Road Landscape Photography

This evocative photograph is part of a series created by artist Sze Tsung Nicolas Leong that explore China’s complicated relationship with its ancient past and anticipated future. In this 2004 photograph, 100-year-old buildings line a vacant street in the old walled city...

Maria Passarotti graduated in 2000 with a BFA from the Cooper Union for the Advancement of Science and Art in New York. Her most recent photographs are inspired by the intersection o...

Marfa ( Donald Judd ) by Frank Schott Donald Judd's art studio, from a series of impressions captured in his home town Marfa, Texas 27 x 40 inches / 68cm x 102cm edition of 25 signed 48 x 72 inches / 122cm x 183m edition of 7 signed archival quality fine art pigment print limited art edition published by Edition EKTAlux artist signed + numbered certificate of authenticity ________________________ Frank Schott grew up in Germany and attended the prestigious Academy of Arts in Cologne, studying under Professor Arno Jansen, who was an early influence. Moving to California in 1998, Schott's work has evolved to include the epic landscapes and deserts of the American West as well as architectural, conceptual and more formal environments from both home and his travels. Influenced by a number of photographic peers and precursors such as Candida Höfer, Andreas Gursky, Thomas Struth, Jeff Wall, Michael Wolf, Gregory Crewdson, William Eggleston and Joel Sternfeld, Schott's images successfully blend technical, conceptual and formal rigor with a decisive sense of composition and color. Schott's images have an iconic sensibility and give us a bird's eye view onto humanity and its constructs. The specific is edged towards the abstract, often revealing the compelling and disjunctive moment where nature meets man. Frank Schott was born in Cologne, Germany in 1962. He currently lives and works in San Francisco...

ABOUT THIS PIECE: My first job out of school was on a trading floor playing a never ending game of probabilities. Days and nights filled with nodes, signals, decision trees, path-dependent outcomes and calculated probabilities in every flavor I could never have imagined. I spent eight years of my life in a two-block radius around 52nd and Park working on the kind of hopeless problems nobody in history had ever successfully solved; instead of helping me understand the world better like I thought I would in my naivete, my time there instead taught me the romance of the idea that some things are more beautiful if left never understood. That there was a peace in understanding there would be no answer. This series of surfer “movement studies” is a playful reminiscence of this part of my past, an ode to a formative period of my life overlaid on my San Diegan coastal upbringing. There are few things I have experienced in my life that are as pure and total in its disconnection with the world as sitting on a bar of foam on the great rippled plane of our oceans. It is my career’s antithesis. This humorous, almost interactive scribbling of pseudo-mathematical lines and nodes laying out all the nameless surfer’s possibilities represents this tension that continues to define me. ABOUT THIS ARTIST: Albert Hong...

Jill Peters finds her inspiration in the quickly changing architectural landmarks of her youth, like the demolished Miami Herald building, an abandoned roller coaster or a neglected ...

Parked In Paris from the Paris In Colour Series 1956-61 By Peter Cornelius 40 x 60 inches / 101 x 152 cm paper size Printed 2022 Archival pigment print Framing and size options available - Please enquire About: Peter Cornelius (1913–1970) was a German photographer and photojournalist. The goal he set himself was to capture: “the right colours at the right moment”. He was never concerned with a pure, apparently “right” picture of “reality”. After World War II, he began his career with reportage, landscape and sailing photography...

Part of Richard Heeps 'Dream in Colour' Series, this is the classic American open road photograph, which is a metaphor throughout Richard's work. The early morning sunlight and the r...

In “American Motel Signs” Steve Fitch crisscrossed the United States documenting the colorful dynamic, advertisements inviting weary traveler to park their car and pack it in for the...

Black and white fine art cityscape - landscape photography. Archival pigment ink print as part of a limited edition of 9. All Gerald Berghammer prints are made to order in limited ed...

Michael Kenna is a master of contemporary photography. Known for clean compositions, long exposures and minimalist aesthetics, Kenna’s signature style remains highly influential amon...

Come With Me 1, 2011 - Fern Plants on Forest Floor in English Woodland Landscape by Ellie Davies Come With Me 1 is a stunning Digital C-Type Print on Fuji Maxima Matte paper, availa...

From the Vanishing Vernacular series. Vanishing Vernacular features a selection of color works by photographer Steve Fitch focusing primarily on the distinctive, idiosyncratic, and ...

Bryan Atkinson 11th & Osage Year: 2024 Archival Pigment Print on Hahnemuehle Baryta Rag Framed Size: 13 x 13 x 0.25 inches COA provided *Ready to hang; matted and framed in a minima...

'Ryan Gossling' (Stay) - 2006, 20x20cm, Edition of 2/10, digital C-Print, based on a Polaroid Certificate and Signature label artist Inventory No. 2447.02 Not mounted. Stefanie Schneider: Torsten Scheid, “Fotografie, Kunst, Kino. Revisited.”, FilmDienst 3/2006, page 11-13

 Photography Art Cinema. Revisited Stay expands a traditional connection through new facets Interwoven between the media of photography and film is a veritable mesh-work of technical, motific, metaphorical and personal interrelationships. Extending from photo-film which, as in La Jetée by Chris Marker (France, 1962) is a montage of single, unmoving photographs all the way to the portrayal of photographic motifs in Hollywood cinema―most recently in Memento (USA, 2000) and One hour photo (USA, 2002)―is the range of filmic-photographic interactions on the one hand, and from the adaption of modes of cinematic production to the imitation of film stills on the other. For instance, with the legendary Untitled Film Stills (1978) of the American artist Cindy Sherman, who later made her debut as a film director with Office Killer (USA, 1997) and thereby, like many others, changed sides: Wim Wenders, Robert Frank and Larry Clark are doubtlessly the most successful of these photographic-filmic border crossers. This brief survey provides only a vague indication of the dimensions of this intermedial field, which in fact extends much further and is constantly being cultivated. Also as a motif in film, photography has experienced a historical transformation: Photographers were once considered to be technicians who mastered a craft but never achieved the status of artists. Photographer-figures were caught in the allure of beautiful appearance, incapable of penetrating to the actual essence of things. Such depth was reserved for literature or painting. When photography in film touched upon the sphere of art, then most often as its contrasting model, as the metaphor for a superficial access to the world. Coming to mind are Fred Astaire as a singing fashion photographer in Stanley Donen’s musical film Funny Face (USA, 1957), or the restless lifestyle-photographer in Michelangelo Antonioni’s genre-classic Blow up (GB, 1966). For the doubting Thomas, only that exists which can be photographed. He ultimately enters the world of fantasy and thereby the field of art only unwillingly, when he becomes entangled in the world of his images. The last of his detail-enlargements shows only the photographic grain and has lost all connection to reality. The photograph looks as if it had been painted by Bill, the painter who is both friend and antagonist to the protagonist.

 Photography as Art It was first around the end of the last century that numerous filmmakers discovered photography as a genuine art form. In The Bridges of Madison County (USA, 1995) a sensitive Clint Eastwood stands, camera in hand, on the threshold of artistic status, and in Smoke (USA, 1994) a tobacco merchant ripens into a philosopher through his involvement in photography. Finally, in John Water’s parody of the art market, Pecker (USA, 1998), a provincial tom-fool is hyped into celebrated stardom amid the New York art scene because of his blurred snapshots. This film about a postmodern Kaspar Hauser in photographic art (with clear parallels to Richard Billingham, the British shooting star of the nineteen-nineties), not only takes into account the exponentially expanded significance of photography in the art market, but also attributes to photography an extreme degree of conformity to the “operating system” of the visual arts. This admittedly ironic equation of photography and the visual arts is new. It is repeated with much more earnestness in Lisa Chollondencko’s High Art (USA) from the same year. Artistic photography has finally become established in a cinematic context.

 
Stay Stay (USA, 2005) could have fitted in seamlessly here. Considering that the films High Art and Pecker establish photography as an ideal art form at the end of the millennium, director Marc Forster (Monster’s Ball, Finding Neverland) takes a step backward; he revives an anti-technical, intuitive concept of art, including the customary clichés about madness and genius. This choice documents less an anachronistic notion of art (especially considering that painting is currently experiencing a Renaissance) than instead the appraisal that paintings are more suitable for representing the free objectification of the mind. Stay is not an artist-film but rather a psycho-thriller in which the borders between dream and reality become blurred.
 The psychiatrist Sam Foster (Ewan McGregor) has saved his girlfriend, the artist Lila (played by Naomi Watts) from committing suicide. Now he is attempting to keep another patient, the art student Henry Letham (Ryan Gosling...

Hong Kong – The new face of the Orient is a Vintage b/w Photo realized in the 1960s. Good conditions. Stamped on the rear.

Black and white fine art landscape photography. Archival pigment ink print as part of a limited edition of 7. All Gerald Berghammer prints are made to order in limited editions on Ha...

Walter Rudolph His photographs are reminiscent of the jet-set photographer Slim Aarons. Walter Rudolph discovered the world as a photographer on the idea, travel was his passion, hi...

Black and White Fine Art panorama photography. Stone beach with beach huts and a walk with the dog, France. Archival pigment ink print, edition of 9. Signed, titled, dated and number...

Palm Beach Street by Slim Aarons Cars parked on a tree-lined street in Palm Beach, Florida, circa 1953. How typically 'Slim style' this photograph is. Beautiful and iconic 1950's c...

Kate Breakey's artistic process is an act of investigation – a passionate attempt to establish an understanding of the natural world – a version that incorporates both intellectual a...

Winged I (Bombay Bay all Day), 2019, 19x25cm, Edition 1/7 plus 2 Artist Proofs, Digital C-print, based on an original Polaroid, not mounted. Signed on the back and with certificate. ...

Black and White Fine Art Landscape Photography. Single cactus in the stone desert in Aziona, USA. Archival pigment ink print, edition of 9. Signed, titled, dated and numbered by arti...

Come With Me 6, 2011 - Leafy Path in Natural Environment and Woodland Forest by Ellie Davies Come With Me 6 is a stunning Digital C-Type Print on Fuji Maxima Matte paper, available ...

Come With Me 8, 2011 - Autumn Leaves on Forest Floor in Natural Woodland by Ellie Davies Come With Me 8 is a stunning Digital C-Type Print on Fuji Maxima Matte paper, available in t...

Black and white fine art panorama landscape photography print. Archival pigment ink print, edition of 7. Signed, titled, dated and numbered by artist. Certificate of authenticity inc...

The distance between you and me (2011)
 80 x 106 cm, Edition 1/3 plus 2 Artist Proofs. Photography printed on Canson Barita 310gr. Signed on back with Certificate. Not mounted. A...

Cologne Night (1965) (Photo By Phillip Harrington) Hohe Strasse, in Cologne, at Night in 1965. Additional Information : Unframed Paper Size: 20x24'' Printed Later NOTE OTHER SIZES OF THIS IMAGE AVAILABLE 10 x 12'' 12 x 16'' 16 x 20'' 20 x 24'' FRAMING AVAILABLE ON REQUEST About the Artist: Phillip A. Harrington was born in 1920 and grew up in Holland, Michigan. He developed an interest in photography at an early age, joining the high school camera club at 16. At the age of 19, Harrington moved to New York City to study at the Clarence. H. White school of photography, a prestigious institution with graduates such as Margaret Bourke-White, Dorothea Lange, Laura Gilpin...

Taken from the world’s largest photographic archive, (Hulton Archive and Getty Images), the Getty Images Gallery collection features an extraordinary time capsule of the last century...

Jeffrey Crowe West Bottoms Year: 2024 Archival Pigment Print on Hahnemuehle Baryta Rag Framed Size: 13 x 13 x 0.25 inches COA provided *Ready to hang; matted and framed in a minim...

Mark Friesen Kansas City, Kansas Year: 2024 Archival Pigment Print on Hahnemuehle Baryta Rag Framed Size: 13 x 13 x 0.25 inches COA provided *Ready to hang; matted and framed in a m...

In Home By Nightfall, Angela Bacon-Kidwell photographs a lone road surrounded by stretches of a seemingly infinite smokey landscape bathed in gauzy light. Ultimately speaking of tran...

Part of Richard Heeps 'Dream in Colour' Series, this beautiful dusk picture captures the sunset in the valley. It was photographed in what was once a goldmine, now a ghost town. The...

Vintage French silver gelatin photo of the Promenade des Anglais on the French Riviera featuring Hotel Ruhl in Nice, France by Monte Carlo photographer Joseph Consavela, circa 1930. Original vintage...

Black and white fine art landscape photography. Archival pigment ink print as part of a limited edition of 7. All Gerald Berghammer prints are made to order in limited editions on Ha...

A moment in time In 2021, a gallery from Brussels contacted us. There, a photographic collection had been kept in tin boxes for decades, consisting of 6x6 glass slides in color. Th...

Antony Zega (1962-2019). Leaning Pine (Cape Cod), ca. 1985. Photographic print, 10 x 10 inches. Mounted to acid free matting board measuring 16 x 20 inches. Unsigned. Estate stamp o...

Ron Anderson R.A. Long Building Year: 2024 Archival Pigment Print on Hahnemuehle Baryta Rag Framed Size: 13 x 13 x 0.25 inches COA provided *Ready to hang; matted and framed in a mi...

Keith Barnhart Back Alley Year: 2024 Archival Pigment Print on Hahnemuehle Baryta Rag Framed Size: 13 x 13 x 0.25 inches COA provided *Ready to hang; matted and framed in a minimal ...

Paulena Blalock Morning After, One Last Time?/. Year: 2024 Archival Pigment Print on Hahnemuehle Baryta Rag Framed Size: 13 x 13 x 0.25 inches COA provided *Ready to hang; matted an...

Black and white fine art long exposure landscape photography. Johannesberg chapel with the beautiful mountains and the traunsee in stormy weather with gigantic cloud, Traunkirchen, A...

Black and white fine art cityscape - landscape photography. The towers of san Gimignano, Tuscany, Italy. Archival pigment ink print, edition of 7. Signed, titled, dated and numbered ...

David Pugh Pink City I Archival Pigment Print on Hahnemühle Photo Rag Baryta, 100% Cotton Fibre, 315 gsm, Acid and Lignin free, ISO 9706 conform / museum quality for highest age resi...

Woman portrait in the wood is a is a black and white vintage photo, realized in 1950. Good conditions and aged. It belongs to a historical and nostalgic album including historical ...

"Standing at 16 ft tall, "Brick House" is a bronze statue made by artist Simone Leigh as an inaugural commission of the High Line Plinth (NYC) in 2019, wh...

Michael Kenna is master of contemporary photography. Known for clean compositions, long exposures and minimalist aesthetics, Kenna’s signature style remains highly influential among ...

Empty Town with post in Foreground by Michael Ormerod is a 24" x 34" black and white photographic print on Hahnemuhle paper from a limited edition of 10 prints. Featured in the 202...

Black and white fine art panorama - landscape photography. Beach Huts, Panorama, Pier, Runner, France. Archival pigment ink print, edition of 9. Signed, titled, dated and numbered by...

Black and white fine art landscape photography. Archival pigment ink print as part of a limited edition of 9. All Gerald Berghammer prints are made to order in limited editions on Ha...

Katharine Hepburn American film star Katharine Hepburn driving along the waterfront with Irene Mayer Selznick at Montego Bay, Jamaica. 48x48" inc...

Black and white fine art landscape photography. Archival pigment ink print as part of a limited edition of 9. All Gerald Berghammer prints are made to order in limited editions on Ha...

Erin Rockers Crossroads Year: 2024 Archival Pigment Print on Hahnemuehle Baryta Rag Framed Size: 13 x 13 x 0.25 inches COA provided *Ready to hang; matted and framed in a minimal bl...

Reportage from Albania - Tirana  is a vintage photograph realized in the Late 1970s. Good conditions.

Stunning photograph of Dubrovnik which was captured by the well known contemporary photographer. Hand printed photograph Gifted by the artist

Black and white fine art long exposure landscape photography. Archival pigment ink print as part of a limited edition of 9. All Gerald Berghammer prints are made to order in limited ...

Ancient view of Montevideo is a set of two albumen prints realized in 1880s. In very good condition and applied on a single cardboard. Caption in Italian ink hand-written on hardco...

Shanghai Backstreet (1926) Silver Gelatin Fibre Print - Oversized (Photo by H. Armstrong Roberts/Alamy) Silhouettes in a Chinese backstreet, Shanghai, China, circa 1926. Additio...

'Palm Beach Street' by Slim Aarons Cars parked on a tree-lined street in Palm Beach, Florida, circa 1953. How typically 'Slim style' this photograph is. Beautiful and iconic 1950's...

Black and white fine art landscape photography. Single tree with small hut at the beautiful vineyard in the Champagne in France. Archival pigment ink print...

This work is offered by CLAMP in New York City.

'Cannon Drive' 1952: Cars driving along Cannon Drive, Beverly Hills, California. 30x30 inches / 76 x 76 cm paper size Estate Stamped Collection Edition to 150 Photo by Slim A...