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Medium: Plexiglass
Hesitation (Greece) - landscape photography
Located in New York, NY
This art work, as all of Marek`s pieces can be custom size.
It is part of an edition of 5 and comes ready to hang.
It was taken place in Kefalonia, Greece.
I use the medium of photography freely and instinctively, at times beyond its conventional role, form and expectations. Constantly experimenting, discovering new meanings. Attempting to move imaginations.
From sharp, colourful geometric shots to soft and calming landscapes. From intensely minimalist to intensely complex. Looking for beauty and poetry in the mundane. Hunting for treasures.
Photographs chosen to present in collaboration with Contempop Gallery...
Category
2010s Minimalist Plexiglass Landscape Photography
Materials
Plexiglass, Archival Pigment
Awake - landscape photography
Located in New York, NY
This art work, as all of Marek`s pieces can be custom size.
It is part of an edition of 5 and comes circular as seen on the images and ready to hang.
I use the medium of photography...
Category
2010s Minimalist Plexiglass Landscape Photography
Materials
Plexiglass, Archival Pigment
Solar field
Located in New York, NY
An aerial photography that was not manipulated or color corrected
Category
2010s Abstract Plexiglass Landscape Photography
Materials
C Print, Plexiglass
Red boat
Located in New York, NY
This is an aerial photography that was not manipulated or color corrected.
This image can be custom size.
Category
21st Century and Contemporary Contemporary Plexiglass Landscape Photography
Materials
C Print, Plexiglass
Field carpet
Located in New York, NY
Klaus Leidorf was born on June 5th 1956 in Bonn (Germany. After a few years working as research assistant at the University of Marburg and employee at the Bavarian State Office for t...
Category
21st Century and Contemporary Contemporary Plexiglass Landscape Photography
Materials
C Print, Plexiglass
French Contemporary Photography by Bruno Paget - San Francisco Bay Bridge #1
Located in Paris, IDF
Photographic paper incrusted in DIASEC plexiglass
Edition 1/5
DIASEC is the registered trademark for the original method of face-mounting prints, such as photographs on acrylic sheet. The process was invented by Heinz Sovilla-Brulhart in 1969. Due to the light penetration and refraction of clear acrylic compared to normal glass, the colours are more brilliant and the image sharper than with standard glass in a picture frame. A DIASEC mounted is usually of a high gloss finish. Because the print is glued to the acrylic glazing, the result is a completely flat mount of the image. The print is also protected against ultraviolet (UV) light. DIASEC contains an UV light inhibitors to help protect the image from UV light.
Bruno Paget...
Category
2010s Contemporary Plexiglass Landscape Photography
Materials
Plexiglass, Photographic Paper
$4,280 Sale Price
20% Off
French Contemporary Photo by B. Paget - Singapore Marina Bay from the Flyer #3
Located in Paris, IDF
Photographic paper incrusted in DIASEC plexiglass
Edition 2/5
DIASEC is the registered trademark for the original method of face-mounting prints, such as photographs on acrylic...
Category
2010s Contemporary Plexiglass Landscape Photography
Materials
Plexiglass, Photographic Paper
$2,880 Sale Price
20% Off
French Contemporary Photography by Bruno Paget - NYC "New York Bare Code" #1
Located in Paris, IDF
Photographic paper incrusted in DIASEC plexiglass
Edition 1/5
DIASEC is the registered trademark for the original method of face-mounting prints, such as photographs on acrylic...
Category
2010s Contemporary Plexiglass Landscape Photography
Materials
Plexiglass, Photographic Paper
$3,360 Sale Price
20% Off
French Contemporary Photo by B. Paget - Singapore "Marina Bay & the Sands " #1
Located in Paris, IDF
Photographic paper incrusted in DIASEC plexiglass
Edition 1/5
DIASEC is the registered trademark for the original method of face-mounting prints, such as photographs on acrylic she...
Category
2010s Contemporary Plexiglass Landscape Photography
Materials
Plexiglass, Photographic Paper
$2,400 Sale Price
20% Off
Remembering Gold, Limited Edition Photograph, Plexifacemount, Trees, Gold, Frame
Located in Riverdale, NY
Remembering Gold is a limited edition photograph by Nancy C. Woodward. This is a limited edition photograph with a plexifacemount framing. It 24" x 24". It is filled with Gold colors and white. It is $1,850. This is an edition of 30. It was originally photographed in 2019.
Nancy C. Woodward is an award winning photographic and mixed media artist.
Her shadow portraits...
Category
2010s Contemporary Plexiglass Landscape Photography
Materials
Plexiglass, Archival Paper, Archival Pigment
Liquid Gold Diptych
Located in Fairfield, CT
German-born Christine Matthäi’s fascination with photography and film began during her early teenage years. She studied and graduated from the Fashion Institute of Technology in Ber...
Category
21st Century and Contemporary Abstract Plexiglass Landscape Photography
Materials
C Print, Plexiglass
Au Soleil
Located in New York, NY
Christophe Pouget started his artistic career in 2008, when he created his first photographic assemblages. Focused on the affective relationship of time and space, his latest works a...
Category
2010s Contemporary Plexiglass Landscape Photography
Materials
Plexiglass, Photographic Film, Mixed Media, Photographic Paper, Photogram
Plage 106 - 21st Century, Contemporary, Beach Landscape Photography
By Marc Harrold
Located in Barcelona, Catalonia
C-print mounted on Plexiglass
Edition of 30
Category
21st Century and Contemporary Contemporary Plexiglass Landscape Photography
Materials
Plexiglass, C Print
Plage 105 - 21st Century, Contemporary, Beach Landscape Photography
By Marc Harrold
Located in Barcelona, Catalonia
C-print mounted on Plexiglass
Edition of 30
Category
21st Century and Contemporary Contemporary Plexiglass Landscape Photography
Materials
Plexiglass, C Print
Plage 81 - 21st Century, Contemporary, Beach Landscape Photography
By Marc Harrold
Located in Barcelona, Catalonia
C-print mounted on Plexiglass
Edition of 30
Category
21st Century and Contemporary Contemporary Plexiglass Landscape Photography
Materials
Plexiglass, C Print
Night on Sunset Beach
Located in Fairfield, CT
Also available 50 x 70 in. $9,500, edition of 10.
Christine Matthäi was born in Germany. She lives and works between Shelter Island, New York, Germany and the Bahamas. Her LIGHT an...
Category
2010s Abstract Plexiglass Landscape Photography
Materials
C Print, Plexiglass
Sea Cave / Nantucket Island Photography / Slurpee Waves
Located in Greenwich, CT
Sea Cave
Limited edition of 19
30 x 45 in.
Pigment print face mounted to plexi
Acquired from artists studio
Nantucket island photography by Jonathan Nimerfroh...
Category
21st Century and Contemporary Contemporary Plexiglass Landscape Photography
Materials
Plexiglass, Pigment
Plage 69 - 21st Century, Contemporary, Beach Landscape Photography
By Marc Harrold
Located in Barcelona, Catalonia
C-print mounted on Plexiglass
Edition of 30
Category
21st Century and Contemporary Contemporary Plexiglass Landscape Photography
Materials
Plexiglass, C Print
"Red Empire" Empire State Building Photograph Art Deco
Located in Brooklyn, NY
Claire Clarkson's "Red Empire" is from a series of photographs exploring the replication of the antiquated photographic and printing process through modern technologies. Her works of...
Category
2010s Contemporary Plexiglass Landscape Photography
Materials
Plexiglass, Photographic Paper
"Blue Chrysler" Building Photograph Art Deco
Located in Brooklyn, NY
Claire Clarkson's "Blue Chrysler" is from a series of photographs exploring the replication of the cyanotype photographic process through modern technologies. Her works often contras...
Category
2010s Contemporary Plexiglass Landscape Photography
Materials
Plexiglass, Photographic Paper
"Blue Ivy II" Foliage leaves photograph
Located in Brooklyn, NY
Claire Clarkson's "Blue Ivy II" is from a series of photographs exploring the replication of the cyanotype photographic process through modern technologies. H...
Category
2010s Contemporary Plexiglass Landscape Photography
Materials
Plexiglass, Photographic Paper
"Blue Ivy" foliage leaves photograph
Located in Brooklyn, NY
Claire Clarkson's "Blue Ivy" is from a series of photographs exploring the replication of the cyanotype photographic process through modern technologies. Her ...
Category
2010s Contemporary Plexiglass Landscape Photography
Materials
Plexiglass, Photographic Paper
Untitled
Located in Fairfield, CT
chromogenic print mounted on aluminum with UV ultra non-glare plexiglass
editions of 10 available in:
16 x 16 in. $4000
20 x 20 in. $5000
24 x 24 in. $6000
30 x 30 in. $8000
42...
Category
Early 2000s Plexiglass Landscape Photography
Materials
Plexiglass
Untitled
Located in Fairfield, CT
chromogenic print mounted on aluminum with UV ultra non-glare plexiglass
editions of 10 available in:
16 x 16 in. $4,000
20 x 20 in. $5,000
24 x 24 in. $6,000
30 x 30 in. $8,000...
Category
Early 2000s Plexiglass Landscape Photography
Materials
Plexiglass
Untitled
Located in Fairfield, CT
chromogenic print mounted on aluminum with UV ultra non-glare plexiglass
editions of 10 available in:
16 x 16 in. $4,000
20 x 20 in. $5,000
24 x 24 in. $6,000
30 x 30 in. $8,000...
Category
Early 2000s Plexiglass Landscape Photography
Materials
Plexiglass
Untitled
Located in Fairfield, CT
chromogenic print mounted on aluminum with UV ultra non-glare plexiglass
editions of 10 available in:
16 x 16 in. $4000
20 x 20 in. $5000
24 x 24 in. $6000
30 x 30 in. $8000
42...
Category
Early 2000s Plexiglass Landscape Photography
Materials
Plexiglass
Nucleus 2
Located in Miami, FL
Medium: Archival pigment print under museum acrylic glass.
Dimensions: 48 x 48 in.
Depth: 1/4 in.
Signed by the artist.
Edition of 5.
Paul-Émile Rioux is a Montreal-based artist a...
Category
2010s Contemporary Plexiglass Landscape Photography
Materials
Plexiglass, Archival Pigment
Clouds 4
Located in Miami, FL
Archival photo print under acrylic glass.
Dimensions: 48 x 48 in.
Depth: 1/4 in.
RIOUX started the Cloud project in 2022.
Paul-Emile Rioux’s series Cloud, like his other work, is a ...
Category
2010s Contemporary Plexiglass Landscape Photography
Materials
Plexiglass, Archival Pigment
Clouds 18
Located in Miami, FL
Archival photo print under acrylic glass.
Dimensions: 48 x 48 in.
Depth: 1/4 in.
Artist and photographer Paul-Émile Rioux lives in Montréal, Canada.
His lifelong interest in cutti...
Category
2010s Contemporary Plexiglass Landscape Photography
Materials
Plexiglass, Archival Pigment
Clouds 16
Located in Miami, FL
Archival photo print under acrylic glass.
Dimensions: 48 x 48 in.
Depth: 1/4 in.
Artist and photographer Paul-Émile Rioux lives in Montréal, Canada.
His lifelong interest in cutti...
Category
2010s Contemporary Plexiglass Landscape Photography
Materials
Plexiglass, Archival Pigment
Clouds 17
Located in Miami, FL
Archival photo print under acrylic glass.
Dimensions: 48 x 48 in.
Depth: 1/4 in.
Artist and photographer Paul-Émile Rioux lives in Montréal, Canada.
His lifelong interest in cutti...
Category
2010s Contemporary Plexiglass Landscape Photography
Materials
Plexiglass, Archival Pigment
Clouds 15
Located in Miami, FL
Archival photo print under acrylic glass.
Dimensions: 48 x 48 in.
Depth: 1/4 in.
Artist and photographer Paul-Émile Rioux lives in Montréal, Canada.
His lifelong interest in cutti...
Category
2010s Contemporary Plexiglass Landscape Photography
Materials
Plexiglass, Archival Pigment
Clouds 13
Located in Miami, FL
Archival photo print under acrylic glass.
Dimensions: 48 x 48 in.
Depth: 1/4 in.
Artist and photographer Paul-Émile Rioux lives in Montréal, Canada.
His lifelong interest in cutti...
Category
2010s Contemporary Plexiglass Landscape Photography
Materials
Plexiglass, Archival Pigment
Clouds 11
Located in Miami, FL
Archival photo print under acrylic glass.
Dimensions: 48 x 48 in.
Depth: 1/4 in.
Artist and photographer Paul-Émile Rioux lives in Montréal, Canada.
His lifelong interest in cutting-edge media technology as well as his expertise in photography cast him as pioneer in digital art and allow him to develop virtual matrix from which he extracts his images.
In his works he explores a universe that lies at the crossroad of abstraction and the figurative, inviting the viewer to determine if what he sees is a reflection of reality or imagination.
Through is truly unique approach RIOUX is one of the most innovative artists in digital creations and one of the few creative minds able to blend with such keenness aesthetics research and critical distance.
Whether they translate into a Dantesque urbanity or the infinite horizon of a turquoise ocean, the urban territory reflected by his creations offers a dystopian view of the world, challenging our attitude towards the environment and the future.
From the onset, RIOUX has no intention of matching IRL expectations of what digital art 'should' look like, but strives to play with our notions of what's real, what's not, how we remember, and how we infer meaning into imaginary visual constructs.
---
RIOUX started the Cloud project in 2022.
Paul-Emile Rioux’s series Cloud, like his other work, is a kind of aesthetic thought experiment. Each square image is bisected symmetrically, or nearly symmetrically, by a tidy horizon. The upper half display forms that appear as clouds, the bottom as an underwater seascape, yet at the same time mimics the cloudlike formations of above.
Formally these works reference hard-edged abstraction, minimalism and abstract expressionism, though juxtaposed with a sort of Instagram lifestyle sensibility. When shown as a gridded series, they recall the Instagram account @insta_repeat which curates gridded typologies of nearly identical influencer photos – for instance sunsets on a beach, or campfires with hiking boot clad feet visible in the foreground, transforming images, which individually are meant to signify the good life, into symbols of stifling homogeneity, cynically trying to capitalize on mass-produced sensations.
Unlike past movements in abstract or minimal art, however, Rioux is not striving to create self-contained objects, but windows into deeper currents that churn in the dark spaces where culture, technology and the subconscious flow together. Rioux’s digital works are not specifically images, but notes, ways of thinking. They connect to a larger discourse.
With Clouds, Rioux thinks aloud about what is hidden and what is revealed in our relationships to technology and nature. It is a meditation on “the cloud,” which, like real clouds, seem immaterial, but in fact are physical and have a material impact on the world. Rioux considers the juxtaposition between weight and weightlessness – the apparent weightlessness of virtual reality, against the mass, the inescapability of the material world. Technology promises a world of lightness, connectivity and the bounty of limitless growth, or if it cannot quite muster that illusion, at least the offer of escape into a simulated universe of carnivalesque distraction shepherding us away from the environmental catastrophe our economic system inflicts on the earth. In this series Rioux asks us to reflect on what the clouds hide.
There are 18 pieces in the Cloud collection.
Each archival pigment print is produced under the supervision of the artist.
The print is mounted under a single piece of 1/4"/ 6 mm gallery...
Category
2010s Contemporary Plexiglass Landscape Photography
Materials
Plexiglass, Archival Pigment
Clouds 2
Located in Miami, FL
Archival photo print under acrylic glass.
Dimensions: 48 x 48 in.
Depth: 1/4 in.
Artist and photographer Paul-Émile Rioux lives in Montréal, Canada.
His lifelong interest in cutting-edge media technology as well as his expertise in photography cast him as pioneer in digital art and allow him to develop virtual matrix from which he extracts his images.
In his works he explores a universe that lies at the crossroad of abstraction and the figurative, inviting the viewer to determine if what he sees is a reflection of reality or imagination.
Through is truly unique approach RIOUX is one of the most innovative artists in digital creations and one of the few creative minds able to blend with such keenness aesthetics research and critical distance.
Whether they translate into a Dantesque urbanity or the infinite horizon of a turquoise ocean, the urban territory reflected by his creations offers a dystopian view of the world, challenging our attitude towards the environment and the future.
From the onset, RIOUX has no intention of matching IRL expectations of what digital art 'should' look like, but strives to play with our notions of what's real, what's not, how we remember, and how we infer meaning into imaginary visual constructs.
---
RIOUX started the Cloud project in 2022.
Paul-Emile Rioux’s series Cloud, like his other work, is a kind of aesthetic thought experiment. Each square image is bisected symmetrically, or nearly symmetrically, by a tidy horizon. The upper half display forms that appear as clouds, the bottom as an underwater seascape, yet at the same time mimics the cloudlike formations of above.
Formally these works reference hard-edged abstraction, minimalism and abstract expressionism, though juxtaposed with a sort of Instagram lifestyle sensibility. When shown as a gridded series, they recall the Instagram account @insta_repeat which curates gridded typologies of nearly identical influencer photos – for instance sunsets on a beach, or campfires with hiking boot clad feet visible in the foreground, transforming images, which individually are meant to signify the good life, into symbols of stifling homogeneity, cynically trying to capitalize on mass-produced sensations.
Unlike past movements in abstract or minimal art, however, Rioux is not striving to create self-contained objects, but windows into deeper currents that churn in the dark spaces where culture, technology and the subconscious flow together. Rioux’s digital works are not specifically images, but notes, ways of thinking. They connect to a larger discourse.
With Clouds, Rioux thinks aloud about what is hidden and what is revealed in our relationships to technology and nature. It is a meditation on “the cloud,” which, like real clouds, seem immaterial, but in fact are physical and have a material impact on the world. Rioux considers the juxtaposition between weight and weightlessness – the apparent weightlessness of virtual reality, against the mass, the inescapability of the material world. Technology promises a world of lightness, connectivity and the bounty of limitless growth, or if it cannot quite muster that illusion, at least the offer of escape into a simulated universe of carnivalesque distraction shepherding us away from the environmental catastrophe our economic system inflicts on the earth. In this series Rioux asks us to reflect on what the clouds hide.
There are 18 pieces in the Cloud collection.
Each archival pigment print is produced under the supervision of the artist.
The print is mounted under a single piece of 1/4"/ 6 mm gallery...
Category
2010s Contemporary Plexiglass Landscape Photography
Materials
Plexiglass, Archival Pigment
Clouds 3
Located in Miami, FL
Archival photo print under acrylic glass.
Dimensions: 48 x 48 in.
Depth: 1/4 in.
Artist and photographer Paul-Émile Rioux lives in Montréal, Canada.
His lifelong interest in cutting-edge media technology as well as his expertise in photography cast him as pioneer in digital art and allow him to develop virtual matrix from which he extracts his images.
In his works he explores a universe that lies at the crossroad of abstraction and the figurative, inviting the viewer to determine if what he sees is a reflection of reality or imagination.
Through is truly unique approach RIOUX is one of the most innovative artists in digital creations and one of the few creative minds able to blend with such keenness aesthetics research and critical distance.
Whether they translate into a Dantesque urbanity or the infinite horizon of a turquoise ocean, the urban territory reflected by his creations offers a dystopian view of the world, challenging our attitude towards the environment and the future.
From the onset, RIOUX has no intention of matching IRL expectations of what digital art 'should' look like, but strives to play with our notions of what's real, what's not, how we remember, and how we infer meaning into imaginary visual constructs.
---
RIOUX started the Cloud project in 2022.
Paul-Emile Rioux’s series Cloud, like his other work, is a kind of aesthetic thought experiment. Each square image is bisected symmetrically, or nearly symmetrically, by a tidy horizon. The upper half display forms that appear as clouds, the bottom as an underwater seascape, yet at the same time mimics the cloudlike formations of above.
Formally these works reference hard-edged abstraction, minimalism and abstract expressionism, though juxtaposed with a sort of Instagram lifestyle sensibility. When shown as a gridded series, they recall the Instagram account @insta_repeat which curates gridded typologies of nearly identical influencer photos – for instance sunsets on a beach, or campfires with hiking boot clad feet visible in the foreground, transforming images, which individually are meant to signify the good life, into symbols of stifling homogeneity, cynically trying to capitalize on mass-produced sensations.
Unlike past movements in abstract or minimal art, however, Rioux is not striving to create self-contained objects, but windows into deeper currents that churn in the dark spaces where culture, technology and the subconscious flow together. Rioux’s digital works are not specifically images, but notes, ways of thinking. They connect to a larger discourse.
With Clouds, Rioux thinks aloud about what is hidden and what is revealed in our relationships to technology and nature. It is a meditation on “the cloud,” which, like real clouds, seem immaterial, but in fact are physical and have a material impact on the world. Rioux considers the juxtaposition between weight and weightlessness – the apparent weightlessness of virtual reality, against the mass, the inescapability of the material world. Technology promises a world of lightness, connectivity and the bounty of limitless growth, or if it cannot quite muster that illusion, at least the offer of escape into a simulated universe of carnivalesque distraction shepherding us away from the environmental catastrophe our economic system inflicts on the earth. In this series Rioux asks us to reflect on what the clouds hide.
There are 18 pieces in the Cloud collection.
Each archival pigment print is produced under the supervision of the artist.
The print is mounted under a single piece of 1/4"/ 6 mm gallery...
Category
2010s Contemporary Plexiglass Landscape Photography
Materials
Plexiglass, Archival Pigment
Clouds 7
Located in Miami, FL
Archival photo print under acrylic glass.
Dimensions: 48 x 48 in.
Depth: 1/4 in.
Artist and photographer Paul-Émile Rioux lives in Montréal, Canada.
His lifelong interest in cutti...
Category
2010s Contemporary Plexiglass Landscape Photography
Materials
Plexiglass, Archival Pigment
Renaissance - Revival 16
Located in Miami, FL
Archival photo print under acrylic glass.
Dimensions: 48 x 48 in.
Depth: 1/4 in.
Artist and photographer Paul-Émile Rioux lives in Montréal, Canada.
His lifelong interest in cutting-edge media technology as well as his expertise in photography cast him as pioneer in digital art and allow him to develop virtual matrix from which he extracts his images.
In his works he explores a universe that lies at the crossroad of abstraction and the figurative, inviting the viewer to determine if what he sees is a reflection of reality or imagination.
Through is truly unique approach RIOUX is one of the most innovative artists in digital creations and one of the few creative minds able to blend with such keenness aesthetics research and critical distance.
Whether they translate into a Dantesque urbanity or the infinite horizon of a turquoise ocean, the urban territory reflected by his creations offers a dystopian view of the world, challenging our attitude towards the environment and the future.
From the onset, RIOUX has no intention of matching IRL expectations of what digital art 'should' look like, but strives to play with our notions of what's real, what's not, how we remember, and how we infer meaning into imaginary visual constructs.
---
RIOUX started the Renaissance project in 2016.
Renaissance further develops themes explored by RIOUX in his earlier series Turquoise Default. It is not merely a progression however, but also a contrast. This new series poses questions about hope, which is perhaps now more relevant than ever.
“Renaissance invokes in us a sense of uncertainty and a self-awareness of our limits, of an infinity made apparent by the horizon line, the vanishing point, the moment in any spatial or temporal projection beyond which we can no longer see, but from which, nonetheless, we know the universe carries on. At the same time it poses a choice to us: do we accept the openness of abstraction or do we insist on imposing a (false) certainty of representation in what we see in these images. Hope is a faith made possible by uncertainty and the unknown, by an understanding that history and the future are creative acts, works of art in which we all participate.” Neal Rockwell
There are 18 pieces in the RENAISSANCE collection.
Each archival pigment print is produced under the supervision of the artist.
The print is mounted under a single piece of 1/4"/ 6 mm gallery...
Category
2010s Contemporary Plexiglass Landscape Photography
Materials
Plexiglass, Archival Pigment
Renaissance - Revival 14
Located in Miami, FL
Archival photo print under acrylic glass.
Dimensions: 48 x 48 in.
Depth: 1/4 in.
Artist and photographer Paul-Émile Rioux lives in Montréal, Canada.
His lifelong interest in cutti...
Category
2010s Contemporary Plexiglass Landscape Photography
Materials
Plexiglass, Archival Pigment
Renaissance - Revival 11
Located in Miami, FL
Archival photo print under acrylic glass.
Dimensions: 48 x 48 in.
Depth: 1/4 in.
Artist and photographer Paul-Émile Rioux lives in Montréal, Canada.
His lifelong interest in cutti...
Category
2010s Contemporary Plexiglass Landscape Photography
Materials
Plexiglass, Archival Pigment
Renaissance - Revival 9
Located in Miami, FL
Archival photo print under acrylic glass.
Dimensions: 48 x 48 in.
Depth: 1/4 in.
Artist and photographer Paul-Émile Rioux lives in Montréal, Canada.
His lifelong interest in cutti...
Category
2010s Contemporary Plexiglass Landscape Photography
Materials
Plexiglass, Archival Pigment
Clouds 9
Located in Miami, FL
Archival photo print under acrylic glass.
Dimensions: 48 x 48 in.
Depth: 1/4 in.
Artist and photographer Paul-Émile Rioux lives in Montréal, Canada.
His lifelong interest in cutting-edge media technology as well as his expertise in photography cast him as pioneer in digital art and allow him to develop virtual matrix from which he extracts his images.
In his works he explores a universe that lies at the crossroad of abstraction and the figurative, inviting the viewer to determine if what he sees is a reflection of reality or imagination.
Through is truly unique approach RIOUX is one of the most innovative artists in digital creations and one of the few creative minds able to blend with such keenness aesthetics research and critical distance.
Whether they translate into a Dantesque urbanity or the infinite horizon of a turquoise ocean, the urban territory reflected by his creations offers a dystopian view of the world, challenging our attitude towards the environment and the future.
From the onset, RIOUX has no intention of matching IRL expectations of what digital art 'should' look like, but strives to play with our notions of what's real, what's not, how we remember, and how we infer meaning into imaginary visual constructs.
---
RIOUX started the Cloud project in 2022.
Paul-Emile Rioux’s series Cloud, like his other work, is a kind of aesthetic thought experiment. Each square image is bisected symmetrically, or nearly symmetrically, by a tidy horizon. The upper half display forms that appear as clouds, the bottom as an underwater seascape, yet at the same time mimics the cloudlike formations of above.
Formally these works reference hard-edged abstraction, minimalism and abstract expressionism, though juxtaposed with a sort of Instagram lifestyle sensibility. When shown as a gridded series, they recall the Instagram account @insta_repeat which curates gridded typologies of nearly identical influencer photos – for instance sunsets on a beach, or campfires with hiking boot clad feet visible in the foreground, transforming images, which individually are meant to signify the good life, into symbols of stifling homogeneity, cynically trying to capitalize on mass-produced sensations.
Unlike past movements in abstract or minimal art, however, Rioux is not striving to create self-contained objects, but windows into deeper currents that churn in the dark spaces where culture, technology and the subconscious flow together. Rioux’s digital works are not specifically images, but notes, ways of thinking. They connect to a larger discourse.
With Clouds, Rioux thinks aloud about what is hidden and what is revealed in our relationships to technology and nature. It is a meditation on “the cloud,” which, like real clouds, seem immaterial, but in fact are physical and have a material impact on the world. Rioux considers the juxtaposition between weight and weightlessness – the apparent weightlessness of virtual reality, against the mass, the inescapability of the material world. Technology promises a world of lightness, connectivity and the bounty of limitless growth, or if it cannot quite muster that illusion, at least the offer of escape into a simulated universe of carnivalesque distraction shepherding us away from the environmental catastrophe our economic system inflicts on the earth. In this series Rioux asks us to reflect on what the clouds hide.
There are 18 pieces in the Cloud collection.
Each archival pigment print is produced under the supervision of the artist.
The print is mounted under a single piece of 1/4"/ 6 mm gallery museum acrylic...
Category
2010s Contemporary Plexiglass Landscape Photography
Materials
Plexiglass, Archival Pigment
Clouds 8
Located in Miami, FL
Archival photo print under acrylic glass.
Dimensions: 48 x 48 in.
Depth: 1/4 in.
Artist and photographer Paul-Émile Rioux lives in Montréal, Canada.
His lifelong interest in cutting-edge media technology as well as his expertise in photography cast him as pioneer in digital art and allow him to develop virtual matrix from which he extracts his images.
In his works he explores a universe that lies at the crossroad of abstraction and the figurative, inviting the viewer to determine if what he sees is a reflection of reality or imagination.
Through is truly unique approach RIOUX is one of the most innovative artists in digital creations and one of the few creative minds able to blend with such keenness aesthetics research and critical distance.
Whether they translate into a Dantesque urbanity or the infinite horizon of a turquoise ocean, the urban territory reflected by his creations offers a dystopian view of the world, challenging our attitude towards the environment and the future.
From the onset, RIOUX has no intention of matching IRL expectations of what digital art 'should' look like, but strives to play with our notions of what's real, what's not, how we remember, and how we infer meaning into imaginary visual constructs.
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RIOUX started the Cloud project in 2022.
Paul-Emile Rioux’s series Cloud, like his other work, is a kind of aesthetic thought experiment. Each square image is bisected symmetrically, or nearly symmetrically, by a tidy horizon. The upper half display forms that appear as clouds, the bottom as an underwater seascape, yet at the same time mimics the cloudlike formations of above.
Formally these works reference hard-edged abstraction, minimalism and abstract expressionism, though juxtaposed with a sort of Instagram lifestyle sensibility. When shown as a gridded series, they recall the Instagram account @insta_repeat which curates gridded typologies of nearly identical influencer photos – for instance sunsets on a beach, or campfires with hiking boot clad feet visible in the foreground, transforming images, which individually are meant to signify the good life, into symbols of stifling homogeneity, cynically trying to capitalize on mass-produced sensations.
Unlike past movements in abstract or minimal art, however, Rioux is not striving to create self-contained objects, but windows into deeper currents that churn in the dark spaces where culture, technology and the subconscious flow together. Rioux’s digital works are not specifically images, but notes, ways of thinking. They connect to a larger discourse.
With Clouds, Rioux thinks aloud about what is hidden and what is revealed in our relationships to technology and nature. It is a meditation on “the cloud,” which, like real clouds, seem immaterial, but in fact are physical and have a material impact on the world. Rioux considers the juxtaposition between weight and weightlessness – the apparent weightlessness of virtual reality, against the mass, the inescapability of the material world. Technology promises a world of lightness, connectivity and the bounty of limitless growth, or if it cannot quite muster that illusion, at least the offer of escape into a simulated universe of carnivalesque distraction shepherding us away from the environmental catastrophe our economic system inflicts on the earth. In this series Rioux asks us to reflect on what the clouds hide.
There are 18 pieces in the Cloud collection.
Each archival pigment print is produced under the supervision of the artist.
The print is mounted under a single piece of 1/4"/ 6 mm gallery museum acrylic...
Category
2010s Contemporary Plexiglass Landscape Photography
Materials
Plexiglass, Archival Pigment
Renaissance - Revival 2
Located in Miami, FL
Archival photo print under acrylic glass.
Dimensions: 48 x 48 in.
Depth: 1/4 in.
Artist and photographer Paul-Émile Rioux lives in Montréal, Canada.
His lifelong interest in cutti...
Category
2010s Contemporary Plexiglass Landscape Photography
Materials
Plexiglass, Archival Pigment
Tuquoise 11
Located in Miami, FL
Archival photo print under acrylic glass.
Artist and photographer Paul-Émile Rioux lives in Montréal, Canada.
His lifelong interest in cutting-edge media technology as well as his ...
Category
2010s Contemporary Plexiglass Landscape Photography
Materials
Plexiglass, Archival Pigment
Turquoise 9
Located in Miami, FL
Archival photo print under acrylic glass.
Artist and photographer Paul-Émile Rioux lives in Montréal, Canada.
His lifelong interest in cutting-edge media technology as well as his ...
Category
2010s Contemporary Plexiglass Landscape Photography
Materials
Plexiglass, Archival Pigment
Turquoise 8
Located in Miami, FL
Archival photo print under acrylic glass.
Artist and photographer Paul-Émile Rioux lives in Montréal, Canada.
His lifelong interest in cutting-edge media technology as well as his ...
Category
2010s Contemporary Plexiglass Landscape Photography
Materials
Plexiglass, Archival Pigment
Turquoise 6
Located in Miami, FL
Archival photo print under acrylic glass.
Artist and photographer Paul-Émile Rioux lives in Montréal, Canada.
His lifelong interest in cutting-edge media technology as well as his ...
Category
2010s Contemporary Plexiglass Landscape Photography
Materials
Plexiglass, Archival Pigment
City Landcuts - Vision of a Urban Territory - Abstract Cityscapes
Located in Miami, FL
Archival photo print under acrylic glass.
Artist and photographer Paul-Émile Rioux lives in Montréal, Canada.
His lifelong interest in cutting-edge media technology as well as his ...
Category
2010s Contemporary Plexiglass Landscape Photography
Materials
Plexiglass, Archival Pigment
Tuquoise 1
Located in Miami, FL
Archival photo print under acrylic glass.
Artist and photographer Paul-Émile Rioux lives in Montréal, Canada.
His lifelong interest in cutting-edge media technology as well as his ...
Category
2010s Contemporary Plexiglass Landscape Photography
Materials
Plexiglass, Archival Pigment
City Landcuts - Vision of a Urban Territory - Abstract Cityscapes
Located in Miami, FL
Archival photo print under acrylic glass.
Artist and photographer Paul-Émile Rioux lives in Montréal, Canada.
His lifelong interest in cutting-edge media technology as well as his ...
Category
2010s Contemporary Plexiglass Landscape Photography
Materials
Plexiglass, Archival Pigment
City Landcuts - Vision of a Urban Territory - Abstract Cityscapes
Located in Miami, FL
Archival photo print under acrylic glass.
Artist and photographer Paul-Émile Rioux lives in Montréal, Canada.
His lifelong interest in cutting-edge media technology as well as his ...
Category
2010s Contemporary Plexiglass Landscape Photography
Materials
Plexiglass, Archival Pigment
Caribbean Sea, Aerials
Located in New York City, NY
Sergio Ranalli
Caribbean Sea, Aerials, 2017
60 x 82 inches
Edition of 5
Archival Pigment Print
Unframed
Ask us for framing options.
Also available in:
30 x 40 inches - Edition ...
Category
2010s Contemporary Plexiglass Landscape Photography
Materials
Plexiglass, Archival Pigment
Nature Abstraction #13, Heliodora (Color Abstract Photography)
Located in New York City, NY
Rodrigo Katayama
Nature Abstraction #13, Heliodora (Color Abstract Photography)
71 x 48 inches
Edition of 5
Archival Pigment Print
Framed
Category
2010s Contemporary Plexiglass Landscape Photography
Materials
Plexiglass, Archival Pigment
Nature Abstraction #8, Heliodora (Color Abstract Photography)
Located in New York City, NY
Rodrigo Katayama
Nature Abstraction #8, Heliodora (Color Abstract Photography)
(Color Abstract Photography)
71 x 48 inches
Edition of 5
Archival Pigment Print
Framed
Category
2010s Contemporary Plexiglass Landscape Photography
Materials
Plexiglass, Archival Pigment
Nature Abstraction #5, Heliodora (Color Abstract Photography)
Located in New York City, NY
Rodrigo Katayama
Nature Abstraction #5, Heliodora (Color Abstract Photography)
(Color Abstract Photography)
71 x 48 inches
Edition of 5
Archival Pigment Print
Framed
Category
2010s Contemporary Plexiglass Landscape Photography
Materials
Plexiglass, Archival Pigment
Nature Abstraction #4 (Color Abstract Photography)
Located in New York City, NY
Rodrigo Katayama
Nature Abstraction #4
(Color Abstract Photography)
71 x 48 inches
Edition of 5
Archival Pigment Print
Framed
Category
2010s Contemporary Plexiglass Landscape Photography
Materials
Plexiglass, Archival Pigment
Nature Abstraction #1, Joaquina
Located in New York City, NY
Rodrigo Katayama
Nature Abstraction #1, Joaquina
(Color Abstract Photography)
71 x 48 inches
Edition of 5
Archival Pigment Print
Framed
Category
2010s Contemporary Plexiglass Landscape Photography
Materials
Plexiglass, Archival Pigment
Nature Abstraction #6, Heliodora (Color Abstract Photography)
Located in New York City, NY
Rodrigo Katayama
Nature Abstraction #6, Heliodora (Color Abstract Photography)
71 x 48 inches
Edition of 5
Archival Pigment Print
Framed
Category
2010s Contemporary Plexiglass Landscape Photography
Materials
Plexiglass, Archival Pigment
Rainforest, Brazil
Located in New York City, NY
Rodrigo Katayama
Rainforest, Brazil, 2018
41 x 27.5 inches
Edition of 13
60 x 40 inches
Edition of 9
71 x 48 inches
Edition of 5
Archival Pigment Print
Category
2010s Contemporary Plexiglass Landscape Photography
Materials
Plexiglass, Archival Pigment
Plexiglass landscape photography for sale on 1stDibs.
Find a wide variety of authentic Plexiglass landscape photography available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add landscape photography created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, green, purple, pink and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Paul-Émile Rioux, Stefanie Schneider, Antoine Rose, and Allyson Monson. Frequently made by artists working in the Contemporary, Abstract, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Plexiglass landscape photography, so small editions measuring 0.4 inches across are also available
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