 in.
Depth: 1/4 in.
Artist and photographer Paul-Émile Rioux lives in Montréal, Canada.
His lifelong interest in cutti...
Category
2010s Contemporary Plexiglass Landscape Photography
Materials
Plexiglass, Archival Pigment
First of May, Limited Edition Photograph, Plexifacemount, Trees, Blue, Green
Located in Riverdale, NY
First of May is a limited edition photograph by Nancy C. Woodward. This is a limited edition photograph with a plexifacemount. It 24" x 24". It is filled with Blues and Green colors. It is $1,850. This is an edition of 30. It was originally photographed in 2012.
Nancy C. Woodward is an award winning photographic and mixed media artist.
Her shadow portraits, colorful trees and ethereal landscapes depict unique views of the natural world. Nancy photographs moments when the natural world appears changed. Through experimenting with different color palettes, papers, fibers, mediums and surfaces, she brings new realms into view.
Ms. Woodward has a studio along with twenty other working artists, at Firing Circuits Artist Studios in Norwalk, Connecticut. She was an Artist in Residence at Silver Lake Conference Center in Sharon, Connecticut for ten years. She is a member of the Ridgefield Guild of Artists, The Katonah Museum Artists...
Category
2010s Contemporary Plexiglass Landscape Photography
Materials
Plexiglass, Archival Paper, Archival Pigment
Clouds 12
Located in Miami, FL
Archival photo print under acrylic glass.
Dimensions: 48 x 48 in.
Depth: 1/4 in.
Artist and photographer Paul-Émile Rioux lives in Montréal, Canada.
His lifelong interest in cutti...
Category
2010s Contemporary Plexiglass Landscape Photography
Materials
Plexiglass, Archival Pigment
Gathering, Limited Edition Photograph, Plexifacemount, Trees, Blue, Green
Located in Riverdale, NY
Gathering is a limited edition photograph by Nancy C. Woodward. This is a limited edition photograph with a plexifacemount. It 24" x 20". It is filled with Blues and Green colors. It is $1,650. This is an edition of 30. It was originally photographed in 2012.
Nancy C. Woodward is an award winning photographic and mixed media artist.
Her shadow portraits, colorful trees and ethereal landscapes depict unique views of the natural world. Nancy photographs moments when the natural world appears changed. Through experimenting with different color palettes, papers, fibers, mediums and surfaces, she brings new realms into view.
Ms. Woodward has a studio along with twenty other working artists, at Firing Circuits Artist Studios in Norwalk, Connecticut. She was an Artist in Residence at Silver Lake Conference Center in Sharon, Connecticut for ten years. She is a member of the Ridgefield Guild of Artists, The Katonah Museum Artists...
Category
2010s Contemporary Plexiglass Landscape Photography
Materials
Plexiglass, Archival Paper, Archival Pigment
Clouds 14
Located in Miami, FL
Archival photo print under acrylic glass.
Dimensions: 48 x 48 in.
Depth: 1/4 in.
Artist and photographer Paul-Émile Rioux lives in Montréal, Canada.
His lifelong interest in cutti...
Category
2010s Contemporary Plexiglass Landscape Photography
Materials
Plexiglass, Archival Pigment
Clouds 13
Located in Miami, FL
Archival photo print under acrylic glass.
Dimensions: 48 x 48 in.
Depth: 1/4 in.
Artist and photographer Paul-Émile Rioux lives in Montréal, Canada.
His lifelong interest in cutti...
Category
2010s Contemporary Plexiglass Landscape Photography
Materials
Plexiglass, Archival Pigment
Clouds
Located in Miami, FL
Archival photo print under acrylic glass.
Dimensions: 48 x 48 in.
Depth: 1/4 in.
Artist and photographer Paul-Émile Rioux lives in Montréal, Canada.
His lifelong interest in cutting-edge media technology as well as his expertise in photography cast him as pioneer in digital art and allow him to develop virtual matrix from which he extracts his images.
In his works he explores a universe that lies at the crossroad of abstraction and the figurative, inviting the viewer to determine if what he sees is a reflection of reality or imagination.
Through is truly unique approach RIOUX is one of the most innovative artists in digital creations and one of the few creative minds able to blend with such keenness aesthetics research and critical distance.
Whether they translate into a Dantesque urbanity or the infinite horizon of a turquoise ocean, the urban territory reflected by his creations offers a dystopian view of the world, challenging our attitude towards the environment and the future.
From the onset, RIOUX has no intention of matching IRL expectations of what digital art 'should' look like, but strives to play with our notions of what's real, what's not, how we remember, and how we infer meaning into imaginary visual constructs.
---
RIOUX started the Cloud project in 2022.
Paul-Emile Rioux’s series Cloud, like his other work, is a kind of aesthetic thought experiment. Each square image is bisected symmetrically, or nearly symmetrically, by a tidy horizon. The upper half display forms that appear as clouds, the bottom as an underwater seascape, yet at the same time mimics the cloudlike formations of above.
Formally these works reference hard-edged abstraction, minimalism and abstract expressionism, though juxtaposed with a sort of Instagram lifestyle sensibility. When shown as a gridded series, they recall the Instagram account @insta_repeat which curates gridded typologies of nearly identical influencer photos – for instance sunsets on a beach, or campfires with hiking boot clad feet visible in the foreground, transforming images, which individually are meant to signify the good life, into symbols of stifling homogeneity, cynically trying to capitalize on mass-produced sensations.
Unlike past movements in abstract or minimal art, however, Rioux is not striving to create self-contained objects, but windows into deeper currents that churn in the dark spaces where culture, technology and the subconscious flow together. Rioux’s digital works are not specifically images, but notes, ways of thinking. They connect to a larger discourse.
With Clouds, Rioux thinks aloud about what is hidden and what is revealed in our relationships to technology and nature. It is a meditation on “the cloud,” which, like real clouds, seem immaterial, but in fact are physical and have a material impact on the world. Rioux considers the juxtaposition between weight and weightlessness – the apparent weightlessness of virtual reality, against the mass, the inescapability of the material world. Technology promises a world of lightness, connectivity and the bounty of limitless growth, or if it cannot quite muster that illusion, at least the offer of escape into a simulated universe of carnivalesque distraction shepherding us away from the environmental catastrophe our economic system inflicts on the earth. In this series Rioux asks us to reflect on what the clouds hide.
There are 18 pieces in the Cloud collection.
Each archival pigment print is produced under the supervision of the artist.
The print is mounted under a single piece of 1/4"/ 6 mm gallery...
Category
2010s Contemporary Plexiglass Landscape Photography
Materials
Plexiglass, Archival Pigment
Clouds 10
Located in Miami, FL
Archival photo print under acrylic glass.
Dimensions: 48 x 48 in.
Depth: 1/4 in.
Artist and photographer Paul-Émile Rioux lives in Montréal, Canada.
His lifelong interest in cutting-edge media technology as well as his expertise in photography cast him as pioneer in digital art and allow him to develop virtual matrix from which he extracts his images.
In his works he explores a universe that lies at the crossroad of abstraction and the figurative, inviting the viewer to determine if what he sees is a reflection of reality or imagination.
Through is truly unique approach RIOUX is one of the most innovative artists in digital creations and one of the few creative minds able to blend with such keenness aesthetics research and critical distance.
Whether they translate into a Dantesque urbanity or the infinite horizon of a turquoise ocean, the urban territory reflected by his creations offers a dystopian view of the world, challenging our attitude towards the environment and the future.
From the onset, RIOUX has no intention of matching IRL expectations of what digital art 'should' look like, but strives to play with our notions of what's real, what's not, how we remember, and how we infer meaning into imaginary visual constructs.
---
RIOUX started the Cloud project in 2022.
Paul-Emile Rioux’s series Cloud, like his other work, is a kind of aesthetic thought experiment. Each square image is bisected symmetrically, or nearly symmetrically, by a tidy horizon. The upper half display forms that appear as clouds, the bottom as an underwater seascape, yet at the same time mimics the cloudlike formations of above.
Formally these works reference hard-edged abstraction, minimalism and abstract expressionism, though juxtaposed with a sort of Instagram lifestyle sensibility. When shown as a gridded series, they recall the Instagram account @insta_repeat which curates gridded typologies of nearly identical influencer photos – for instance sunsets on a beach, or campfires with hiking boot clad feet visible in the foreground, transforming images, which individually are meant to signify the good life, into symbols of stifling homogeneity, cynically trying to capitalize on mass-produced sensations.
Unlike past movements in abstract or minimal art, however, Rioux is not striving to create self-contained objects, but windows into deeper currents that churn in the dark spaces where culture, technology and the subconscious flow together. Rioux’s digital works are not specifically images, but notes, ways of thinking. They connect to a larger discourse.
With Clouds, Rioux thinks aloud about what is hidden and what is revealed in our relationships to technology and nature. It is a meditation on “the cloud,” which, like real clouds, seem immaterial, but in fact are physical and have a material impact on the world. Rioux considers the juxtaposition between weight and weightlessness – the apparent weightlessness of virtual reality, against the mass, the inescapability of the material world. Technology promises a world of lightness, connectivity and the bounty of limitless growth, or if it cannot quite muster that illusion, at least the offer of escape into a simulated universe of carnivalesque distraction shepherding us away from the environmental catastrophe our economic system inflicts on the earth. In this series Rioux asks us to reflect on what the clouds hide.
There are 18 pieces in the Cloud collection.
Each archival pigment print is produced under the supervision of the artist.
The print is mounted under a single piece of 1/4"/ 6 mm gallery...
Category
2010s Contemporary Plexiglass Landscape Photography
Materials
Plexiglass, Archival Pigment
Clouds 2
Located in Miami, FL
Archival photo print under acrylic glass.
Dimensions: 48 x 48 in.
Depth: 1/4 in.
Artist and photographer Paul-Émile Rioux lives in Montréal, Canada.
His lifelong interest in cutting-edge media technology as well as his expertise in photography cast him as pioneer in digital art and allow him to develop virtual matrix from which he extracts his images.
In his works he explores a universe that lies at the crossroad of abstraction and the figurative, inviting the viewer to determine if what he sees is a reflection of reality or imagination.
Through is truly unique approach RIOUX is one of the most innovative artists in digital creations and one of the few creative minds able to blend with such keenness aesthetics research and critical distance.
Whether they translate into a Dantesque urbanity or the infinite horizon of a turquoise ocean, the urban territory reflected by his creations offers a dystopian view of the world, challenging our attitude towards the environment and the future.
From the onset, RIOUX has no intention of matching IRL expectations of what digital art 'should' look like, but strives to play with our notions of what's real, what's not, how we remember, and how we infer meaning into imaginary visual constructs.
---
RIOUX started the Cloud project in 2022.
Paul-Emile Rioux’s series Cloud, like his other work, is a kind of aesthetic thought experiment. Each square image is bisected symmetrically, or nearly symmetrically, by a tidy horizon. The upper half display forms that appear as clouds, the bottom as an underwater seascape, yet at the same time mimics the cloudlike formations of above.
Formally these works reference hard-edged abstraction, minimalism and abstract expressionism, though juxtaposed with a sort of Instagram lifestyle sensibility. When shown as a gridded series, they recall the Instagram account @insta_repeat which curates gridded typologies of nearly identical influencer photos – for instance sunsets on a beach, or campfires with hiking boot clad feet visible in the foreground, transforming images, which individually are meant to signify the good life, into symbols of stifling homogeneity, cynically trying to capitalize on mass-produced sensations.
Unlike past movements in abstract or minimal art, however, Rioux is not striving to create self-contained objects, but windows into deeper currents that churn in the dark spaces where culture, technology and the subconscious flow together. Rioux’s digital works are not specifically images, but notes, ways of thinking. They connect to a larger discourse.
With Clouds, Rioux thinks aloud about what is hidden and what is revealed in our relationships to technology and nature. It is a meditation on “the cloud,” which, like real clouds, seem immaterial, but in fact are physical and have a material impact on the world. Rioux considers the juxtaposition between weight and weightlessness – the apparent weightlessness of virtual reality, against the mass, the inescapability of the material world. Technology promises a world of lightness, connectivity and the bounty of limitless growth, or if it cannot quite muster that illusion, at least the offer of escape into a simulated universe of carnivalesque distraction shepherding us away from the environmental catastrophe our economic system inflicts on the earth. In this series Rioux asks us to reflect on what the clouds hide.
There are 18 pieces in the Cloud collection.
Each archival pigment print is produced under the supervision of the artist.
The print is mounted under a single piece of 1/4"/ 6 mm gallery...
Category
2010s Contemporary Plexiglass Landscape Photography
Materials
Plexiglass, Archival Pigment
Clouds 11
Located in Miami, FL
Archival photo print under acrylic glass.
Dimensions: 48 x 48 in.
Depth: 1/4 in.
Artist and photographer Paul-Émile Rioux lives in Montréal, Canada.
His lifelong interest in cutting-edge media technology as well as his expertise in photography cast him as pioneer in digital art and allow him to develop virtual matrix from which he extracts his images.
In his works he explores a universe that lies at the crossroad of abstraction and the figurative, inviting the viewer to determine if what he sees is a reflection of reality or imagination.
Through is truly unique approach RIOUX is one of the most innovative artists in digital creations and one of the few creative minds able to blend with such keenness aesthetics research and critical distance.
Whether they translate into a Dantesque urbanity or the infinite horizon of a turquoise ocean, the urban territory reflected by his creations offers a dystopian view of the world, challenging our attitude towards the environment and the future.
From the onset, RIOUX has no intention of matching IRL expectations of what digital art 'should' look like, but strives to play with our notions of what's real, what's not, how we remember, and how we infer meaning into imaginary visual constructs.
---
RIOUX started the Cloud project in 2022.
Paul-Emile Rioux’s series Cloud, like his other work, is a kind of aesthetic thought experiment. Each square image is bisected symmetrically, or nearly symmetrically, by a tidy horizon. The upper half display forms that appear as clouds, the bottom as an underwater seascape, yet at the same time mimics the cloudlike formations of above.
Formally these works reference hard-edged abstraction, minimalism and abstract expressionism, though juxtaposed with a sort of Instagram lifestyle sensibility. When shown as a gridded series, they recall the Instagram account @insta_repeat which curates gridded typologies of nearly identical influencer photos – for instance sunsets on a beach, or campfires with hiking boot clad feet visible in the foreground, transforming images, which individually are meant to signify the good life, into symbols of stifling homogeneity, cynically trying to capitalize on mass-produced sensations.
Unlike past movements in abstract or minimal art, however, Rioux is not striving to create self-contained objects, but windows into deeper currents that churn in the dark spaces where culture, technology and the subconscious flow together. Rioux’s digital works are not specifically images, but notes, ways of thinking. They connect to a larger discourse.
With Clouds, Rioux thinks aloud about what is hidden and what is revealed in our relationships to technology and nature. It is a meditation on “the cloud,” which, like real clouds, seem immaterial, but in fact are physical and have a material impact on the world. Rioux considers the juxtaposition between weight and weightlessness – the apparent weightlessness of virtual reality, against the mass, the inescapability of the material world. Technology promises a world of lightness, connectivity and the bounty of limitless growth, or if it cannot quite muster that illusion, at least the offer of escape into a simulated universe of carnivalesque distraction shepherding us away from the environmental catastrophe our economic system inflicts on the earth. In this series Rioux asks us to reflect on what the clouds hide.
There are 18 pieces in the Cloud collection.
Each archival pigment print is produced under the supervision of the artist.
The print is mounted under a single piece of 1/4"/ 6 mm gallery...
Category
2010s Contemporary Plexiglass Landscape Photography
Materials
Plexiglass, Archival Pigment
Clouds 3
Located in Miami, FL
Archival photo print under acrylic glass.
Dimensions: 48 x 48 in.
Depth: 1/4 in.
Artist and photographer Paul-Émile Rioux lives in Montréal, Canada.
His lifelong interest in cutting-edge media technology as well as his expertise in photography cast him as pioneer in digital art and allow him to develop virtual matrix from which he extracts his images.
In his works he explores a universe that lies at the crossroad of abstraction and the figurative, inviting the viewer to determine if what he sees is a reflection of reality or imagination.
Through is truly unique approach RIOUX is one of the most innovative artists in digital creations and one of the few creative minds able to blend with such keenness aesthetics research and critical distance.
Whether they translate into a Dantesque urbanity or the infinite horizon of a turquoise ocean, the urban territory reflected by his creations offers a dystopian view of the world, challenging our attitude towards the environment and the future.
From the onset, RIOUX has no intention of matching IRL expectations of what digital art 'should' look like, but strives to play with our notions of what's real, what's not, how we remember, and how we infer meaning into imaginary visual constructs.
---
RIOUX started the Cloud project in 2022.
Paul-Emile Rioux’s series Cloud, like his other work, is a kind of aesthetic thought experiment. Each square image is bisected symmetrically, or nearly symmetrically, by a tidy horizon. The upper half display forms that appear as clouds, the bottom as an underwater seascape, yet at the same time mimics the cloudlike formations of above.
Formally these works reference hard-edged abstraction, minimalism and abstract expressionism, though juxtaposed with a sort of Instagram lifestyle sensibility. When shown as a gridded series, they recall the Instagram account @insta_repeat which curates gridded typologies of nearly identical influencer photos – for instance sunsets on a beach, or campfires with hiking boot clad feet visible in the foreground, transforming images, which individually are meant to signify the good life, into symbols of stifling homogeneity, cynically trying to capitalize on mass-produced sensations.
Unlike past movements in abstract or minimal art, however, Rioux is not striving to create self-contained objects, but windows into deeper currents that churn in the dark spaces where culture, technology and the subconscious flow together. Rioux’s digital works are not specifically images, but notes, ways of thinking. They connect to a larger discourse.
With Clouds, Rioux thinks aloud about what is hidden and what is revealed in our relationships to technology and nature. It is a meditation on “the cloud,” which, like real clouds, seem immaterial, but in fact are physical and have a material impact on the world. Rioux considers the juxtaposition between weight and weightlessness – the apparent weightlessness of virtual reality, against the mass, the inescapability of the material world. Technology promises a world of lightness, connectivity and the bounty of limitless growth, or if it cannot quite muster that illusion, at least the offer of escape into a simulated universe of carnivalesque distraction shepherding us away from the environmental catastrophe our economic system inflicts on the earth. In this series Rioux asks us to reflect on what the clouds hide.
There are 18 pieces in the Cloud collection.
Each archival pigment print is produced under the supervision of the artist.
The print is mounted under a single piece of 1/4"/ 6 mm gallery...
Category
2010s Contemporary Plexiglass Landscape Photography
Materials
Plexiglass, Archival Pigment
Glow Words no. 1, Cotton Candy, Fine Art Photography, Mounted in Plexiglass
Located in Armonk, NY
Glow Words no. 1, Cotton Candy is a fine art photograph mounted in plexiglass. Allyson sees the world through a unique lens, her work ranges from urban graffiti to capturing differen...
Category
2010s Other Art Style Plexiglass Landscape Photography
Materials
Plexiglass
Clouds 6
Located in Miami, FL
Archival photo print under acrylic glass.
Dimensions: 48 x 48 in.
Depth: 1/4 in.
Artist and photographer Paul-Émile Rioux lives in Montréal, Canada.
His lifelong interest in cutti...
Category
2010s Contemporary Plexiglass Landscape Photography
Materials
Plexiglass, Archival Pigment
Clouds 7
Located in Miami, FL
Archival photo print under acrylic glass.
Dimensions: 48 x 48 in.
Depth: 1/4 in.
Artist and photographer Paul-Émile Rioux lives in Montréal, Canada.
His lifelong interest in cutti...
Category
2010s Contemporary Plexiglass Landscape Photography
Materials
Archival Pigment, Plexiglass
"Palazzo Veneziano", photography by Dimitri Bourriau (39x59), 2023
Located in Paris, France
"Palazzo Veneziano", photography by Dimitri Bourriau. Print mounted on aluminum with plexiglas, framed. Edition of 15.
Dimitri Bourriau is a French p...
Category
2010s Photorealist Plexiglass Landscape Photography
Materials
Plexiglass, Color
Beachscape 03 - landscape photography
By Igal Pardo
Located in New York, NY
This art work is a photo of the Tel Aviv beach taken by Pardo and then manipulated to make it look as a surreal beach.
The people were there, playing, surfing, lying down. Pardo just...
Category
2010s Contemporary Plexiglass Landscape Photography
Materials
Plexiglass, Archival Pigment
Renaissance - Revival 18
Located in Miami, FL
Archival photo print under acrylic glass.
Dimensions: 48 x 48 in.
Depth: 1/4 in.
Artist and photographer Paul-Émile Rioux lives in Montréal, Canada.
His lifelong interest in cutting-edge media technology as well as his expertise in photography cast him as pioneer in digital art and allow him to develop virtual matrix from which he extracts his images.
In his works he explores a universe that lies at the crossroad of abstraction and the figurative, inviting the viewer to determine if what he sees is a reflection of reality or imagination.
Through is truly unique approach RIOUX is one of the most innovative artists in digital creations and one of the few creative minds able to blend with such keenness aesthetics research and critical distance.
Whether they translate into a Dantesque urbanity or the infinite horizon of a turquoise ocean, the urban territory reflected by his creations offers a dystopian view of the world, challenging our attitude towards the environment and the future.
From the onset, RIOUX has no intention of matching IRL expectations of what digital art 'should' look like, but strives to play with our notions of what's real, what's not, how we remember, and how we infer meaning into imaginary visual constructs.
---
RIOUX started the Renaissance project in 2016.
Renaissance further develops themes explored by RIOUX in his earlier series Turquoise Default. It is not merely a progression however, but also a contrast. This new series poses questions about hope, which is perhaps now more relevant than ever.
“Renaissance invokes in us a sense of uncertainty and a self-awareness of our limits, of an infinity made apparent by the horizon line, the vanishing point, the moment in any spatial or temporal projection beyond which we can no longer see, but from which, nonetheless, we know the universe carries on. At the same time it poses a choice to us: do we accept the openness of abstraction or do we insist on imposing a (false) certainty of representation in what we see in these images. Hope is a faith made possible by uncertainty and the unknown, by an understanding that history and the future are creative acts, works of art in which we all participate.” Neal Rockwell
There are 18 pieces in the RENAISSANCE collection.
Each archival pigment print is produced under the supervision of the artist.
The print is mounted under a single piece of 1/4"/ 6 mm gallery...
Category
2010s Contemporary Plexiglass Landscape Photography
Materials
Plexiglass, Archival Pigment
Cowboy TV (framed) - large photograph of iconic western in American landscape
By Frank Schott
Located in San Francisco, CA
large scale original photograph of vintage TV set with iconic western movie in American wild west landscape
Cowboy TV by Frank Schott
30 x 40...
Category
21st Century and Contemporary Contemporary Plexiglass Landscape Photography
Materials
Archival Pigment, Archival Paper, Archival Ink, Photographic Paper, Plex...
"Flying Carousel, photography by Dimitri Bourriau (39x59), 2023
Located in Paris, France
"Flying Carousel", photography by Dimitri Bourriau. Print mounted on aluminum with plexiglas, framed. Edition of 15.
Dimitri Bourriau is a French pho...
Category
2010s Photorealist Plexiglass Landscape Photography
Materials
Plexiglass, Color
Renaissance - Revival 14
Located in Miami, FL
Archival photo print under acrylic glass.
Dimensions: 48 x 48 in.
Depth: 1/4 in.
Artist and photographer Paul-Émile Rioux lives in Montréal, Canada.
His lifelong interest in cutti...
Category
2010s Contemporary Plexiglass Landscape Photography
Materials
Plexiglass, Archival Pigment
Renaissance - Revival 15
Located in Miami, FL
Archival photo print under acrylic glass.
Dimensions: 48 x 48 in.
Depth: 1/4 in.
Artist and photographer Paul-Émile Rioux lives in Montréal, Canada.
His lifelong interest in cutting-edge media technology as well as his expertise in photography cast him as pioneer in digital art and allow him to develop virtual matrix from which he extracts his images.
In his works he explores a universe that lies at the crossroad of abstraction and the figurative, inviting the viewer to determine if what he sees is a reflection of reality or imagination.
Through is truly unique approach RIOUX is one of the most innovative artists in digital creations and one of the few creative minds able to blend with such keenness aesthetics research and critical distance.
Whether they translate into a Dantesque urbanity or the infinite horizon of a turquoise ocean, the urban territory reflected by his creations offers a dystopian view of the world, challenging our attitude towards the environment and the future.
From the onset, RIOUX has no intention of matching IRL expectations of what digital art 'should' look like, but strives to play with our notions of what's real, what's not, how we remember, and how we infer meaning into imaginary visual constructs.
---
RIOUX started the Renaissance project in 2016.
Renaissance further develops themes explored by RIOUX in his earlier series Turquoise Default. It is not merely a progression however, but also a contrast. This new series poses questions about hope, which is perhaps now more relevant than ever.
“Renaissance invokes in us a sense of uncertainty and a self-awareness of our limits, of an infinity made apparent by the horizon line, the vanishing point, the moment in any spatial or temporal projection beyond which we can no longer see, but from which, nonetheless, we know the universe carries on. At the same time it poses a choice to us: do we accept the openness of abstraction or do we insist on imposing a (false) certainty of representation in what we see in these images. Hope is a faith made possible by uncertainty and the unknown, by an understanding that history and the future are creative acts, works of art in which we all participate.” Neal Rockwell
There are 18 pieces in the RENAISSANCE collection.
Each archival pigment print is produced under the supervision of the artist.
The print is mounted under a single piece of 1/4"/ 6 mm gallery...
Category
2010s Contemporary Plexiglass Landscape Photography
Materials
Plexiglass, Archival Pigment
Renaissance - Revival 16
Located in Miami, FL
Archival photo print under acrylic glass.
Dimensions: 48 x 48 in.
Depth: 1/4 in.
Artist and photographer Paul-Émile Rioux lives in Montréal, Canada.
His lifelong interest in cutting-edge media technology as well as his expertise in photography cast him as pioneer in digital art and allow him to develop virtual matrix from which he extracts his images.
In his works he explores a universe that lies at the crossroad of abstraction and the figurative, inviting the viewer to determine if what he sees is a reflection of reality or imagination.
Through is truly unique approach RIOUX is one of the most innovative artists in digital creations and one of the few creative minds able to blend with such keenness aesthetics research and critical distance.
Whether they translate into a Dantesque urbanity or the infinite horizon of a turquoise ocean, the urban territory reflected by his creations offers a dystopian view of the world, challenging our attitude towards the environment and the future.
From the onset, RIOUX has no intention of matching IRL expectations of what digital art 'should' look like, but strives to play with our notions of what's real, what's not, how we remember, and how we infer meaning into imaginary visual constructs.
---
RIOUX started the Renaissance project in 2016.
Renaissance further develops themes explored by RIOUX in his earlier series Turquoise Default. It is not merely a progression however, but also a contrast. This new series poses questions about hope, which is perhaps now more relevant than ever.
“Renaissance invokes in us a sense of uncertainty and a self-awareness of our limits, of an infinity made apparent by the horizon line, the vanishing point, the moment in any spatial or temporal projection beyond which we can no longer see, but from which, nonetheless, we know the universe carries on. At the same time it poses a choice to us: do we accept the openness of abstraction or do we insist on imposing a (false) certainty of representation in what we see in these images. Hope is a faith made possible by uncertainty and the unknown, by an understanding that history and the future are creative acts, works of art in which we all participate.” Neal Rockwell
There are 18 pieces in the RENAISSANCE collection.
Each archival pigment print is produced under the supervision of the artist.
The print is mounted under a single piece of 1/4"/ 6 mm gallery...
Category
2010s Contemporary Plexiglass Landscape Photography
Materials
Plexiglass, Archival Pigment
Renaissance - Revival 17
Located in Miami, FL
Archival photo print under acrylic glass.
Dimensions: 48 x 48 in.
Depth: 1/4 in.
Artist and photographer Paul-Émile Rioux lives in Montréal, Canada.
His lifelong interest in cutting-edge media technology as well as his expertise in photography cast him as pioneer in digital art and allow him to develop virtual matrix from which he extracts his images.
In his works he explores a universe that lies at the crossroad of abstraction and the figurative, inviting the viewer to determine if what he sees is a reflection of reality or imagination.
Through is truly unique approach RIOUX is one of the most innovative artists in digital creations and one of the few creative minds able to blend with such keenness aesthetics research and critical distance.
Whether they translate into a Dantesque urbanity or the infinite horizon of a turquoise ocean, the urban territory reflected by his creations offers a dystopian view of the world, challenging our attitude towards the environment and the future.
From the onset, RIOUX has no intention of matching IRL expectations of what digital art 'should' look like, but strives to play with our notions of what's real, what's not, how we remember, and how we infer meaning into imaginary visual constructs.
---
RIOUX started the Renaissance project in 2016.
Renaissance further develops themes explored by RIOUX in his earlier series Turquoise Default. It is not merely a progression however, but also a contrast. This new series poses questions about hope, which is perhaps now more relevant than ever.
“Renaissance invokes in us a sense of uncertainty and a self-awareness of our limits, of an infinity made apparent by the horizon line, the vanishing point, the moment in any spatial or temporal projection beyond which we can no longer see, but from which, nonetheless, we know the universe carries on. At the same time it poses a choice to us: do we accept the openness of abstraction or do we insist on imposing a (false) certainty of representation in what we see in these images. Hope is a faith made possible by uncertainty and the unknown, by an understanding that history and the future are creative acts, works of art in which we all participate.” Neal Rockwell
There are 18 pieces in the RENAISSANCE collection.
Each archival pigment print is produced under the supervision of the artist.
The print is mounted under a single piece of 1/4"/ 6 mm gallery...
Category
2010s Contemporary Plexiglass Landscape Photography
Materials
Plexiglass, Archival Pigment
Renaissance - Revival 12
Located in Miami, FL
Archival photo print under acrylic glass.
Dimensions: 48 x 48 in.
Depth: 1/4 in.
Artist and photographer Paul-Émile Rioux lives in Montréal, Canada.
His lifelong interest in cutti...
Category
2010s Contemporary Plexiglass Landscape Photography
Materials
Plexiglass, Archival Pigment
Renaissance - Revival 13
Located in Miami, FL
Archival photo print under acrylic glass.
Dimensions: 48 x 48 in.
Depth: 1/4 in.
Artist and photographer Paul-Émile Rioux lives in Montréal, Canada.
His lifelong interest in cutti...
Category
2010s Contemporary Plexiglass Landscape Photography
Materials
Plexiglass, Archival Pigment
Renaissance - Revival 10
Located in Miami, FL
Archival photo print under acrylic glass.
Dimensions: 48 x 48 in.
Depth: 1/4 in.
Artist and photographer Paul-Émile Rioux lives in Montréal, Canada.
His lifelong interest in cutti...
Category
2010s Contemporary Plexiglass Landscape Photography
Materials
Plexiglass, Archival Pigment
Meloria - large scale photograph of Mediterranean beach scene (artist framed)
Located in San Francisco, CA
large format photograph by Italian photographer Massimo Vitali, renowned for his grand scale topographical observations of the summer rites and rituals of modern leisure
Meloria (20...
Category
21st Century and Contemporary Contemporary Plexiglass Landscape Photography
Materials
Plexiglass, Wood, Photographic Film, Photographic Paper, Archival Paper
Renaissance - Revival 11
Located in Miami, FL
Archival photo print under acrylic glass.
Dimensions: 48 x 48 in.
Depth: 1/4 in.
Artist and photographer Paul-Émile Rioux lives in Montréal, Canada.
His lifelong interest in cutti...
Category
2010s Contemporary Plexiglass Landscape Photography
Materials
Plexiglass, Archival Pigment
Triptych Clouds - Underwater World in Nuances of Blue - Abstract Seascapes
Located in Miami, FL
Archival photo print under acrylic glass.
Edition of 5
Dimensions: 3x 48 x 48 in.
Depth: 1/4 in.
RIOUX started the Cloud project in 2022.
Paul-Emile Rioux’s series Cloud, like his ...
Category
2010s Contemporary Plexiglass Landscape Photography
Materials
Plexiglass, Archival Pigment
Au Soleil
Located in New York, NY
Christophe Pouget started his artistic career in 2008, when he created his first photographic assemblages. Focused on the affective relationship of time and space, his latest works a...
Category
2010s Contemporary Plexiglass Landscape Photography
Materials
Plexiglass, Photographic Film, Mixed Media, Photographic Paper, Photogram
Glow Words, double muted, Fine Art Photography, Mounted in Plexiglass
Located in Armonk, NY
Glow Words, double muted is a fine art photograph mounted in plexiglass. Allyson sees the world through a unique lens, her work ranges from urban graffiti to capturing different form...
Category
2010s Other Art Style Plexiglass Landscape Photography
Materials
Plexiglass
Glow Words no. 1, remix Bubble Gum, Fine Art Photography, Mounted in Plexiglass
Located in Armonk, NY
Glow Words no. 1, remix Bubble Gum is a fine art photograph mounted in plexiglass. Allyson sees the world through a unique lens, her work ranges from urban graffiti to capturing diff...
Category
2010s Other Art Style Plexiglass Landscape Photography
Materials
Plexiglass
Renaissance - Revival 8
Located in Miami, FL
Archival photo print under acrylic glass.
Dimensions: 48 x 48 in.
Depth: 1/4 in.
Artist and photographer Paul-Émile Rioux lives in Montréal, Canada.
His lifelong interest in cutti...
Category
2010s Contemporary Plexiglass Landscape Photography
Materials
Plexiglass, Archival Pigment
Renaissance - Revival 9
Located in Miami, FL
Archival photo print under acrylic glass.
Dimensions: 48 x 48 in.
Depth: 1/4 in.
Artist and photographer Paul-Émile Rioux lives in Montréal, Canada.
His lifelong interest in cutti...
Category
2010s Contemporary Plexiglass Landscape Photography
Materials
Plexiglass, Archival Pigment
Clouds 9
Located in Miami, FL
Archival photo print under acrylic glass.
Dimensions: 48 x 48 in.
Depth: 1/4 in.
Artist and photographer Paul-Émile Rioux lives in Montréal, Canada.
His lifelong interest in cutting-edge media technology as well as his expertise in photography cast him as pioneer in digital art and allow him to develop virtual matrix from which he extracts his images.
In his works he explores a universe that lies at the crossroad of abstraction and the figurative, inviting the viewer to determine if what he sees is a reflection of reality or imagination.
Through is truly unique approach RIOUX is one of the most innovative artists in digital creations and one of the few creative minds able to blend with such keenness aesthetics research and critical distance.
Whether they translate into a Dantesque urbanity or the infinite horizon of a turquoise ocean, the urban territory reflected by his creations offers a dystopian view of the world, challenging our attitude towards the environment and the future.
From the onset, RIOUX has no intention of matching IRL expectations of what digital art 'should' look like, but strives to play with our notions of what's real, what's not, how we remember, and how we infer meaning into imaginary visual constructs.
---
RIOUX started the Cloud project in 2022.
Paul-Emile Rioux’s series Cloud, like his other work, is a kind of aesthetic thought experiment. Each square image is bisected symmetrically, or nearly symmetrically, by a tidy horizon. The upper half display forms that appear as clouds, the bottom as an underwater seascape, yet at the same time mimics the cloudlike formations of above.
Formally these works reference hard-edged abstraction, minimalism and abstract expressionism, though juxtaposed with a sort of Instagram lifestyle sensibility. When shown as a gridded series, they recall the Instagram account @insta_repeat which curates gridded typologies of nearly identical influencer photos – for instance sunsets on a beach, or campfires with hiking boot clad feet visible in the foreground, transforming images, which individually are meant to signify the good life, into symbols of stifling homogeneity, cynically trying to capitalize on mass-produced sensations.
Unlike past movements in abstract or minimal art, however, Rioux is not striving to create self-contained objects, but windows into deeper currents that churn in the dark spaces where culture, technology and the subconscious flow together. Rioux’s digital works are not specifically images, but notes, ways of thinking. They connect to a larger discourse.
With Clouds, Rioux thinks aloud about what is hidden and what is revealed in our relationships to technology and nature. It is a meditation on “the cloud,” which, like real clouds, seem immaterial, but in fact are physical and have a material impact on the world. Rioux considers the juxtaposition between weight and weightlessness – the apparent weightlessness of virtual reality, against the mass, the inescapability of the material world. Technology promises a world of lightness, connectivity and the bounty of limitless growth, or if it cannot quite muster that illusion, at least the offer of escape into a simulated universe of carnivalesque distraction shepherding us away from the environmental catastrophe our economic system inflicts on the earth. In this series Rioux asks us to reflect on what the clouds hide.
There are 18 pieces in the Cloud collection.
Each archival pigment print is produced under the supervision of the artist.
The print is mounted under a single piece of 1/4"/ 6 mm gallery museum acrylic...
Category
2010s Contemporary Plexiglass Landscape Photography
Materials
Plexiglass, Archival Pigment
Clouds 8
Located in Miami, FL
Archival photo print under acrylic glass.
Dimensions: 48 x 48 in.
Depth: 1/4 in.
Artist and photographer Paul-Émile Rioux lives in Montréal, Canada.
His lifelong interest in cutting-edge media technology as well as his expertise in photography cast him as pioneer in digital art and allow him to develop virtual matrix from which he extracts his images.
In his works he explores a universe that lies at the crossroad of abstraction and the figurative, inviting the viewer to determine if what he sees is a reflection of reality or imagination.
Through is truly unique approach RIOUX is one of the most innovative artists in digital creations and one of the few creative minds able to blend with such keenness aesthetics research and critical distance.
Whether they translate into a Dantesque urbanity or the infinite horizon of a turquoise ocean, the urban territory reflected by his creations offers a dystopian view of the world, challenging our attitude towards the environment and the future.
From the onset, RIOUX has no intention of matching IRL expectations of what digital art 'should' look like, but strives to play with our notions of what's real, what's not, how we remember, and how we infer meaning into imaginary visual constructs.
---
RIOUX started the Cloud project in 2022.
Paul-Emile Rioux’s series Cloud, like his other work, is a kind of aesthetic thought experiment. Each square image is bisected symmetrically, or nearly symmetrically, by a tidy horizon. The upper half display forms that appear as clouds, the bottom as an underwater seascape, yet at the same time mimics the cloudlike formations of above.
Formally these works reference hard-edged abstraction, minimalism and abstract expressionism, though juxtaposed with a sort of Instagram lifestyle sensibility. When shown as a gridded series, they recall the Instagram account @insta_repeat which curates gridded typologies of nearly identical influencer photos – for instance sunsets on a beach, or campfires with hiking boot clad feet visible in the foreground, transforming images, which individually are meant to signify the good life, into symbols of stifling homogeneity, cynically trying to capitalize on mass-produced sensations.
Unlike past movements in abstract or minimal art, however, Rioux is not striving to create self-contained objects, but windows into deeper currents that churn in the dark spaces where culture, technology and the subconscious flow together. Rioux’s digital works are not specifically images, but notes, ways of thinking. They connect to a larger discourse.
With Clouds, Rioux thinks aloud about what is hidden and what is revealed in our relationships to technology and nature. It is a meditation on “the cloud,” which, like real clouds, seem immaterial, but in fact are physical and have a material impact on the world. Rioux considers the juxtaposition between weight and weightlessness – the apparent weightlessness of virtual reality, against the mass, the inescapability of the material world. Technology promises a world of lightness, connectivity and the bounty of limitless growth, or if it cannot quite muster that illusion, at least the offer of escape into a simulated universe of carnivalesque distraction shepherding us away from the environmental catastrophe our economic system inflicts on the earth. In this series Rioux asks us to reflect on what the clouds hide.
There are 18 pieces in the Cloud collection.
Each archival pigment print is produced under the supervision of the artist.
The print is mounted under a single piece of 1/4"/ 6 mm gallery museum acrylic...
Category
2010s Contemporary Plexiglass Landscape Photography
Materials
Plexiglass, Archival Pigment
They Say Its Easy, Fine Art Photography, Mounted in Plexiglass
Located in Armonk, NY
They Say Its Easy is a fine art photograph mounted in plexiglass. Allyson sees the world through a unique lens, her work ranges from urban graffiti to capturing different forms in na...
Category
2010s Other Art Style Plexiglass Landscape Photography
Materials
Plexiglass
Renaissance - Revival 7
Located in Miami, FL
Archival photo print under acrylic glass.
Dimensions: 48 x 48 in.
Depth: 1/4 in.
Artist and photographer Paul-Émile Rioux lives in Montréal, Canada.
His lifelong interest in cutti...
Category
2010s Contemporary Plexiglass Landscape Photography
Materials
Plexiglass, Archival Pigment
Renaissance Masterprint + NFT
Located in Miami, FL
Masterprint with NFT and Certificate of Authenticity
Archival photo print under acrylic glass.
Edition of 3 Masterprint + NFT
Dimensions: 60x60 in.
Depth: 1/8 in.
About the Master...
Category
2010s Contemporary Plexiglass Landscape Photography
Materials
Plexiglass, Archival Pigment
Clouds 5
Located in Miami, FL
Archival photo print under acrylic glass.
Dimensions: 48 x 48 in.
Depth: 1/4 in.
Artist and photographer Paul-Émile Rioux lives in Montréal, Canada.
His lifelong interest in cutti...
Category
2010s Contemporary Plexiglass Landscape Photography
Materials
Plexiglass, Archival Pigment
Plexiglass landscape photography for sale on 1stDibs.
Find a wide variety of authentic Plexiglass landscape photography available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add landscape photography created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, green, purple, pink and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Paul-Émile Rioux, Stefanie Schneider, Antoine Rose, and Allyson Monson. Frequently made by artists working in the Contemporary, Abstract, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Plexiglass landscape photography, so small editions measuring 0.4 inches across are also available
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Addison Jones shares how she got this gorgeous minimalist shot while immersed in the stink of dead fish.
This Photo of Big Sur Reveals the Awesomeness and Intimacy of Nature
When a beachcomber accidentally stepped in front of Jeffrey Conley’s camera, a perfect moment was captured.
Sebastião Salgado Takes Us on a Close-Up Journey to Amazônia
The famed Brazilian photographer tells us about the seven years he spent immersed in the Amazon rain forest.
Savor Ansel Adams’s Landscapes and Those of His Ambitious Successors
A new exhibition examines images by the master photographer alongside works by photographers who influenced him and contemporary creators.
These Artists Are Changing the Nature of Landscape Photography
Developing images using contaminated water or printing them on expired photo paper are just a couple of ways today's talents are putting their own spin on tradition.
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