Horizontal Portrait Photography

This work is unique. Stamped on the reverse by The Andy Warhol Foundation for the Visual Arts. Foundation number also on verso. The work comes with an Authentication Letter from the Andy Warhol Authentication Board, Inc. Provenance: Gift of the Artist to Pat Hackett to Hedges Projects...

Cooler than cool... Debbie Harry, New York, 1977, photographed on the set of "The Foreigner" by celebrated New York underground photographer Fernando Natalici. The Foreigner (direct...

Dido - Signed Limited Edition Print English singer songwriter Dido poses at the Key Arena in the Seattle Center while on her sold-out world tour in 2004. Seattle, Washington, USA Tour promotional image, May 2004. (photo Kevin Westenberg) NB All prints are signed and numbered by the artist. Unframed Signed and numbered by the artist. Edition limited to 25 only this size Printed 2020 This size image: 20 x 24" / 51 x 61 cm OTHER SIZES AVAILABLE : Size 1. 16 x 20" Signed and numbered edition of 25. cost $ 2,500 Size 2. 20 x 24" Signed and numbered edition of 25. cost $ 2,950 Size 3. 24 x 30" Signed and numbered edition of 25. cost $ 3,375 Size 4. 30 x 40" Signed and numbered edition of 10 (+2 a/p). cost $ 5,605 Size 5. 40 x 60" Signed and numbered edition of 3 (1 a/p). cost $ 18,500 About the artist : Kevin Westenberg is famed for his creation of provocative and electrifying images of world-class musicians, artists and movie stars for over 25 years. His technique of lighting, colour and composition has helped to produce his own unique visual style. Shortly after receiving an Architecture degree he moved to London where he’s been based since 1983. Westenberg is self-taught and learned his trade working for the UK inkies “New Musical Express” and “Melody Maker” mainly throughout the late 80’s and 90’s documenting amongst others all the UK ‘Britpop’ bands. The breakthrough came in 1993-1994 with the release of Sting’s Ten Summoner’s Tales and Mary J Blige’s Share My World. These two album covers changed the perception of the work worldwide and thus began a run of 20 years of commissions and choice opportunities. For the last 25 years, his musical heritage includes portraits of Radiohead, Thom Yorke, Coldplay, White Stripes, Jane's Addiction, Sting, Bjork, Nirvana, Jeff Buckley, Luther Vandross, Nine Inch Nails, Stone Roses, The Pixies, Paul Weller, Rufus Wainwright, Michael Stipe, U2, Mary J. Blige, R.E.M., Black Sabbath, Massive Attack, BB King, The Rolling Stones, PJ Harvey, Marilyn Manson, Pete Doherty, Oasis, Soundgarden, Jake Bugg, and Bon Jovi among many others. Also included are 100’s of albums, singles, magazine & book covers from around the world. He’s also been chosen as official photographer for the LIVE 8 Hyde Park event in 2005 and for Led Zeppelin reunion concert at the 02 Arena, London. The work & interest also include a wide range of artists portraits beyond the music world. David Lynch, Paul Auster, The Coen Brothers, Rupert Friend, Sir Tom Stoppard, Orla Kiely, Vincent Cassel, Audrey Tautou, Billy Bob Thornton, Ethan Hawke, Alan Rickman, Daniel Bruhl, Sean Penn, Shirley Henderson, Aaron Eckhart, Robin Wright, Rhys Ifans, Frances McDormand, Jean-Luc Godard, Ray Winstone, Michel Gondry and Naomi Watts are amongst these portraits. “Rolling Stone”, “Spin”, “Q”, “Time Out”, “Les Inrockuptibles”, “Vogue”, “Rockin On Japan”, “Esquire”, “New York Times Magazine”, “Telegraph” and “Observer” Magazines, “Interview” and dozens of others around the world have commissioned him. The last 15 years he’s been a staff photographer at MOJO Magazine producing many covers and features. Most recently photographing Sir Paul McCartney for the cover story of the November 2013 issue. Westenberg’s biggest honour to date arrived in 2012 when he had his first major global museum show. The location was the ‘Kobe Fashion Museum’, one of Japan’s largest museums. The whole museum was dedicated to Westenberg’s works for a 3 month period. Over 70 images were included in a wide range of sizes, styles and presentation. The catalogue produced sold out during the exhibition’s run. The 20-year attendance record for the museum was also broken by the exhibition. black and white photography portrait b&w british...

Bryan Ferry - Oversize Signed Limited Edition Print Bryan Ferry of Roxy Music poses at the Raymond Revue Bar, a theatre and strip club, in Soho, London F...

Large-scale photograph from the Equine Beauty series. The legendary and complex relationship between humans and horses is an enduring one. The horse’s distinctive blend of grace and...

Actress Marilyn Monroe reads the book "To the Actor: On the Technique of Acting" by Michael Chekhov in a quiet moment at the Ambassador Hotel in March 1955 in New York City, New York...

A-HA - Vintage Autographed Photograph is a vintage photo, realized in the 1980s. Signature and dedication by the band a-ha to the readers of the magazine Foto Music Good condition....

Iconic and rare limited edition print direct from the negative, signed lower right hand margin and stamped with photographers own blind stamp. This is Number 1/10. Paper size 24 x 25...

Skiers on a slope in St Moritz, Switzerland, March 1978. Slim Aarons Estate Edition, Certificate of Authenticity included Numbered and stamped by the Slim Aarons Estate Collector w...

Large-scale photograph from the Equine Beauty series. The legendary and complex relationship between humans and horses is an enduring one. The horse’s distinctive blend of grace and...

A series of four shots of film stars (left to right) Clark Gable (1901 - 1960), Van Heflin (1910 - 1971), Gary Cooper (1901 - 1961) and James Stewart (1908 - 1997) enjoying a joke at...

Sheila Metzner’s unique photographic style has positioned her as a contemporary master in the worlds of fine art, fashion, portraiture, still life and landscape photography. Looking at Metzner’s photographs is a captivating experience. Innocent, sensual, and sexual, each photo, regardless of subject, exhibits and elicits deep emotion. It is nearly impossible to just glance at Metzner’s photos; they beg to be studied. She says, “Photography in its most basic form is magic…This image, caught in my trap, my box of darkness, can live. It is eternal, immortal. The child in the image will not age as the living child will.” Sheila Schwartz was born in 1939 to an orthodox Jewish family in a poor section of Brooklyn. While attending the School of Industrial Art in Manhattan (now the High School of Art and Design), she was awarded the Mayor Robert F. Wagner scholarship to the college of her choice. She chose Pratt Institute, where she majored in visual communication. Her fondness for painting and sculpture also led her to study with abstract artists Jack Tworkov and James Brooks. After graduating in 1961, Sheila worked as an assistant to Lou Dorfsman at CBS Network Advertising. Five years later, she was hired by the Doyle Dane Bernbach advertising agency as its first female art director, and in 1968 she met and married director, creative director, and painter Jeffrey Metzner. While pregnant with their first child, she was riding in a cab with her mentor and friend, photographer Aaron Rose, discussing whether or not to give up her career in advertising. “He said, ‘You should be a photographer. You live like an artist. You have a good eye, you’d be good at it.’ ” Metzner started taking pictures, amassing them slowly over the next 13 years, while raising her and Jeffrey’s five children—Raven, Bega, Ruby, Stella and Louie. Jeffrey’s two daughters from a previous marriage, Evyan and Alison, were also a regular part of the family. “When they were really small, I’d be with them during the day, photographing and printing at night. At eight or nine in the evening, when they were all asleep, I’d take a shower to wake up and put on high heels and lipstick, which I wore then, to give me the feeling of being ready to work.” She continues, “My children never interfered. When I couldn’t travel because of them, I would find a place in upstate New York and call it Antarctica or Egypt. I found microcosms.” Nine years later, Metzner had accumulated a box of 22 pictures. One of them, a black-and-white photograph titled “Evyan, Kinderhook Creek,” caught the eye of John Szarkowski at the Museum of Modern Art, which he included in his famous and controversial exhibition “Mirrors and Windows: American Photography since 1960.” The New York Times art critic Hilton Kramer loved the picture and soon it became the dark-horse hit of the exhibition. Later that year, Metzner’s first solo show at the Daniel Wolf Gallery in New York drew record crowds. Metzner was now ready to work in color, but not just conventional color. Of her subjects, she once said, “If I use a rose, I want it to be the essential rose—the rose Beauty brought to her father from the Beast’s garden.” Now she aspired to an essential kind of color. “I wanted something that would last. I was looking for Fresson even though I didn’t know they existed.” The Fresson family works outside of Paris and specializes in a labor-intensive four-color “process de charbon” method, which they invented in 1895. Some prints can go up to seven colors, and are pigment prints, the only true archival color print. Metzner is one of just ten American photographers with whom they are willing to work. Fresson prints are the perfect complement to Metzner’s style—soft, sensuous, and grainy, the prints resemble paintings, with a finish which Metzner describes as “a glaze on fine porcelain. The moment I saw the neutral gray,” she adds, “I knew it was perfect.” In 1980 Metzner showed her Fresson color prints at her second solo exhibition at the Daniel Wolf Gallery. This show led to commissioned editorial work for such magazines as Vanity Fair, Vogue, and Rolling Stone. She secured an exclusive contract with Vogue for the next eight years. Metzner considers her portrait of actress Jeanne Moreau for Vanity Fair a turning point in her career. “It gave me a chance to show my work to a broader audience. I wasn’t just producing photographs for the art world.” Of Sheila’s foray into fashion, critic Carol Squiers says, “At a time when fashion photography was caught between sterility and the snapshot, Metzner created a sumptuous vision that stimulated the entire field.” Metzner also started doing commercial photography around this time. Her first client was Valentino, soon to be followed by Bloomingdale’s, Perry Ellis, Revlon, Shiseido, Saks Fifth Avenue, Paloma Picasso, Victoria’s Secret, Levi’s, Ralph Lauren, and fragrances for Chloe and Fendi (the Fendi campaign won a Fragrance Foundation Recognition Award). Her work also appeared on John Mellencamp...

The reality is that this is an eye-witness account of a male peacock displaying for the attention of a female peahen. It turns out that humans are equally...

By photographer Reg Lancaster, English actress Jane Birkin and French singer-songwriter Serge Gainsbourg, at home in Paris, 1969. As an authorized Getty Images Gallery partner, we ...

Black and white scene from The Chase starring Marlon Brando and Angie Dickinson, circa 1966. The Chase is a 1966 American drama film, directed by Arthur Penn, written by Lillian Hel...

Argentinian race car driver Juan Fangio (1911 - 1995) in his Mercedes at Le Mans, June 1955. The race saw the death of Mercedes team mate Pierre Levegh and 80 spectators. Original Pu...

An elephant named Mae West accepts an apple from a passing tram driver while taking her morning exercise along Gray's Inn Road, London, 16th December 1936. Mae is helping to publicis...

David Koppel served his photographic apprenticeship in the rough-and-tumble world of the Fleet Street paparazzi in 1980’s London when his skills captured the very essence of the Me Decade that gave birth to the celebrity culture of today. Koppel’s classic photographs of Frank Sinatra, Marlon Brando, Jack Nicholson, the Rolling Stones, David Bowie, Paul McCartney, Eric Clapton & the Royal Family appeared in every major newspaper and magazine and marked him out as that rarity amongst press photographers: the artist with a camera. Building on the reputation gained through the photographs for the book Still Waters, his black-and-white portraits of ordinary people now rank among the many famous names in his portfolio. Koppel also went one better and in 2002 bought the St Giles St Gallery , bringing the best of local and international contemporary art and photography to Norwich, including the works of Sir Peter Blake, Terry O’Neill, David Bailey, Maggie Hambling, Storm Thorgersson, Tim Woolcock...

Transformation (Suburbia) - 2004 40x48cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print based on the Polaroid. Signature label and Certificate. Artist Inventory No. 1675....

Terry O’Neill’s candid photojournalistic portraits of creative and political luminaries have included Brigitte Bardot, The Beatles, Audrey Hepburn, Nelson Mandela, and Frank Sinatra,...

A man stops to watch a young woman tie her sandals on the pavement in Portofino marina, August 1977. Slim Aarons Estate Edition, Certificate of Authenticity included Numbered and s...

An elephant named Mae West accepts an apple from a passing tram driver while taking her morning exercise along Gray's Inn Road, London, 16th December 1936. Mae is helping to publicis...

Tom Kelley Ann St. Marie c. 1950's C print 16 x 20 inches Edition of 50 Photographs are printed on Archival Hahnemühle paper (luster) estate signed and numbered in the border Captio...

Surfing Florida Style by Al Satterwhite depicts a young man surfing on the water. He holds a rope attached to a car, which tows him through the w...

The Film The Eyes, the Mouth is a vintage black and white photograph realized in the 1982. Good conditions.

Large-scale photograph from the Equine Beauty series. The legendary and complex relationship between humans and horses is an enduring one. The horse’s distinctive blend of grace and...

This work is unique. Stamped on the reverse by The Andy Warhol Foundation for the Visual Arts. Foundation number also on verso. The work comes with an Authentication Letter from the ...

C-print on paper. Hand signed lower front, hand signed and dated on verso by Bert Stern. Hand numbered 12/72 on verso. Artwork size: 11.75 x 13.875 inches. Frame size: approx. 18...

Victor Arimondi (1942-2001). Portrait, ca. 1975. Period print measures 11 x 14 inches. Artist studio stamp on verso. Victor Arimondi (November 8, 1942 – July 24, 2001) was an Italian American photographer and model who lived and worked in Europe before moving to the United States in the late 1970s. His early fashion photography, his portraits of Grace Jones and other artists, and his male nudes photographed in New York and San Francisco captured the pre-AIDS culture of the 1970s and early 1980s. Arimondi's nudes were collected in several books, including David Leddick's award-winning[1] The Male Nude, (New York: Taschen 1998, 2005 and 2015). The photographer's later work documented homeless individuals in San Francisco's Tenderloin neighborhood and the toll of the AIDS epidemic on the city. His photographs, featured in several posthumous exhibitions, also are in the collections of Sweden's museum of modern art, Moderna Museet, and San Francisco's GLBT Historical Society. Biography Arimondi was born Vittorio Maria Tevitti to his unwed mother, Alessandra Calligaris, in Bologna, Italy on November 8, 1942. His mother struggled financially, which left an impression on her only child. In 1948, she temporarily left him at a children's boarding school and orphanage in Italy to move to Sweden for a job. There she met and married Bruno Arimondi, who adopted her son. The family returned to Naples, Italy in 1952 where Victor graduated from high school.[1] In 1960, Arimondi returned to Sweden to study at the University College of Arts, Crafts and Design in Stockholm, although he did not graduate. Meanwhile, he worked at several blue collar jobs, including as a mailman, before he gave up on traditional full-time work to pursue what he considered more essential— a life of creative expression. He created costume-like clothing for himself and friends and at age 19 became a fashion model. Even as a teenager, the Italian born photographer who spent his 20s and 30s primarily based in Sweden, noted that he preferred fantasy to the trials of real life.[1] That conflict, and his passion for beauty as well as his sexual energy, were major factors in his life and his work.[2] From 1965 through 1972 Arimondi worked as model in London, Milan, Germany, New York and Stockholm, appearing in catalogs and fashion magazines including Vogue , Harper's Bazaar and Esquire and on the runway in several Valentino fashion shows. In 1972 he decided to try working on the other side of the lens as a photographer to better express his creativity.[2] Arimondi moved to New York in 1979 and continued to build his photography portfolio. Portrait of Bearded Man, New York City, 1979 Two years later, in 1981, he moved to San Francisco where he lived and worked for twenty years until his death of AIDS at age 58 on July 24, 2001. The year he moved to San Francisco, Arimondi opened a photo gallery in the Haight-Ashbury neighborhood for a short time. When he struggled financially, he gave up on trying to earn a living through commercial fashion photography and closed the gallery.[3] Arimondi returned to modeling for the financial benefits, though he did so on less of an international scale than in his early years. He continued to create photographic portraits of the denizens of the San Francisco gay and arts cultures, to shoot male nudes and publish his work in magazines, and he began to compose and photograph evocative still lifes using his own photographic images. Many of them touched on the death of dozens of his former photography models from AIDS. Arimondi was in the midst of a new photography project that brought together his background as a fashion photographer and his more recent social documentary work when he died several months after he learned he was HIV-positive.[4] The project featured his former colleague, haute couture cover model Ivy Nicholson,[5] who he found living homeless in San Francisco. Several of the haunting portraits he took of her were later included in a noted group exhibit at SF Camerawork. Art Arimondi's early photography in the 1970s in Stockholm included portraits of the stars of Sweden's fashion, theater and dance worlds. His first two photography exhibits were in Stockholm and met with mixed reviews. But as he matured as a photographer and tapped into his fashion world contacts, Arimondi landed a number of commercial fashion jobs, including shooting for the Italian designer Salvatore Ferragamo S.p.A.'s I.Magnin department store ad that ran in Vogue. Marlboro Man Nude, New York City,1980. He also shot other artists and models for his own portfolio, including Grace Jones, the Norwegian actress, Liv Ullmann, and the American writer, Norman Mailer. Arimondi's aesthetic vision was focused on fantasy and drama, and he prided himself on pushing limits.[6] Although less well-known than his San Francisco contemporary...

Hanna Seidel (1925 to 2005) lived and worked in Argentina for many years. She was a world traveller, journeying to South America in the 1950s and to Central America, Japan, India, an...

Hanna Seidel (1925 to 2005) lived and worked in Argentina for many years. She was a world traveller, journeying to South America in the 1950s and to Central America, Japan, India, an...

Signed in black ink on print margin by Jesse Alexander Paper size: 16 x 20 in. Image size: 11 3/4 x 17 1/4 in. Jesse Alexander was considered one of the greatest race car photograp...

Archival Pigment Print COA Hand Signed by Michael Grecco

Skiing Holiday, Gstaad, Switzerland, Estate Edition. Winter Portrait Photograph This late 1970s winter landscape photograph, captured by society photographer Slim Aarons, features A...

Spheres (Chicks and Chicks and Sometimes Cocks) - 2019 20x24cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and signature label. Art...

This mid-1950s portrait photograph, captured by society photographer Slim Aarons, features a New York debutante having her headpiece pinned. This is an estate stamped and hand numbe...

About the Collection Terry O’Neill’s “lost photoshoot”. Terry shot these for Globe Photos almost half a century ago, but they remained lost until recently uncovered in our archives....

Skiers (bottom) on a slope in St Moritz, Switzerland, March 1963. Slim Aarons Estate Edition, Certificate of Authenticity included Numbered and stamped by the Slim Aarons Estate Co...

A skating cocktail waiter at the Palace Hotel in St Moritz, Switzerland, March 1978. Slim Aarons Estate Edition, Certificate of Authenticity included Numbered and stamped by the Sli...

A photograph by Andy Warhol. "Self-Portrait" is a Polaroid, Polacolor by pop American artist Andy Warhol. The artwork is numbered FA01.00130 and AWL203. Andy Warhol — who famously sa...

A group of skiers stand in line waiting for the ski lift in Vail, Colorado, USA, 1964. Slim Aarons Estate Edition, Certificate of Authenticity included Numbered and stamped by the ...

Pierre Vincent Marais and his wife Isabelle holiday with friends at Gelliceaux House, their home on the island of Mustique in the Grenadines, February 1989. Slim Aarons Estate Editi...

This piece is an original photograph, shot by George Hurrell in 1939 and printed at a later date. It depicts American actress and singer, Ann Sheridan, who had a 30 year long career...

1959: Surrealist painter Salvador Dali (1904 - 1989) with a red-haired woman in a green dress at a vintage ball in New York. The artist is captured with his characteristic walking st...

Large-scale photograph from the Equine Beauty series. The legendary and complex relationship between humans and horses is an enduring one. The horse’s distinctive blend of grace and...

Terry O’Neill’s candid photojournalistic portraits of creative and political luminaries have included Brigitte Bardot, The Beatles, Audrey Hepburn, Nelson Mandela, and Frank Sinatra,...

Purchased from Peter Fetterman Gallery - Authorized dealer of Salgado's work. No damage issues. Look print moutned on corners. Over Mat included.

Large-scale photograph from the Equine Beauty series. The legendary and complex relationship between humans and horses is an enduring one. The horse’s distinctive blend of grace and...

March 1973: Linda Ashland relaxes in a beach hammock on the island of Mustique in the Grenadines. Slim Aarons Estate Edition, Certificate of Authenticity included Numbered and stam...

Pierre Vincent Marais and his wife Isabelle holiday with friends at Gelliceaux House, their home on the island of Mustique in the Grenadines, February 1...

The Secret of Muhammad Ali by Al Satterwhite is a limited edition black and white photograph of professional boxer Muhammad Ali. Ali is holding an envelope with handwriting reading "...

Selenium-toned gelatin silver print (Edition of 20) Signed and numbered on label, verso From the series, "Before the Camera" This artwork is offered by ClampArt, located in New York...

Nick Vedros Homeless Archival Pigment Print on Epson Legacy Platine 100% Cotton Fibre, 314 gsm, Acid and Lignin free Year: 1990s Size: 10x13in Edition: 12 Signed, dated and numbered...

Keith Haring and model Ludovic, 1985 by Patrick Sarfati The black-and-white photograph, 30 x 40cm 12” x 16” in an edition of 8, is one work in Sarfati’s photography series on Ameri...

Seagull (Zuma Beach) - 1999 38x49cm, Edition of 10 plus 2 Artists Proofs. Archival C-Print, based on the Polaroid. Signature Label and Certificate. Artist Inventory # 502. Not moun...

Why do we dream of a simple and unique image of Eden; What happens when pain represents our sanctuary... Léa Bon work is a profound exploration of dreams and fantasies, transcending...

Divine Nude No.9 is a limited-edition photograph by French contemporary artist Ronald Martinez. This photograph is sold unframed as a print only. It ...

Nick Vedros Hoop Girl Archival Pigment Print on Epson Legacy Platine 100% Cotton Fibre, 314 gsm, Acid and Lignin free Year: 2000s Size: 11x11.2in Edition: 1...