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Medium: Wood
Poppy no.3 - organic cotton canvas scroll on bamboo, limited edition 2 of 5
Located in London, GB
'Poppy no.3' 2023 97×120 cm printed on organic cotton canvas, limited edition of 5 + 1AP Canvas fixed on bamboo fixtures, to be and hanged as a scroll. Photograph is signed and st...
Category

21st Century and Contemporary Contemporary Wood Photography

Materials

Fabric, Canvas, Organic Material, Wood, Cotton Canvas, Archival Pigment

Wilhold Up the Mirror Photograph and Mixed Media Assemblage Wall Hanging Artwork
Located in Surfside, FL
Dennis Hopper, (American, 1936-2010) Mixed media sculpture "Outmolding Older Concepts (Wilhold Up the Mirror)", 1961, photo and assemblage, Ace gallery and Easy Rider Production labels verso 27"h x 40"w x 5"d. There is broken mirror glued into the wooden collage box with the ceramic head that is attached to the front. I assume that is how it was made. Provenance: Estate of Pentti Kouri, NYC; Ace Gallery, Los Angeles; Exhibited MOCA, Los Angeles, 2010 From a 1997 interview with Hopper where he references this piece "Right now it's very intense. I had a show that travelled Germany, about 15 different museums. Sunday we go to Denmark; I'm showing the early assemblage I did in 1961 which was the signal for conceptual art. I'm just two days there, then I'm going to Venice to meet Julian Schnabel - Count Volpe's given us a place to paint in Giudecca. Then I'm going to Documenta in Germany to hang another show, then I go back to LA on the 21st and start a film on the 23rd." Notes/Literature: Dr. Pentti Kouri(1949-2009) was a Finnish economist and venture capitalist with partner George Soros. He built his prestigious art collection with the goal of opening a private art foundation focused on his interests in Minimalism, Arte Povera, Conceptual and Text-based art. He was a member of the Board of Trustees of Dia Art Foundation, and on the boards of Tate, London and the Guggenheim Museum, New York. In addition, a portion of his collection forms the core of the Kiasma Museum of Contemporary Art in Helsinki, Finland Hopper made his film debut alongside James Dean in 1955's Rebel Without a Cause. Both lost souls from dysfunctional households, they gravitated to each other, smoked dope and took joy rides. When Dean died, Hopper saw himself as the natural inheritor of his rebellious mantle and, revelling in his nickname of "Dennis the Menace", gave it to Hollywood with both barrels; so they dropped him. Dennis didn't make another Hollywood movie for seven years. Frustrated by the deliberate stifling of his film career, Dennis turned to art and photography for creative stimulus, beginning with abstract subjects such as landscapes. His cutting-edge conceptual art became established round the world, with exhibitions in major cities. At home in the dining room stood one particularly interesting work, a white plastic box, eight feet long, that had an aluminium shaft sticking out of it, and two very large balls. It was called The Perpetual Erection Machine. Before Tracy Emin and Damien Hirst, there was Dennis. In 1961, Hopper took part in an international photography competition in Australia with a contribution of five abstract photos, which he called Pieces. He won first place. Soon after, Hopper married Hayward, daughter of the film producer Leland Hayward, whose credits include The Sound of Music and South Pacific. The wedding party of Hopper and Hayward was held in August at the apartment of actress Jane Fonda, a childhood friend of Hayward, who introduced Hopper to her younger brother Peter Fonda. Their daughter Marin was born in 1961, and they moved to Bel Air, California. Soon afterward the famous Bel Air fire destroyed their home, including approximately three-hundred Abstract Expressionist works and hundreds of pages of poetry that Hopper had begun in the mid-1950s. Hopper and his actor friends Dean Stockwell and Russ Tamblyn were close to many artists in California, especially assemblage artists Edward Kienholz...
Category

1960s Conceptual Wood Photography

Materials

Ceramic, Wood, Mixed Media

Unforgotten Series #5 - Handpainted photography, colorful abstract Tower Bridge
Located in Dallas, TX
"Unforgotten Series No 5" is an archival pigment print on fine art paper, mounted on birch panel and resin coated. This is a wonderful colorful and abstract urban inspired artwork fe...
Category

2010s Contemporary Wood Photography

Materials

Resin, Birch, Wood Panel, Archival Paper, Photographic Paper

Platform Pumps
Located in New York, NY
Dye sublimation print on aluminum, white wood float frame (Edition of 3 + 2 APs) Signed and numbered on label, verso From the series "Particle Paradise" This artwork is offered by C...
Category

2010s Contemporary Wood Photography

Materials

Dye Transfer, Wood

WOMEN OF THE ISRAEL DEFENSE FORCES Large Photo NETA
Located in Surfside, FL
"Women of the IDF" Large Exhibition color Photograph 30 x 40 inches, mounted on masonite and laminated. Edition of 4 + 2 artists proof. minor dings and bumps to edges Born in Tehran, Iran, Ashkan Sahihi moved with his family to West Germany at the age of seven. Although he began taking photographs as a teenager, Sahihi traces the beginning of his professional trajectory to New York in 1987, a thriving “pop culture metropolis” where he could do the kind of photography work that he wanted to do, exploring the underbelly of the society around him. Taking assignments from German publications such as the Süddeutsche Zeitung Magazine, Der Spiegel, Dummy and GEO, he photographed subjects like prisoners on death row, players in the hip-hop scene, and the downtown art scene of New York. Neither black nor white, an insider among outsiders, he found himself able to navigate spaces and dynamics that others might have had difficulty entering. He considered this both a privilege and an obligation – to visit these places and tell these stories. His success led to commissions from American publications as well, including the New York Times Magazine, the New Yorker, Rolling Stone, and Vogue. Put off by the limitations of photojournalism (the expectation that he would illustrate the writer’s perspective rather than author a narrative of his own), Sahihi began to embark on independent, highly compact conceptual series. His main goal in these series has been to drive forward public discourse on topics he believes have not provoked enough or the right kind of discussion: drugs, gender in the media, women in the military, etc. His portraits draw on a familiar visual language – often seated subjects before a neutral backdrop – but push the viewer to feel and think about entirely new things. Although he constantly challenges the comfort level of both the viewer and the subject, Sahihi never removes himself from the line of fire; all of his work requires the artist to immerse himself in uncomfortable situations and challenge his own emotional fortitude. Photographic Series In the “Face Series”, latex-gloved hands manipulate the subjects’ features, stretching, pushing, squeezing, pinching at the whim of external direction – from the artist? The customer? The public? The “Hypnosis Series” comprises 8 portraits of hypnotized subjects each experiencing a single emotion, e.g. helplessness, withholding/anger, or regret. In a society that rewards the suppression of such naked emotion, the purity of these depictions is arresting. In 2006, Sahihi photographed himself in the homes and with the families of six ex-girlfriends and one ex-wife, imposing himself more or less awkwardly on the constellations that emerged after he had exited their lives (“Exes Series”). For Sahihi’s most well-known work, the “Drug Series,” he convinced 11 non–drug users to consume a particular drug, then took their portraits over the course of their trips. The series was born out of Sahihi’s frustration with the hypocrisy of the political conversation about drugs in the United States. “By attempting to present an objective image of drug use, the artist addresses the cultural politics that allow our society to simultaneously glamorize the ‘drug look’ in fashion magazines and the entertainment industry and meanwhile turn a blind eye to the complicated, and vast, problem of drug abuse.” Sahihi has exhibited this series at MoMA PS1 New York in 2001, in Dresden in 2008, and alongside his installation “100 Million in Ready Cash." Sahihi’s dense explorations through small photographic series include “Women of the IDF," portraits of female Israeli soldiers...
Category

Early 2000s Wood Photography

Materials

Masonite

Desert canyon road (Abstract Photography)
Located in London, GB
Desert canyon road (Abstract Photography) Mix media, C-print, and acrylic paint on a wood mount - Unframed Artwork exclusive to IdeelArt. Artworks are of ...
Category

2010s Abstract Wood Photography

Materials

Wood, Acrylic, C Print

Cones [ Boards ]
Located in San Francisco, CA
Limited edition skate board series with original photography artwork by Frank Schott, in collaboration with Swiss design studio Doodah. Limited edition series 100 boards produce...
Category

21st Century and Contemporary Contemporary Wood Photography

Materials

Maple, Screen

North Shore Motel Office II, Salton Sea, California - Architectural Color Photo
Located in Cambridge, GB
North Shore Motel, from Richard Heeps Salton Sea series. Blue skies over this Californian classic mid-century modern Americana Motel exterior. Captured by Richard Heeps in the Salton...
Category

2010s Conceptual Wood Photography

Materials

Resin, Wood, Color

Large Mounted Vintage Silver Gelatin Israeli Kibbutz Photograph
By Peter Merom
Located in Surfside, FL
A little boy who just received a penicillin shot. signed on back with studio stamp. along with an old description label. this is mounted to wood and not framed or behind glass. it has some wear and surface soiling but it is a lovely charming piece and shows well. Peter Merom ( Hebrew : פטר מירום, born 1919 ) is an Israeli photographer born in Germany. He specializes in landscape photography and landscape detail. He was born in Lower Silesia and in 1934 emigrated from Germany to the British Mandate Palestine , where he settled four years later in the kibbutz Chulata . In 1935 he bought the first compact camera and began to amateur photography. After working as a fisherman in the kibbutz, he began to photograph Lake Chulus and then recorded his desiccation in 1951 to 1958. He gained his first artistic education as a self-taught specialist literature, international magazines and photographic anniversaries. In 1957 he studied photography in France . In Paris, he worked in a printing works where many photographers, such as Henri Cartier-Bresson and other photographers, printed their photographs. At that time, he made a series of photos of The Dying Lake , which he presented at the Telaviv Museum of Art . In 1974 he stopped working as a photographer and began to produce and sell photographs from his archive printed on plywood. In 2000 he received an award from the Israeli Museum for a lifetime work in the field of photography. In 2010, he received the Israel prize for a photograph taken every five years. Education 1957 Photography...
Category

20th Century Wood Photography

Materials

Plywood, Silver Gelatin

Nothing to Fear (The Girl behind the White Picket Fence) - mounted
Located in Morongo Valley, CA
Nothing to Fear (The Girl behind the White Picket Fence) - 2013 39x49x5cm, Edition 2/5. Analog C-Print, hand-printed by the artist on Archive Fuji Chrystal Paper, based on a Pola...
Category

2010s Contemporary Wood Photography

Materials

Wood, Photographic Paper, C Print, Color, Polaroid

Shift / World View (Abstract photography)
Located in London, GB
Shift / World View (Abstract photography) Photography. Painting. Wood support. Varnished with uvls protective coating - Unframed. Artwork exclusive to IdeelArt. Artworks are of th...
Category

2010s Abstract Wood Photography

Materials

Wood

Actor Girl (29 Palms, CA) - analog, mounted, Contemporary, 21st Century
Located in Morongo Valley, CA
Actor Girl (29 Palms, CA) - Installation, diptych 2008, 60x75x5cm each, 60x250 installed, sold out Edition of 5 Artist Proof 1/2. 2 analog C-Prints, hand-printed by the artist on Fu...
Category

Early 2000s Contemporary Wood Photography

Materials

Archival Paper, Photographic Paper, C Print, Color, Polaroid, Wood

"Ponderosa Root", Contemporary, Photorealistic, Embroidery, Framed, Nature
Located in St. Louis, MO
Carol Shinn is a studio artist who lives in Fort Collins, Colorado. She is known internationally for photo-based machine-stitched images. She has taught many classes and workshops ac...
Category

2010s Contemporary Wood Photography

Materials

Textile, Thread, Wood, Mixed Media

Source 8
Located in Buffalo, NY
An original Inkjet prints, carbon and beeswax mounted to wood that was included in the artistic duo's exhibition at the world renowned Albright Knox Art Gallery. Virocode is compose...
Category

2010s Conceptual Wood Photography

Materials

Wood, Wax, Carbon Pencil, Inkjet

Supreme Nan Goldin skateboard deck
Located in NEW YORK, NY
Nan Goldin Supreme Skateboard Deck: 'Misty and Jimmy Paulette in a Taxi, NYC' (1991/2018): Published in 2018 by Supreme New York Features Nan Goldin printed...
Category

21st Century and Contemporary Feminist Wood Photography

Materials

Wood, Offset

WOMEN OF THE IDF Large color Photograph LITAL
Located in Surfside, FL
"Women of the IDF" Large Exhibition color Photograph 30 x 40 inches, mounted on masonite and laminated. Edition of 4 + 2 artists proof. minor dings and bumps to edges Born in Tehran, Iran, Ashkan Sahihi moved with his family to West Germany at the age of seven. Although he began taking photographs as a teenager, Sahihi traces the beginning of his professional trajectory to New York in 1987, a thriving “pop culture metropolis” where he could do the kind of photography work that he wanted to do, exploring the underbelly of the society around him. Taking assignments from German publications such as the Süddeutsche Zeitung Magazine, Der Spiegel, Dummy and GEO, he photographed subjects like prisoners on death row, players in the hip-hop scene, and the downtown art scene of New York. Neither black nor white, an insider among outsiders, he found himself able to navigate spaces and dynamics that others might have had difficulty entering. He considered this both a privilege and an obligation – to visit these places and tell these stories. His success led to commissions from American publications as well, including the New York Times Magazine, the New Yorker, Rolling Stone, and Vogue. Put off by the limitations of photojournalism (the expectation that he would illustrate the writer’s perspective rather than author a narrative of his own), Sahihi began to embark on independent, highly compact conceptual series. His main goal in these series has been to drive forward public discourse on topics he believes have not provoked enough or the right kind of discussion: drugs, gender in the media, women in the military, etc. His portraits draw on a familiar visual language – often seated subjects before a neutral backdrop – but push the viewer to feel and think about entirely new things. Although he constantly challenges the comfort level of both the viewer and the subject, Sahihi never removes himself from the line of fire; all of his work requires the artist to immerse himself in uncomfortable situations and challenge his own emotional fortitude. Photographic Series In the “Face Series”, latex-gloved hands manipulate the subjects’ features, stretching, pushing, squeezing, pinching at the whim of external direction – from the artist? The customer? The public? The “Hypnosis Series” comprises 8 portraits of hypnotized subjects each experiencing a single emotion, e.g. helplessness, withholding/anger, or regret. In a society that rewards the suppression of such naked emotion, the purity of these depictions is arresting. In 2006, Sahihi photographed himself in the homes and with the families of six ex-girlfriends and one ex-wife, imposing himself more or less awkwardly on the constellations that emerged after he had exited their lives (“Exes Series”). For Sahihi’s most well-known work, the “Drug Series,” he convinced 11 non–drug users to consume a particular drug, then took their portraits over the course of their trips. The series was born out of Sahihi’s frustration with the hypocrisy of the political conversation about drugs in the United States. “By attempting to present an objective image of drug use, the artist addresses the cultural politics that allow our society to simultaneously glamorize the ‘drug look’ in fashion magazines and the entertainment industry and meanwhile turn a blind eye to the complicated, and vast, problem of drug abuse.” Sahihi has exhibited this series at MoMA PS1 New York in 2001, in Dresden in 2008, and alongside his installation “100 Million in Ready Cash." Sahihi’s dense explorations through small photographic series include “Women of the IDF," portraits of female Israeli soldiers...
Category

Early 2000s Wood Photography

Materials

Masonite

Contemporary Photograph #sickofwinning, September 11, 2017 by Virocode
Located in Buffalo, NY
An original contemporary wheat pasted photograph from the artist's series "No Plan for the Future". This work is hung inside the gallery space at The Buffalo Center for Arts and T...
Category

2010s Contemporary Wood Photography

Materials

Plywood, Archival Pigment

Dawn Over Bagan by James Sparshatt. Archival Print with Wooden Frame, 2011
Located in Coltishall, GB
Just after sunrise the mists disburse to reveal a panorama of pagodas stretching across the Bagan valley in Burma. Drifting slowly in the almost imperceptible breeze a flotilla of h...
Category

21st Century and Contemporary Contemporary Wood Photography

Materials

Rag Paper, Wood

Sands of The Himalaya by James Sparshatt. Archival Print with Wooden Frame
Located in Coltishall, GB
The Nubra Valley is part of the Tibetan plateau. It is an arid landscape surrounded by awesome peaks, a high altitude desert inhabited by a few small Ladakhi communities and their ...
Category

21st Century and Contemporary Contemporary Wood Photography

Materials

Rag Paper, Wood

Wind (Abstract photography)
Located in London, GB
Wind (Abstract photography) Photography. Painting. Wood support. Varnished with uvls protective coating - Unframed. Artwork exclusive to IdeelArt. Artworks are of the highest arch...
Category

2010s Abstract Wood Photography

Materials

Wood

Soaring Sky High, fine art abstract on maple wood, NYC, water towers & blue sky
Located in Dallas, TX
Soaring Sky High, part of the “Wooden Postcards” series, lifts the viewer above Union Square’s rooftops, capturing New York’s iconic water towers against a vast blue sky. Shot with a...
Category

2010s Contemporary Wood Photography

Materials

Wood, Maple, Oak, Photographic Film, Varnish

Rays of City Light, fine art photography on maple wood, yellow and orange NYC
Located in Dallas, TX
Part of the “Wooden Postcards” series by husband and wife team Hugo Garcia-Urrutia & MK Semos, "Rays of City Light" is shot using cross-processed medium format film and a Holga camera. The imagery is a vibrant New York City street scene, showing an iconic yellow taxi cab and abstract orange patterns and "rays of light" emulating from the buildings. The frames are manually juxtaposed inside the camera to create “rays” emulating from the urban chaos of taxi cabs and skyscrapers. Urrutia crafts the substrate from white oak flooring, with the natural wood grain becoming an essential element of the composition. The choice of white oak, with its natural grain visible through the film overlay, reinforces a sense of history and urban grit, allowing the wood itself to become an active part of the composition. HUGO GARCIA URRUTIA Hugo Garcia Urrutia is an interdisciplinary artist, interested in the cross-pollination between art and architecture. A graduate and active member of the Architectural Association in the United Kingdom, Urrutia’s work creates a distinct spatiality located at the interstice of art and architecture. His work explores and uses the technology for design and fabrication, with a sensitive and conscious reminder of the creativity of human endeavor. Urrutia graduated from the Architectural Association in 2013, earning a Master of Architecture in the Design & Make programme. In 2000, he graduated from Texas Tech University, with a Bachelor of Architecture and Design and received the 2000 Outstanding Thesis Award. In 2004, he founded Decorazon Gallery in Dallas’ historic Bishop Arts District where he directed, curated and exhibited numerous art/architectural exhibitions for national and international artists. His personal artwork has been exhibited in the United States, United Kingdom, Thailand, Colombia, and Hong Kong. His participation in art and architectural competitions and public projects include; the AIA Cincinnati, where he received the Design Award for the 2000 National Urban Poetry I competition and the 2005 ARQUINE - International Architecture Competition in Mexico City. His art installations – The Mexican Tsunami, and Making a Killing – have both been featured at the Art Santa Fe 2010 Contemporary Art Fair, curated by Charlotte Jackson, and University of Dallas and the McKinney Avenue Contemporary (MAC) in Dallas curated by Charissa N. Terranova. Together with the AA-DLAB 2012 team, Urrutia presented the Fallen Star at the Architectural Association Back Member’s Room. MK SEMOS MK Semos is a Greek-American artist whose work is deeply rooted in her passion for storytelling. Raised in Dallas, Texas, her artistic journey began at the Booker T. Washington School for the Performing and Visual Arts and later at the University of Texas at Austin, where she earned degrees in photojournalism and photo illustration. It was in New York City during the vibrant 1990s that her artistic vision crystallized. Captivated by the city's energy, Semos photographed its dynamic urban landscapes and eclectic people, using her SL 66 Rolleiflex camera to capture movement and emotion. Even after three decades, she finds endless inspiration in the city’s pulse, describing it as an "endless source of inspiration." Semos’ work spans travel, portraiture, and environmental photography, with her mastery of the Holga camera earning her recognition in publications like New York Magazine, Business Traveler, and Timeout NY. Alongside her husband, Hugo Garcia Urrutia, she co-founded DeCorazon Gallery, showcasing global artists and exhibiting her own works in prestigious art fairs around the world. Semos also serves on the board of the Association of Women Art Dealers...
Category

2010s Contemporary Wood Photography

Materials

Wood, Oak, Maple, Photographic Film, Varnish

El Descanso by James Sparshatt - Photograph, Gelatin Print with Wood Frame, 2000
Located in Coltishall, GB
Each day the students at the School of Spanish Dance in Havana strut and twirl and leap across boards tin dance studios hat have seen better days. The da...
Category

21st Century and Contemporary Other Art Style Wood Photography

Materials

Silver Gelatin, Glass, Wood

Storm Over The Altiplano by James Sparshatt 34"x24" Framed Archival Photo Print
Located in Coltishall, GB
Lake Sillustani sits at over 4000m above sea level in the high altiplano of Peru. Overlooking the lake on a raised plateau a series of tall Incan Funerary towers dominate the lansdca...
Category

20th Century Other Art Style Wood Photography

Materials

Rag Paper, Glass, Wood

Divers by Monica Denevan. Photograph. Burma. Silver Gelatin Print. Framed
Located in Coltishall, GB
Divers by Monica Denevan Photography, Silver Gelatin Print with Wooden Frame, Burma Monica Denevan studied photography at San Francisco State University. She has travelled extens...
Category

21st Century and Contemporary Contemporary Wood Photography

Materials

Paper, Silver Gelatin, Glass, Wood

Lotus Photography by Monica Denevan - Silver Gelatin Print with Wooden Frame
Located in Coltishall, GB
Lotus Photography by Monica Denevan - Silver Gelatin Print with Wooden Frame Monica Denevan studied photography at San Francisco State University. She has travelled extensively in ...
Category

21st Century and Contemporary Contemporary Wood Photography

Materials

Paper, Silver Gelatin, Glass, Wood

Against the Current by Monica Denevan - Gelatin Print with Wood Frame
Located in Coltishall, GB
Against the Current by Monica Denevan - Gelatin Print with Wood Frame Monica Denevan studied photography at San Francisco State University. She has travelled extensively in Burma ...
Category

Early 2000s Contemporary Wood Photography

Materials

Paper, Silver Gelatin, Glass, Wood

Galleon by Monica Denevan - Photography, Silver Gelatin Print with Wooden Frame
Located in Coltishall, GB
Galleon by Monica Denevan - Photography, Silver Gelatin Print with Wooden Frame Monica Denevan studied photography at San Francisco State University. She has travelled extensively ...
Category

2010s Contemporary Wood Photography

Materials

Paper, Silver Gelatin, Glass, Wood

Mujer De Santiago by James Sparshatt. Portrait photograph. Silver Gelatin Print
Located in Coltishall, GB
A woman of Santiago de Cuba. The Spirit of the Revolution series documents the generation of Cubans that saw the dramatic changes of 1959 as young adults. They have a strength of character and underlying humour that transcends the struggle that has defined their lives. James Sparshatt went to Cuba in 1999 and was so taken with the island and its people that he returned 15 times in the following 7 years. His images are largely of the music and dance and innate rhythm of the island but he also found himself drawn to an older generation that had been old enough to understand the revolution in 1959, that lived through 40 years of tumultuous and often difficult times and who now watch with some bemusement the return of the outside world in wave upon wave of tourists. James Sparshatt’s photographs of the “Revolutionary” generation of Cubans capture their grit and indominatable spirit. The black and white portrait...
Category

21st Century and Contemporary Other Art Style Wood Photography

Materials

Silver Gelatin, Wood

El Barbudo by James Sparshatt. Silver Gelatin Print with Wooden Frame, 2002
Located in Coltishall, GB
The bearded one… in Old Havana. The Spirit of the Revolution series documents the generation of Cubans that saw the dramatic changes of 1959 as young adults. They have a strength of...
Category

21st Century and Contemporary Other Art Style Wood Photography

Materials

Silver Gelatin, Wood

La Celebracíon by James Sparshatt. Silver Gelatin Print with Wood Frame, 2004
Located in Coltishall, GB
A moment of pure joy in Holguín, Cuba, during las Romerias de Mayo festival. James Sparshatt’s photographs of music and dance capture the emotion and intensity of people lost in the...
Category

21st Century and Contemporary Wood Photography

Materials

Silver Gelatin, Wood

Contemporary Photograph #colorsbleedintoone, August 13, 2017 by Virocode
Located in Buffalo, NY
An original contemporary wheat pasted photograph from the artist's series "No Plan for the Future". This work is hung inside the gallery space at The Bu...
Category

2010s Contemporary Wood Photography

Materials

Plywood, Archival Pigment

The Ridge, Cheshire, England, UK, 2013
Located in Hudson, NY
Each year, Robin Rice celebrates a Salon style exhibition to showcase her gallery artists and invite new ones. With Robin’s extensive experience as a gallery curator, all Robin Rice...
Category

2010s Modern Wood Photography

Materials

Wood, Encaustic, Pigment, Archival Pigment

Real (Abstract photography)
Located in London, GB
Real (Abstract photography) Photography and paint on wood - Unframed. Artwork exclusive to IdeelArt. Artworks are of the highest archival standards. Wood supports are sealed with ...
Category

2010s Abstract Wood Photography

Materials

Wood

Ouroboros suns desert road (Abstract photography)
Located in London, GB
Ouroboros suns desert road (Abstract painting) Mix media, C-print, and acrylic paint on a wood mount - Unframed Artwork exclusive to IdeelArt. Artworks ar...
Category

2010s Abstract Wood Photography

Materials

Wood, Mixed Media, Acrylic, C Print

Large Color Photograph "Women of the IDF" Ashkan Sahihi
Located in Surfside, FL
"Women of the IDF" Large Exhibition color Photograph 30 x 40 inches, mounted on masonite and laminated. Edition of 4 + 2 artists proof. minor dings and bumps to edges Born in Tehran, Iran, Ashkan Sahihi moved with his family to West Germany at the age of seven. Although he began taking photographs as a teenager, Sahihi traces the beginning of his professional trajectory to New York in 1987, a thriving “pop culture metropolis” where he could do the kind of photography work that he wanted to do, exploring the underbelly of the society around him. Taking assignments from German publications such as the Süddeutsche Zeitung Magazine, Der Spiegel, Dummy and GEO, he photographed subjects like prisoners on death row, players in the hip-hop scene, and the downtown art scene of New York. Neither black nor white, an insider among outsiders, he found himself able to navigate spaces and dynamics that others might have had difficulty entering. He considered this both a privilege and an obligation – to visit these places and tell these stories. His success led to commissions from American publications as well, including the New York Times Magazine, the New Yorker, Rolling Stone, and Vogue. Put off by the limitations of photojournalism (the expectation that he would illustrate the writer’s perspective rather than author a narrative of his own), Sahihi began to embark on independent, highly compact conceptual series. His main goal in these series has been to drive forward public discourse on topics he believes have not provoked enough or the right kind of discussion: drugs, gender in the media, women in the military, etc. His portraits draw on a familiar visual language – often seated subjects before a neutral backdrop – but push the viewer to feel and think about entirely new things. Although he constantly challenges the comfort level of both the viewer and the subject, Sahihi never removes himself from the line of fire; all of his work requires the artist to immerse himself in uncomfortable situations and challenge his own emotional fortitude. Photographic Series In the “Face Series”, latex-gloved hands manipulate the subjects’ features, stretching, pushing, squeezing, pinching at the whim of external direction – from the artist? The customer? The public? The “Hypnosis Series” comprises 8 portraits of hypnotized subjects each experiencing a single emotion, e.g. helplessness, withholding/anger, or regret. In a society that rewards the suppression of such naked emotion, the purity of these depictions is arresting. In 2006, Sahihi photographed himself in the homes and with the families of six ex-girlfriends and one ex-wife, imposing himself more or less awkwardly on the constellations that emerged after he had exited their lives (“Exes Series”). For Sahihi’s most well-known work, the “Drug Series,” he convinced 11 non–drug users to consume a particular drug, then took their portraits over the course of their trips. The series was born out of Sahihi’s frustration with the hypocrisy of the political conversation about drugs in the United States. “By attempting to present an objective image of drug use, the artist addresses the cultural politics that allow our society to simultaneously glamorize the ‘drug look’ in fashion magazines and the entertainment industry and meanwhile turn a blind eye to the complicated, and vast, problem of drug abuse.” Sahihi has exhibited this series at MoMA PS1 New York in 2001, in Dresden in 2008, and alongside his installation “100 Million in Ready Cash." Sahihi’s dense explorations through small photographic series include “Women of the IDF," portraits of female Israeli soldiers...
Category

Early 2000s Wood Photography

Materials

Laminate, Masonite

Supreme Nan Goldin Kim in Rhinestones skateboard deck
Located in NEW YORK, NY
Nan Goldin Supreme Skateboard Deck: "Kim in Rhinestones, Paris 1991": Published in 2018 by Supreme New York. Features a Nan Goldin printed signature o...
Category

21st Century and Contemporary Contemporary Wood Photography

Materials

Offset, Wood

Impact #3, #abstract, Limited Edition Fine Art Print
Located in London, GB
Print info: Impact #3 by Michael G Jackson Archival Pigment Print (from the original hand made darkroom c-type), 35 2/5 × 23 3/5 in 90 × 60 cm Limited Edition of 3. Framed print...
Category

2010s Abstract Impressionist Wood Photography

Materials

Glass, Wood, Photographic Paper, Color, Photogram, Archival Pigment

Odd 1 Out
Located in Saint Louis, MO
With his multimedia portraits, Moroccan artist Hassan Hajjaj thrives in a space between cultures, traditions, mediums, and artistic movements. The subjects of his photography range f...
Category

Early 2000s Wood Photography

Materials

Wood, C Print

'Lone Mangrove, Study No.30, Charley’s Pass, Florida' - southern photography
Located in Atlanta, GA
This unique object features a wet plate collodion print framed in a handmade wooden frame lined with gold leaf. 12 by 9 inches framed. Cecilia Montalvo & Charlie McCullers are a collaborative team. Characterized by the dynamic nature of the land-sea interaction, barrier islands are places with many shape narratives, and inversions. A barrier island is ephemeral, an instance of simultaneity, above and below what we call the surface. Mangroves straddle these mirror worlds, walking on water, making something out of nothing. Light rushes through every keyhole and seam in palm forest...
Category

2010s Contemporary Wood Photography

Materials

Metal, Gold Leaf

Ancient schemes, Minds etched, Unetched (Abstract photography)
Located in London, GB
Ancient schemes, Minds etched, Unetched (Abstract painting) Mix media, C-print, and acrylic paint on a wood mount - Unframed Artwork exclusive to IdeelArt. Artworks are of the highe...
Category

2010s Abstract Wood Photography

Materials

Wood, Mixed Media, Acrylic, C Print

Untitled # 10
Located in Kansas City, MO
Materials : Multimedia Date : 2016 Dimensions : 8″ x 6″ Anna Minnick's work explores the struggles of identity and mental illness. She hopes her work forms a dialog about these issu...
Category

2010s Contemporary Wood Photography

Materials

String, Glass, Wood, Photographic Paper

Sunflower Print in pink & peach on Museum Glass with White Gold and Silver leaf
Located in London, GB
END OF DAY, 2017 Printed on museum glass, hand finished with White Gold and Silver leaf, Framed 52 x 43 cm (framed), 36 x 27 cm (glass image size) Edition 1/5. Although the prints ar...
Category

2010s Contemporary Wood Photography

Materials

Gold, Gold Leaf

"Persephone" contemporary and elegant, mixed media photography on wood, hi-gloss
Located in Dallas, TX
This is a beautiful contemporary photograph of a Greek sculpture. The photograph is processed in a way that the grain of the wood eventually becomes the "canvas" and backdrop for this image. It is processed directly on Baltic birch wood using archival inks and is then sealed with a durable Hi-gloss lacquer. HUGO G. URRUTIA + MK SEMOS Urrutia is an interdisciplinary artist, interested in the cross-pollination between art and architecture. A graduate and active member of the Architectural Association in the United Kingdom, Urrutia’s work creates a distinct spatiality located at the interstice of art and architecture. His work explores and uses the technology for design and fabrication, with a sensitive and conscious reminder of the creativity of human endeavor. Urrutia graduated from the Architectural Association in 2013, earning a Master of Architecture in the Design & Make programme. In 2000, he graduated from Texas Tech University, with a Bachelor of Architecture and Design and received the 2000 Outstanding Thesis Award. In 2004, he founded Decorazon Gallery in Dallas’ historic Bishop Arts District where he directed, curated and exhibited numerous art/architectural exhibitions for national and international artists. His personal artwork has been exhibited in the United States, United Kingdom, Thailand, Colombia, and Hong Kong. His participation in art and architectural competitions and public projects include; the AIA Cincinnati, where he received the Design Award for the 2000 National Urban Poetry I competition and the 2005 ARQUINE - International Architecture Competition in Mexico City. His art installations – The Mexican Tsunami, and Making a Killing – have both been featured at the Art Santa Fe 2010 Contemporary Art Fair, curated by Charlotte Jackson...
Category

2010s Contemporary Wood Photography

Materials

Wood, Lacquer, Ink

Meta Road, Individuate, California Hwy 1 (Abstract Photography)
Located in London, GB
Meta Road, Individuate, California Hwy 1 (Abstract Photography) Photograph Acrylic Paint on wood mount - Unframed Artwork exclusive to IdeelArt. Artworks are of the highest archival...
Category

2010s Abstract Wood Photography

Materials

Wood, Acrylic

Huis Clos Exit Here (Abstract photography)
Located in London, GB
Huis Clos Exit Here (Abstract photography) Photography and paint on wood - Unframed. Artwork exclusive to IdeelArt. Artworks are of the highest archival standards. Wood supports a...
Category

2010s Abstract Wood Photography

Materials

Wood

Feel, Canyon Road (Abstract photography)
Located in London, GB
Feel, Canyon Road (Abstract photography) Photography and paint on wood - Unframed. Artwork exclusive to IdeelArt. Artworks are of the highest archival s...
Category

2010s Abstract Wood Photography

Materials

Wood

Feel, Canyon Road (Abstract photography)
Located in London, GB
Feel, Canyon Road (Abstract photography) Photography and paint on wood - Unframed. Artwork exclusive to IdeelArt. Artworks are of the highest archival standards. Wood supports are...
Category

2010s Abstract Wood Photography

Materials

Wood

'Barrier Island, Study No. 37, Pine Island Sound, Florida' southern photography
Located in Atlanta, GA
This unique object features a wet plate collodion print framed in a handmade wooden frame lined with gold leaf. Frame measures 12 by 9 inches. Cecilia Montalvo & Charlie McCullers a...
Category

2010s Contemporary Wood Photography

Materials

Metal, Gold Leaf

Back in the New York Groove, Sunset painted colors, Brooklyn Bridge photography
Located in Dallas, TX
Positivity & uplifting imagery is the theme of Urrutia's unique work "Back in the New York Groove". A striking black & white photograph of the Brooklyn Bridge sits in the center, and...
Category

2010s Contemporary Wood Photography

Materials

Wood, Oak, Acrylic

Polo Field, Cheshire, UK
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing. Edition of 15. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced...
Category

21st Century and Contemporary Wood Photography

Materials

Varnish, Wood

Boundaries of the Soul (Ayahuasca) #3
Located in Santa Monica, CA
A new work by the artist
Category

21st Century and Contemporary Wood Photography

Materials

Alabaster

Brooklyn Bridge I, contemporary and elegant, mixed media photography on wood
Located in Dallas, TX
This is a beautiful contemporary photograph of the iconic Brooklyn Bridge. The photograph is processed in a way that the grain of the wood eventually becomes the "canvas" and backdrop for this image. It is processed directly on Baltic birch wood using archival inks and is then sealed with a durable semi-gloss lacquer. The set is composed of 9 pieces and they are very easy to install and transport. It is a set of 25 and only 5 editions remain available. HUGO G. URRUTIA Urrutia is an interdisciplinary artist, interested in the cross-pollination between art and architecture. A graduate and active member of the Architectural Association in the United Kingdom, Urrutia’s work creates a distinct spatiality located at the interstice of art and architecture. His work explores and uses the technology for design and fabrication, with a sensitive and conscious reminder of the creativity of human endeavor. Urrutia graduated from the Architectural Association in 2013, earning a Master of Architecture in the Design & Make programme. In 2000, he graduated from Texas Tech University, with a Bachelor of Architecture and Design and received the 2000 Outstanding Thesis Award. In 2004, he founded Decorazon Gallery in Dallas’ historic Bishop Arts District where he directed, curated and exhibited numerous art/architectural exhibitions for national and international artists. His personal artwork has been exhibited in the United States, United Kingdom, Thailand, Colombia, and Hong Kong. His participation in art and architectural competitions and public projects include; the AIA Cincinnati, where he received the Design Award for the 2000 National Urban Poetry I competition and the 2005 ARQUINE - International Architecture Competition in Mexico City. His art installations – The Mexican Tsunami, and Making a Killing – have both been featured at the Art Santa Fe 2010 Contemporary Art Fair, curated by Charlotte Jackson...
Category

2010s Contemporary Wood Photography

Materials

Wood, Lacquer, Ink

Brooklyn Bridge IV, Sunset Magenta, mixed media photography on wood
Located in Dallas, TX
HUGO GARCIA URRUTIA Hugo Garcia Urrutia is an interdisciplinary artist, interested in the cross-pollination between art and architecture. A graduate and ac...
Category

2010s Contemporary Wood Photography

Materials

Wood, Oak, Acrylic

Sweet Violet... Hand Photographic Print, in Oak frame and antireflective glass
Located in London, GB
Katie Eleanor, "Sweet Violet", 2019 Handcoloured portrait of blooming flower, immobilised in marble, featuring frozen eyes and the silky colours of Sprin...
Category

2010s Contemporary Wood Photography

Materials

Glass, Oak, Paint, Watercolor, Archival Pigment

'Barrier Island, Study No. 15, Pine Island Sound, Florida' southern photography
Located in Atlanta, GA
This unique object features a wet plate collodion print framed in a handmade wooden frame lined with gold leaf. Frame measures 12 by 9 inches. Cecilia Montalvo & Charlie McCullers are a collaborative team. Characterized by the dynamic nature of the land-sea interaction, barrier islands are places with many shape narratives, and inversions. A barrier island is ephemeral, an instance of simultaneity, above and below what we call the surface. Mangroves straddle these mirror worlds, walking on water, making something out of nothing. Light rushes through every keyhole and seam in palm forest...
Category

2010s Contemporary Wood Photography

Materials

Metal, Gold Leaf

Unforgotten Series #2 - Handpainted photography, colorful abstract urban scene
Located in Dallas, TX
"Unforgotten Series No 2" is an archival pigment print on fine art paper, mounted on birch panel and resin coated. This is a wonderful colorful and abstract urban inspired artwork. ...
Category

2010s Contemporary Wood Photography

Materials

Birch, Wood Panel, Archival Paper, Photographic Paper, Resin

Crossing Bridges - contemporary and elegant, photography on wood
Located in Dallas, TX
This is a beautiful contemporary photograph of the bridge over the River Kwai in Thailand. The photograph is processed in a way that the grain of the wood eventually becomes the "canvas" and backdrop for this image. It is processed directly on birch wood using archival inks and is then sealed with a durable semi-glossy lacquer. The image shows a person with a bright halo, crossing the bridge or in the center of the bridge about to cross a metaphorical bridge. This metaphor can be translated into many beautiful messages in life. HUGO G. URRUTIA + MK SEMOS Urrutia is an interdisciplinary artist, interested in the cross-pollination between art and architecture. A graduate and active member of the Architectural Association in the United Kingdom, Urrutia’s work creates a distinct spatiality located at the interstice of art and architecture. His work explores and uses the technology for design and fabrication, with a sensitive and conscious reminder of the creativity of human endeavor. Urrutia graduated from the Architectural Association in 2013, earning a Master of Architecture in the Design & Make programme. In 2000, he graduated from Texas Tech University, with a Bachelor of Architecture and Design and received the 2000 Outstanding Thesis Award. In 2004, he founded Decorazon Gallery in Dallas’ historic Bishop Arts District where he directed, curated and exhibited numerous art/architectural exhibitions for national and international artists. His personal artwork has been exhibited in the United States, United Kingdom, Thailand, Colombia, and Hong Kong. His participation in art and architectural competitions and public projects include; the AIA Cincinnati, where he received the Design Award for the 2000 National Urban Poetry I competition and the 2005 ARQUINE - International Architecture Competition in Mexico City. His art installations – The Mexican Tsunami, and Making a Killing – have both been featured at the Art Santa Fe 2010 Contemporary Art Fair, curated by Charlotte Jackson...
Category

2010s Contemporary Wood Photography

Materials

Wood, Lacquer, Ink

#7, 'Tree Huggers...' Red Blue Trees and Sky; Abstract Landscape Art Print
Located in London, GB
George McLeod Untitled #7, Tree Huggers from the Future, 2021 Archival Pigment Print, Mounted Dibond in custom frame; with Black Stained Oak and antire...
Category

2010s Contemporary Wood Photography

Materials

Archival Pigment, Glass, Wood, Archival Ink, Archival Paper, Photographi...

Cosmos I - Printed on Museum Glass and hand gilded with Pink and White Gold leaf
Located in London, GB
Anyone who has stopped to engage with an oil spill will be familiar with the rainbow colours and the myriad of shapes that appear to the keen observer. The iridescence and depth is a...
Category

2010s Abstract Wood Photography

Materials

Gold, Gold Leaf

Wood photography for sale on 1stDibs.

Find a wide variety of authentic Wood photography available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add photography created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, pink and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Miguel Vallinas, Massimo Vitali, James Sparshatt, and Jason Engelund. Frequently made by artists working in the Contemporary, Abstract, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Wood photography, so small editions measuring 0.1 inches across are also available

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