Horizontal Portrait Photography

Jeanne, 1993 Edition 2/10, 29.5x37cm including white frame, 25x33cm (image area). Analog C-Print, hand-printed by the Artist, based on the original Polaroid. Artist Inventory No. ...

The Kiss (Sidewinder) - 2005 125x154cm, Edition 3/5. Analog C-Print, hand-printed by the artist on Fuji Crystal Archive paper, based on the original Polaroid. Signature label an...

This black and white image is of an excited group of school children in Gambia, West Africa This impression is #1 of an edition of 10. It is printed on Hahnemuhle Photo Rag Ultra Smooth paper that meets the highest industry standards regarding density, color gamut, color graduation and image sharpness. This white 100% rag paper guarantees archival standards. Benno Thoma was born in the university city of Maastricht on the southern tip of the Netherlands in November, 1956. He strives to stimulate our senses in his photographs and to move his audience to touch, feel and experience his vision. Thoma's photographs show us the beauty in each aspect of the composition. There is a tactile feel to his material, a positive energy that comes from the light that gives nuance to the subtle colors created. Arranged together with the beauty and dignity of the human body his technique invites us to become one with the scene. He travels around the world to create his images and strives to bathe his subjects in the natural light of that locale. Above all he captures the sense of place, its uniqueness -- cultural, natural or architectural. His newest photographs manipulate the element of water and light to express his vision of the male body – in both its innocence and vulnerability. Thoma uses movement and composition to capture the beauty of the body. The German publishing house of Bruno Gmunder has published five monographs of the work of Thoma. His photographs chronicle the luxurious properties of the Kempinski Hotel Group, the beautiful young actors of Bel Ami...

Edition of 7 Also available in 73 x 100 cm / 28.7 x 43.3 in, Edition of 3, price on request A naked female ballet dancer is standing in a window on the roof of the Opera of Paris. ...

The Kiss was a self-taken photograph and was part of her solo exhibition in New York at the Art Space Location One, in 2012. The Kiss maps a system uniting two bodies. It is a gestur...

Sylva Koscina - Vintage Photo is a vintage black and white photograph realized in the 1970s. Good conditions. Sylva Koscina is considered one of the be...

The black-and-white photograph titled *Canyonlands National Park, 1960s* offers a breathtaking view of the rugged, expansive desert landscape in southeastern Utah. The image captures...

Signed limited edition print of Frank Zappa taken in 1978 by Lynn Goldsmith Signed limited edition #2/20 - signed, numbered and titled by Lynn Goldsmith

The Sheep Edition of 25 signed and numbered by the artist A sheep in black and white shot on analog film. JJK is a pseudonym for one of the world's most successful photo artists. I...

The 19th July 2022 was the UK's hottest recorded day. When most were abandoning work for nearby cool spots or sun-drenched parks, Brighton-based photographer Andy Lo Pò...

Lucid Dreams (Stage of Consciousness) - 2007 20x24cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and signature label. Artist Invent...

Victor Arimondi (1942-2001). Portrait, ca. 1975. Period print measures 11 x 14 inches. Artist studio stamp on verso. Victor Arimondi (November 8, 1942 – July 24, 2001) was an Italian American photographer and model who lived and worked in Europe before moving to the United States in the late 1970s. His early fashion photography, his portraits of Grace Jones and other artists, and his male nudes photographed in New York and San Francisco captured the pre-AIDS culture of the 1970s and early 1980s. Arimondi's nudes were collected in several books, including David Leddick's award-winning[1] The Male Nude, (New York: Taschen 1998, 2005 and 2015). The photographer's later work documented homeless individuals in San Francisco's Tenderloin neighborhood and the toll of the AIDS epidemic on the city. His photographs, featured in several posthumous exhibitions, also are in the collections of Sweden's museum of modern art, Moderna Museet, and San Francisco's GLBT Historical Society. Biography Arimondi was born Vittorio Maria Tevitti to his unwed mother, Alessandra Calligaris, in Bologna, Italy on November 8, 1942. His mother struggled financially, which left an impression on her only child. In 1948, she temporarily left him at a children's boarding school and orphanage in Italy to move to Sweden for a job. There she met and married Bruno Arimondi, who adopted her son. The family returned to Naples, Italy in 1952 where Victor graduated from high school.[1] In 1960, Arimondi returned to Sweden to study at the University College of Arts, Crafts and Design in Stockholm, although he did not graduate. Meanwhile, he worked at several blue collar jobs, including as a mailman, before he gave up on traditional full-time work to pursue what he considered more essential— a life of creative expression. He created costume-like clothing for himself and friends and at age 19 became a fashion model. Even as a teenager, the Italian born photographer who spent his 20s and 30s primarily based in Sweden, noted that he preferred fantasy to the trials of real life.[1] That conflict, and his passion for beauty as well as his sexual energy, were major factors in his life and his work.[2] From 1965 through 1972 Arimondi worked as model in London, Milan, Germany, New York and Stockholm, appearing in catalogs and fashion magazines including Vogue , Harper's Bazaar and Esquire and on the runway in several Valentino fashion shows. In 1972 he decided to try working on the other side of the lens as a photographer to better express his creativity.[2] Arimondi moved to New York in 1979 and continued to build his photography portfolio. Portrait of Bearded Man, New York City, 1979 Two years later, in 1981, he moved to San Francisco where he lived and worked for twenty years until his death of AIDS at age 58 on July 24, 2001. The year he moved to San Francisco, Arimondi opened a photo gallery in the Haight-Ashbury neighborhood for a short time. When he struggled financially, he gave up on trying to earn a living through commercial fashion photography and closed the gallery.[3] Arimondi returned to modeling for the financial benefits, though he did so on less of an international scale than in his early years. He continued to create photographic portraits of the denizens of the San Francisco gay and arts cultures, to shoot male nudes and publish his work in magazines, and he began to compose and photograph evocative still lifes using his own photographic images. Many of them touched on the death of dozens of his former photography models from AIDS. Arimondi was in the midst of a new photography project that brought together his background as a fashion photographer and his more recent social documentary work when he died several months after he learned he was HIV-positive.[4] The project featured his former colleague, haute couture cover model Ivy Nicholson,[5] who he found living homeless in San Francisco. Several of the haunting portraits he took of her were later included in a noted group exhibit at SF Camerawork. Art Arimondi's early photography in the 1970s in Stockholm included portraits of the stars of Sweden's fashion, theater and dance worlds. His first two photography exhibits were in Stockholm and met with mixed reviews. But as he matured as a photographer and tapped into his fashion world contacts, Arimondi landed a number of commercial fashion jobs, including shooting for the Italian designer Salvatore Ferragamo S.p.A.'s I.Magnin department store ad that ran in Vogue. Marlboro Man Nude, New York City,1980. He also shot other artists and models for his own portfolio, including Grace Jones, the Norwegian actress, Liv Ullmann, and the American writer, Norman Mailer. Arimondi's aesthetic vision was focused on fantasy and drama, and he prided himself on pushing limits.[6] Although less well-known than his San Francisco contemporary...

Black and white capture of actress Barbara Hershey posed in a hat and fur stole for her role in the 1984 film "The Natural", co-starring Robert Redford. The Natural is a 1984 Americ...

'Palm Cockatoo #3, Los Angeles, CA, 2016' is a limited-edition photograph by contemporary artist Brad Wilson from the ‘Affinity’ series which features st...

Underwater photograph of a gorgeous girl with dark hair in red dress. Original print on aluminum plate with solid black backboard. The artwork needs no additional framing: it can be...

'North Shore Yacht Club I' - Salton Sea (California Badlands) - 1998 50x60cm with white border, Image size: 48x46cm, Edition 2/10, analog C-Print, hand-printed by the artist, based on a Polaroid, Certificate and Signature label, artist Inventory No. 585.02, Not mounted. The artist Stefanie Schneider has produced a unique body of work because she was the first to utilize expired Polaroid instant photography. Embracing the ‘imperfections’ this medium can produce Stefanie’s artwork was the inspiration of Instagram and the catalyst that motivated Dr. Florian Kaps to rescue the sole remaining Polaroid film production factory in Holland. Saving the last production equipment just before their planned destruction, therefore saving millions of vintage Polaroid cameras from obsolescence. Hows that for an artist having an effect on her medium of choice! The ‘Impossible film project’ saved the production factory and then a Polish business man bought ‘Impossible film’ and the actual Polaroid company to bring the two back together resulting in the so called ‘Polaroid Originals’ and giving it to his millennial son. (I hear he might also get Fuji film company for Christmas) Stefanie Schneider purchases Polaroid instant film and uses it only at it’s best possible outcome for her planned film shoots. The location, sets, costumes, actors and stories all come from Schneider but that’s just the beginning. The stories and their production take place in the high desert near Joshua Tree in California but the post production is in Berlin, Germany. The chosen photographs are rephotographed to make a negative. Following with the analogue medium, Schneider enlarges and prints old school in a self designed and built analogue darkroom in an old factory studio in Berlin. The largest of her hand printed art works measure 125cm or 49 inches in width with her vintage ‘Colenta’ developing machine. Schneider designed and built her own enlarger to properly fit her concept with the biggest ‘Durst’ enlarger ever built and turned on it’s side so as to print even bigger than was possible in it’s original design and rolls on custom tracks. Schneider created a film production movie set for her biggest film concepts from all her proceeds on an organic (off grid) farm in California where she eats only what she grows. Complete with garden, greenhouse and chicken coop. (It’s also a sanctuary for animals as no meat consumption is permitted) Vintage travel trailers dot the farm where production ideas develop. a costume trailer, film storage in the vintage refrigerators...

Mickey Spillane - Vintage Photograph is a black and white photograph realized in the 1960s. Good conditions.

The Sound of Music (29 Palms, CA) - 2009 Polaroid - Unique Piece 1/1, 7.2 x 8.9cm (image area) 10.1 x 10.0 cm ( including white Polaroid frame) Artist Inv. #24142. Signed on verso...

Little red Ant (2016), Edition 1/10. 40 x 50 cm. Printed in Canson Barita Fiber Rag 310gr, based on a Fuji Instant Film (not mounted). Signed on back with Cer...

Please note that as of 1st March 2025, the Slim Aarons Estate Stamped Collection aligned its pricing across the entire collection. Please bear in mind that all prints are produced to order. Lead times are expected between 15-20 days. Currency fluctuations may cause the price to change. This is a contemporary print from the Getty Archive using Slim Aarons negatives. All prints feature a Slim Aarons blindstamp, and are accompanied by a Slim Aarons Certificate of Authentication issued by Getty. 16" x 16" print on 16" x 20" paper. Limited Edition Estate Stamped Print. Edition of 150. Printed Later. "Daddy Bear...

Please bear in mind that all prints are produced to order. Lead times are expected between 15-20 days. Dahlia #8 is a gorgeous Archival Inkjet Print by contemporary photographer Phi...

Singer/actresss Julie Andrews and her husband filmmaker Blake Edwards, 1986. Jack said they were one of the most delightful couples he ever photographed,...

Roberta Manfredi a Portrait is a vintage black and white photograph realized in the 1980s. Good conditions.

Aubrey O'Day by Markus Klinko, from a stunning collection of contemporary nudes from celebrated photographer, Markus Klinko, featuring amongst others, Dita Von Teese and Stoya This ...

Museum quality fine art print of AURIELEE SUMMERS, THE BATH by photographer Markus Klinko in 2013 in Los Angeles. This print is available in the following sizes, signed and numbered...

Director Mike Nichols on the Off-Broadway set of "Streamers" in 1976. Vintage silver gelatin exhibition photograph made by Jack Mitchell. Signed on the fr...

Taken from the world’s largest photographic archive, (Hulton Archive and Getty Images), the Getty Images Gallery collection features an extraordinary time capsule of the last century...

The Glass Wall is an earlier series for Santa Fe photographer Brad Wilson, who is well known for his series Affinity – a collection of strikingly detailed studio animal portraits. ...

Portrait of Connie Francis is a vintage photoraphic print on single-coated paper. Ink stamp of Mondial News Press on the back. Perfect conditions. Di...

Edition of 12 more sizes on request A big majestic male lion lying proud in the savannah. Joachim Schmeisser is represented by leading Galleries worldwide. His photographs are amon...

A photograph by Lawrence Schiller. This Untitled, Silver Gelatin print on fiber base paper photograph, is a black and white portrait of Barbra Streisand...

Please note that as of 1st March 2025, the Slim Aarons Estate Stamped Collection aligned its pricing across the entire collection. Please bear in mind that all prints are produced t...

Social security debate is an original photograph realized in 1970 in Italian Parliament in Montecitorio by an Anonymous photographer. Tyyped notes on the rear, the description in Ita...

The Aquarium (Stay) - 2006 Polaroid - Unique Piece 1/1, 8.8 x 7.5 cm (image area) 10.6 x 8.6 cm ( including white Polaroid frame) Artist Inv. #24837. Signed on verso. Not mounted...

Lucien Clergue (FRENCH, 1934 - 2014) Gelatin silver photographic print depicting Pablo Picasso titled "Mougins". Jacqueline et Pablo Picasso écoutant Manitas de Plata, circa 1968. Hand signed by the artist with hand written description. Titled and dated lower left. Mounted in a silver painted wooden frame with mat behind acrylic screen. Paper measures approx. 9" height x 11 1/2" width to sight. Framed measures approx. 14 3/4" height x 17 1/4" width. Lucien Clergue (French: 1934 – 2014) was a French photographer. He was Chairman of the Academy of Fine Arts, Paris for 2013. Lucien Clergue was born in Arles, France. At the age of 7 he began learning to play the violin, and after several years of study his teacher admitted that he had nothing more to teach him. Clergue was from a family of shopkeepers and could not afford to pursue further studies in a college or university school of music, such as a conservatory. In 1949, he learned the basics of photography. Four years later, at a corrida in Arles, he showed his photographs to Spanish painter Pablo Picasso who, though subdued, asked to see more of his work. Within a year and a half, young Clergue worked on his photography with the goal of sending more images to Picasso. During this period, he worked on a series of photographs of travelling entertainers, acrobats and harlequins, the Saltimbanques. He also worked on a series whose subject was carrion. On 4 November 1955 Lucien Clergue visited Picasso in Cannes, France. Their friendship lasted nearly 30 years until Picasso's death. Clergue's autobiographical book, Picasso My Friend, looks back on important moments of their relationship. In 1968, and with his friend Michel Tournier, Clergue founded the Rencontres d’Arles photography festival which is held annually in July in Arles. He exhibited his work at the festival during the years 1971–1973, 1975, 1979, 1982–1986, 1989, 1991, 1993, 1994, 2000, 2003 and 2007. Clergue also illustrated books, among them a book by writer Yves Navarre. Clergue took many photographs of the gypsies of southern France, and was instrumental in propelling the guitarist Manitas de Plata to fame. Clergue is perhaps most remembered and respected for his vintage black-and-white studies of light, shadow, and form, featuring sinuous nude female bodies, zebra stripes of light, dynamic sand dunes, and seascapes extracted from the coast of the Camargue. Clergue's photographs are in the collections of numerous well-known museums and private collectors. His vintage photographs have been exhibited in over 100 solo exhibitions worldwide, with noted exhibitions such as in 1961, at the Museum of Modern Art New York, the last exhibition organized by Edward Steichen with Lucien Clergue, Bill Brandt and Yasuhiro Ishimoto. Museums with large collections of his work include The Fogg Museum at Harvard University and the Museum of Fine Arts, Boston. His work, Fontaines du Grand Palais (Fountains of the Grand Palais), is in Museo cantonale d'arte [de] of Lugano. His photographs of Jean Cocteau are on permanent display at the Jean Cocteau Museum in Menton, France. In the U.S., an exhibition of the Cocteau photographs was premiered at Westwood Gallery, New York City. In 2007, the city of Arles honored Lucien Clergue and dedicated a retrospective collection of 360 of his photographs dating from 1953 to 2007. He also received the 2007 Lucie Award. He was named Knight of the Légion d'honneur in 2003 and elected member of the Academy of Fine Arts of the Institute of France on 31 May 2006, at the same time as a new section dedicated to photography was created. Clergue was the first photographer to enter the Academy to a position devoted specifically to photography. He was Chairman of the Academy of Fine Arts for 2013. Lucien Clergue was married to the art curator Yolande Clergue, founder of The Fondation Vincent van Gogh Arles. He was the father of two daughters: Anne Clergue, a curator of contemporary art who has worked at Leo Castelli Gallery, and Olivia Clergue, a handbag fashion designer whose godfather was Pablo Picasso. Pablo Picasso (1881 –1973) was a Spanish painter, sculptor, printmaker, ceramic artist and theatre designer who spent most of his adult life in France. Regarded as one of the most influential artists of the 20th century, he is known for co-founding the Cubist movement, the invention of constructed sculpture, the co-invention of collage, and for the wide variety of styles that he helped develop and explore. Among his most famous works are the proto-Cubist Les Demoiselles d'Avignon (1907), and Guernica (1937), a dramatic portrayal of the bombing of Guernica by German and Italian air forces during the Spanish Civil War. After 1906, the Fauvist work of the slightly older artist Henri Matisse motivated Picasso to explore more radical styles, beginning a fruitful rivalry between the two artists, who subsequently were often paired by critics as the leaders of modern art. In 1897, his realism began to show a Symbolist influence, for example, in a series of landscape...

Someday Soon (Stage of Consciousness) - 2007 20x24cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and signature label. Artist Invent...

Sailing boats in the Out Islands of the Bahamas, April 1964. 16 x 20 inches $2150 12 x 16 inches $1800 10 x 12 inches $1350 Complimentary dealer shipping to your framer, worldwid...

Mata Hari by Paloma Castello Edition of 1/3+ 1AP Digital photographs on glossy pearlescent paper 2018. and Rudolph Valentino by Paloma Castello 47.2"...

Catherine D'Lish, Tease-o-Rama, photograph capturing her champagne coupe Burlesque performance in Hollywood. Richard Heeps became well-known for his Burlesque photography as he captu...

Palm Trees Dive by (Stranger than Paradise) - 1999 44x59cm, Edition 2/10. Analog C-Print, hand-printed by the artist, based on the Polaroid. Certificate and Signature label. A...

'White Tiger #4, Los Angeles, CA, 2010' is a limited-edition photograph by contemporary artist Brad Wilson from the ‘Affinity’ series which features studio portraits of wild animals....

Please note that as of 1st March 2025, the Slim Aarons Estate Stamped Collection aligned its pricing across the entire collection. Please bear in mind that all prints are produced t...

Please note that as of 1st March 2025, the Slim Aarons Estate Stamped Collection aligned its pricing across the entire collection. Please bear in mind that all prints are produced t...

About the Collection Terry O’Neill’s “lost photoshoot”. Terry shot these for Globe Photos almost half a century ago, but they remained lost until recently uncovered in our archives....

Dream girl (Stranger than Paradise) - 2000 Edition of 10 3 x 58x56 x 0.1 cm, 58 x 188 cm installed. 3 Analog C-Prints, hand-printed by the artist. based on the 3 Polaroids. Signat...

Breaking the Waves (Zuma Beach) - 1997 38x49cm, Edition of 10 plus 2 Artists Proofs. Archival C-Print, based on the Polaroid. Signature Label and Certificate. Artist Inventory # 123...

The way we were (Till Death do us Part) - 2005 48x58cm, Edition of 10, Archival C-Print print, based on the Polaroid Certificate and Signature label artist Inventory No. 9088. No...

Cigars come out and congratulations abound as Michael Jordan wins his 5th Championship in 1997. Here, Richard Shay has captured the moment when fan Bruce Willis looks at the superstar with such admiration and awe to be in his presence. This A.P. photograph is matted and framed in a simple black frame measuring 14.5h x 15.75w inches. Richard Shay Michael Jordan with Bruce Willis Celebrating Bulls 5th Championship, 1997 archival pigment print 9.75h x 11w in 24.77h x 27.94w cm A.P. RSY013 Richard Shay grew up in Deerfield, Illinois where his father, the famed photojournalist, Art Shay and his wife Florence had moved to raise their family. Surrounded by the influence of his larger-than-life dad, Richard would go on to follow in his father's path. After traveling the world in his early 20's, Richard returned to Chicago and began photographing at The Oprah Winfrey Show. He became the family photographer for basketball player and Chicago treasure, Michael Jordan. He would go on to tour the US and Russia with The Smashing Pumpkins...

Pablo Neruda gettin the Nobel Prize is a black and white vintage photo, realized in October 21th. 1971. The photo depicts Pablo Neruda , pseudonym of Ricardo Eliécer Neftalí Reyes, ...

This early 1950s figurative photograph, captured by society photographer Slim Aarons, features the Duke and Duchess of Windsor walking their dog in Portofino in 1951. This is an est...

29 Palms, CA - Self Portrait (29 Palms, CA) - 1997 Edition 2/5, 50x60cm including white border, Image size: 59x44cm, analog C-Print, hand-printed by the artist, based on the Polaroid. Certificate and Signature label. Artist Inventory No. 123. Not mounted. The artist Stefanie Schneider has produced a unique body of work because she was the first to utilize expired Polaroid instant photography in fine art. Embracing the ‘imperfections’ this medium can produce Stefanie’s artwork was the inspiration of Instagram and the catalyst that motivated Dr. Florian Kaps to rescue the sole remaining Polaroid film production factory in Holland. Saving the last production equipment just before their planned destruction, therefore saving millions of vintage Polaroid cameras from obsolescence. How's that for an artist affecting her medium of choice? The ‘Impossible film project’ saved the production factory and then a Polish businessman bought ‘Impossible film’ and the actual Polaroid company to bring the two back together resulting in the so-called ‘Polaroid Originals’ and giving it to his millennial son. (I hear he might also get Fuji film company for Christmas) Stefanie Schneider purchases Polaroid instant film and uses it only at it’s best possible outcome for her planned film shoots. The location, sets, costumes, actors and stories all come from Schneider but that’s just the beginning. The stories and their production take place in the high desert near Joshua Tree in California but the post-production is in Berlin, Germany. The chosen photographs are rephotographed to make a negative. Following with the analog medium, Schneider enlarges and prints old school in a self-designed and built analog darkroom in an old factory studio in Berlin. The largest of her hand-printed artworks measure 125cm or 49 inches in width with her vintage ‘Colenta’ developing machine. Schneider designed and built her enlarger to properly fit her concept with the biggest ‘Durst’ enlarger ever built and turned on its side to print even bigger than was possible in its original design and rolls on custom tracks. Schneider created a film production movie set for her biggest film concepts from all her proceeds on an organic (off-grid) farm in California where she eats only what she grows. Complete with a garden, greenhouse, and chicken coop. (It’s also a sanctuary for animals as no meat consumption is permitted) Vintage travel trailers dot the farm where production ideas develop. a costume trailer, film storage in the vintage refrigerators stuffed with original Polaroid film packs. Schneider’s feature film ‘The Girl Behind the White Picket Fence” took 5 years to shoot at the production ranch and used over 4500 Polaroid photographs shown consecutively with voice and music. Other films include; ‘Sidewinder’ - a love story ‘Till death do us part’ - a love story ‘Instant Dreams’- a documentary Stefanie is featured in Schneider’s artwork is on music album covers for Cyndi Lauper and the Red Hot Chile Peppers and hangs in Anthony Kiedis...

Loneliness doesn't exist outside of your mind (The Girl Behind the White Picket Fence) - 2013 20x24cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid....

Zoe and Charlie Brown (Chicks and Chicks and sometimes Cocks) - 2016 Edition of 10, 20x24cm. Archival C-Print, based on an expired Polaroid. Signature and Certificate. Artist inv...

Reno, Nevada, 1960 (Misfits Group Photograph) - Elliott Erwitt Signed, inscribed with title and dated on accompanying artist’s label Silver gelatin print, printed later Available in...

Unravel (Heather's Dream) - 2013 part of "The Girl Behind the White Picket Fence" starring Udo Kier and Heather Megan Christie 38x48cm, Edition of 10 plus 2 Artist Proofs. Archi...

'Zebra #3, Los Angeles, CA, 2010' is a limited-edition photograph by contemporary artist Brad Wilson from the ‘Affinity’ series which features studio portraits of wild animals. Thi...

The Suitcase (Heather's Dream) - 2013 part of "The Girl Behind the White Picket Fence" 38x48cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Cert...

Untitled (Trevor Berbick Fight) Mike Tyson – Trevor Berbick fight, WBC World Championship, Las Vegas Hilton, November 22, 1986 Signed and numbered...