Road Landscape Photography

THIS PIECE IS AVAILABLE FRAMED. Please reach out to the gallery for additional information. ABOUT THIS ARTIST: Desert born and raised, fashion photographer Natasha Wilson...

New York: Bright Lights, Big City, 2018 by Roberta Fineberg is a 20" x 16" signed archival pigment print on baryta paper in an edition of 5. The contemporary color landscape photogra...

Road to Gunsight, photograph from Richard Heeps 'Dream in Color' Series, this is the classic American open road photograph, which is a metaphor throughout Richard's work. The early m...

Quiet - Limited edition pigment print - Limited Editions of 8 Field under the snow, peaceful landscape with only one tree , rural France, 2006 Signed + numbered by artist with certificate of authenticity. Archival pigment print available sizes ( Image size , the white margin is not counted): 30 x 65 cm / 11,81" x 25.59" - Edition of 8 48 x 101.6 cm / 18.89" x 40” - Edition of 8 A custom size is possible, it will be included in the nearest edition of 8 This print that is being offered is a high-quality Archival Pigment print, which has been printed on fiber-based paper. The paper used is Hahnemühle Photo Rag® Baryta 315 gsm, which is a premium quality paper that is acid-free and lignin-free. This ensures that the print will remain in pristine condition for years to come. The Hahnemühle Photo Rag® Baryta paper is a museum-quality paper that is highly resistant to aging. It is a popular alternative to analogue baryta paper, which is known for its ability to produce rich, deep blacks and vibrant colors. The Hahnemühle Photo Rag® Baryta paper is no different, as it produces stunningly vivid and lifelike prints. Overall, this Archival Pigment print is a stunning piece of art that is sure to impress. The combination of high-quality paper and inks ensures that the print will remain in pristine condition for many years, making it a great investment for any art collector or enthusiast. Sam Thomas...

Ambassador cars, a typical sight throughout India, lined up here with a coat of dust, at a roadside garage. From Richard Heeps India series, The Ambassador's Window. This artwork is...

Presenze is a print realized by Franco Fontana, in 1981. Offset print. Rondanini Galleria D'arte Contemporanea - Roma. Coloured poster from a photograph by Franco Fontana (Modena, ...

Limited Edition 5 More sizes on request The photographic work of the internationally well-known Austrian photographer Andreas H. Bitesnich is captivating by its beauty and aesthetic...

ADDITIONAL SIZES AND FRAMING: Additional sizes are available. Please inquire for more information on larger sizes. We offer fully archival professional framing for all prints for an ...

Edition of 5 in format 75x52 cm Photograph on Hahnemuhle Paper ; Digigraphie technology , Limited edition, 75x52 cm + 5 cm white margin The photo will be after purchese signed and s...

Citroen - Signed limited edition archival pigment print, Edition of 5 This is an Archival Pigment print on fiber based paper ( Hahnemühle Photo Rag® Baryta 315 gsm , Acid-free an...

Masters: Golfing by the Sea. From Dietzel's DREAMLAND series. Medium sized Archival Pigment print is Ed. 1/3 - 27 x 39 inches / Frame outer dimension is 28 x 40 x 2 inches. Contempor...

Titled the 'Sundance Series', these artworks are a development of traditional landscape photographs and they have created a unique perspective as if captured through a telescope or a...

The Road- Vintage Photograph is a black and white photograph realized in the 1960s. Good conditions.

Randy Hudson 39th Street Year: 2024 Archival Pigment Print on Hahnemuehle Baryta Rag Framed Size: 13 x 13 x 0.25 inches COA provided *Ready to hang; matted and framed in a minimal b...

Frames that capture the transformation from everyday life into another reality. Images that explore how the future will look. The proposal comes from the contemporary but goes beyond...

Black and white fine art long exposure waterscape - landscape photography print. Archival pigment ink print, edition of 9. Signed, titled, dated and numbered by artist. Certificate o...

From the Vanishing Vernacular series. Vanishing Vernacular features a selection of color works by photographer Steve Fitch focusing primarily on the distinctive, idiosyncratic, and ...

Marfa ( Judd ) by Frank Schott Donald Judd's art studio, from a series of impressions captured in Marfa, Texas 48 x 72 inches / 122cm x 183m edition of 7 signed 27 x 40 inches / 68cm x 102cm edition of 25 signed archival quality fine art pigment print limited art edition published by Edition EKTAlux artist signed + numbered certificate of authenticity ________________________ Frank Schott grew up in Germany and attended the prestigious Academy of Arts in Cologne, studying under Professor Arno Jansen, who was an early influence. Moving to California in 1998, Schott's work has evolved to include the epic landscapes and deserts of the American West as well as architectural, conceptual and more formal environments from both home and his travels. Influenced by a number of photographic peers and precursors such as Candida Höfer, Andreas Gursky, Thomas Struth, Jeff Wall, Michael Wolf, Gregory Crewdson, William Eggleston and Joel Sternfeld, Schott's images successfully blend technical, conceptual and formal rigor with a decisive sense of composition and color. Schott's images have an iconic sensibility and give us a bird's eye view onto humanity and its constructs. The specific is edged towards the abstract, often revealing the compelling and disjunctive moment where nature meets man. Frank Schott was born in Cologne, Germany in 1962. He currently lives and works in San Francisco...

A woman wearing a yellow Lilly Pulitzer shift dress (left) talks to a friend while out shopping on Via Mizner, Palm Beach, Florida, 1964. Slim Aarons Via Mizner Palm Beach 1964 C-Pr...

In “American Motel Signs” Steve Fitch crisscrossed the United States documenting the colorful dynamic, advertisements inviting weary traveler to park their car and pack it in for the...

Reportage from Albania - Tirana - Photograph is a color photograph realized in the Late 1970s. Good conditions. the landscape of Albania through the art of photography is captured ...

Michael Kenna is a master of contemporary photography. Known for clean compositions, long exposures and minimalist aesthetics, Kenna’s signature style remains highly influential amon...

Approach Road to Bonneville Salt Flats. The iconic photograph of an open road in America, leading to the famous Bonneville Speedway. This artwork is a limited edition of 25, gloss p...

'Malone Street', the American open road leading to snow capped mountains in Keeler, California. This artwork is part of Richard Heeps' 'Dream in Colour' series. This artwork is a li...

Please bear in mind that all prints are produced to order and lead times are between 15-20 days. This print may be available in another size, please contact the gallery for more information. "Ice Cream Stand...

Black and White Fine Art Landscape Photography. Single cactus in the stone desert in Aziona, USA. Archival pigment ink print, edition of 9. Signed, titled, dated and numbered by arti...

From the Vanishing Vernacular series. Vanishing Vernacular features a selection of color works by photographer Steve Fitch focusing primarily on the distinctive, idiosyncratic, and ...

Arles #08, 2108 [From the series Landmarks] 20x20cm, Edition of 10. Archival pigment print, based on an original Polaroid on beautiful PHOTO RAG ® ULTRA SMOOTH paper, 305gsm, 100% ...

Black and white fine art landscape photography. Archival pigment ink print as part of a limited edition of 7. All Gerald Berghammer prints are made to order in limited editions on Ha...

Reportage from Albania - Tirana  is a vintage photograph realized in the Late 1970s. Good conditions.

I remember something - 2006, 50 × 108 cm, Edition of 3 plus 2 Artist Proofs. printed on Canson Baryta Prestige mounted on Dibond. Signed on back with Certificate. About myself I w...

Wander And Get Lost - 2016, 40 x 40 cm, edition 2/10, digital C-Print based on a Polaroid, hand-numbered and signed on the back by artist. Not mounted. Artist Statement “Since my childhood days I always loved taking photos, but for unknown reasons instant film never really caught my attention. After I saw the works of a friend who happened to be a gifted Polaroid photographer, I was totally mesmerized and the desire to shoot with instant film constantly grew in me. But for as long as I can think music has always been my main preoccupation. I somehow always feel the need to create, but my focus shifted more and more from making music to instant photography and it grew into something much more fulfilling and pure. Sometimes, these two passions even come together when I am able to provide my photos for album artworks – this makes me incredibly happy. As I always have been very introverted and reclusive I often drift off into my own inner world. The dreamlike landscapes and surreal atmospheres in my work are the visualization and the result of these imaginations. Another influence on my photography is my essential need to travel the world. But I am not interested in documenting the places I see like they are but rather love to create otherworldly scenes by adding the dreamlike texture of instant film, serving me as a needful escape from reality.” Artist Biography Julia Beyer is an analogue photographer from Germany. She mainly works with instant film to express her inner visions that often show dreamlike landscapes and surreal atmospheres. After being more known for her musical endeavors as the singer of the dreampop band Chandeen, she began to delve into this photographic art form in 2014 and since then expands her portfolio continuously. Her work has been published in various international print and online publications. Since 2017, she is a member of the renowned "12:12 Project", a worldwide collective of female Polaroid photographers. Selected Press and Publications: Feature in “Photodarium” Calendar 2016, 2017 and 2018 (Germany) Print feature in Monochrome Mag issue four: Instant (Australia) Print feature in Double Exposure Zine, Issue 2 // Vacancy (USA) Shoot Film UK, Issue #001 “Overexposed” (UK) Feature in The Impossible Project Magazine Artwork photography...

Radio silence - 2020 48x60cm, Edition of 7 plus 2 Artist Proofs, digital C-Print based on a Polaroid, not mounted. Signed on the back and with certificate. Artist inventory PL202...

The artist's photographs capture the transformation of everyday life into another reality. Images that explore what the future will be like. Industrial, eccentric and progressive, Ca...

A moment in time In 2021, a gallery from Brussels contacted us. There, a photographic collection had been kept in tin boxes for decades, consisting of 6x6 glass slides in color. Th...

Lord Fauntleroy KCMO-240926-09 2024 Archival Pigment Print on Hahnemuehle Baryta Rag 315gsm Size: 20 x 9.34 inches (60.96 x 60.96cm) Edition: 17 Signed, titled and dated on label COA...

Pioneer's Grave, from Richard Heeps' 'Dream in Colour' series. Keeler was part of American Mining History, on the east shore of Owens Lake, but the lake dried up serving LA, and mill...

Marfa ( Donald Judd ) by Frank Schott Donald Judd's art studio, from a series of impressions captured in his home town Marfa, Texas 27 x 40 inches / 68cm x 102cm edition of 25 signed 48 x 72 inches / 122cm x 183m edition of 7 signed archival quality fine art pigment print limited art edition published by Edition EKTAlux artist signed + numbered certificate of authenticity ________________________ Frank Schott grew up in Germany and attended the prestigious Academy of Arts in Cologne, studying under Professor Arno Jansen, who was an early influence. Moving to California in 1998, Schott's work has evolved to include the epic landscapes and deserts of the American West as well as architectural, conceptual and more formal environments from both home and his travels. Influenced by a number of photographic peers and precursors such as Candida Höfer, Andreas Gursky, Thomas Struth, Jeff Wall, Michael Wolf, Gregory Crewdson, William Eggleston and Joel Sternfeld, Schott's images successfully blend technical, conceptual and formal rigor with a decisive sense of composition and color. Schott's images have an iconic sensibility and give us a bird's eye view onto humanity and its constructs. The specific is edged towards the abstract, often revealing the compelling and disjunctive moment where nature meets man. Frank Schott was born in Cologne, Germany in 1962. He currently lives and works in San Francisco...

Highlighting and capturing the raw natural beauty of the Californian coast, Oregon, Colorado, Arizona, Wyoming landscapes. Showcasing the raw natural beauty of the Oregon Coast: 48...

Parked In Paris from the Paris In Colour Series 1956-61 By Peter Cornelius 40 x 60 inches / 101 x 152 cm paper size Printed 2022 Archival pigment print Framing and size options available - Please enquire About: Peter Cornelius (1913–1970) was a German photographer and photojournalist. The goal he set himself was to capture: “the right colours at the right moment”. He was never concerned with a pure, apparently “right” picture of “reality”. After World War II, he began his career with reportage, landscape and sailing photography...

Jill Peters finds her inspiration in the quickly changing architectural landmarks of her youth, like the demolished Miami Herald building, an abandoned roller coaster or a neglected ...

Ancient views of Vaparaiso is a set of two original albumen prints made in 1880s. Prints in excellent condition, applied on a single cardboard. Caption in Italian ink hand-written ...

Cidade do interior do Brasil is a black and white vintage photo, realized in Mid 20th Century. Good conditions and aged. The photo depicts Diamantina, a Brazilian municipality in t...

Kate Breakey's artistic process is an act of investigation – a passionate attempt to establish an understanding of the natural world – a version that incorporates both intellectual a...

Passing Under by Erik Pawassar 27 x 40 inches (69 x 102cm) edition of 25 signed 48 x 71 inches (122 x 180cm) edition of 7 signed archival fine art pigment print signed & numbered...

Black and white fine art landscape photography print. Road through cypress avenue in the heart of Tuscany, Italy. Archival pigment ink print, edition of 9. Signed, titled, dated and ...

© Gerald Berghammer - Limited edition of 9. Archival fine art pigment print. Signed, titled, dated and numbered by artist. Certificate of authenticity included. Printed with 4cm whit...

Cologne Night (1965) (Photo By Phillip Harrington) Hohe Strasse, in Cologne, at Night in 1965. Additional Information : Unframed Paper Size: 20x24'' Printed Later NOTE OTHER SIZES OF THIS IMAGE AVAILABLE 10 x 12'' 12 x 16'' 16 x 20'' 20 x 24'' FRAMING AVAILABLE ON REQUEST About the Artist: Phillip A. Harrington was born in 1920 and grew up in Holland, Michigan. He developed an interest in photography at an early age, joining the high school camera club at 16. At the age of 19, Harrington moved to New York City to study at the Clarence. H. White school of photography, a prestigious institution with graduates such as Margaret Bourke-White, Dorothea Lange, Laura Gilpin...

'Ryan Gossling' (Stay) - 2006, 20x20cm, Edition of 2/10, digital C-Print, based on a Polaroid Certificate and Signature label artist Inventory No. 2447.02 Not mounted. Stefanie Schneider: Torsten Scheid, “Fotografie, Kunst, Kino. Revisited.”, FilmDienst 3/2006, page 11-13

 Photography Art Cinema. Revisited Stay expands a traditional connection through new facets Interwoven between the media of photography and film is a veritable mesh-work of technical, motific, metaphorical and personal interrelationships. Extending from photo-film which, as in La Jetée by Chris Marker (France, 1962) is a montage of single, unmoving photographs all the way to the portrayal of photographic motifs in Hollywood cinema―most recently in Memento (USA, 2000) and One hour photo (USA, 2002)―is the range of filmic-photographic interactions on the one hand, and from the adaption of modes of cinematic production to the imitation of film stills on the other. For instance, with the legendary Untitled Film Stills (1978) of the American artist Cindy Sherman, who later made her debut as a film director with Office Killer (USA, 1997) and thereby, like many others, changed sides: Wim Wenders, Robert Frank and Larry Clark are doubtlessly the most successful of these photographic-filmic border crossers. This brief survey provides only a vague indication of the dimensions of this intermedial field, which in fact extends much further and is constantly being cultivated. Also as a motif in film, photography has experienced a historical transformation: Photographers were once considered to be technicians who mastered a craft but never achieved the status of artists. Photographer-figures were caught in the allure of beautiful appearance, incapable of penetrating to the actual essence of things. Such depth was reserved for literature or painting. When photography in film touched upon the sphere of art, then most often as its contrasting model, as the metaphor for a superficial access to the world. Coming to mind are Fred Astaire as a singing fashion photographer in Stanley Donen’s musical film Funny Face (USA, 1957), or the restless lifestyle-photographer in Michelangelo Antonioni’s genre-classic Blow up (GB, 1966). For the doubting Thomas, only that exists which can be photographed. He ultimately enters the world of fantasy and thereby the field of art only unwillingly, when he becomes entangled in the world of his images. The last of his detail-enlargements shows only the photographic grain and has lost all connection to reality. The photograph looks as if it had been painted by Bill, the painter who is both friend and antagonist to the protagonist.

 Photography as Art It was first around the end of the last century that numerous filmmakers discovered photography as a genuine art form. In The Bridges of Madison County (USA, 1995) a sensitive Clint Eastwood stands, camera in hand, on the threshold of artistic status, and in Smoke (USA, 1994) a tobacco merchant ripens into a philosopher through his involvement in photography. Finally, in John Water’s parody of the art market, Pecker (USA, 1998), a provincial tom-fool is hyped into celebrated stardom amid the New York art scene because of his blurred snapshots. This film about a postmodern Kaspar Hauser in photographic art (with clear parallels to Richard Billingham, the British shooting star of the nineteen-nineties), not only takes into account the exponentially expanded significance of photography in the art market, but also attributes to photography an extreme degree of conformity to the “operating system” of the visual arts. This admittedly ironic equation of photography and the visual arts is new. It is repeated with much more earnestness in Lisa Chollondencko’s High Art (USA) from the same year. Artistic photography has finally become established in a cinematic context.

 
Stay Stay (USA, 2005) could have fitted in seamlessly here. Considering that the films High Art and Pecker establish photography as an ideal art form at the end of the millennium, director Marc Forster (Monster’s Ball, Finding Neverland) takes a step backward; he revives an anti-technical, intuitive concept of art, including the customary clichés about madness and genius. This choice documents less an anachronistic notion of art (especially considering that painting is currently experiencing a Renaissance) than instead the appraisal that paintings are more suitable for representing the free objectification of the mind. Stay is not an artist-film but rather a psycho-thriller in which the borders between dream and reality become blurred.
 The psychiatrist Sam Foster (Ewan McGregor) has saved his girlfriend, the artist Lila (played by Naomi Watts) from committing suicide. Now he is attempting to keep another patient, the art student Henry Letham (Ryan Gosling...

Ancient Views of Panama City is a set of 2 albumen prints made realized in 1880s. In excellent condition, applied on a single cardboard. Caption in Itali...

Katharine Hepburn American film star Katharine Hepburn driving along the waterfront with Irene Mayer Selznick at Montego Bay, Jamaica. 48x48" inc...

Empty Town with post in Foreground by Michael Ormerod is a 24" x 34" black and white photographic print on Hahnemuhle paper from a limited edition of 10 prints. Featured in the 202...

Walter Rudolph His photographs are reminiscent of the jet-set photographer Slim Aarons. Walter Rudolph discovered the world as a photographer on the idea, travel was his passion, hi...

Black and white fine art panorama landscape photography print. Archival pigment ink print, edition of 7. Signed, titled, dated and numbered by artist. Certificate of authenticity inc...

Steppin' in High Fashions, Colorado is a Photographic Color Print on Hahnemuhle paper in this size of 20" x 24" in an edition of 20. Michael Ormerod was a British photographer with ...

In Home By Nightfall, Angela Bacon-Kidwell photographs a lone road surrounded by stretches of a seemingly infinite smokey landscape bathed in gauzy light. Ultimately speaking of tran...

Antony Zega (1962-2019). Leaning Pine (Cape Cod), ca. 1985. Photographic print, 10 x 10 inches. Mounted to acid free matting board measuring 16 x 20 inches. Unsigned. Estate stamp o...

Juan Manuel Fangio (1955) - Silver Gelatin Fibre Print (Photo by Evening Standard/Getty Images) Argentinian racing driver Juan Manuel Fangio in a...

Winged I (Bombay Bay all Day), 2019, 19x25cm, Edition 1/7 plus 2 Artist Proofs, Digital C-print, based on an original Polaroid, not mounted. Signed on the back and with certificate. ...

Black and white fine art cityscape - landscape photography. Archival pigment ink print as part of a limited edition of 9. All Gerald Berghammer prints are made to order in limited ed...