Weather Landscape Photography
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1,221
1,089
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862
759
1
1
158
1,363
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66
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177
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105
49
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Art Subject: Weather
Malaysian Contemporary Photography by Jess Hon - Reflections
Located in Paris, IDF
Edition of 10. Fujicolour / DMEL: professional photo paper (from Kodak).
Category
2010s Contemporary Landscape Photography
Materials
Photographic Paper
Magic Mountain II (Memories of Green)
Located in Morongo Valley, CA
Magic Mountain II (Memories of Green) - 2003
Edition of 10,
58x56cm.
Analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper,
based on an expired Polaroid.
Signa...
Category
Early 2000s Contemporary Color Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Snow Covered Central Park, New York City, black and white cityscape photography
Located in Vienna, Vienna
Gerald Berghammer - Limited edition of 9.
Archival fine art pigment print. Signed, titled, dated and numbered by artist. Certificate of authenticity included. Printed with 4cm white ...
Category
2010s Contemporary Landscape Photography
Materials
Photographic Film, Archival Ink, Archival Paper, Black and White, Digita...
Clouds 18
Located in Miami, FL
Archival photo print under acrylic glass.
Dimensions: 48 x 48 in.
Depth: 1/4 in.
Artist and photographer Paul-Émile Rioux lives in Montréal, Canada.
His lifelong interest in cutti...
Category
2010s Contemporary Color Photography
Materials
Plexiglass, Archival Pigment
Malaysian Contemporary Photography by Jess Hon - First Light in Stelvio Pass
Located in Paris, IDF
Edition of 10. Fujicolour / DMEL: professional photo paper (from Kodak).
Category
2010s Contemporary Landscape Photography
Materials
Photographic Paper
Clouds 15
Located in Miami, FL
Archival photo print under acrylic glass.
Dimensions: 48 x 48 in.
Depth: 1/4 in.
Artist and photographer Paul-Émile Rioux lives in Montréal, Canada.
His lifelong interest in cutti...
Category
2010s Contemporary Color Photography
Materials
Plexiglass, Archival Pigment
Large Landscape Ethereal Nature Wildlife Photograph India Pond Trees Peach Blue
Located in Norfolk, GB
Aditya Dicky Singh Untitled Infrared photograph on fine-art Hahnemuhle archival paper, 64" x 42.7"
*please note this artwork can be printed at any size so long as the ratio remain...
Category
2010s Contemporary Landscape Photography
Materials
Archival Paper, Archival Ink
GLIMMER
Located in New York, NY
ABOUT THIS ARTIST: Niall Staines is a digital artist based in Ireland. His work is graphic, vibrant and visually arresting. Nature is a consistent theme in his work, often turning se...
Category
2010s Color Photography
Materials
Photographic Paper
Landscape Lily Pond Nature Black White Peach Wildlife Photograph India Ethereal
Located in Norfolk, GB
Aditya Dicky Singh, Untitled, Infrared photograph on fine-art Hahnemuhle archival paper , 36" x 36"
*please note this artwork can be printed at any size so long as the ratio rema...
Category
2010s Contemporary Landscape Photography
Materials
Archival Paper, Archival Ink
Trees in snowy Field, black and white gelatin silver fineart photography, framed
Located in Vienna, Vienna
Gerald Berghammer - Limited Edition 1/9
Silver Gelatin Prints, Selenium Toned, Printed 2020
Signed, numbered, dated by Artis.
Handmade wood frame, dark-brown, natural white archival Passepartout, anti-reflection white glass, UV 70, metal corners for wall mounting.
Gerald Berghammer, born 1975 in Austria...
Category
2010s Contemporary Black and White Photography
Materials
Archival Paper, Photographic Film, Photographic Paper, Black and White, ...
Climbing Mountains
By Sarah Hadley
Located in Los Angeles, CA
"Climbing Mountains" is part of Sarah Hadley's Story Lines series. In Story Lines, Hadley creates surreal intimate cinematic narratives which blur the lines between reality and ficti...
Category
2010s Contemporary Landscape Photography
Materials
Archival Pigment
Clouds 14
Located in Miami, FL
Archival photo print under acrylic glass.
Dimensions: 48 x 48 in.
Depth: 1/4 in.
Artist and photographer Paul-Émile Rioux lives in Montréal, Canada.
His lifelong interest in cutti...
Category
2010s Contemporary Color Photography
Materials
Plexiglass, Archival Pigment
Clouds 13
Located in Miami, FL
Archival photo print under acrylic glass.
Dimensions: 48 x 48 in.
Depth: 1/4 in.
Artist and photographer Paul-Émile Rioux lives in Montréal, Canada.
His lifelong interest in cutti...
Category
2010s Contemporary Color Photography
Materials
Plexiglass, Archival Pigment
Nature Lily Pond Blue White Landscape Ethereal Nature Wildlife Photograph India
Located in Norfolk, GB
Aditya Dicky Singh, Untitled, Infrared photograph on fine-art Hahnemuhle archival paper, 36" x 36", 2022
*please note this artwork can be printed at any size so long as the rati...
Category
2010s Contemporary Landscape Photography
Materials
Archival Paper, Archival Ink
Painted Rainbows
Located in Santa Monica, CA
Julian Lennon’s photographs serve as allegorical vehicles in this time of heightened awareness for our planet’s peril. In surveilling these ever-changing skies, Atmospheria celebrate...
Category
2010s Contemporary Color Photography
Materials
Dye Transfer
Landscape Blue Nature Wildlife Photograph India Forests Infrared Atmospheric
Located in Norfolk, GB
Aditya Dicky Singh Untitled Infrared photograph on fine-art Hahnemuhle archival paper, 36" x 36"
*please note this artwork can be printed at any size so long as the ratio remai...
Category
2010s Contemporary Landscape Photography
Materials
Archival Paper, Archival Ink
Redwoods, California, USA, black & white gelatin silver art photography, framed
Located in Vienna, Vienna
Gerald Berghammer - Limited Edition 4/20
Silver Gelatin Prints, Selenium Toned, Printed 2019
Signed, numbered, dated by Artis.
Handmade wood frame, dark-brown, natural white archival Passepartout, anti-reflection white glass, UV 70, metal corners for wall mounting.
Gerald Berghammer, born 1975 in Austria...
Category
2010s Contemporary Black and White Photography
Materials
Photographic Film, Photographic Paper, Black and White, Silver Gelatin
Nature Lily Pond Square Landscape Blue White Ethereal Wildlife Photograph India
Located in Norfolk, GB
Aditya Dicky Singh, Untitled, Infrared photograph on fine-art Hahnemuhle archival paper, 36" x 36"
*please note this artwork can be printed at any size so long as the ratio rema...
Category
2010s Contemporary Landscape Photography
Materials
Archival Paper, Archival Ink
Silver Linings
Located in Santa Monica, CA
Lennon’s photographs serve as allegorical vehicles in this time of heightened awareness for our planet’s peril.In surveilling these ever-changing skies, Atmospheria celebrates the be...
Category
2010s Contemporary Landscape Photography
Materials
Dye Transfer
Salisbury Plain
Located in London, GB
Salisbury Plain
by Justin Pumfrey
40x30" inches / 101 x 76 cm paper size
signed and numbered by the artist on front
Limited to 10 only this size
With certificate of authenticity
...
Category
2010s Modern Landscape Photography
Materials
Archival Pigment
Wild West Panorama, Utah National Park, USA, black white landscape photography
Located in Vienna, Vienna
Black and White Fine Art landscape photography. Rock formations in the beautiful arches national park with big clouds, Utah, USA. Archival pigment ink print, edition of 9. Signed, titled, dated and numbered by artist. Certificate of authenticity included. Printed with 4cm white border.
International award winner photographer Gerald Berghammer, born 1975 in Austria...
Category
2010s Contemporary Black and White Photography
Materials
Archival Ink, Giclée, Photographic Film, Archival Paper, Black and White...
Two Wooden Stakes, Sylt, Germany, black and white long exposure art photography
Located in Vienna, Vienna
Gerald Berghammer - Limited edition of 9.
Archival fine art pigment print. Signed, titled, dated and numbered by artist. Certificate of authenticity included. Printed with 4cm white ...
Category
2010s Contemporary Landscape Photography
Materials
Photographic Film, Archival Ink, Archival Paper, Black and White, Digita...
Yusurika 045 – Yoshinori Mizutani, Colour, Photography, Snow, Nature, Art, Sky
Located in Zurich, CH
Yoshinori MIZUTANI (*1987, Japan)
Yusurika 045, 2015
Archival pigment print on Hahnemuhle Fine Art Baryta paper
Sheet 145.6 x 97 cm (57 3/8 x 38 1/4 in.)
Edition of 3 plus 2 artist's...
Category
2010s Contemporary Color Photography
Materials
Archival Pigment
Foggy Morning, single Tree, black & white gelatin silver art photography, framed
Located in Vienna, Vienna
Gerald Berghammer - Limited Edition 3/9
Silver Gelatin Prints, Selenium Toned, Printed 2019
Signed, numbered, dated by Artis.
Handmade wood frame, da...
Category
2010s Contemporary Black and White Photography
Materials
Photographic Film, Photographic Paper, Black and White, Silver Gelatin
Samaria Gorge no. 3
Located in London, GB
'Samaria Gorge no. 3'
26x47 cm limited edition of 20.
Taken in Crete, Greece 2022.
Printed on heavyweight Photo rag Baryta Hahnehnmule fine art paper.
Signed front and back, come...
Category
21st Century and Contemporary Naturalistic Landscape Photography
Materials
Photographic Film, Archival Paper, Giclée
Clouds 10
Located in Miami, FL
Archival photo print under acrylic glass.
Dimensions: 48 x 48 in.
Depth: 1/4 in.
Artist and photographer Paul-Émile Rioux lives in Montréal, Canada.
His lifelong interest in cutting-edge media technology as well as his expertise in photography cast him as pioneer in digital art and allow him to develop virtual matrix from which he extracts his images.
In his works he explores a universe that lies at the crossroad of abstraction and the figurative, inviting the viewer to determine if what he sees is a reflection of reality or imagination.
Through is truly unique approach RIOUX is one of the most innovative artists in digital creations and one of the few creative minds able to blend with such keenness aesthetics research and critical distance.
Whether they translate into a Dantesque urbanity or the infinite horizon of a turquoise ocean, the urban territory reflected by his creations offers a dystopian view of the world, challenging our attitude towards the environment and the future.
From the onset, RIOUX has no intention of matching IRL expectations of what digital art 'should' look like, but strives to play with our notions of what's real, what's not, how we remember, and how we infer meaning into imaginary visual constructs.
---
RIOUX started the Cloud project in 2022.
Paul-Emile Rioux’s series Cloud, like his other work, is a kind of aesthetic thought experiment. Each square image is bisected symmetrically, or nearly symmetrically, by a tidy horizon. The upper half display forms that appear as clouds, the bottom as an underwater seascape, yet at the same time mimics the cloudlike formations of above.
Formally these works reference hard-edged abstraction, minimalism and abstract expressionism, though juxtaposed with a sort of Instagram lifestyle sensibility. When shown as a gridded series, they recall the Instagram account @insta_repeat which curates gridded typologies of nearly identical influencer photos – for instance sunsets on a beach, or campfires with hiking boot clad feet visible in the foreground, transforming images, which individually are meant to signify the good life, into symbols of stifling homogeneity, cynically trying to capitalize on mass-produced sensations.
Unlike past movements in abstract or minimal art, however, Rioux is not striving to create self-contained objects, but windows into deeper currents that churn in the dark spaces where culture, technology and the subconscious flow together. Rioux’s digital works are not specifically images, but notes, ways of thinking. They connect to a larger discourse.
With Clouds, Rioux thinks aloud about what is hidden and what is revealed in our relationships to technology and nature. It is a meditation on “the cloud,” which, like real clouds, seem immaterial, but in fact are physical and have a material impact on the world. Rioux considers the juxtaposition between weight and weightlessness – the apparent weightlessness of virtual reality, against the mass, the inescapability of the material world. Technology promises a world of lightness, connectivity and the bounty of limitless growth, or if it cannot quite muster that illusion, at least the offer of escape into a simulated universe of carnivalesque distraction shepherding us away from the environmental catastrophe our economic system inflicts on the earth. In this series Rioux asks us to reflect on what the clouds hide.
There are 18 pieces in the Cloud collection.
Each archival pigment print is produced under the supervision of the artist.
The print is mounted under a single piece of 1/4"/ 6 mm gallery...
Category
2010s Contemporary Color Photography
Materials
Plexiglass, Archival Pigment
Carmel Valley After Winter Storm
By Roman Loranc
Located in Carmel, CA
Excellent Condition
Gifted By Artist
Category
Early 2000s Black and White Photography
Materials
Photographic Paper
Clouds 11
Located in Miami, FL
Archival photo print under acrylic glass.
Dimensions: 48 x 48 in.
Depth: 1/4 in.
Artist and photographer Paul-Émile Rioux lives in Montréal, Canada.
His lifelong interest in cutting-edge media technology as well as his expertise in photography cast him as pioneer in digital art and allow him to develop virtual matrix from which he extracts his images.
In his works he explores a universe that lies at the crossroad of abstraction and the figurative, inviting the viewer to determine if what he sees is a reflection of reality or imagination.
Through is truly unique approach RIOUX is one of the most innovative artists in digital creations and one of the few creative minds able to blend with such keenness aesthetics research and critical distance.
Whether they translate into a Dantesque urbanity or the infinite horizon of a turquoise ocean, the urban territory reflected by his creations offers a dystopian view of the world, challenging our attitude towards the environment and the future.
From the onset, RIOUX has no intention of matching IRL expectations of what digital art 'should' look like, but strives to play with our notions of what's real, what's not, how we remember, and how we infer meaning into imaginary visual constructs.
---
RIOUX started the Cloud project in 2022.
Paul-Emile Rioux’s series Cloud, like his other work, is a kind of aesthetic thought experiment. Each square image is bisected symmetrically, or nearly symmetrically, by a tidy horizon. The upper half display forms that appear as clouds, the bottom as an underwater seascape, yet at the same time mimics the cloudlike formations of above.
Formally these works reference hard-edged abstraction, minimalism and abstract expressionism, though juxtaposed with a sort of Instagram lifestyle sensibility. When shown as a gridded series, they recall the Instagram account @insta_repeat which curates gridded typologies of nearly identical influencer photos – for instance sunsets on a beach, or campfires with hiking boot clad feet visible in the foreground, transforming images, which individually are meant to signify the good life, into symbols of stifling homogeneity, cynically trying to capitalize on mass-produced sensations.
Unlike past movements in abstract or minimal art, however, Rioux is not striving to create self-contained objects, but windows into deeper currents that churn in the dark spaces where culture, technology and the subconscious flow together. Rioux’s digital works are not specifically images, but notes, ways of thinking. They connect to a larger discourse.
With Clouds, Rioux thinks aloud about what is hidden and what is revealed in our relationships to technology and nature. It is a meditation on “the cloud,” which, like real clouds, seem immaterial, but in fact are physical and have a material impact on the world. Rioux considers the juxtaposition between weight and weightlessness – the apparent weightlessness of virtual reality, against the mass, the inescapability of the material world. Technology promises a world of lightness, connectivity and the bounty of limitless growth, or if it cannot quite muster that illusion, at least the offer of escape into a simulated universe of carnivalesque distraction shepherding us away from the environmental catastrophe our economic system inflicts on the earth. In this series Rioux asks us to reflect on what the clouds hide.
There are 18 pieces in the Cloud collection.
Each archival pigment print is produced under the supervision of the artist.
The print is mounted under a single piece of 1/4"/ 6 mm gallery...
Category
2010s Contemporary Color Photography
Materials
Plexiglass, Archival Pigment
SAKURA 07, 4-1 – Risaku Suzuki, Tree, Spring, Cherry Blossom, Japanese Art
Located in Zurich, CH
RISAKU SUZUKI (*1963, Japan)
SAKURA 07, 4-1, 2007
Chromogenic print
Sheet 120 x 155 cm (47 1/4 x 61 in.)
Frame 122.8 x 157.7 x 5 cm (48 3/8 x 62 1/8 x 2 in.)
Edition of 5 (#2/5)
Fram...
Category
2010s Contemporary Landscape Photography
Materials
C Print
Row of Cypress Trees, Tuscany, Italy, b&w photography, fine art print, framed
Located in Vienna, Vienna
Gerald Berghammer - Limited Edition 1/9
Archival Pigment Ink Print, Printed 2020
Signed, numbered, dated by Artis.
Handmade wood frame, dark-brown, natural white archival Passepartou...
Category
2010s Contemporary Black and White Photography
Materials
Photographic Film, Archival Ink, Archival Paper, Black and White, Digita...
Clouds
Located in Miami, FL
Archival photo print under acrylic glass.
Dimensions: 48 x 48 in.
Depth: 1/4 in.
Artist and photographer Paul-Émile Rioux lives in Montréal, Canada.
His lifelong interest in cutting-edge media technology as well as his expertise in photography cast him as pioneer in digital art and allow him to develop virtual matrix from which he extracts his images.
In his works he explores a universe that lies at the crossroad of abstraction and the figurative, inviting the viewer to determine if what he sees is a reflection of reality or imagination.
Through is truly unique approach RIOUX is one of the most innovative artists in digital creations and one of the few creative minds able to blend with such keenness aesthetics research and critical distance.
Whether they translate into a Dantesque urbanity or the infinite horizon of a turquoise ocean, the urban territory reflected by his creations offers a dystopian view of the world, challenging our attitude towards the environment and the future.
From the onset, RIOUX has no intention of matching IRL expectations of what digital art 'should' look like, but strives to play with our notions of what's real, what's not, how we remember, and how we infer meaning into imaginary visual constructs.
---
RIOUX started the Cloud project in 2022.
Paul-Emile Rioux’s series Cloud, like his other work, is a kind of aesthetic thought experiment. Each square image is bisected symmetrically, or nearly symmetrically, by a tidy horizon. The upper half display forms that appear as clouds, the bottom as an underwater seascape, yet at the same time mimics the cloudlike formations of above.
Formally these works reference hard-edged abstraction, minimalism and abstract expressionism, though juxtaposed with a sort of Instagram lifestyle sensibility. When shown as a gridded series, they recall the Instagram account @insta_repeat which curates gridded typologies of nearly identical influencer photos – for instance sunsets on a beach, or campfires with hiking boot clad feet visible in the foreground, transforming images, which individually are meant to signify the good life, into symbols of stifling homogeneity, cynically trying to capitalize on mass-produced sensations.
Unlike past movements in abstract or minimal art, however, Rioux is not striving to create self-contained objects, but windows into deeper currents that churn in the dark spaces where culture, technology and the subconscious flow together. Rioux’s digital works are not specifically images, but notes, ways of thinking. They connect to a larger discourse.
With Clouds, Rioux thinks aloud about what is hidden and what is revealed in our relationships to technology and nature. It is a meditation on “the cloud,” which, like real clouds, seem immaterial, but in fact are physical and have a material impact on the world. Rioux considers the juxtaposition between weight and weightlessness – the apparent weightlessness of virtual reality, against the mass, the inescapability of the material world. Technology promises a world of lightness, connectivity and the bounty of limitless growth, or if it cannot quite muster that illusion, at least the offer of escape into a simulated universe of carnivalesque distraction shepherding us away from the environmental catastrophe our economic system inflicts on the earth. In this series Rioux asks us to reflect on what the clouds hide.
There are 18 pieces in the Cloud collection.
Each archival pigment print is produced under the supervision of the artist.
The print is mounted under a single piece of 1/4"/ 6 mm gallery...
Category
2010s Contemporary Color Photography
Materials
Plexiglass, Archival Pigment
Clouds 3
Located in Miami, FL
Archival photo print under acrylic glass.
Dimensions: 48 x 48 in.
Depth: 1/4 in.
Artist and photographer Paul-Émile Rioux lives in Montréal, Canada.
His lifelong interest in cutting-edge media technology as well as his expertise in photography cast him as pioneer in digital art and allow him to develop virtual matrix from which he extracts his images.
In his works he explores a universe that lies at the crossroad of abstraction and the figurative, inviting the viewer to determine if what he sees is a reflection of reality or imagination.
Through is truly unique approach RIOUX is one of the most innovative artists in digital creations and one of the few creative minds able to blend with such keenness aesthetics research and critical distance.
Whether they translate into a Dantesque urbanity or the infinite horizon of a turquoise ocean, the urban territory reflected by his creations offers a dystopian view of the world, challenging our attitude towards the environment and the future.
From the onset, RIOUX has no intention of matching IRL expectations of what digital art 'should' look like, but strives to play with our notions of what's real, what's not, how we remember, and how we infer meaning into imaginary visual constructs.
---
RIOUX started the Cloud project in 2022.
Paul-Emile Rioux’s series Cloud, like his other work, is a kind of aesthetic thought experiment. Each square image is bisected symmetrically, or nearly symmetrically, by a tidy horizon. The upper half display forms that appear as clouds, the bottom as an underwater seascape, yet at the same time mimics the cloudlike formations of above.
Formally these works reference hard-edged abstraction, minimalism and abstract expressionism, though juxtaposed with a sort of Instagram lifestyle sensibility. When shown as a gridded series, they recall the Instagram account @insta_repeat which curates gridded typologies of nearly identical influencer photos – for instance sunsets on a beach, or campfires with hiking boot clad feet visible in the foreground, transforming images, which individually are meant to signify the good life, into symbols of stifling homogeneity, cynically trying to capitalize on mass-produced sensations.
Unlike past movements in abstract or minimal art, however, Rioux is not striving to create self-contained objects, but windows into deeper currents that churn in the dark spaces where culture, technology and the subconscious flow together. Rioux’s digital works are not specifically images, but notes, ways of thinking. They connect to a larger discourse.
With Clouds, Rioux thinks aloud about what is hidden and what is revealed in our relationships to technology and nature. It is a meditation on “the cloud,” which, like real clouds, seem immaterial, but in fact are physical and have a material impact on the world. Rioux considers the juxtaposition between weight and weightlessness – the apparent weightlessness of virtual reality, against the mass, the inescapability of the material world. Technology promises a world of lightness, connectivity and the bounty of limitless growth, or if it cannot quite muster that illusion, at least the offer of escape into a simulated universe of carnivalesque distraction shepherding us away from the environmental catastrophe our economic system inflicts on the earth. In this series Rioux asks us to reflect on what the clouds hide.
There are 18 pieces in the Cloud collection.
Each archival pigment print is produced under the supervision of the artist.
The print is mounted under a single piece of 1/4"/ 6 mm gallery...
Category
2010s Contemporary Color Photography
Materials
Plexiglass, Archival Pigment
Over the Bridge, Ireland, black and white minimalist fine landscape photography
Located in Vienna, Vienna
Gerald Berghammer - Limited edition of 9.
Archival fine art pigment print. Signed, titled, dated and numbered by artist. Certificate of authenticity included. Printed with 4cm white ...
Category
2010s Contemporary Black and White Photography
Materials
Photographic Film, Archival Ink, Archival Paper, Black and White, Digita...
Clouds 2
Located in Miami, FL
Archival photo print under acrylic glass.
Dimensions: 48 x 48 in.
Depth: 1/4 in.
Artist and photographer Paul-Émile Rioux lives in Montréal, Canada.
His lifelong interest in cutting-edge media technology as well as his expertise in photography cast him as pioneer in digital art and allow him to develop virtual matrix from which he extracts his images.
In his works he explores a universe that lies at the crossroad of abstraction and the figurative, inviting the viewer to determine if what he sees is a reflection of reality or imagination.
Through is truly unique approach RIOUX is one of the most innovative artists in digital creations and one of the few creative minds able to blend with such keenness aesthetics research and critical distance.
Whether they translate into a Dantesque urbanity or the infinite horizon of a turquoise ocean, the urban territory reflected by his creations offers a dystopian view of the world, challenging our attitude towards the environment and the future.
From the onset, RIOUX has no intention of matching IRL expectations of what digital art 'should' look like, but strives to play with our notions of what's real, what's not, how we remember, and how we infer meaning into imaginary visual constructs.
---
RIOUX started the Cloud project in 2022.
Paul-Emile Rioux’s series Cloud, like his other work, is a kind of aesthetic thought experiment. Each square image is bisected symmetrically, or nearly symmetrically, by a tidy horizon. The upper half display forms that appear as clouds, the bottom as an underwater seascape, yet at the same time mimics the cloudlike formations of above.
Formally these works reference hard-edged abstraction, minimalism and abstract expressionism, though juxtaposed with a sort of Instagram lifestyle sensibility. When shown as a gridded series, they recall the Instagram account @insta_repeat which curates gridded typologies of nearly identical influencer photos – for instance sunsets on a beach, or campfires with hiking boot clad feet visible in the foreground, transforming images, which individually are meant to signify the good life, into symbols of stifling homogeneity, cynically trying to capitalize on mass-produced sensations.
Unlike past movements in abstract or minimal art, however, Rioux is not striving to create self-contained objects, but windows into deeper currents that churn in the dark spaces where culture, technology and the subconscious flow together. Rioux’s digital works are not specifically images, but notes, ways of thinking. They connect to a larger discourse.
With Clouds, Rioux thinks aloud about what is hidden and what is revealed in our relationships to technology and nature. It is a meditation on “the cloud,” which, like real clouds, seem immaterial, but in fact are physical and have a material impact on the world. Rioux considers the juxtaposition between weight and weightlessness – the apparent weightlessness of virtual reality, against the mass, the inescapability of the material world. Technology promises a world of lightness, connectivity and the bounty of limitless growth, or if it cannot quite muster that illusion, at least the offer of escape into a simulated universe of carnivalesque distraction shepherding us away from the environmental catastrophe our economic system inflicts on the earth. In this series Rioux asks us to reflect on what the clouds hide.
There are 18 pieces in the Cloud collection.
Each archival pigment print is produced under the supervision of the artist.
The print is mounted under a single piece of 1/4"/ 6 mm gallery...
Category
2010s Contemporary Color Photography
Materials
Plexiglass, Archival Pigment
Limited Edition Color Photograph 1/10 - Lonesome Road, Utah 2018 20 x 24
By Howard Lewis
Located in White Plains, NY
Limited Edition Color Photograph 1/10 - Lonesome Road, Utah 2018. Taken on extensive photographic travel through the West in 2018.
About Howard Lewis:...
Category
2010s Contemporary Landscape Photography
Materials
Archival Pigment
SAKURA 16, 4-25 – Risaku Suzuki, Night, Tree, Spring, Cherry Blossom, Japan Art
Located in Zurich, CH
RISAKU SUZUKI (*1963, Japan)
SAKURA 16, 4-25, 2016
Chromogenic print
Sheet 120 x 155 cm (47 1/4 x 61 in.)
Frame 124 x 158.8 x 5.7 cm (48 7/8 x 62 1/2 x ...
Category
2010s Contemporary Landscape Photography
Materials
C Print
Open Road, Californian Road Sepia Landscape
By Roman Loranc
Located in Carmel, CA
Negative Date 2002
Print Date 2005
Edition 35/50
Excellent Condition
Purchased Directly from Artist
Category
Early 2000s Black and White Photography
Materials
Silver Gelatin
Heaven's Above
Located in Santa Monica, CA
Lennon’s photographs serve as allegorical vehicles in this time of heightened awareness for our planet’s peril.
In surveilling these ever-changing skies, 'Atmospheria' celebrates the...
Category
2010s Black and White Photography
Materials
Dye Transfer
Bayou Study #1
Located in Dallas, TX
Edition 1/25
Signature label on back
Category
2010s Contemporary Color Photography
Materials
Archival Pigment
Storm Chaser
Located in Boulder, CO
A limited Edition Print by National Geographic Photographer Keith Ladzinski from his series “Power & Elegance: Horses of the World”. Each photograph celebrates the beauty and strengt...
Category
21st Century and Contemporary Contemporary Landscape Photography
Materials
Archival Paper, Photographic Paper
Clouds 6
Located in Miami, FL
Archival photo print under acrylic glass.
Dimensions: 48 x 48 in.
Depth: 1/4 in.
Artist and photographer Paul-Émile Rioux lives in Montréal, Canada.
His lifelong interest in cutti...
Category
2010s Contemporary Color Photography
Materials
Plexiglass, Archival Pigment
Suspended Sky
Located in Santa Monica, CA
Lennon’s photographs serve as allegorical vehicles in this time of heightened awareness for our planet’s peril.
In surveilling these ever-changing skies, 'Atmospheria' celebrates the...
Category
2010s Black and White Photography
Materials
Dye Transfer
Angelina by Keith Carter, 2021, Archival Pigment Print
Located in Dallas, TX
Angelina by Keith Carter presents a sublime scene. A branch dips into the calm and quiet river. Trees line the river's edge, extending back to the horizon. The stillness in the water reflect the overhanging foliage, creating a dreamlike scene.
Angelina by Keith Carter is listed as a 16 x 16 inch archival pigment print, with the paper size measuring 22 x 17 inches. It is available in an edition of 25. This photograph is signed, titled, dated, and numbered in pencil on print verso by Keith Carter. Angelina is from Carter's series, Ghostlight.
Keith Carter is an American photographer who is known for his dreamlike black and white photographs of the figure, animals, and meaningful objects. He began photographing new and unknown realities using East Texas natives as subjects. This population and background setting spoke to the folklore, religious, and cultural motifs Carter was visually exploring. Since his start in Texas, his work continues to push imaginative realms while reaching prestigious artistic and technical status.
In 1970, Carter earned a Business Management degree from Lamar University and began his career as a commercial photographer while working on personal projects. These personal projects have become a strong and highly sought after collection that have become twelve published monographs. Carter currently teaches photography at Lamar University as a Distinguished Faculty Lecturer. He travels worldwide providing photography lectures and workshops for artists.
Carter’s fine art photography collections...
Category
2010s Contemporary Black and White Photography
Materials
Archival Pigment
Blaze
Located in Santa Monica, CA
Lennon’s photographs serve as allegorical vehicles in this time of heightened awareness for our planet’s peril.
In surveilling these ever-changing skies, 'Atmospheria' celebrates the...
Category
2010s Color Photography
Materials
Dye Transfer
Outer Herbides, Scottland (Coastal Landscape w/Rainbows)
Located in Sante Fe, NM
Pentti Sammallahti is a benchmark figure in contemporary Finnish photography. His works depict nature eroded and broken down by civilization, but h...
Category
Early 2000s Contemporary Black and White Photography
Materials
Silver Gelatin
Midnight Smoke
Located in Santa Monica, CA
Lennon’s photographs serve as allegorical vehicles in this time of heightened awareness for our planet’s peril.
In surveilling these ever-changing skies, 'Atmospheria' celebrates the...
Category
2010s Landscape Photography
Materials
Dye Transfer
Farmland, single tree, giant clouds, black and white landscape art photography
Located in Vienna, Vienna
Black and white fine art landscape photography. Single tree in the cornfield during a storm and giant clouds, Austria. Archival pigment ink print as part of a limited edition of 15. ...
Category
2010s Contemporary Landscape Photography
Materials
Giclée, Photographic Film, Archival Ink, Archival Paper, Black and White...
Ískalt Blár (Icelandic)
Located in Santa Monica, CA
Lennon’s photographs serve as allegorical vehicles in this time of heightened awareness for our planet’s peril.
In surveilling these ever-changing skies, 'Atmospheria' celebrates the...
Category
2010s Landscape Photography
Materials
Dye Transfer
Roque de Agando, La Gomera, Spain, black and white photography, landscape
Located in Vienna, Vienna
Black and white fine art landscape photography. Archival pigment ink print as part of a limited edition of 8. All Gerald Berghammer prints are made to order in limited editions on Ha...
Category
2010s Contemporary Black and White Photography
Materials
Archival Ink, Archival Paper, Black and White, Digital, Archival Pigment...
Ancient Laurisilva Forest, Tree, Portugal, black and white landscape photography
Located in Vienna, Vienna
Black and white fine art landscape photography print. Old trees in the fairy forest on the mystical island of Madeira, Fanal, Portugal. Archival pigment ink print, edition of 8. Sign...
Category
2010s Contemporary Black and White Photography
Materials
Archival Ink, Archival Paper, Black and White, Digital, Archival Pigment...
Large Landscape Vintage Forest Nature Lake Tree Blues Oranges Wildlife Indian
Located in Norfolk, GB
Aditya Dicky Singh, Untitled, photograph on fine-art Hahnemuhle archival paper
66" x 44" unframed (167cm x 112cm) 2022
Edition 1/10
*Should you wish the photographs to be printe...
Category
2010s Contemporary Landscape Photography
Materials
Archival Paper, Archival Ink
St. Louis and the Arch Vintage Photograph Joel Meyerowitz Architectural Photo
Located in Surfside, FL
St. Louis and the Arch Vintage Photograph
St. Louis and the Arch: titled, initialed, dated 1981, copyright 1982, and editioned 4/20 to verso.
Provenance: US Bank Visual Arts Department
Images: 15 x 19 in. (16 X 20), frames: 22 1/2 x 28 1/2 in
Meyerowitz first drew acclaim for his remarkable ability to capture subtle qualities of light with the 1978 publication of Cape Light, which went on to become a color photography classic. Joel Meyerowitz (born March 6, 1938) is a street photographer, and portrait and landscape photographer. He began photographing in color in 1962 and was an early advocate of the use of color during a time when there was significant resistance to the idea of color photography as serious art. In the early 1970s he taught the first color course at the Cooper Union in New York City where many of tod...
Category
1980s American Modern Landscape Photography
Materials
Photographic Paper, C Print
WHITE 11, H-434 – Risaku Suzuki, Nature, Snow, Forest, White, Winter, Japan, Art
Located in Zurich, CH
RISAKU SUZUKI (*1963, Japan)
WHITE 11, H-434, 2011
Chromogenic print
Sheet 95,2 x 119 cm (37 1/2 x 46 7/8 in.)
Edition of 5 (#2/5)
‘Snowflakes are letters sent from heaven.’ – Ukich...
Category
Early 2000s Contemporary Landscape Photography
Materials
C Print
Haapasaari, Finland (Rock in body of water + celestial horizon)
Located in Sante Fe, NM
Pentti Sammallahti is a benchmark figure in contemporary Finnish photography. His works depict nature eroded and broken down by civilization, but h...
Category
20th Century Contemporary Black and White Photography
Materials
Silver Gelatin
Sentinel (Joshua Tree) - 21st Century, Polaroid, Landscape
Located in Morongo Valley, CA
Sentinel (Joshua Tree) - 2022
20x20cm,
Edition of 7, plus 2 Artist Proofs.
Archival C-Print, based on a Polaroid.
Signed on back with Certificate.
Not mounted.
Erin Dougherty...
Category
Early 2000s Contemporary Landscape Photography
Materials
Archival Paper, Photographic Paper, Black and White, Polaroid
Baltic pine - analogue black and white forest photography, Limited edition of 10
Located in London, GB
'Baltic pine' 2021
100x80cm limited edition of 10 + 1AP.
Photographed in Lithuania, Giruliai forest using a 4x5 large format camera.
Printed on Fi...
Category
21st Century and Contemporary Contemporary Landscape Photography
Materials
Film, Giclée
AGALLILIA PEAK, MONUMENT VALLEY, ARIZONA
Located in Carmel, CA
AGALLILIA PEAK, MONUMENT VALLEY, ARIZONA (1920s) provides a close-up of Monument Valley on a cloudy day. This silver gelatin photograph is Plate 36 in the Forman Hanna Compendium (Forman Hanna ~ Pictorial Photographer of the Southwest) by the University of Arizona, Tucson, Arizona. Hand signed on verso.
FRAME SIZE: 22.5" H x 18.5" W x 1" D
CONDITION: Museum quality
PROVENANCE: Purchase history included.
ABOUT FORMAN HANNA
Raised in a small Texas town...
Category
Early 20th Century Black and White Photography
Materials
Silver Gelatin
Shiprock Storm
Located in Carmel, CA
This epic Dobrowner is a silver gelatin hand printed photograph. NOT A PIGMENT PRINT. Beautifully framed in museum glass.
Category
Early 2000s Black and White Photography
Materials
Silver Gelatin
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