Road Landscape Photography

Palm Tree Restaurant II (Stranger than Paradise) - 1999 Edition of 6/10, 58x56cm. Analog C-Print, hand-printed by the artist, printed on Fuji Crystal Archive Paper, based on the ...

Radio silence - 2020 48x60cm, Edition of 7 plus 2 Artist Proofs, digital C-Print based on a Polaroid, not mounted. Signed on the back and with certificate. Artist inventory PL202...

Passing Under by Erik Pawassar 27 x 40 inches (69 x 102cm) edition of 25 signed 48 x 71 inches (122 x 180cm) edition of 7 signed archival fine art pigment print signed & numbered...

Wander And Get Lost - 2016, 40 x 40 cm, edition 2/10, digital C-Print based on a Polaroid, hand-numbered and signed on the back by artist. Not mounted. Artist Statement “Since my childhood days I always loved taking photos, but for unknown reasons instant film never really caught my attention. After I saw the works of a friend who happened to be a gifted Polaroid photographer, I was totally mesmerized and the desire to shoot with instant film constantly grew in me. But for as long as I can think music has always been my main preoccupation. I somehow always feel the need to create, but my focus shifted more and more from making music to instant photography and it grew into something much more fulfilling and pure. Sometimes, these two passions even come together when I am able to provide my photos for album artworks – this makes me incredibly happy. As I always have been very introverted and reclusive I often drift off into my own inner world. The dreamlike landscapes and surreal atmospheres in my work are the visualization and the result of these imaginations. Another influence on my photography is my essential need to travel the world. But I am not interested in documenting the places I see like they are but rather love to create otherworldly scenes by adding the dreamlike texture of instant film, serving me as a needful escape from reality.” Artist Biography Julia Beyer is an analogue photographer from Germany. She mainly works with instant film to express her inner visions that often show dreamlike landscapes and surreal atmospheres. After being more known for her musical endeavors as the singer of the dreampop band Chandeen, she began to delve into this photographic art form in 2014 and since then expands her portfolio continuously. Her work has been published in various international print and online publications. Since 2017, she is a member of the renowned "12:12 Project", a worldwide collective of female Polaroid photographers. Selected Press and Publications: Feature in “Photodarium” Calendar 2016, 2017 and 2018 (Germany) Print feature in Monochrome Mag issue four: Instant (Australia) Print feature in Double Exposure Zine, Issue 2 // Vacancy (USA) Shoot Film UK, Issue #001 “Overexposed” (UK) Feature in The Impossible Project Magazine Artwork photography...

Mojave Airfields (The Last Picture Show) - 2005 - 128x126cm, Edition 1/5 - Analog C-Print, hand-printed by the artist, based on a Polaroid. Mounted on Aluminum with matte UV-Prot...

Black and white fine art cityscape - landscape photography. Archival pigment ink print as part of a limited edition of 9. All Gerald Berghammer prints are made to order in limited ed...

'Ryan Gossling' (Stay) - 2006, 20x20cm, Edition of 2/10, digital C-Print, based on a Polaroid Certificate and Signature label artist Inventory No. 2447.02 Not mounted. Stefanie Schneider: Torsten Scheid, “Fotografie, Kunst, Kino. Revisited.”, FilmDienst 3/2006, page 11-13

 Photography Art Cinema. Revisited Stay expands a traditional connection through new facets Interwoven between the media of photography and film is a veritable mesh-work of technical, motific, metaphorical and personal interrelationships. Extending from photo-film which, as in La Jetée by Chris Marker (France, 1962) is a montage of single, unmoving photographs all the way to the portrayal of photographic motifs in Hollywood cinema―most recently in Memento (USA, 2000) and One hour photo (USA, 2002)―is the range of filmic-photographic interactions on the one hand, and from the adaption of modes of cinematic production to the imitation of film stills on the other. For instance, with the legendary Untitled Film Stills (1978) of the American artist Cindy Sherman, who later made her debut as a film director with Office Killer (USA, 1997) and thereby, like many others, changed sides: Wim Wenders, Robert Frank and Larry Clark are doubtlessly the most successful of these photographic-filmic border crossers. This brief survey provides only a vague indication of the dimensions of this intermedial field, which in fact extends much further and is constantly being cultivated. Also as a motif in film, photography has experienced a historical transformation: Photographers were once considered to be technicians who mastered a craft but never achieved the status of artists. Photographer-figures were caught in the allure of beautiful appearance, incapable of penetrating to the actual essence of things. Such depth was reserved for literature or painting. When photography in film touched upon the sphere of art, then most often as its contrasting model, as the metaphor for a superficial access to the world. Coming to mind are Fred Astaire as a singing fashion photographer in Stanley Donen’s musical film Funny Face (USA, 1957), or the restless lifestyle-photographer in Michelangelo Antonioni’s genre-classic Blow up (GB, 1966). For the doubting Thomas, only that exists which can be photographed. He ultimately enters the world of fantasy and thereby the field of art only unwillingly, when he becomes entangled in the world of his images. The last of his detail-enlargements shows only the photographic grain and has lost all connection to reality. The photograph looks as if it had been painted by Bill, the painter who is both friend and antagonist to the protagonist.

 Photography as Art It was first around the end of the last century that numerous filmmakers discovered photography as a genuine art form. In The Bridges of Madison County (USA, 1995) a sensitive Clint Eastwood stands, camera in hand, on the threshold of artistic status, and in Smoke (USA, 1994) a tobacco merchant ripens into a philosopher through his involvement in photography. Finally, in John Water’s parody of the art market, Pecker (USA, 1998), a provincial tom-fool is hyped into celebrated stardom amid the New York art scene because of his blurred snapshots. This film about a postmodern Kaspar Hauser in photographic art (with clear parallels to Richard Billingham, the British shooting star of the nineteen-nineties), not only takes into account the exponentially expanded significance of photography in the art market, but also attributes to photography an extreme degree of conformity to the “operating system” of the visual arts. This admittedly ironic equation of photography and the visual arts is new. It is repeated with much more earnestness in Lisa Chollondencko’s High Art (USA) from the same year. Artistic photography has finally become established in a cinematic context.

 
Stay Stay (USA, 2005) could have fitted in seamlessly here. Considering that the films High Art and Pecker establish photography as an ideal art form at the end of the millennium, director Marc Forster (Monster’s Ball, Finding Neverland) takes a step backward; he revives an anti-technical, intuitive concept of art, including the customary clichés about madness and genius. This choice documents less an anachronistic notion of art (especially considering that painting is currently experiencing a Renaissance) than instead the appraisal that paintings are more suitable for representing the free objectification of the mind. Stay is not an artist-film but rather a psycho-thriller in which the borders between dream and reality become blurred.
 The psychiatrist Sam Foster (Ewan McGregor) has saved his girlfriend, the artist Lila (played by Naomi Watts) from committing suicide. Now he is attempting to keep another patient, the art student Henry Letham (Ryan Gosling...

Deserted Dreams, 2017 - Edition of 7, 2 Artist Proofs Archival Print based on an original Polaroid. Signed on the back and with certificate. Artist inventory PL2017-143. Not mou...

Stefanie Schneider's Mini 'Blue Bridge' from the series: Stranger than Paradise. signed in front, not mounted. Digital Color Photographs based on a Polaroid. Polaroid sized open E...

Black and white fine art landscape photography. Archival pigment ink print as part of a limited edition of 9. All Gerald Berghammer prints are made to order in limited editions on Ha...

The truth is out there - 2019 Edition of 7 plus 2 Artist Proofs, digital C-Print based on a Polaroid, not mounted. Signed on the back and with certificate. Artist inventory - PL2...

The distance between you and me (2011)
 80 x 106 cm, Edition 1/3 plus 2 Artist Proofs. Photography printed on Canson Barita 310gr. Signed on back with Certificate. Not mounted. A...

My own private Travel Diary - Bishop, CA - Walking Lulu III - 2001, 20x55cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on a Polaroid Slide. Signature label a...

My own private Travel Diary - Bishop, CA - Fellini and Trouble - 2001, 20x85cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on a Polaroid Slide. Signature labe...

Roadsign and Field is a Photographic Color Print on Hahnemuhle Paper in an Edition of 20 in this size of 20" x 24". Michael Ormerod was a British photographer with a distinct and po...

A crowd is gathered outside the Bonwit Teller department store on Worth Avenue while a band plays opposite during the Palm Beach Easter Parade, Florida, 1955. Slim Aarons Palm Beac...

Pioneer's Grave, from Richard Heeps' 'Dream in Colour' series. Keeler was part of American Mining History, on the east shore of Owens Lake, but the lake dried up serving LA, and mill...

Palm Tree Restaurant II (Stranger than Paradise) - 1999 50x50cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on a Polaroid. Signature label and Certificate. Artis...

'On Fire' 2020, 50x50cm, Edition 1/7 plus 2 Artist Proofs. Digital C-print, Based on an original Polaroid. Signed on the back and with certificate. Artist inventory PL2020-860. No...

Black and white fine art long exposure landscape photography. Single tree in cornfield in stormy weather, international winning photography, Austria. Archival pigment ink print as pa...

Walter Rudolph His photographs are reminiscent of the jet-set photographer Slim Aarons. Walter Rudolph discovered the world as a photographer on the idea, travel was his passion, hi...

'Death Valley Road' from Richard Heeps 'Sundance Series', these artworks are a development of traditional landscape photographs and they have created a unique perspective as if captu...

I remember something (2006)
 50 x 108 cm, Edition of 2/5 and 2 Artist Proofs. Photography printed in Canson Baryta Prestige 340gr (not mounted) Signed on back with Certificate. Ab...

Black and white fine art landscape photography. Archival pigment ink print as part of a limited edition of 9. All Gerald Berghammer prints are made to order in limited editions on Ha...

Titled the 'Sundance Series', these artworks are a development of traditional landscape photographs and they have created a unique perspective as if captured through a telescope or a...

Part of Richard Heeps 'Dream in Colour' Series, this is the classic American open road photograph, which is a metaphor throughout Richard's work. The early morning sunlight and the r...

Large scale photograph of PRADA MARFA, a permanently installed pop architectural land art project sculpture by artists Elmgreen and Dragset, inaug...

The Road- Vintage Photograph is a black and white photograph realized in the 1960s. Good conditions.

Nick Vedros Morning Fog Mailbox Archival Pigment Print Hahnemühle FineArt Baryta 325 gsm Year: 2021 Size: 8x12in Edition: 15 Signed, dated and numbered by hand on label Stamped COA p...

Michael Kenna is master of contemporary photography. Known for clean compositions, long exposures and minimalist aesthetics, Kenna’s signature style remains highly influential among ...

Gerald Berghammer - Limited Edition 1/9. Archival Pigment Ink Print, Printed 2020. Signed, numbered, dated by Artis. Handmade wood frame, dark-brown, natural white archival Passepart...

This is # 1 of an edition of 30 Laurence Winram is a Scottish photographer based in Edinburgh. His projects are diverse but the work most personally re...

Black and white fine art landscape panorama photography. Cypress tree avenue along a path in stormy weather in Tuscany, Italy. Archival pigment ink print, edition of 9. Signed, title...

Come With Me 6 is a stunning Digital C-Type Print on Fuji Maxima Matte paper, available only in this size from a Limited Edition of 7 + 2 Artist Proofs. Ellie has been working in th...

Ancient views of Aden is a set of four original vintage Albumen prints on single cardboard: 34 x 26 cm. Images 15 x 21, two on the front and two on the rear. They were realized bet...

Come With Me 8 is a stunning Digital C-Type Print on Fuji Maxima Matte paper, available in this size only as a Limited Edition of 7 + 2 Artist Proofs. Ellie has been working in the ...

Juan Manuel Fangio (1955) - Silver Gelatin Fibre Print (Photo by Evening Standard/Getty Images) Argentinian racing driver Juan Manuel Fangio in a...

'New york, New York', 2017 - Edition of 7 plus 2 Artist Proof. Based on a Polaroid, digital C-Print. Signed on the back and with certificate. Artist inventory PL2017-169. Not m...

Winged I (Bombay Bay all Day), 2019, 19x25cm, Edition 1/7 plus 2 Artist Proofs, Digital C-print, based on an original Polaroid, not mounted. Signed on the back and with certificate. ...

Mark Friesen Kansas City, Kansas Year: 2024 Archival Pigment Print on Hahnemuehle Baryta Rag Framed Size: 13 x 13 x 0.25 inches COA provided *Ready to hang; matted and framed in a m...

ABOUT THIS PIECE: My first job out of school was on a trading floor playing a never ending game of probabilities. Days and nights filled with nodes, signals, decision trees, path-dependent outcomes and calculated probabilities in every flavor I could never have imagined. I spent eight years of my life in a two-block radius around 52nd and Park working on the kind of hopeless problems nobody in history had ever successfully solved; instead of helping me understand the world better like I thought I would in my naivete, my time there instead taught me the romance of the idea that some things are more beautiful if left never understood. That there was a peace in understanding there would be no answer. This series of surfer “movement studies” is a playful reminiscence of this part of my past, an ode to a formative period of my life overlaid on my San Diegan coastal upbringing. There are few things I have experienced in my life that are as pure and total in its disconnection with the world as sitting on a bar of foam on the great rippled plane of our oceans. It is my career’s antithesis. This humorous, almost interactive scribbling of pseudo-mathematical lines and nodes laying out all the nameless surfer’s possibilities represents this tension that continues to define me. ABOUT THIS ARTIST: Albert Hong...

Black and white fine art landscape photography. Archival pigment ink print as part of a limited edition of 9. All Gerald Berghammer prints are made to order in limited editions on Ha...

Ron Anderson R.A. Long Building Year: 2024 Archival Pigment Print on Hahnemuehle Baryta Rag Framed Size: 13 x 13 x 0.25 inches COA provided *Ready to hang; matted and framed in a mi...

Taken from the world’s largest photographic archive, (Hulton Archive and Getty Images), the Getty Images Gallery collection features an extraordinary time capsule of the last century...

Bryan Atkinson James Street Year: 2024 Archival Pigment Print on Hahnemuehle Baryta Rag Framed Size: 13 x 13 x 0.25 inches COA provided *Ready to hang; matted and framed in a minima...

Street Below by Alain Le Garsmeur Looking over the Streets of Harlem, New York City, USA, the 1970s. Paper size 40 x 30 inches / 101 x 76 cm Printed in 2022 - produced from the o...

Ancient Views of Panama city is a set of of 2 original albumen prints made in 1880s. Prints in excellent condition, applied on a single cardboard. Caption in Italian ink hand-written on hardcover under each print. Prints 17.5 x 23 cm, 16.5 x 21.5 cm, cardboard 26 x 33.5 cm In the photographs two different views of Panama City, Central Park and Cathedral Square...

A selection of blue hued landscapes and waterscapes from Richard Heeps travels, American road trips shooting his series Dream in Color, Bonneville, Salton Sea. Shot on film these are...

Black and white fine art landscape photography. Road through the desert with the mountains in death valley, Utah, USA. Archival pigment ink pri...

Black and white fine art long exposure waterscape - landscape photography print. Archival pigment ink print, edition of 9. Signed, titled, dated and numbered by artist. Certificate o...

Kate Breakey's artistic process is an act of investigation – a passionate attempt to establish an understanding of the natural world – a version that incorporates both intellectual a...

A woman wearing a yellow Lilly Pulitzer shift dress (left) talks to a friend while out shopping on Via Mizner, Palm Beach, Florida, 1964. Slim Aarons Via Mizner Palm Beach 1964 C-Pr...

Jeffrey Crowe West Bottoms Year: 2024 Archival Pigment Print on Hahnemuehle Baryta Rag Framed Size: 13 x 13 x 0.25 inches COA provided *Ready to hang; matted and framed in a minim...

Michael Kenna is master of contemporary photography. Known for clean compositions, long exposures and minimalist aesthetics, Kenna’s signature style remains highly influential among ...

Black and white fine art landscape photography. Archival pigment ink print as part of a limited edition of 9. All Gerald Berghammer prints are made to order in limited editions on Ha...

The photographers note regarding this work is "Travelling through Austria by car, 1930s." This work comes to you as a new Fine Art Print on Hahnemühle William Turner, carefully prin...

Road to Gunsight, photograph from Richard Heeps 'Dream in Color' Series, this is the classic American open road photograph, which is a metaphor throughout Richard's work. The early m...

Black and white fine art long exposure landscape photography. Archival pigment ink print as part of a limited edition of 9. All Gerald Berghammer prints are made to order in limited ...