Wood Photography
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Medium: Wood
'Lily in Charcoal' abstract expressionism photography, limited edition 3 of 5
Located in London, GB
'Lily in Charcoal' 2023
From raw energy to sublime. 'Lily in Charcoal' is an expression piece combining an abstract charcoal drawing with a live lily...
Category
21st Century and Contemporary Naturalistic Wood Photography
Materials
Fabric, Organic Material, Wood, Cotton Canvas
'Peony no.2' cotton canvas scroll, floral photography, Limited edition 2 of 5
Located in London, GB
'Peony no.2' 2023
97×120 cm printed on organic cotton canvas, limited edition of 5 + 1AP
Canvas fixed on bamboo fixtures, to be and hanged as a scroll.
Photograph is signed and ...
Category
21st Century and Contemporary Contemporary Wood Photography
Materials
Organic Material, Fabric, Wood, Cotton Canvas
Wilhold Up the Mirror Photograph and Mixed Media Assemblage Wall Hanging Artwork
Located in Surfside, FL
Dennis Hopper, (American, 1936-2010)
Mixed media sculpture
"Outmolding Older Concepts (Wilhold Up the Mirror)", 1961, photo and assemblage,
Ace gallery and Easy Rider Production labels verso 27"h x 40"w x 5"d.
There is broken mirror glued into the wooden collage box with the ceramic head that is attached to the front. I assume that is how it was made.
Provenance: Estate of Pentti Kouri, NYC; Ace Gallery, Los Angeles; Exhibited MOCA, Los Angeles, 2010
From a 1997 interview with Hopper where he references this piece "Right now it's very intense. I had a show that travelled Germany, about 15 different museums. Sunday we go to Denmark; I'm showing the early assemblage I did in 1961 which was the signal for conceptual art. I'm just two days there, then I'm going to Venice to meet Julian Schnabel - Count Volpe's given us a place to paint in Giudecca. Then I'm going to Documenta in Germany to hang another show, then I go back to LA on the 21st and start a film on the 23rd."
Notes/Literature: Dr. Pentti Kouri(1949-2009) was a Finnish economist and venture capitalist with partner George Soros. He built his prestigious art collection with the goal of opening a private art foundation focused on his interests in Minimalism, Arte Povera, Conceptual and Text-based art. He was a member of the Board of Trustees of Dia Art Foundation, and on the boards of Tate, London and the Guggenheim Museum, New York. In addition, a portion of his collection forms the core of the Kiasma Museum of Contemporary Art in Helsinki, Finland
Hopper made his film debut alongside James Dean in 1955's Rebel Without a Cause. Both lost souls from dysfunctional households, they gravitated to each other, smoked dope and took joy rides. When Dean died, Hopper saw himself as the natural inheritor of his rebellious mantle and, revelling in his nickname of "Dennis the Menace", gave it to Hollywood with both barrels; so they dropped him. Dennis didn't make another Hollywood movie for seven years.
Frustrated by the deliberate stifling of his film career, Dennis turned to art and photography for creative stimulus, beginning with abstract subjects such as landscapes. His cutting-edge conceptual art became established round the world, with exhibitions in major cities. At home in the dining room stood one particularly interesting work, a white plastic box, eight feet long, that had an aluminium shaft sticking out of it, and two very large balls. It was called The Perpetual Erection Machine. Before Tracy Emin and Damien Hirst, there was Dennis.
In 1961, Hopper took part in an international photography competition in Australia with a contribution of five abstract photos, which he called Pieces. He won first place.
Soon after, Hopper married Hayward, daughter of the film producer Leland Hayward, whose credits include The Sound of Music and South Pacific. The wedding party of Hopper and Hayward was held in August at the apartment of actress Jane Fonda, a childhood friend of Hayward, who introduced Hopper to her younger brother Peter Fonda. Their daughter Marin was born in 1961, and they moved to Bel Air, California. Soon afterward the famous Bel Air fire destroyed their home, including approximately three-hundred Abstract Expressionist works and hundreds of pages of poetry that Hopper had begun in the mid-1950s. Hopper and his actor friends Dean Stockwell and Russ Tamblyn were close to many artists in California, especially assemblage artists Edward Kienholz...
Category
1960s Conceptual Wood Photography
Materials
Ceramic, Wood, Mixed Media
"Annunciation 3" Photography 23"x19" inch Ed. 1/3 by VLADIMIR CLAVIJO-TELEPNEV
Located in Culver City, CA
"Annunciation 3" Photography 23"x19" inch Ed. 1/3 by VLADIMIR CLAVIJO-TELEPNEV
Author's direct print on wood
Vladimir Clavijo-Telepnev was born in 1962 in Moscow, in the family of creative people. His father, Pedro Clavijo, was a Columbian journalist and a radio reporter. His grandfather by his father's side, Edmundo Clavijo Cubilios, was a famous Columbia's photograph and artist. His grandfather and grandmother by his mother's side, Vladimir and Margarita Telepnevs, were painters.
In 1986 Vladimir graduated from the Moscow Polygraphic Academy, faculty of graphic art, specializing in painting, graphics, and polygraphic design.
PRIVATE COLLECTIONS:
ELTON JOHN
PRINCESS MICHAEL of KENT MARIE CHRISTINE
PETER...
Category
21st Century and Contemporary Contemporary Wood Photography
Materials
Wood, Pigment
Dar Flora #5, May Foxgloves, A floral arrangement of wild flowers and plants
Located in London, GB
Dark Flora #5 - May Foxgloves, 2020
Archival Pigment Print, Mounted on Aluminium, in bespoke Oak Framed, Edition 3/8
Foraged from Sussex Wealden woodland in early summer, it includes Foxgloves, beech, heather and star moss surrounding a woodland bird’s nest. Foxglove’s sometimes used to be called dead man’s bells due to every part of the plant being poisonous...
Inspired by Victorian era taxidermy dioramas...
Category
2010s Contemporary Wood Photography
Materials
Archival Pigment, Glass, Wood, Photographic Paper, Color
"Annunciation 2" Photography 59"x30" inch Ed. 1/3 by VLADIMIR CLAVIJO-TELEPNEV
Located in Culver City, CA
"Annunciation 2" Photography 59"x30" inch Ed. 1/3 by VLADIMIR CLAVIJO-TELEPNEV
Author's direct print on wood
Vladimir Clavijo-Telepnev was born in 1962 in Moscow, in the family of creative people. His father, Pedro Clavijo, was a Columbian journalist and a radio reporter. His grandfather by his father's side, Edmundo Clavijo Cubilios, was a famous Columbia's photograph and artist. His grandfather and grandmother by his mother's side, Vladimir and Margarita Telepnevs, were painters.
In 1986 Vladimir graduated from the Moscow Polygraphic Academy, faculty of graphic art, specializing in painting, graphics, and polygraphic design.
PRIVATE COLLECTIONS:
ELTON JOHN
PRINCESS MICHAEL of KENT MARIE CHRISTINE
PETER...
Category
21st Century and Contemporary Contemporary Wood Photography
Materials
Pigment, Wood
"Pomegranate" Photography 19.5" x 13" inch Ed. 1/3 by VLADIMIR CLAVIJO-TELEPNEV
Located in Culver City, CA
"Pomegranate" Photography 19.5" x 13" inch Ed. 1/3 by VLADIMIR CLAVIJO-TELEPNEV
Author's direct print on wood
Vladimir Clavijo-Telepnev was born in 1962 in Moscow, in the family of...
Category
21st Century and Contemporary Contemporary Wood Photography
Materials
Wood, Pigment
King's Best - Neck, Stallion detail / abstract horse portrait
Located in London, GB
King's Best, ‘Neck’, 2001 by John Reardon
Edition of 7
Silver Gelatin Print, Mounted on Aluminium, Custom framed, UV protective Museum AR Glass
This piece is part of : (after) Whist...
Category
Early 2000s Contemporary Wood Photography
Materials
Glass, Black and White, Photographic Paper, Archival Paper, Photographic...
Noverre - Horse Landscape I, Blue Sky and Clouds, Panoramic Print, Australia
Located in London, GB
Noverre - Horse Landscape I, 2003
C-type Hand Print, Mounted on Aluminium, Custom framed, Museum low glare, UV protective art glass
36.5 x 94 cm / 14....
Category
Early 2000s Contemporary Wood Photography
Materials
Glass, Wood, Photographic Film, Archival Ink, Wax, Panel, Archival Paper...
"Annunciation 1" Photography 59"x30" inch Ed. 1/3 by VLADIMIR CLAVIJO-TELEPNEV
Located in Culver City, CA
"Annunciation 1" Photography 59"x30" inch Ed. 1/3 by VLADIMIR CLAVIJO-TELEPNEV
Author's direct print on wood
Vladimir Clavijo-Telepnev was born in 1962 in Moscow, in the family of ...
Category
21st Century and Contemporary Contemporary Wood Photography
Materials
Pigment, Wood
Cape Cross - Hoof, Horseshoe, Stallion - Equine detail, Silver Gelatin Print
Located in London, GB
Cape Cross, ‘Hoof’, 2001 by John Reardon
Edition of 2/7
Silver Gelatin Print, Mounted on Aluminium, Custom framed, UV protective Museum AR Glass
This pie...
Category
Early 2000s Contemporary Wood Photography
Materials
Black and White, Wood Panel, Wood, Glass, Photographic Paper, Archival P...
Noverre - Horse Landscape 2, Sky and Mane, Panoramic Print, Australia 2003
Located in London, GB
Noverre - Horse Landscape 2, 'Mane', 2003
C-type Hand Print, Mounted on Aluminium, Custom framed, Museum low glare, UV protective art glass
36.5 x 94 cm / 14.5 x 37 inches approx.
Ed...
Category
Early 2000s Surrealist Wood Photography
Materials
Glass, Wood, Photographic Film, Archival Paper, Photographic Paper, C Pr...
Singspiel, Running Stallion, Champion Equine Black and White Photograph
Located in London, GB
Singspiel, Stallion Portrait 2001 by John Reardon
76 x 51 cm
Edition of 5 only
Silver Gelatin Print, Mounted on Aluminium, Custom framed, UV protective Mu...
Category
Early 2000s Contemporary Wood Photography
Materials
Black and White, Wood, Glass, Photographic Paper, Archival Paper, Photog...
"A Hand With a Lily" 79" x 24" inch Ed. 1/3 by VLADIMIR CLAVIJO-TELEPNEV
Located in Culver City, CA
"A Hand With a Lily" 79" x 24" inch Ed. 1/3 by VLADIMIR CLAVIJO-TELEPNEV
Author's direct print on wood
Vladimir Clavijo-Telepnev was born in 1962 in Moscow, in the family of creative people. His father, Pedro Clavijo, was a Columbian journalist and a radio reporter. His grandfather by his father's side, Edmundo Clavijo Cubilios, was a famous Columbia's photograph and artist. His grandfather and grandmother by his mother's side, Vladimir and Margarita Telepnevs, were painters.
In 1986 Vladimir graduated from the Moscow Polygraphic Academy, faculty of graphic art, specializing in painting, graphics, and polygraphic design.
PRIVATE COLLECTIONS:
ELTON JOHN
PRINCESS MICHAEL of KENT...
Category
21st Century and Contemporary Contemporary Wood Photography
Materials
Pigment, Wood
"Hands with Grenades - white 2" D39" inch Ed. 1/3 by VLADIMIR CLAVIJO-TELEPNEV
Located in Culver City, CA
"Hands with Grenades - white 2" D39" inch Ed. 1/3 by VLADIMIR CLAVIJO-TELEPNEV
Author's direct print on wood
Vladimir Clavijo-Telepnev was born in 1962 in Moscow, in the family of creative people. His father, Pedro Clavijo, was a Columbian journalist and a radio reporter. His grandfather by his father's side, Edmundo Clavijo Cubilios, was a famous Columbia's photograph and artist. His grandfather and grandmother by his mother's side, Vladimir and Margarita Telepnevs, were painters.
In 1986 Vladimir graduated from the Moscow Polygraphic Academy, faculty of graphic art, specializing in painting, graphics, and polygraphic design.
PRIVATE COLLECTIONS:
ELTON JOHN
PRINCESS MICHAEL of KENT...
Category
21st Century and Contemporary Contemporary Wood Photography
Materials
Pigment, Wood
Coupled Poppies - organic cotton canvas scroll on bamboo, limited edition 3 of 5
Located in London, GB
'Coupled Poppies' 2023
97×120 cm printed on organic cotton canvas, limited edition of 5 + 1AP
Canvas fixed on bamboo fixtures, to be and hanged as a scroll.
Photograph is signed a...
Category
21st Century and Contemporary Naturalistic Wood Photography
Materials
Fabric, Canvas, Organic Material, Wood, Cotton Canvas, Archival Pigment
Poppy no.3 - organic cotton canvas scroll on bamboo, limited edition 2 of 5
Located in London, GB
'Poppy no.3' 2023
97×120 cm printed on organic cotton canvas, limited edition of 5 + 1AP
Canvas fixed on bamboo fixtures, to be and hanged as a scroll.
Photograph is signed and st...
Category
21st Century and Contemporary Naturalistic Wood Photography
Materials
Fabric, Canvas, Organic Material, Wood, Cotton Canvas, Archival Pigment
In front of Trailer (Sidewinder), diptych - Polaroid, Nude, Contemporary, Analog
Located in Morongo Valley, CA
In front of Trailer (Sidewinder) - 2005
Diptych
25x24cm each, installed 25x55cm,
Edition of 5,
analog C-Print, hand-printed by the artist on Fuji Crystal archive Paper,
based on ...
Category
Early 2000s Contemporary Wood Photography
Materials
Wood, Archival Paper, Photographic Paper, C Print, Color, Polaroid
Monopoli Sunrise (framed) - large scale photo of Mediterranean beach ritual
Located in San Francisco, CA
large format photograph of Puglia ritual by iconic Italian photographer Massimo Vitali, renowned for his grand scale topographical observations of the rites and rituals of modern lei...
Category
21st Century and Contemporary Contemporary Wood Photography
Materials
Plexiglass, Wood, Photographic Film, Archival Paper, Photographic Paper,...
Coupled Poppies - organic cotton canvas scroll on bamboo, limited edition 2 of 5
Located in London, GB
'Coupled Poppies' 2023
97×120 cm printed on organic cotton canvas, limited edition of 5 + 1AP
Canvas fixed on bamboo fixtures, to be and hanged as a scroll.
Photograph is signed a...
Category
21st Century and Contemporary Naturalistic Wood Photography
Materials
Fabric, Canvas, Organic Material, Wood, Cotton Canvas, Archival Pigment
Large Mounted Vintage Silver Gelatin Israeli Kibbutz Photograph
By Peter Merom
Located in Surfside, FL
A little boy who just received a penicillin shot. signed on back with studio stamp. along with an old description label.
this is mounted to wood and not framed or behind glass. it has some wear and surface soiling but it is a lovely charming piece and shows well.
Peter Merom ( Hebrew : פטר מירום, born 1919 ) is an Israeli photographer born in Germany. He specializes in landscape photography and landscape detail.
He was born in Lower Silesia and in 1934 emigrated from Germany to the British Mandate Palestine , where he settled four years later in the kibbutz Chulata . In 1935 he bought the first compact camera and began to amateur photography. After working as a fisherman in the kibbutz, he began to photograph Lake Chulus and then recorded his desiccation in 1951 to 1958. He gained his first artistic education as a self-taught specialist literature, international magazines and photographic anniversaries. In 1957 he studied photography in France . In Paris, he worked in a printing works where many photographers, such as Henri Cartier-Bresson and other photographers, printed their photographs. At that time, he made a series of photos of The Dying Lake , which he presented at the Telaviv Museum of Art . In 1974 he stopped working as a photographer and began to produce and sell photographs from his archive printed on plywood.
In 2000 he received an award from the Israeli Museum for a lifetime work in the field of photography. In 2010, he received the Israel prize for a photograph taken every five years.
Education
1957 Photography...
Category
20th Century Wood Photography
Materials
Plywood, Silver Gelatin
Ancient schemes, Minds etched, Unetched (Abstract photography)
Located in London, GB
Ancient schemes, Minds etched, Unetched (Abstract painting)
Mix media, C-print, and acrylic paint on a wood mount - Unframed
Artwork exclusive to IdeelArt.
Artworks are of the highe...
Category
2010s Abstract Wood Photography
Materials
Wood, Mixed Media, Acrylic, C Print
Desert canyon road (Abstract Photography)
Located in London, GB
Desert canyon road (Abstract Photography)
Mix media, C-print, and acrylic paint on a wood mount - Unframed
Artwork exclusive to IdeelArt.
Artworks are of the highest archival standa...
Category
2010s Abstract Wood Photography
Materials
Wood, Acrylic, C Print
Ouroboros suns desert road (Abstract photography)
Located in London, GB
Ouroboros suns desert road (Abstract painting)
Mix media, C-print, and acrylic paint on a wood mount - Unframed
Artwork exclusive to IdeelArt.
Artworks ar...
Category
2010s Abstract Wood Photography
Materials
Wood, Mixed Media, Acrylic, C Print
Hand coloured framed print of semi nude sculpture like marble statue of female
Located in London, GB
Katie Eleanor, "Cleansing a Shrike (Blackbird’s Birdbath)", 2018
Handcoloured portrait of a bird-like spirit, immobilised in marble, cleansing in a sprin...
Category
2010s Romantic Wood Photography
Materials
Oak, Archival Pigment, Photographic Paper, Watercolor, Paint, Glass
Sweet Violet... Spring face of female looking up in flowers hand coloured print
Located in London, GB
Katie Eleanor, "Sweet Violet", 2019
Handcoloured portrait of blooming flower, immobilised in marble, featuring frozen eyes and the silky colours of Sprin...
Category
2010s Contemporary Wood Photography
Materials
Oak, Archival Pigment, Watercolor, Paint, Glass
Apurant
Located in Barcelona, ES
the painting is being offered with a work and authenticity certificate
Category
1990s Wood Photography
Materials
Wood, Oil
WOMEN OF THE ISRAEL DEFENSE FORCES Large Photo NETA
Located in Surfside, FL
"Women of the IDF" Large Exhibition color Photograph
30 x 40 inches, mounted on masonite and laminated.
Edition of 4 + 2 artists proof. minor dings and bumps to edges Born in Tehran, Iran, Ashkan Sahihi moved with his family to West Germany at the age of seven. Although he began taking photographs as a teenager, Sahihi traces the beginning of his professional trajectory to New York in 1987, a thriving “pop culture metropolis” where he could do the kind of photography work that he wanted to do, exploring the underbelly of the society around him. Taking assignments from German publications such as the Süddeutsche Zeitung Magazine, Der Spiegel, Dummy and GEO, he photographed subjects like prisoners on death row, players in the hip-hop scene, and the downtown art scene of New York. Neither black nor white, an insider among outsiders, he found himself able to navigate spaces and dynamics that others might have had difficulty entering. He considered this both a privilege and an obligation – to visit these places and tell these stories. His success led to commissions from American publications as well, including the New York Times Magazine, the New Yorker, Rolling Stone, and Vogue.
Put off by the limitations of photojournalism (the expectation that he would illustrate the writer’s perspective rather than author a narrative of his own), Sahihi began to embark on independent, highly compact conceptual series. His main goal in these series has been to drive forward public discourse on topics he believes have not provoked enough or the right kind of discussion: drugs, gender in the media, women in the military, etc. His portraits draw on a familiar visual language – often seated subjects before a neutral backdrop – but push the viewer to feel and think about entirely new things. Although he constantly challenges the comfort level of both the viewer and the subject, Sahihi never removes himself from the line of fire; all of his work requires the artist to immerse himself in uncomfortable situations and challenge his own emotional fortitude.
Photographic Series
In the “Face Series”, latex-gloved hands manipulate the subjects’ features, stretching, pushing, squeezing, pinching at the whim of external direction – from the artist? The customer? The public? The “Hypnosis Series” comprises 8 portraits of hypnotized subjects each experiencing a single emotion, e.g. helplessness, withholding/anger, or regret. In a society that rewards the suppression of such naked emotion, the purity of these depictions is arresting.
In 2006, Sahihi photographed himself in the homes and with the families of six ex-girlfriends and one ex-wife, imposing himself more or less awkwardly on the constellations that emerged after he had exited their lives (“Exes Series”).
For Sahihi’s most well-known work, the “Drug Series,” he convinced 11 non–drug users to consume a particular drug, then took their portraits over the course of their trips. The series was born out of Sahihi’s frustration with the hypocrisy of the political conversation about drugs in the United States. “By attempting to present an objective image of drug use, the artist addresses the cultural politics that allow our society to simultaneously glamorize the ‘drug look’ in fashion magazines and the entertainment industry and meanwhile turn a blind eye to the complicated, and vast, problem of drug abuse.” Sahihi has exhibited this series at MoMA PS1 New York in 2001, in Dresden in 2008, and alongside his installation “100 Million in Ready Cash."
Sahihi’s dense explorations through small photographic series include “Women of the IDF," portraits of female Israeli soldiers...
Category
Early 2000s Wood Photography
Materials
Masonite
'Lone Mangrove, Study No.30, Charley’s Pass, Florida' - southern photography
Located in Atlanta, GA
This unique object features a wet plate collodion print framed in a handmade wooden frame lined with gold leaf. 12 by 9 inches framed.
Cecilia Montalvo & Charlie McCullers are a collaborative team.
Characterized by the dynamic nature of the land-sea interaction, barrier islands are places with many shape narratives, and inversions. A barrier island is ephemeral, an instance of simultaneity, above and below what we call the surface. Mangroves straddle these mirror worlds, walking on water, making something out of nothing. Light rushes through every keyhole and seam in palm forest...
Category
2010s Contemporary Wood Photography
Materials
Metal, Gold Leaf
Waiting for Brasil by James Sparshatt. Archival Print with Wooden Frame
Located in Coltishall, GB
The Atlantic Ocean stretching out from Dingle. In Irish folklore Brasil was believed to be a phantom island lost in mists that appeared once every seven years but could never be reac...
Category
21st Century and Contemporary Contemporary Wood Photography
Materials
Wood, Rag Paper
'Barrier Island, Study No. 15, Pine Island Sound, Florida' southern photography
Located in Atlanta, GA
This unique object features a wet plate collodion print framed in a handmade wooden frame lined with gold leaf. Frame measures 12 by 9 inches.
Cecilia Montalvo & Charlie McCullers are a collaborative team.
Characterized by the dynamic nature of the land-sea interaction, barrier islands are places with many shape narratives, and inversions. A barrier island is ephemeral, an instance of simultaneity, above and below what we call the surface. Mangroves straddle these mirror worlds, walking on water, making something out of nothing. Light rushes through every keyhole and seam in palm forest...
Category
2010s Contemporary Wood Photography
Materials
Metal, Gold Leaf
'Barrier Island, Study No. 14, Pine Island Sound, Florida' southern photography
Located in Atlanta, GA
This unique object features a wet plate collodion print framed in a handmade wooden frame lined with gold leaf. Frame measures 12 by 9 inches.
Cecilia Montalvo & Charlie McCullers are a collaborative team.
Characterized by the dynamic nature of the land-sea interaction, barrier islands are places with many shape narratives, and inversions. A barrier island is ephemeral, an instance of simultaneity, above and below what we call the surface. Mangroves straddle these mirror worlds, walking on water, making something out of nothing. Light rushes through every keyhole and seam in palm forest...
Category
2010s Contemporary Wood Photography
Materials
Gold Leaf, Metal
'Barrier Island, Study No. 41, Cayo Costa, Florida' southern photography
Located in Atlanta, GA
This unique object features a wet plate collodion print framed in a handmade wooden frame lined with gold leaf. Frame measures 12 by 9 inches.
Cecilia Montalvo & Charlie McCullers are a collaborative team.
Characterized by the dynamic nature of the land-sea interaction, barrier islands are places with many shape narratives, and inversions. A barrier island is ephemeral, an instance of simultaneity, above and below what we call the surface. Mangroves straddle these mirror worlds, walking on water, making something out of nothing. Light rushes through every keyhole and seam in palm forest...
Category
2010s Contemporary Wood Photography
Materials
Gold Leaf, Metal
'Barrier Island, Study No. 37, Pine Island Sound, Florida' southern photography
Located in Atlanta, GA
This unique object features a wet plate collodion print framed in a handmade wooden frame lined with gold leaf. Frame measures 12 by 9 inches.
Cecilia Montalvo & Charlie McCullers a...
Category
2010s Contemporary Wood Photography
Materials
Metal, Gold Leaf
WOMEN OF THE IDF Large color Photograph LITAL
Located in Surfside, FL
"Women of the IDF" Large Exhibition color Photograph
30 x 40 inches, mounted on masonite and laminated.
Edition of 4 + 2 artists proof. minor dings and bumps to edges Born in Tehran, Iran, Ashkan Sahihi moved with his family to West Germany at the age of seven. Although he began taking photographs as a teenager, Sahihi traces the beginning of his professional trajectory to New York in 1987, a thriving “pop culture metropolis” where he could do the kind of photography work that he wanted to do, exploring the underbelly of the society around him. Taking assignments from German publications such as the Süddeutsche Zeitung Magazine, Der Spiegel, Dummy and GEO, he photographed subjects like prisoners on death row, players in the hip-hop scene, and the downtown art scene of New York. Neither black nor white, an insider among outsiders, he found himself able to navigate spaces and dynamics that others might have had difficulty entering. He considered this both a privilege and an obligation – to visit these places and tell these stories. His success led to commissions from American publications as well, including the New York Times Magazine, the New Yorker, Rolling Stone, and Vogue.
Put off by the limitations of photojournalism (the expectation that he would illustrate the writer’s perspective rather than author a narrative of his own), Sahihi began to embark on independent, highly compact conceptual series. His main goal in these series has been to drive forward public discourse on topics he believes have not provoked enough or the right kind of discussion: drugs, gender in the media, women in the military, etc. His portraits draw on a familiar visual language – often seated subjects before a neutral backdrop – but push the viewer to feel and think about entirely new things. Although he constantly challenges the comfort level of both the viewer and the subject, Sahihi never removes himself from the line of fire; all of his work requires the artist to immerse himself in uncomfortable situations and challenge his own emotional fortitude.
Photographic Series
In the “Face Series”, latex-gloved hands manipulate the subjects’ features, stretching, pushing, squeezing, pinching at the whim of external direction – from the artist? The customer? The public? The “Hypnosis Series” comprises 8 portraits of hypnotized subjects each experiencing a single emotion, e.g. helplessness, withholding/anger, or regret. In a society that rewards the suppression of such naked emotion, the purity of these depictions is arresting.
In 2006, Sahihi photographed himself in the homes and with the families of six ex-girlfriends and one ex-wife, imposing himself more or less awkwardly on the constellations that emerged after he had exited their lives (“Exes Series”).
For Sahihi’s most well-known work, the “Drug Series,” he convinced 11 non–drug users to consume a particular drug, then took their portraits over the course of their trips. The series was born out of Sahihi’s frustration with the hypocrisy of the political conversation about drugs in the United States. “By attempting to present an objective image of drug use, the artist addresses the cultural politics that allow our society to simultaneously glamorize the ‘drug look’ in fashion magazines and the entertainment industry and meanwhile turn a blind eye to the complicated, and vast, problem of drug abuse.” Sahihi has exhibited this series at MoMA PS1 New York in 2001, in Dresden in 2008, and alongside his installation “100 Million in Ready Cash."
Sahihi’s dense explorations through small photographic series include “Women of the IDF," portraits of female Israeli soldiers...
Category
Early 2000s Wood Photography
Materials
Masonite
Dawn Over Bagan by James Sparshatt. Archival Print with Wooden Frame, 2011
Located in Coltishall, GB
Just after sunrise the mists disburse to reveal a panorama of pagodas stretching across the Bagan valley in Burma. Drifting slowly in the almost imperceptible breeze a flotilla of h...
Category
21st Century and Contemporary Contemporary Wood Photography
Materials
Rag Paper, Wood
James Sparshatt Mists O’er The Loch Large Archival Print with Wooden Frame, 2009
Located in Coltishall, GB
A frozen morning in the highlands of Scotland and the sun battles to emerge from the mists.
James Sparshatt’s black and white landscapes have an ethereal beauty. They are moments w...
Category
21st Century and Contemporary Contemporary Wood Photography
Materials
Wood, Rag Paper
James Sparshatt Aodh’s Domain Large Archival Print with Wooden Frame, 2011
Located in Coltishall, GB
Aodh is a god of the underworld and prince of the Daoine Sidhe in Irish mythology. The crashing waves in this cave made its legend as a gateway to the realm of the Gods entirely u...
Category
21st Century and Contemporary Contemporary Wood Photography
Materials
Rag Paper, Wood
James Sparshatt Stormy Waters Large Archival Print with Wooden Frame, 2011
Located in Coltishall, GB
Rolling waves crashing against the breakwater in St Monan’s calmed by a long exposure after dark.
James Sparshatt’s black and white landscapes have an ethereal beauty. They are mom...
Category
21st Century and Contemporary Contemporary Wood Photography
Materials
Wood, Rag Paper
American Trails by James Sparshatt. Archival Print with Wooden Frame, 2013
Located in Coltishall, GB
June Lake on the Eastern Escarpment of the Californian Sierra Maestre range. Hours before sunrise the frozen lake was buffeted by winds. The ice cracked and ...
Category
21st Century and Contemporary Contemporary Wood Photography
Materials
Wood, Rag Paper
Sands of The Himalaya by James Sparshatt. Archival Print with Wooden Frame
Located in Coltishall, GB
The Nubra Valley is part of the Tibetan plateau. It is an arid landscape surrounded by awesome peaks, a high altitude desert inhabited by a few small Ladakhi communities and their ...
Category
21st Century and Contemporary Contemporary Wood Photography
Materials
Rag Paper, Wood
Large Color Photograph "Women of the IDF" Ashkan Sahihi
Located in Surfside, FL
"Women of the IDF" Large Exhibition color Photograph
30 x 40 inches, mounted on masonite and laminated.
Edition of 4 + 2 artists proof. minor dings and bumps to edges Born in Tehran, Iran, Ashkan Sahihi moved with his family to West Germany at the age of seven. Although he began taking photographs as a teenager, Sahihi traces the beginning of his professional trajectory to New York in 1987, a thriving “pop culture metropolis” where he could do the kind of photography work that he wanted to do, exploring the underbelly of the society around him. Taking assignments from German publications such as the Süddeutsche Zeitung Magazine, Der Spiegel, Dummy and GEO, he photographed subjects like prisoners on death row, players in the hip-hop scene, and the downtown art scene of New York. Neither black nor white, an insider among outsiders, he found himself able to navigate spaces and dynamics that others might have had difficulty entering. He considered this both a privilege and an obligation – to visit these places and tell these stories. His success led to commissions from American publications as well, including the New York Times Magazine, the New Yorker, Rolling Stone, and Vogue.
Put off by the limitations of photojournalism (the expectation that he would illustrate the writer’s perspective rather than author a narrative of his own), Sahihi began to embark on independent, highly compact conceptual series. His main goal in these series has been to drive forward public discourse on topics he believes have not provoked enough or the right kind of discussion: drugs, gender in the media, women in the military, etc. His portraits draw on a familiar visual language – often seated subjects before a neutral backdrop – but push the viewer to feel and think about entirely new things. Although he constantly challenges the comfort level of both the viewer and the subject, Sahihi never removes himself from the line of fire; all of his work requires the artist to immerse himself in uncomfortable situations and challenge his own emotional fortitude.
Photographic Series
In the “Face Series”, latex-gloved hands manipulate the subjects’ features, stretching, pushing, squeezing, pinching at the whim of external direction – from the artist? The customer? The public? The “Hypnosis Series” comprises 8 portraits of hypnotized subjects each experiencing a single emotion, e.g. helplessness, withholding/anger, or regret. In a society that rewards the suppression of such naked emotion, the purity of these depictions is arresting.
In 2006, Sahihi photographed himself in the homes and with the families of six ex-girlfriends and one ex-wife, imposing himself more or less awkwardly on the constellations that emerged after he had exited their lives (“Exes Series”).
For Sahihi’s most well-known work, the “Drug Series,” he convinced 11 non–drug users to consume a particular drug, then took their portraits over the course of their trips. The series was born out of Sahihi’s frustration with the hypocrisy of the political conversation about drugs in the United States. “By attempting to present an objective image of drug use, the artist addresses the cultural politics that allow our society to simultaneously glamorize the ‘drug look’ in fashion magazines and the entertainment industry and meanwhile turn a blind eye to the complicated, and vast, problem of drug abuse.” Sahihi has exhibited this series at MoMA PS1 New York in 2001, in Dresden in 2008, and alongside his installation “100 Million in Ready Cash."
Sahihi’s dense explorations through small photographic series include “Women of the IDF," portraits of female Israeli soldiers...
Category
Early 2000s Wood Photography
Materials
Laminate, Masonite
The Skelligs by Moonlight by James Sparshatt. 34 x 24" Framed Archival Print
Located in Coltishall, GB
The Skellig Islands are off the coast of Kerry in Ireland. Once the home of reclusive monks they have gained notoriety recently as a retreat for Luke Skywalker… Lit by moon light reflected off the Atlantic Ocean swell they portray a calm at odds with the often stormy seas that batter them..
James Sparshatt’s black and white landscapes have an ethereal beauty. They are moments when the natural form of topography is given magic by the transient touch of the elements.
The work is also available as a smaller archival giclee print and as a collectors edition Palladium Platinum print.
Archival print on 300gsm Hahnemuhle rag
Edition of 15
Dark wood frame with UV clarity glass
Framed size 96cm x 72cm (38″ x 28.5″)
Signed by the artist
Certificate of Authenticity from the gallery
Country: County Kerry...
Category
21st Century and Contemporary Contemporary Wood Photography
Materials
Glass, Wood, Rag Paper
1970s Nightclubs of Chicago South Side - Black woman striptease dancer
Located in London, GB
"I walked into a timeless place … full of supporting actors and actresses of every conceivable role," Abramson wrote in Light: On the South Side, published by Chicago's Numero Group ...
Category
1970s Contemporary Wood Photography
Materials
Wood, Glass, Silver Gelatin, Photographic Paper, Archival Paper, Photogr...
Burnt Place Twilight's Path Forest by Night Fine Art Print
Located in London, GB
"Burnt Place" - After the fire swept through, the forest was left scorched and barren. The ground is still warm and the unstirring air is thick with the scent of charred wood. Scorched, lifeless pines stand solemn and mournful in the shadows of the Burnt Place.
About the Twilight's Path project:
"We spend our lives surrounded by the security of possessions, relationships and roles, but our futures hold nothing so substantial; one day we must all enter into true not- knowing - into a dark, unconscious place." Jasper Goodall...
Category
2010s Contemporary Wood Photography
Materials
Photographic Paper, Archival Pigment, Glass, Wood, Archival Paper, Color...
Supreme Nan Goldin skateboard deck
By Nan Goldin
Located in NEW YORK, NY
Nan Goldin Supreme Skateboard Deck: 'Misty and Jimmy Paulette in a Taxi, NYC' (1991/2018):
Published in 2018 by Supreme New York
Features Nan Goldin printed...
Category
21st Century and Contemporary Feminist Wood Photography
Materials
Wood, Offset
Blossom Blizzard, Stanmer Park, Sussex; Spring landscape with Gold leaf
Located in London, GB
Print detail:
Painting like photographic print, Printed on Museum Glass and Hand Gilded with Gold leaf in custom made frame.
41 x 57 cm (Framed)
Glass Print from Edition of 1/5
Series: Blossom Blizzard (New Print on Glass edition 2022)
Shipping: The print on glass would be packed and into wooden crate for artwork protection and shipped with professional art shippers.
About the work:
"Despite T.S. Eliot's assertion that 'April is the cruellest month', I invariably feel a sudden surge of wellbeing and optimism when the first scent of spring hangs in the air. I know I'm far from alone in this - photographers and artists surely feel that sense of excitement as keenly as any gardener eagerly rifling though their seed packets. Mother Nature, it seems, is handing us our images on a plate. The light is soft and benign, the colours, gentle, and the countryside seems to suddenly be filled with boundless enthusiasm. Quotes such as 'Spring is nature's way of reminding us that every day is worthy of celebration' pop up on social media with unfailing regularity - long before the first cuckoo is heard.
This image was taken at Stanmer Park, just outside of Brighton. A blustery day in early April, the air was filled with the sweet smell of April and the profligacy and exuberance of the new growth emerging was inspirational. Blossom-laden branches were everywhere but I concentrated on one small tree that stood apart from the rest. For reasons unclear, its tiny flowers seemed whiter, fluffier, altogether more generous than that of any of its neighbours.
It was bitterly cold. The type of cold that can only be experienced when one has left home in overly optimistic clothing, only to realise that the wind chill factor hadn't been accounted for when getting dressed. I struggled on for about half an hour - reluctant to retreat to the warmth of the nearby cafe and the very enticing appeal of a cup of coffee.
Fortunately, my inspiration came quickly - as the tiny petals blew around my head and I stood there shivering in all my reckless optimism, I realised it felt like nothing more than being encased in one of those half-domed snow globes. The fiercest blizzard was surely never this intense. I certainly couldn't imagine it ever being this cold.
Photographic perfection is not my objective. Its obedient conformity initially attracts, but, for me, leaves little enticement to investigate further. So it was that the tangled complexity of branches and the disparate arrangement of blossom engaged, rather than frustrated my aspirations. By layering image upon image, frame upon frame, I was able to build up the layers of blossom and emphasise the movement of the branches. All photographic images represent a moment in time. The way I make my images combine several. I walked around the tree, back and forth trying to engage with the long-limbed gaucheness of its extended branches.
The colour palette needed little intervention; I don't think anybody makes a paint called 'blustery blue' but perhaps they should. This contrasted beautifully with the jade and emerald grass, subsequently overlaid with soft white snowflakes and created, what for me, was a very pleasing and fresh arrangement of seasonal colours." - Valda Bailey
Category
2010s Impressionist Wood Photography
Materials
Gold, Gold Leaf
Black and white landscape print of The Isle of Harris in the Hebrides Scotland
By ALEX BOYD
Located in London, GB
Toe Head, The Isle of Harris, The Hebrides, Scotland by Alex Boyd
Series: No Innocent Land
This image, made on the Isle of Harris in the Outer Hebrides shows the hill of Ceapabhal on the Toe Head peninsula.
Print details: © Alex Boyd, Courtesy MMX Gallery
Archival Pigment Print from the Wet Plate Collodion, Artist Proof, Hand Signed by the Artist
Image: 82 x 58 cm
Frame: 116 x 91 cm
Frame; Original Frame, slightly distressed from being vintage out of the Scottish castle; the print accompanied with the mount board and finished with antireflective UV protective AR art glass
Shipping worldwide; the framed print would be crated and shipped by professional shipping company, Free delivery in London postcodes and in a selected areas in the UK. Free pick up from the gallery.
About the Artist: ALEX BOYD
Alex Boyd's images represent a major addition to the tradition of modern landscape photography" – Robert Macfarlane, Author
Alex Boyd is a landscape and documentary photographer, printmaker and writer. His work is primarily concerned with the Scottish landscape. As a photographer his work examines the role of early Scottish landscape photographers, often using antique processes such as the Victorian wet-plate collodion process using antique cameras in mountain environments.
He is best known for his conceptual and figurative landscape photography which explores concepts of Scottish identity through historical and contemporary romanticism, neo-romanticism, Romantic nationalism and Spirit of Place. His work is largely concerned with depictions of the Celtic landscape, conservation and remote places, and is often characterised by its stark, poetic and introspective qualities. In 2019 he was awarded a Daiwa Foundation Scholarship to work and photograph the mountains of the Japan Alps centred on Mount Yari as well as shortlisted for the Hariban Award. He was the Mountain Photographer of the Year at the Kendal Mountain Festival in 2013, the UK’s largest mountain festival. His work on the Cuillin mountains on the Isle of Skye as the Royal Scottish Academy’s artist in Residence is in several National Collections. His work has been widely exhibited internationally with solo exhibitions at the Scottish Parliament, as well as group exhibitions at the Royal Academy, Royal Ulster Academy and the Royal Scottish Academy.
His work is held in the collections of the National Galleries of Scotland, The Royal Photographic Society, the Royal Scottish Academy, the V&A in London and the Yale Centre for British Arts in the USA. His first book St Kilda – The Silent Islands was recently shortlisted for a Saltire Award. His second book The Isle of Rust, a collaboration with writer Jonathan Meades was, like his first book, named as a photography book of the year by The Scotsman.
He is a Fellow of the National Library of Scotland, The Winston Churchill Memorial Trust, The Ballinglen Arts Foundation, and the Royal Society of Art. He is currently working on a PhD on Scottish Photography at Northumbria University, a selection of new books on The Faroe Islands, The Outer Hebrides. A collection of his Scottish and Irish collodion work is due out in 2021 as well as a solo exhibition ‘Hesperus’ at Stills, Scotland’s Centre of Photography, in June 2020.
A contributing Arts Editor for The Island Review, Boyd has also written for Art North, The Modernist, Earthlines and many other publications.
WORK REPRESENTED IN THE FOLLOWING COLLECTIONS:
The National Galleries of Scotland, The Royal Scottish Academy, The Royal Photographic Society, The National Media Museum, The University of Glasgow, St Andrews University, North Ayrshire Council, Dumfries & Galloway Council, The Ballinglen Arts Foundation, Sabhal Mor Ostaig, The University of the Highlands & Islands, Highland Print Studio, Cape Farewell, The Scottish Maritime Museum, NHS Greater Glasgow & New South Glasgow Hospitals, BC Partners, Cigna, The Yale Center for British Art, The V&A
***
NO INNOCENT LAND
The series 'No Innocent Land' is a journey across the islands of Scotland using an antique process to document the dramatic landscapes of Scotland.
Using a 100 year old camera...
Category
2010s Romantic Wood Photography
Materials
Glass, Wood, Archival Pigment, Black and White, Archival Paper, Giclée
Captain Nelson (29 Palms, CA) - Contemporary, Polaroid, 21st Century, Dream
Located in Morongo Valley, CA
Captain Nelson (29 Palms, CA) - 2007
37x49x3.5cm,
Edition 1/5.
Artist Inventory No 4033.01.
Analog C-Print, Hand-printed by the artist, mounted on a wooden box with matte UV-Prot...
Category
Early 2000s Contemporary Wood Photography
Materials
Wood, Archival Paper, Photographic Paper, C Print, Color, Polaroid
Truth - the honesty seed, Print on Glass, hand gilded with Lemon and Moon Gold
Located in London, GB
Truth, 2017
Print on Museum Glass, Hand gilded with Lemon and Moon Gold
31 x 31 cm/ 12.2 x 12.2 in (custom framed)
Edition of 5
This print is from a series of images made from a collection of honesty seeds gathered at the end of baking hot summer... The papery enclosures are like parchment through which the light filters with a pale gold delicacy."
The beauty of the pieces printed on glass are truly revealed when seen in the flesh, which shimmer in the daylight and change constantly as different light sources are reflected off the print.
"My fascination with colour goes back a long way. One of my earliest creative recollections has me sitting at a table endlessly mixing paints in a valiant but ultimately futile attempt to 'invent a new colour'. It was an imperative that kept me occupied for some time as I recall. The result was always the same - and unedifying fudge of pale peach and silver." - Valda Bailey...
Category
2010s Contemporary Wood Photography
Materials
Gold, Gold Leaf
Barbara Hocker, Whirlwind Waterfall, 2021, encaustic, photography, Naturalism
Located in Darien, CT
Barbara Hocker sees her life’s vocation as being an ambassador for the natural world through her art.
Nature is facing many challenges right now. Hock...
Category
2010s Abstract Impressionist Wood Photography
Materials
Mixed Media, Encaustic, Panel, Digital, Monotype, Thread, Wood
Signed Daido Moriyama skate decks: set of 2 works ( Daido Moriyama photography)
Located in NEW YORK, NY
Hand-signed Daido Moriyama Skateboard decks: set of 2 individual works:
These works originated as a result of the collaboration between ...
Category
1970s Pop Art Wood Photography
Materials
Lithograph, Wood, Offset
Vigilant by Monica Denevan. Silver gelatin photograph. Dark wood frame
Located in Coltishall, GB
Vigilant by Monica Denevan - Photography, Silver Gelatin Print with Wooden Frame
Monica Denevan studied photography at San Francisco State University. She has travelled extensively...
Category
21st Century and Contemporary Contemporary Wood Photography
Materials
Silver Gelatin, Glass, Paper, Wood
Nan Goldin Supreme set of 2 skateboard decks (Nan Goldin Supreme)
By Nan Goldin
Located in NEW YORK, NY
Nan Goldin Supreme Skateboard Decks, 2018 (set of 2):
– Misty and Jimmy Paulette in a taxi, (NYC 1991)
– Nan as a Dominatrix (Cambridge MA 1978)
Set of 2 limited edition Nan Goldin ...
Category
21st Century and Contemporary Street Art Wood Photography
Materials
Offset, Wood
White Zebra Finch (Orange Flamingo)
Located in New York, NY
White Zebra Finch (Orange Flamingo)
2018
Signed, titled, dated, and numbered on label, verso
Archival pigment print, painted frame (Edition of 3 + 2 APs)
19 x 15 inches
This work...
Category
2010s Contemporary Wood Photography
Materials
Paint, Archival Pigment, Wood
Dear One Threads A Cocoon - Unique Hand-coloured Print in Walnut frame
Located in London, GB
Hand-coloured portrait of a human larvae bursting out of their cocoon, immobilised in marble.
Representative of a safe and isolating space, the cocoon is both a cage and a shelter. This tale is a
study of transformation, of breaking apart and coming back together as the larvae emerges from
the silken threads.
Taken from The Sialia Marbles, a series of portraits containing ephemeral human sculptures taken between 2016-19. Together these works act as tales contained in a fictional sculpture hall, in direct reaction to Andre Malraux’s 1947 Le Musee Imaginaire (Museum Without Walls).
During the beginning of the 'Museum Age' in the 18th century , writer Johann Wolfgang Von Goethe discussed mythical sculpture...
Category
18th Century Other Art Style Wood Photography
Materials
Cotton, Archival Pigment, Pigment, Giclée, Black and White, Walnut, Pain...
Cleansing A Shrike/ Blackbird's Bath - Hand coloured Print in Walnut frame
Located in London, GB
Hand-coloured portrait of a bird-like spirit, immobilised in marble, cleansing in a spring-time bath. A character formed from Naiads (a Greek nymph of flowing water), and exploring the idea of a ritualistic cleansing to wash away sombre deeds.
Taken from The Sialia Marbles, a series of portraits containing ephemeral human sculptures taken between 2016-19. Together these works act as tales contained in a fictional sculpture hall, in direct reaction to Andre Malraux’s 1947 Le Musee Imaginaire (Museum Without Walls).
During the beginning of the 'Museum Age' in the 18th century , writer Johann Wolfgang Von Goethe discussed mythical sculpture...
Category
21st Century and Contemporary Victorian Wood Photography
Materials
Walnut, Archival Pigment, Color, Paint, Ink, Spray Paint, Watercolor, Ar...
Meta Road, Individuate, California Hwy 1 (Abstract Photography)
Located in London, GB
Meta Road, Individuate, California Hwy 1 (Abstract Photography)
Photograph Acrylic Paint on wood mount - Unframed
Artwork exclusive to IdeelArt.
Artworks are of the highest archival...
Category
2010s Abstract Wood Photography
Materials
Wood, Acrylic
Wood photography for sale on 1stDibs.
Find a wide variety of authentic Wood photography available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add photography created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, pink and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Miguel Vallinas, Massimo Vitali, James Sparshatt, and Jason Engelund. Frequently made by artists working in the Contemporary, Abstract, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Wood photography, so small editions measuring 0.1 inches across are also available
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