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Medium: Wood
"Heart Chakra" Mixed Media Photography 26" x 26" inch Edition 1/7 by Oleg Char
Located in Culver City, CA
"Heart Chakra" Mixed media photography 26" x 26" inch Edition 1/7 by Oleg Char
Medium: UV print on Aluminum Dibond, glass neon, wood backing, metal frame.
...
Category
21st Century and Contemporary Contemporary Wood Photography
Materials
Metal
IGGY POP - FROM THE ALBUM COVER SOLDIER 1980, STUDIO PORTRAIT (1979)
Located in London, GB
IGGY POP - FROM THE ALBUM COVER SOLDIER 1980, STUDIO PORTRAIT (1979), 1979
Archival Pigment Print, Framed
Image size 30 x 30 cm
Frame: 55 x 45.5 cm
© Brian Griffin
"I remember this...
Category
1970s Performance Wood Photography
Materials
Glass, Wood, Photographic Film, Photographic Paper, Color, Archival Pigment
Unforgotten Series #2 - Handpainted photography, colorful abstract urban scene
Located in Dallas, TX
"Unforgotten Series No 2" is an archival pigment print on fine art paper, mounted on birch panel and resin coated. This is a wonderful colorful and abstract urban inspired artwork.
...
Category
2010s Contemporary Wood Photography
Materials
Birch, Wood Panel, Archival Paper, Photographic Paper, Resin
Sacred Palms - Landscape Print on Glass, hand gilded with 23.4 karat Rose Gold
Located in London, GB
"Night falls and the day recedes. Again, I attempt to capture the rich and poignant beauty of a perfect day in Sri Lanka, gone forever but not forgotten. The earth is gold as the col...
Category
2010s Contemporary Wood Photography
Materials
Gold, Gold Leaf
Ouroboros suns desert road (Abstract photography)
Located in London, GB
Ouroboros suns desert road (Abstract painting)
Mix media, C-print, and acrylic paint on a wood mount - Unframed
Artwork exclusive to IdeelArt.
Artworks ar...
Category
2010s Abstract Wood Photography
Materials
Wood, Mixed Media, Acrylic, C Print
Tell-Tale PhotoTotem: stacked wood cube sculpture w/ black & white photographs
By Jenny Lynn
Located in Bryn Mawr, PA
"Tell-Tale PhotoTotem" is a sculpture created from four solid wood cubes, with each of the 16 visible sides holding a different original black & white silver gelatin print (photograph) from artist Jenny Lynn...
Category
2010s Abstract Wood Photography
Materials
Photographic Paper, Silver Gelatin, Wood
White Zebra Finch (Orange Flamingo)
Located in New York, NY
White Zebra Finch (Orange Flamingo)
2018
Signed, titled, dated, and numbered on label, verso
Archival pigment print, painted frame (Edition of 3 + 2 APs)
19 x 15 inches
This work...
Category
2010s Contemporary Wood Photography
Materials
Wood, Paint, Archival Pigment
The Ridge, Cheshire, England, UK, 2013
By Pete Kelly
Located in Hudson, NY
Each year, Robin Rice celebrates a Salon style exhibition to showcase her gallery artists and invite new ones.
With Robin’s extensive experience as a gallery curator, all Robin Rice...
Category
2010s Modern Wood Photography
Materials
Wood, Encaustic, Pigment, Archival Pigment
Puro... Alegría #III - Neo on wood - by Sparshatt Dalzell.
Located in Coltishall, GB
Sparshatt Dalzell is a collaboration between photographer James Sparshatt and painter Rachael Dalzell.
Puro... Alegría #III - a portrait of Graciela an icon of old Havana. The po...
Category
21st Century and Contemporary Other Art Style Wood Photography
Materials
Mixed Media, Acrylic, Wood
Lily No.3 - organic cotton canvas scroll on bamboo, limited edition of 5
By Ugne Pouwell
Located in London, GB
Lily No.3 2023
97×120 cm printed on organic cotton canvas, limited edition of 5 + 1AP
Canvas fixed on bamboo fixtures, to be and hanged as a scroll.
Photograph is signed and stamp...
Category
21st Century and Contemporary Contemporary Wood Photography
Materials
Fabric, Canvas, Organic Material, Wood, Cotton Canvas, Archival Pigment
Poppy no.3 - organic cotton canvas scroll on bamboo, limited edition 2 of 5
By Ugne Pouwell
Located in London, GB
'Poppy no.3' 2023
97×120 cm printed on organic cotton canvas, limited edition of 5 + 1AP
Canvas fixed on bamboo fixtures, to be and hanged as a scroll.
Photograph is signed and st...
Category
21st Century and Contemporary Contemporary Wood Photography
Materials
Fabric, Canvas, Organic Material, Wood, Cotton Canvas, Archival Pigment
Platform Pumps
Located in New York, NY
Dye sublimation print on aluminum, white wood float frame (Edition of 3 + 2 APs)
Signed and numbered on label, verso
From the series "Particle Paradise"
This artwork is offered by C...
Category
2010s Contemporary Wood Photography
Materials
Dye Transfer, Wood
Crossing Bridges - contemporary and elegant, photography on wood
Located in Dallas, TX
This is a beautiful contemporary photograph of the bridge over the River Kwai in Thailand. The photograph is processed in a way that the grain of the wood eventually becomes the "canvas" and backdrop for this image. It is processed directly on birch wood using archival inks and is then sealed with a durable semi-glossy lacquer. The image shows a person with a bright halo, crossing the bridge or in the center of the bridge about to cross a metaphorical bridge. This metaphor can be translated into many beautiful messages in life.
HUGO G. URRUTIA + MK SEMOS
Urrutia is an interdisciplinary artist, interested in the cross-pollination between art and architecture. A graduate and active member of the Architectural Association in the United Kingdom, Urrutia’s work creates a distinct spatiality located at the interstice of art and architecture. His work explores and uses the technology for design and fabrication, with a sensitive and conscious reminder of the creativity of human endeavor.
Urrutia graduated from the Architectural Association in 2013, earning a Master of Architecture in the Design & Make programme. In 2000, he graduated from Texas Tech University, with a Bachelor of Architecture and Design and received the 2000 Outstanding Thesis Award. In 2004, he founded Decorazon Gallery in Dallas’ historic Bishop Arts District where he directed, curated and exhibited numerous art/architectural exhibitions for national and international artists.
His personal artwork has been exhibited in the United States, United Kingdom, Thailand, Colombia, and Hong Kong. His participation in art and architectural competitions and public projects include; the AIA Cincinnati, where he received the Design Award for the 2000 National Urban Poetry I competition and the 2005 ARQUINE - International Architecture Competition in Mexico City. His art installations – The Mexican Tsunami, and Making a Killing – have both been featured at the Art Santa Fe 2010 Contemporary Art Fair, curated by Charlotte Jackson...
Category
2010s Contemporary Wood Photography
Materials
Wood, Lacquer, Ink
$2,280 Sale Price
20% Off
Captain Nelson (29 Palms, CA) - Contemporary, Polaroid, 21st Century, Dream
Located in Morongo Valley, CA
Captain Nelson (29 Palms, CA) - 2007
37x49x3.5cm,
Edition 1/5.
Artist Inventory No 4033.01.
Analog C-Print, Hand-printed by the artist, mounted on a wooden box with matte UV-Prot...
Category
Early 2000s Contemporary Wood Photography
Materials
Wood, Archival Paper, Photographic Paper, C Print, Color, Polaroid
Cones [ Boards ]
By Frank Schott
Located in San Francisco, CA
Limited edition skate board series with original photography artwork by Frank Schott, in collaboration with Swiss design studio Doodah.
Limited edition series
100 boards produce...
Category
21st Century and Contemporary Contemporary Wood Photography
Materials
Maple, Screen
![Cones [ Boards ]](https://a.1stdibscdn.com/archivesE/upload/a_2422/a_14448231481933647626/FrankSchott_SkateBoard_master.jpg?width=240 "Frank Schott - Cones [ Boards ]")
"Ponderosa Root", Contemporary, Photorealistic, Embroidery, Framed, Nature
By Carol Shinn
Located in St. Louis, MO
Carol Shinn is a studio artist who lives in Fort Collins, Colorado. She is known internationally for photo-based machine-stitched images. She has taught many classes and workshops ac...
Category
2010s Contemporary Wood Photography
Materials
Textile, Thread, Wood, Mixed Media
"Solar Plexus Chakra" Photography 26" x 26" inch Edition 2/7 by Oleg Char
Located in Culver City, CA
"Solar Plexus Chakra" Photography 26" x 26" inch Edition 2/7 by Oleg Char
Medium: UV print on Aluminum Dibond, glass neon, wood backing, metal frame.
Solar Plexus - Manipura
The ...
Category
21st Century and Contemporary Contemporary Wood Photography
Materials
Metal
North Shore Motel Office II, Salton Sea, California - Architectural Color Photo
Located in Cambridge, GB
North Shore Motel, from Richard Heeps Salton Sea series. Blue skies over this Californian classic mid-century modern Americana Motel exterior. Captured by Richard Heeps in the Salton...
Category
2010s Conceptual Wood Photography
Materials
Resin, Wood, Color
Real (Abstract photography)
Located in London, GB
Real (Abstract photography)
Photography and paint on wood - Unframed.
Artwork exclusive to IdeelArt.
Artworks are of the highest archival standards. Wood supports are sealed with ...
Category
2010s Abstract Wood Photography
Materials
Wood
Rays of City Light, fine art photography on maple wood, yellow and orange NYC
Located in Dallas, TX
Part of the “Wooden Postcards” series by husband and wife team Hugo Garcia-Urrutia & MK Semos, "Rays of City Light" is shot using cross-processed medium format film and a Holga camera. The imagery is a vibrant New York City street scene, showing an iconic yellow taxi cab and abstract orange patterns and "rays of light" emulating from the buildings.
The frames are manually juxtaposed inside the camera to create “rays” emulating from the urban chaos of taxi cabs and skyscrapers. Urrutia crafts the substrate from white oak flooring, with the natural wood grain becoming an essential element of the composition. The choice of white oak, with its natural grain visible through the film overlay, reinforces a sense of history and urban grit, allowing the wood itself to become an active part of the composition.
HUGO GARCIA URRUTIA
Hugo Garcia Urrutia is an interdisciplinary artist, interested in the cross-pollination between art and architecture. A graduate and active member of the Architectural Association in the United Kingdom, Urrutia’s work creates a distinct spatiality located at the interstice of art and architecture. His work explores and uses the technology for design and fabrication, with a sensitive and conscious reminder of the creativity of human endeavor.
Urrutia graduated from the Architectural Association in 2013, earning a Master of Architecture in the Design & Make programme. In 2000, he graduated from Texas Tech University, with a Bachelor of Architecture and Design and received the 2000 Outstanding Thesis Award. In 2004, he founded Decorazon Gallery in Dallas’ historic Bishop Arts District where he directed, curated and exhibited numerous art/architectural exhibitions for national and international artists.
His personal artwork has been exhibited in the United States, United Kingdom, Thailand, Colombia, and Hong Kong. His participation in art and architectural competitions and public projects include; the AIA Cincinnati, where he received the Design Award for the 2000 National Urban Poetry I competition and the 2005 ARQUINE - International Architecture Competition in Mexico City. His art installations – The Mexican Tsunami, and Making a Killing – have both been featured at the Art Santa Fe 2010 Contemporary Art Fair, curated by Charlotte Jackson, and University of Dallas and the McKinney Avenue Contemporary (MAC) in Dallas curated by Charissa N. Terranova. Together with the AA-DLAB 2012 team, Urrutia presented the Fallen Star at the Architectural Association Back Member’s Room.
MK SEMOS
MK Semos is a Greek-American artist whose work is deeply rooted in her passion for storytelling. Raised in Dallas, Texas, her artistic journey began at the Booker T. Washington School for the Performing and Visual Arts and later at the University of Texas at Austin, where she earned degrees in photojournalism and photo illustration. It was in New York City during the vibrant 1990s that her artistic vision crystallized. Captivated by the city's energy, Semos photographed its dynamic urban landscapes and eclectic people, using her SL 66 Rolleiflex camera to capture movement and emotion. Even after three decades, she finds endless inspiration in the city’s pulse, describing it as an "endless source of inspiration."
Semos’ work spans travel, portraiture, and environmental photography, with her mastery of the Holga camera earning her recognition in publications like New York Magazine, Business Traveler, and Timeout NY. Alongside her husband, Hugo Garcia Urrutia, she co-founded DeCorazon Gallery, showcasing global artists and exhibiting her own works in prestigious art fairs around the world. Semos also serves on the board of the Association of Women Art Dealers...
Category
2010s Contemporary Wood Photography
Materials
Wood, Oak, Maple, Photographic Film, Varnish
Soaring Sky High, fine art abstract on maple wood, NYC, water towers & blue sky
Located in Dallas, TX
Soaring Sky High, part of the “Wooden Postcards” series, lifts the viewer above Union Square’s rooftops, capturing New York’s iconic water towers against a vast blue sky. Shot with a...
Category
2010s Contemporary Wood Photography
Materials
Wood, Maple, Oak, Photographic Film, Varnish
Nothing to Fear (The Girl behind the White Picket Fence) - mounted
Located in Morongo Valley, CA
Nothing to Fear (The Girl behind the White Picket Fence) - 2013
39x49x5cm, Edition 2/5.
Analog C-Print, hand-printed by the artist on Archive Fuji Chrystal Paper,
based on a Pola...
Category
2010s Contemporary Wood Photography
Materials
Wood, Photographic Paper, C Print, Color, Polaroid
"Persephone" contemporary and elegant, mixed media photography on wood, hi-gloss
Located in Dallas, TX
This is a beautiful contemporary photograph of a Greek sculpture. The photograph is processed in a way that the grain of the wood eventually becomes the "canvas" and backdrop for this image. It is processed directly on Baltic birch wood using archival inks and is then sealed with a durable Hi-gloss lacquer.
HUGO G. URRUTIA + MK SEMOS
Urrutia is an interdisciplinary artist, interested in the cross-pollination between art and architecture. A graduate and active member of the Architectural Association in the United Kingdom, Urrutia’s work creates a distinct spatiality located at the interstice of art and architecture. His work explores and uses the technology for design and fabrication, with a sensitive and conscious reminder of the creativity of human endeavor.
Urrutia graduated from the Architectural Association in 2013, earning a Master of Architecture in the Design & Make programme. In 2000, he graduated from Texas Tech University, with a Bachelor of Architecture and Design and received the 2000 Outstanding Thesis Award. In 2004, he founded Decorazon Gallery in Dallas’ historic Bishop Arts District where he directed, curated and exhibited numerous art/architectural exhibitions for national and international artists.
His personal artwork has been exhibited in the United States, United Kingdom, Thailand, Colombia, and Hong Kong. His participation in art and architectural competitions and public projects include; the AIA Cincinnati, where he received the Design Award for the 2000 National Urban Poetry I competition and the 2005 ARQUINE - International Architecture Competition in Mexico City. His art installations – The Mexican Tsunami, and Making a Killing – have both been featured at the Art Santa Fe 2010 Contemporary Art Fair, curated by Charlotte Jackson...
Category
2010s Contemporary Wood Photography
Materials
Wood, Lacquer, Ink
Kick Start
Located in Saint Louis, MO
With his multimedia portraits, Moroccan artist Hassan Hajjaj thrives in a space between cultures, traditions, mediums, and artistic movements. The subjects of his photography range f...
Category
Early 2000s Wood Photography
Materials
Wood, Lambda
Brooklyn Bridge IV, Sunset Magenta, mixed media photography on wood
Located in Dallas, TX
HUGO GARCIA URRUTIA
Hugo Garcia Urrutia is an interdisciplinary artist, interested in the cross-pollination between art and architecture. A graduate and ac...
Category
2010s Contemporary Wood Photography
Materials
Wood, Oak, Acrylic
Black and white landscape print of The Isle of Harris in the Hebrides Scotland
By ALEX BOYD
Located in London, GB
Toe Head, The Isle of Harris, The Hebrides, Scotland by Alex Boyd
Series: No Innocent Land
This image, made on the Isle of Harris in the Outer Hebrides shows the hill of Ceapabhal on the Toe Head peninsula.
Print details: © Alex Boyd, Courtesy MMX Gallery
Archival Pigment Print from the Wet Plate Collodion, Artist Proof, Hand Signed by the Artist
Image: 82 x 58 cm
Frame: 116 x 91 cm
Frame; Original Frame, slightly distressed from being vintage out of the Scottish castle; the print accompanied with the mount board and finished with antireflective UV protective AR art glass
Shipping worldwide; the framed print would be crated and shipped by professional shipping company, Free delivery in London postcodes and in a selected areas in the UK. Free pick up from the gallery.
About the Artist: ALEX BOYD
Alex Boyd's images represent a major addition to the tradition of modern landscape photography" – Robert Macfarlane, Author
Alex Boyd is a landscape and documentary photographer, printmaker and writer. His work is primarily concerned with the Scottish landscape. As a photographer his work examines the role of early Scottish landscape photographers, often using antique processes such as the Victorian wet-plate collodion process using antique cameras in mountain environments.
He is best known for his conceptual and figurative landscape photography which explores concepts of Scottish identity through historical and contemporary romanticism, neo-romanticism, Romantic nationalism and Spirit of Place. His work is largely concerned with depictions of the Celtic landscape, conservation and remote places, and is often characterised by its stark, poetic and introspective qualities. In 2019 he was awarded a Daiwa Foundation Scholarship to work and photograph the mountains of the Japan Alps centred on Mount Yari as well as shortlisted for the Hariban Award. He was the Mountain Photographer of the Year at the Kendal Mountain Festival in 2013, the UK’s largest mountain festival. His work on the Cuillin mountains on the Isle of Skye as the Royal Scottish Academy’s artist in Residence is in several National Collections. His work has been widely exhibited internationally with solo exhibitions at the Scottish Parliament, as well as group exhibitions at the Royal Academy, Royal Ulster Academy and the Royal Scottish Academy.
His work is held in the collections of the National Galleries of Scotland, The Royal Photographic Society, the Royal Scottish Academy, the V&A in London and the Yale Centre for British Arts in the USA. His first book St Kilda – The Silent Islands was recently shortlisted for a Saltire Award. His second book The Isle of Rust, a collaboration with writer Jonathan Meades was, like his first book, named as a photography book of the year by The Scotsman.
He is a Fellow of the National Library of Scotland, The Winston Churchill Memorial Trust, The Ballinglen Arts Foundation, and the Royal Society of Art. He is currently working on a PhD on Scottish Photography at Northumbria University, a selection of new books on The Faroe Islands, The Outer Hebrides. A collection of his Scottish and Irish collodion work is due out in 2021 as well as a solo exhibition ‘Hesperus’ at Stills, Scotland’s Centre of Photography, in June 2020.
A contributing Arts Editor for The Island Review, Boyd has also written for Art North, The Modernist, Earthlines and many other publications.
WORK REPRESENTED IN THE FOLLOWING COLLECTIONS:
The National Galleries of Scotland, The Royal Scottish Academy, The Royal Photographic Society, The National Media Museum, The University of Glasgow, St Andrews University, North Ayrshire Council, Dumfries & Galloway Council, The Ballinglen Arts Foundation, Sabhal Mor Ostaig, The University of the Highlands & Islands, Highland Print Studio, Cape Farewell, The Scottish Maritime Museum, NHS Greater Glasgow & New South Glasgow Hospitals, BC Partners, Cigna, The Yale Center for British Art, The V&A
***
NO INNOCENT LAND
The series 'No Innocent Land' is a journey across the islands of Scotland using an antique process to document the dramatic landscapes of Scotland.
Using a 100 year old camera...
Category
2010s Romantic Wood Photography
Materials
Wood, Giclée, Archival Paper, Black and White, Archival Pigment, Glass
$6,502 Sale Price
20% Off
Burnt Place Twilight's Path Forest by Night Fine Art Print
Located in London, GB
"Burnt Place" - After the fire swept through, the forest was left scorched and barren. The ground is still warm and the unstirring air is thick with the scent of charred wood. Scorched, lifeless pines stand solemn and mournful in the shadows of the Burnt Place.
About the Twilight's Path project:
"We spend our lives surrounded by the security of possessions, relationships and roles, but our futures hold nothing so substantial; one day we must all enter into true not- knowing - into a dark, unconscious place." Jasper Goodall...
Category
2010s Contemporary Wood Photography
Materials
Photographic Paper, Archival Pigment, Glass, Wood, Archival Paper, Color...
Meta Road, Individuate, California Hwy 1 (Abstract Photography)
Located in London, GB
Meta Road, Individuate, California Hwy 1 (Abstract Photography)
Photograph Acrylic Paint on wood mount - Unframed
Artwork exclusive to IdeelArt.
Artworks are of the highest archival...
Category
2010s Abstract Wood Photography
Materials
Wood, Acrylic
Feel, Canyon Road (Abstract photography)
Located in London, GB
Feel, Canyon Road (Abstract photography)
Photography and paint on wood - Unframed.
Artwork exclusive to IdeelArt.
Artworks are of the highest archival s...
Category
2010s Abstract Wood Photography
Materials
Wood
Cleansing A Shrike/ Blackbird's Bath - Hand coloured Print in Walnut frame
Located in London, GB
Hand-coloured portrait of a bird-like spirit, immobilised in marble, cleansing in a spring-time bath. A character formed from Naiads (a Greek nymph of flowing water), and exploring the idea of a ritualistic cleansing to wash away sombre deeds.
Taken from The Sialia Marbles, a series of portraits containing ephemeral human sculptures taken between 2016-19. Together these works act as tales contained in a fictional sculpture hall, in direct reaction to Andre Malraux’s 1947 Le Musee Imaginaire (Museum Without Walls).
During the beginning of the 'Museum Age' in the 18th century , writer Johann Wolfgang Von Goethe discussed mythical sculpture...
Category
21st Century and Contemporary Victorian Wood Photography
Materials
Walnut, Paint, Ink, Spray Paint, Watercolor, Archival Paper, Photographi...
$2,377 Sale Price
35% Off
Shift / World View (Abstract photography)
Located in London, GB
Shift / World View (Abstract photography)
Photography. Painting. Wood support. Varnished with uvls protective coating - Unframed.
Artwork exclusive to IdeelArt.
Artworks are of th...
Category
2010s Abstract Wood Photography
Materials
Wood
Feel, Canyon Road (Abstract photography)
Located in London, GB
Feel, Canyon Road (Abstract photography)
Photography and paint on wood - Unframed.
Artwork exclusive to IdeelArt.
Artworks are of the highest archival standards. Wood supports are...
Category
2010s Abstract Wood Photography
Materials
Wood
Polo Field, Cheshire, UK
By Pete Kelly
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing.
Edition of 15.
If the exhibition piece is sold or the customer orders a different print size, the photograph is produced...
Category
21st Century and Contemporary Wood Photography
Materials
Varnish, Wood
Wind (Abstract photography)
Located in London, GB
Wind (Abstract photography)
Photography. Painting. Wood support. Varnished with uvls protective coating - Unframed.
Artwork exclusive to IdeelArt.
Artworks are of the highest arch...
Category
2010s Abstract Wood Photography
Materials
Wood
Dawn Over Bagan by James Sparshatt. Archival Print with Wooden Frame, 2011
Located in Coltishall, GB
Just after sunrise the mists disburse to reveal a panorama of pagodas stretching across the Bagan valley in Burma. Drifting slowly in the almost imperceptible breeze a flotilla of h...
Category
21st Century and Contemporary Contemporary Wood Photography
Materials
Rag Paper, Wood
Sands of The Himalaya by James Sparshatt. Archival Print with Wooden Frame
Located in Coltishall, GB
The Nubra Valley is part of the Tibetan plateau. It is an arid landscape surrounded by awesome peaks, a high altitude desert inhabited by a few small Ladakhi communities and their ...
Category
21st Century and Contemporary Contemporary Wood Photography
Materials
Rag Paper, Wood
El Descanso by James Sparshatt - Photograph, Gelatin Print with Wood Frame, 2000
Located in Coltishall, GB
Each day the students at the School of Spanish Dance in Havana strut and twirl and leap across boards tin dance studios hat have seen better days. The da...
Category
21st Century and Contemporary Other Art Style Wood Photography
Materials
Silver Gelatin, Glass, Wood
Storm Over The Altiplano by James Sparshatt 34"x24" Framed Archival Photo Print
Located in Coltishall, GB
Lake Sillustani sits at over 4000m above sea level in the high altiplano of Peru. Overlooking the lake on a raised plateau a series of tall Incan Funerary towers dominate the lansdca...
Category
20th Century Other Art Style Wood Photography
Materials
Rag Paper, Glass, Wood
Lotus Photography by Monica Denevan - Silver Gelatin Print with Wooden Frame
Located in Coltishall, GB
Lotus Photography by Monica Denevan - Silver Gelatin Print with Wooden Frame
Monica Denevan studied photography at San Francisco State University. She has travelled extensively in ...
Category
21st Century and Contemporary Contemporary Wood Photography
Materials
Paper, Silver Gelatin, Glass, Wood
Against the Current by Monica Denevan - Gelatin Print with Wood Frame
Located in Coltishall, GB
Against the Current by Monica Denevan - Gelatin Print with Wood Frame
Monica Denevan studied photography at San Francisco State University. She has travelled extensively in Burma ...
Category
Early 2000s Contemporary Wood Photography
Materials
Paper, Silver Gelatin, Glass, Wood
Galleon by Monica Denevan - Photography, Silver Gelatin Print with Wooden Frame
Located in Coltishall, GB
Galleon by Monica Denevan - Photography, Silver Gelatin Print with Wooden Frame
Monica Denevan studied photography at San Francisco State University. She has travelled extensively ...
Category
2010s Contemporary Wood Photography
Materials
Paper, Silver Gelatin, Glass, Wood
Elysium Garden
By Shawn Ehlers
Located in Brooklyn, NY
The image for this work was taken at Landcraft, a property on the North Fork of Long Island with mesmerizing gardens.
"Elysium Garden" is inspired by the Swiss artist Piplioliti Ris...
Category
2010s Contemporary Wood Photography
Materials
Wood, Wax, Polaroid
Sunflower Print in pink & peach on Museum Glass with White Gold and Silver leaf
Located in London, GB
END OF DAY, 2017
Printed on museum glass, hand finished with White Gold and Silver leaf, Framed
52 x 43 cm (framed), 36 x 27 cm (glass image size)
Edition 1/5. Although the prints ar...
Category
2010s Aesthetic Movement Wood Photography
Materials
Gold, Gold Leaf
LA Fingers Signed Spray Can Estevan Oriol Los Angeles BTS Street Photography Art
Located in Draper, UT
Estevan was born in 1966 in United States. At present he is situated in Los Angeles, California the city of the stars. His work has been highlighted in a large number of the top magazines and has additionally captured a portion of the top famous people too. He has likewise coordinated many music recordings also. He is the child of Eriberto Oriol who was additionally a well known picture taker.
The universally eminent picture taker, music executive and urban way of life business visionary started his vocation as a hip-jump club bouncer and later turned a visit director for Cypress Hill and House of Pain which are the notable rap bunches in Los Angeles. He was talented an old camera...
Category
2010s Street Art Wood Photography
Materials
Metal
Mujer De Santiago by James Sparshatt. Portrait photograph. Silver Gelatin Print
Located in Coltishall, GB
A woman of Santiago de Cuba.
The Spirit of the Revolution series documents the generation of Cubans that saw the dramatic changes of 1959 as young adults. They have a strength of character and underlying humour that transcends the struggle that has defined their lives.
James Sparshatt went to Cuba in 1999 and was so taken with the island and its people that he returned 15 times in the following 7 years. His images are largely of the music and dance and innate rhythm of the island but he also found himself drawn to an older generation that had been old enough to understand the revolution in 1959, that lived through 40 years of tumultuous and often difficult times and who now watch with some bemusement the return of the outside world in wave upon wave of tourists.
James Sparshatt’s photographs of the “Revolutionary” generation of Cubans capture their grit and indominatable spirit.
The black and white portrait...
Category
21st Century and Contemporary Other Art Style Wood Photography
Materials
Silver Gelatin, Wood
La vieja guajira by James Sparshatt. Portrait photograph. Silver Gelatin Print
Located in Coltishall, GB
The old country girl from the Escambray mountains. I was hiking in the mountains, close to Trinidad, when I met the family. They invited me in and we chatted about our different live...
Category
21st Century and Contemporary Other Art Style Wood Photography
Materials
Silver Gelatin, Wood
La Romera by James Sparshatt. Portait photograph, Silver Gelatin Print.
Located in Coltishall, GB
On a musical and pleasure seeking pilgrimage… during Las Romerias de Mayo festival in Holguín.
The Spirit of the Revolution series documents the generation of Cubans that saw the dramatic changes of 1959 as young adults. They have a strength of character and underlying humour that transcends the struggle that has defined their lives.
James Sparshatt went to Cuba in 1999 and was so taken with the island and its people that he returned 15 times in the following 7 years. His images are largely of the music and dance and innate rhythm of the island but he also found himself drawn to an older generation that had been old enough to understand the revolution in 1959, that lived through 40 years of tumultuous and often difficult times and who now watch with some bemusement the return of the outside world in wave upon wave of tourists.
James Sparshatt’s photographs of the “Revolutionary” generation of Cubans capture their grit and indominatable spirit.
The black and white portrait photograph...
Category
21st Century and Contemporary Other Art Style Wood Photography
Materials
Silver Gelatin, Wood
El Campesino by James Sparshatt. Framed baryta silver gelatin print. 2001
Located in Coltishall, GB
The Viñales valley in western Cuba is a place of stunning beauty where perhaps the finest tobacco leaves in the world are grown. The tobacco farmers live hard but proud lives.
The S...
Category
21st Century and Contemporary Other Art Style Wood Photography
Materials
Silver Gelatin, Wood
El Barbudo by James Sparshatt. Silver Gelatin Print with Wooden Frame, 2002
Located in Coltishall, GB
The bearded one… in Old Havana.
The Spirit of the Revolution series documents the generation of Cubans that saw the dramatic changes of 1959 as young adults. They have a strength of...
Category
21st Century and Contemporary Other Art Style Wood Photography
Materials
Silver Gelatin, Wood
Phillipe Halsman Portrait Photography Lauren Bacall Black and White Framed 1944
Located in Buffalo, NY
The work offered for sale here is an original vintage silver gelatin print hand created by Halsman in 1944 and exhibited at the International Center for Photography.
Philippe Halsman was at one point considered the best photo-portraitist in France. He had an incessant interest in faces: “Every face I see seems to hide—and sometimes fleetingly reveal—the mystery of another human being.” Halsman’s photographs of politicians, celebrities, and intellectuals were featured widely in magazines like LIFE and Vogue. His more famous subjects included the likes of Marc Chagall, Le Corbusier, Audrey Hepburn, and Albert Einstein. He also had a 37-year collaboration with Salvador Dalí, which resulted in several famous surrealist series including the “Dalí’s Mustache” portraits...
Category
1940s Modern Wood Photography
Materials
Photographic Paper, Silver Gelatin, Wood
Cosmos III - Printed on Museum Glass, with Moon and Pink Gold leaf, Framed
Located in London, GB
Anyone who has stopped to engage with an oil spill will be familiar with the rainbow colours and the myriad of shapes that appear to the keen observer. The iridescence and depth is a...
Category
2010s Abstract Wood Photography
Materials
Gold, Gold Leaf
WOMEN OF THE ISRAEL DEFENSE FORCES Large Photo NETA
Located in Surfside, FL
"Women of the IDF" Large Exhibition color Photograph
30 x 40 inches, mounted on masonite and laminated.
Edition of 4 + 2 artists proof. minor dings and bumps to edges Born in Tehran, Iran, Ashkan Sahihi moved with his family to West Germany at the age of seven. Although he began taking photographs as a teenager, Sahihi traces the beginning of his professional trajectory to New York in 1987, a thriving “pop culture metropolis” where he could do the kind of photography work that he wanted to do, exploring the underbelly of the society around him. Taking assignments from German publications such as the Süddeutsche Zeitung Magazine, Der Spiegel, Dummy and GEO, he photographed subjects like prisoners on death row, players in the hip-hop scene, and the downtown art scene of New York. Neither black nor white, an insider among outsiders, he found himself able to navigate spaces and dynamics that others might have had difficulty entering. He considered this both a privilege and an obligation – to visit these places and tell these stories. His success led to commissions from American publications as well, including the New York Times Magazine, the New Yorker, Rolling Stone, and Vogue.
Put off by the limitations of photojournalism (the expectation that he would illustrate the writer’s perspective rather than author a narrative of his own), Sahihi began to embark on independent, highly compact conceptual series. His main goal in these series has been to drive forward public discourse on topics he believes have not provoked enough or the right kind of discussion: drugs, gender in the media, women in the military, etc. His portraits draw on a familiar visual language – often seated subjects before a neutral backdrop – but push the viewer to feel and think about entirely new things. Although he constantly challenges the comfort level of both the viewer and the subject, Sahihi never removes himself from the line of fire; all of his work requires the artist to immerse himself in uncomfortable situations and challenge his own emotional fortitude.
Photographic Series
In the “Face Series”, latex-gloved hands manipulate the subjects’ features, stretching, pushing, squeezing, pinching at the whim of external direction – from the artist? The customer? The public? The “Hypnosis Series” comprises 8 portraits of hypnotized subjects each experiencing a single emotion, e.g. helplessness, withholding/anger, or regret. In a society that rewards the suppression of such naked emotion, the purity of these depictions is arresting.
In 2006, Sahihi photographed himself in the homes and with the families of six ex-girlfriends and one ex-wife, imposing himself more or less awkwardly on the constellations that emerged after he had exited their lives (“Exes Series”).
For Sahihi’s most well-known work, the “Drug Series,” he convinced 11 non–drug users to consume a particular drug, then took their portraits over the course of their trips. The series was born out of Sahihi’s frustration with the hypocrisy of the political conversation about drugs in the United States. “By attempting to present an objective image of drug use, the artist addresses the cultural politics that allow our society to simultaneously glamorize the ‘drug look’ in fashion magazines and the entertainment industry and meanwhile turn a blind eye to the complicated, and vast, problem of drug abuse.” Sahihi has exhibited this series at MoMA PS1 New York in 2001, in Dresden in 2008, and alongside his installation “100 Million in Ready Cash."
Sahihi’s dense explorations through small photographic series include “Women of the IDF," portraits of female Israeli soldiers...
Category
Early 2000s Wood Photography
Materials
Masonite
The Self Representation of Light #412, 2 x Luminograms as one work
Located in London, GB
It's really majestic piece. It's grand in size and its got a very beautiful and impressive contrast in shades.
This piece is something very special... two Luminograms in one work of...
Category
2010s Abstract Expressionist Wood Photography
Materials
Black and White, Photogram, Silver Gelatin, Glass, Oak, Archival Paper
$4,335 Sale Price
20% Off
Blossom Blizzard, Stanmer Park, Sussex; Spring landscape with Gold leaf
Located in London, GB
Print detail:
Painting like photographic print, Printed on Museum Glass and Hand Gilded with Gold leaf in custom made frame.
41 x 57 cm (Framed)
Glass Print from Edition of 1/5
Series: Blossom Blizzard (New Print on Glass edition 2022)
Shipping: The print on glass would be packed and into wooden crate for artwork protection and shipped with professional art shippers.
About the work:
"Despite T.S. Eliot's assertion that 'April is the cruellest month', I invariably feel a sudden surge of wellbeing and optimism when the first scent of spring hangs in the air. I know I'm far from alone in this - photographers and artists surely feel that sense of excitement as keenly as any gardener eagerly rifling though their seed packets. Mother Nature, it seems, is handing us our images on a plate. The light is soft and benign, the colours, gentle, and the countryside seems to suddenly be filled with boundless enthusiasm. Quotes such as 'Spring is nature's way of reminding us that every day is worthy of celebration' pop up on social media with unfailing regularity - long before the first cuckoo is heard.
This image was taken at Stanmer Park, just outside of Brighton. A blustery day in early April, the air was filled with the sweet smell of April and the profligacy and exuberance of the new growth emerging was inspirational. Blossom-laden branches were everywhere but I concentrated on one small tree that stood apart from the rest. For reasons unclear, its tiny flowers seemed whiter, fluffier, altogether more generous than that of any of its neighbours.
It was bitterly cold. The type of cold that can only be experienced when one has left home in overly optimistic clothing, only to realise that the wind chill factor hadn't been accounted for when getting dressed. I struggled on for about half an hour - reluctant to retreat to the warmth of the nearby cafe and the very enticing appeal of a cup of coffee.
Fortunately, my inspiration came quickly - as the tiny petals blew around my head and I stood there shivering in all my reckless optimism, I realised it felt like nothing more than being encased in one of those half-domed snow globes. The fiercest blizzard was surely never this intense. I certainly couldn't imagine it ever being this cold.
Photographic perfection is not my objective. Its obedient conformity initially attracts, but, for me, leaves little enticement to investigate further. So it was that the tangled complexity of branches and the disparate arrangement of blossom engaged, rather than frustrated my aspirations. By layering image upon image, frame upon frame, I was able to build up the layers of blossom and emphasise the movement of the branches. All photographic images represent a moment in time. The way I make my images combine several. I walked around the tree, back and forth trying to engage with the long-limbed gaucheness of its extended branches.
The colour palette needed little intervention; I don't think anybody makes a paint called 'blustery blue' but perhaps they should. This contrasted beautifully with the jade and emerald grass, subsequently overlaid with soft white snowflakes and created, what for me, was a very pleasing and fresh arrangement of seasonal colours." - Valda Bailey
Category
2010s Impressionist Wood Photography
Materials
Gold, Gold Leaf
$4,572 Sale Price
25% Off
Large Color Photograph "Women of the IDF" Ashkan Sahihi
Located in Surfside, FL
"Women of the IDF" Large Exhibition color Photograph
30 x 40 inches, mounted on masonite and laminated.
Edition of 4 + 2 artists proof. minor dings and bumps to edges Born in Tehran, Iran, Ashkan Sahihi moved with his family to West Germany at the age of seven. Although he began taking photographs as a teenager, Sahihi traces the beginning of his professional trajectory to New York in 1987, a thriving “pop culture metropolis” where he could do the kind of photography work that he wanted to do, exploring the underbelly of the society around him. Taking assignments from German publications such as the Süddeutsche Zeitung Magazine, Der Spiegel, Dummy and GEO, he photographed subjects like prisoners on death row, players in the hip-hop scene, and the downtown art scene of New York. Neither black nor white, an insider among outsiders, he found himself able to navigate spaces and dynamics that others might have had difficulty entering. He considered this both a privilege and an obligation – to visit these places and tell these stories. His success led to commissions from American publications as well, including the New York Times Magazine, the New Yorker, Rolling Stone, and Vogue.
Put off by the limitations of photojournalism (the expectation that he would illustrate the writer’s perspective rather than author a narrative of his own), Sahihi began to embark on independent, highly compact conceptual series. His main goal in these series has been to drive forward public discourse on topics he believes have not provoked enough or the right kind of discussion: drugs, gender in the media, women in the military, etc. His portraits draw on a familiar visual language – often seated subjects before a neutral backdrop – but push the viewer to feel and think about entirely new things. Although he constantly challenges the comfort level of both the viewer and the subject, Sahihi never removes himself from the line of fire; all of his work requires the artist to immerse himself in uncomfortable situations and challenge his own emotional fortitude.
Photographic Series
In the “Face Series”, latex-gloved hands manipulate the subjects’ features, stretching, pushing, squeezing, pinching at the whim of external direction – from the artist? The customer? The public? The “Hypnosis Series” comprises 8 portraits of hypnotized subjects each experiencing a single emotion, e.g. helplessness, withholding/anger, or regret. In a society that rewards the suppression of such naked emotion, the purity of these depictions is arresting.
In 2006, Sahihi photographed himself in the homes and with the families of six ex-girlfriends and one ex-wife, imposing himself more or less awkwardly on the constellations that emerged after he had exited their lives (“Exes Series”).
For Sahihi’s most well-known work, the “Drug Series,” he convinced 11 non–drug users to consume a particular drug, then took their portraits over the course of their trips. The series was born out of Sahihi’s frustration with the hypocrisy of the political conversation about drugs in the United States. “By attempting to present an objective image of drug use, the artist addresses the cultural politics that allow our society to simultaneously glamorize the ‘drug look’ in fashion magazines and the entertainment industry and meanwhile turn a blind eye to the complicated, and vast, problem of drug abuse.” Sahihi has exhibited this series at MoMA PS1 New York in 2001, in Dresden in 2008, and alongside his installation “100 Million in Ready Cash."
Sahihi’s dense explorations through small photographic series include “Women of the IDF," portraits of female Israeli soldiers...
Category
Early 2000s Wood Photography
Materials
Laminate, Masonite
'Barrier Island, Study No. 41, Cayo Costa, Florida' southern photography
Located in Atlanta, GA
This unique object features a wet plate collodion print framed in a handmade wooden frame lined with gold leaf. Frame measures 12 by 9 inches.
Cecilia Montalvo & Charlie McCullers are a collaborative team.
Characterized by the dynamic nature of the land-sea interaction, barrier islands are places with many shape narratives, and inversions. A barrier island is ephemeral, an instance of simultaneity, above and below what we call the surface. Mangroves straddle these mirror worlds, walking on water, making something out of nothing. Light rushes through every keyhole and seam in palm forest...
Category
2010s Contemporary Wood Photography
Materials
Metal, Gold Leaf
Source 8
Located in Buffalo, NY
An original Inkjet prints, carbon and beeswax mounted to wood that was included in the artistic duo's exhibition at the world renowned Albright Knox Art Gallery.
Virocode is compose...
Category
2010s Conceptual Wood Photography
Materials
Wood, Wax, Carbon Pencil, Inkjet
Large Mounted Vintage Silver Gelatin Israeli Kibbutz Photograph
By Peter Merom
Located in Surfside, FL
A little boy who just received a penicillin shot. signed on back with studio stamp. along with an old description label.
this is mounted to wood and not framed or behind glass. it has some wear and surface soiling but it is a lovely charming piece and shows well.
Peter Merom ( Hebrew : פטר מירום, born 1919 ) is an Israeli photographer born in Germany. He specializes in landscape photography and landscape detail.
He was born in Lower Silesia and in 1934 emigrated from Germany to the British Mandate Palestine , where he settled four years later in the kibbutz Chulata . In 1935 he bought the first compact camera and began to amateur photography. After working as a fisherman in the kibbutz, he began to photograph Lake Chulus and then recorded his desiccation in 1951 to 1958. He gained his first artistic education as a self-taught specialist literature, international magazines and photographic anniversaries. In 1957 he studied photography in France . In Paris, he worked in a printing works where many photographers, such as Henri Cartier-Bresson and other photographers, printed their photographs. At that time, he made a series of photos of The Dying Lake , which he presented at the Telaviv Museum of Art . In 1974 he stopped working as a photographer and began to produce and sell photographs from his archive printed on plywood.
In 2000 he received an award from the Israeli Museum for a lifetime work in the field of photography. In 2010, he received the Israel prize for a photograph taken every five years.
Education
1957 Photography...
Category
20th Century Wood Photography
Materials
Plywood, Silver Gelatin
Bob Show
Located in New York, NY
Mixed Media on Canvas featuring the inimitable Bob Marley.. Canvas tacked onto one inch wood frame. Purposefully left raw. Photographed by Joester.
About the Artist:
Steve J...
Category
2010s Contemporary Wood Photography
Materials
Mixed Media, Wood
$12,500
Brooklyn Bridge I, contemporary and elegant, mixed media photography on wood
Located in Dallas, TX
This is a beautiful contemporary photograph of the iconic Brooklyn Bridge. The photograph is processed in a way that the grain of the wood eventually becomes the "canvas" and backdrop for this image. It is processed directly on Baltic birch wood using archival inks and is then sealed with a durable semi-gloss lacquer. The set is composed of 9 pieces and they are very easy to install and transport. It is a set of 25 and only 5 editions remain available.
HUGO G. URRUTIA
Urrutia is an interdisciplinary artist, interested in the cross-pollination between art and architecture. A graduate and active member of the Architectural Association in the United Kingdom, Urrutia’s work creates a distinct spatiality located at the interstice of art and architecture. His work explores and uses the technology for design and fabrication, with a sensitive and conscious reminder of the creativity of human endeavor.
Urrutia graduated from the Architectural Association in 2013, earning a Master of Architecture in the Design & Make programme. In 2000, he graduated from Texas Tech University, with a Bachelor of Architecture and Design and received the 2000 Outstanding Thesis Award. In 2004, he founded Decorazon Gallery in Dallas’ historic Bishop Arts District where he directed, curated and exhibited numerous art/architectural exhibitions for national and international artists.
His personal artwork has been exhibited in the United States, United Kingdom, Thailand, Colombia, and Hong Kong. His participation in art and architectural competitions and public projects include; the AIA Cincinnati, where he received the Design Award for the 2000 National Urban Poetry I competition and the 2005 ARQUINE - International Architecture Competition in Mexico City. His art installations – The Mexican Tsunami, and Making a Killing – have both been featured at the Art Santa Fe 2010 Contemporary Art Fair, curated by Charlotte Jackson...
Category
2010s Contemporary Wood Photography
Materials
Wood, Lacquer, Ink
Wood photography for sale on 1stDibs.
Find a wide variety of authentic Wood photography available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add photography created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, pink and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Miguel Vallinas, Massimo Vitali, James Sparshatt, and Jason Engelund. Frequently made by artists working in the Contemporary, Abstract, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Wood photography, so small editions measuring 0.1 inches across are also available
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