Photographic Paper Portrait Photography

Franci - Signed limited edition archival pigment print - Edition of 5 This image was captured on film in 1986. The negative was scanned creating a digital file which was then prin...

Donald J. Trump- Vintage Photo is a black-and-white photograph, realized by Randy Drouke in the 1960s. Good condition.

Salvatore Quasimodo With Gina Lollobrigida in Catania- Vintage Photo is a black-and-white photograph, realized in the 1960s. Good condition.

Portrait of a seated elderly man by Imogen Cunningham (American, 1883). Presented in a new white mat with black accent. Tag from the studio of Imogen Cunningham affixed to verso of m...

Canada's new flag is a black and white vintage photo, realized in 1965. The photo depicts the new maple leaf flag of Canada, red on white, flying over the entrance to Canada House, ...

The Bride’s Kiss (Till Death Do Us Part), 2010 including Stefanie Schneider's new monograph "A Half Forgotten Dream" signed. 192 pages, hardcover, published by Snap Collective, 2024....

A Young Bride with a Strong Headache - 2020 20x25cm, Edition of 10, plus 2 Artist Proofs. Photograph printed on Fuji glossy paper, based on a reclaimed Fuji Instant Film Negative....

Road Trip (Back in the 80's) - 2016 20x20cm, Edition of 10. Digital C-Print, based on a Polaroid. Certificate and Signature label. Artist Inventory No. 19470. Not mounted. TH...

A Vision you can't Capture (29 Palms, CA) - 2008 including Stefanie Schneider's new monograph "A Half Forgotten Dream" signed. 196 pages, hardcover, published by Snap Collective, 20...

Dorotea Aslanidis - Vintage Photograph is an original black and white photograph. Good conditions.

Kirsten Red Lips 114x142 cm, Edition 1/3, analog C-Print, hand-printed by the artists, based on the Polaroid. Mounted on Aluminum with matte UV-Protection. Certificate and Sign...

Tenderness (Chicks and Chicks and sometimes Cocks) - 2019 20x24cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and signature label. ...

Silver Bra (29 Palms, CA) - 1999 58x56cm, Edition of 10, plus 2 Artist Proofs. Analog C-Print, hand-printed by the artist, based on the Polaroid. Signature label and Certificate,...

This piece is an original artwork by Jason Chen titled "Unavoidable Gaze". It is made of archival pigment prints from the artist's photography that he cuts and weaves together by hand. The piece measures 38”h x 28”w and ships framed in the pictured 41”h x 31”w frame. In 2012, Jason Chen shifted his long-running focus on dry plate tintypes to a new process: photo weaving. Chen began using two separate images of the same person, then wove them together in a process exploring time, movement, process, and mutation. He has exhibited works in the series one by one over the years, but in Fragments, his 2015 solo exhibition at Paradigm Gallery, a full collection of these works were on display together for the first time. Bio // Jason Chen is originally from Guangzhou, China. He received his BFA in Animation from the University of Arts in 2008. Jason is a Philadelphia-based photographer specializing in Fashion, Editorial, and Alternative Process Photography...

Leaving II (Sidewinder) - 2005 48x46cm each, installed 110x215cm, Edition of 10. 8 archival C-Prints based on the 8 Polaroids. Signature label and Certificate. Artist Inventory No...

Landed (Long Way Home) - 1999, 20x20cm, Edition of 25, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signature label and Certificate. Artist Inventory #796. ...

Utopia - Signed limited edition archival pigment print, 2016 - Edition of 10 Aida FOLCH ( Spanish actress) and Utopie ,Barcelona Tribute to Jean Rochefort ( French actor) This is an Archival Pigment print on fiber based paper ( Hahnemühle Photo Rag® Baryta 315 gsm , Acid-free and lignin-free paper, Museum quality paper for highest age resistance and a popular alternative to analogue baryta paper). The inks used are also known for their longevity. Signed + numbered by artist with certificate of authenticity. Archival pigment print available sizes ( Image size , the white margin is not counted): 40 x 27 cm / 15,75 x 10,63". - Edition of 10 60 x 40 cm / 23,62 x 15,75" - Edition of 5 Laurent Campus is an Italian freelance producer and photographer. In addition to an academic training in international trade, he has forged a solid musical, pictorial and cinematographic culture which led him gradually and naturally to the photography he has been practicing for more than twenty years full-time professionally. Its customers are brands that have supported the film industry for many years ( L'Oréal, Renault, DIOR, GENERAL MOTORS, FranckProvost, FranceTV, Canal +, EPSON, CANON, FESTIVAL DE CANNES, HFPA, VUELING, CARL F. BUCHERER , IWC, ParisMatch,…) as artists (filmmakers, actors, musicians) or producers and distributors. He has gravitated for more than 20 years at the heart of French and international cinema. Cinema photographer and reporter, making of : “Cannes Film Festival official” photographer "Official Golden Globes ceremony” photographer SONY Spain Photo...

Patsy Pulitzer (nee Patsy Bartlett) leaning against a seaplane belonging to the Everglades Flying Service, at Palm Beach, Florida. Slim Aarons Seaplane At Palm Beach...

Please note that as of 1st March 2025, the Slim Aarons Estate Stamped Collection aligned its pricing across the entire collection. Please bear in mind that all prints are produced t...

Promise Me (Till Death Do Us Part) - 2005, 38x37cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventor...

This mid-1950s portrait photograph, captured by society photographer Slim Aarons, features a young woman modelling for a Saks Fifth Avenue catalog shoot. This is an estate stamped a...

This mid-1950s portrait photograph, captured by society photographer Slim Aarons, features a young woman modelling for a Saks Fifth Avenue catalog shoot. This is an estate stamped a...

This mid-1950s portrait photograph, captured by society photographer Slim Aarons, features a young woman modelling for a Saks Fifth Avenue catalog shoot. This is an estate stamped a...

This mid-1950s portrait photograph, captured by society photographer Slim Aarons, features a young woman modelling for a Saks Fifth Avenue catalog shoot. This is an estate stamped a...

Like the Wind II (Till Death Do Us Part) - 2008 23x53.5cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the 2 original Super-8 Stills. Certificate and Signatur...

This mid-1950s portrait photograph, captured by society photographer Slim Aarons, features a young woman modelling for a Saks Fifth Avenue catalog shoot. This is an estate stamped a...

This mid-1950s portrait photograph, captured by society photographer Slim Aarons, features a young woman modelling for a Saks Fifth Avenue catalog shoot. This is an estate stamped a...

Untitled (Beachshoot) - 2005 127x126cm, Edition 3/5, analog C-Print, hand-Printed by the artist on Fuji Crystal Archive Paper, matte finish, based on the Polaroid. Certificate and signature label. Artist Inventory # 1418.03. Not mounted. Beachshoot These photographic phantasies are determined by carefully chosen constraints and the use of symbolic attributes. Telegraph poles, airplanes, vast wastelands, a train bridge or a 50s American car tell in the same manner different stories, as do lurid wigs, kids toys, a headscarf or an old super 8 camera...

A widow bird sate mourning for her love (Heather's Dream) - 2013 part of "The Girl Behind the White Picket Fence" featuring Udo Kier and Heather Megan Christie 38x48cm, Edition of ...

Please note that as of 1st March 2025, the Slim Aarons Estate Stamped Collection aligned its pricing across the entire collection. Please bear in mind that all prints are produced t...

Gianni Morandi is a vintage black and white photograph realized in the 1980s. Good conditions.

Closer (Sidewinder) 2005, Edition of 1/10, 100x58cm, digital C-Print based on a Polaroid Signature label and Certificate. Artist Inventory No. 3281.08. not mounted, 2005 SIDEWIN...

Blue eyes London, United Kingdom 2015 Limited edition of 20.

High Hopes - 2017, 50x50cm. Edition of 7 plus 2 Artist Proofs. Archival C-Print based on the original Polaroid. Signature label with certificate. Artist inventory PL2017-109. ...

Angel (Heavenly Falls) - 2016 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on a Polaroid. Certificate and Signature label. Artist Inventory No. 9069. N...

Because I Am (Stage of Consciousness) - 2008 including Stefanie Schneider's new monograph "A Half Forgotten Dream" signed. 196 pages, hardcover, published by Snap Collective, 2024. ...

Who's That (Beachshoot) - 2005 featuring Radha Mitchell 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and Signature label. A...

Tony Shafrazi had represented Keith Haring until the artist’s death in 1990. Shafrazi said of his first time ever entering The Factory in 1965, “I remember putting down my suitcase and looking out the window and seeing some people on the fire escape across the street. I realized that it was Andy Warhol’s Factory. So I went up to the Factory, and I remember Andy coming to the elevator and seeing me dressed up in this little mod, shiny, mohair suit...

Please note that as of 1st March 2025, the Slim Aarons Estate Stamped Collection aligned its pricing across the entire collection. Please bear in mind that all prints are produced to order. Lead times are expected between 15-20 days. Currency fluctuations may cause the price to change. This is a contemporary print from the Getty Archive using Slim Aarons negatives. All prints feature a Slim Aarons blindstamp, and are accompanied by a Slim Aarons Certificate of Authentication issued by Getty. 16 x 20" print. Limited Edition Estate Stamped Print. Edition of 150. Printed Later. "Laura Hawk at Paestum...

Gino Paoli - Vintage Autographed Photograph is a vintage photo, realized in the 1960s. Signature and dedication by the singer Gino Paoli: "Ai lettori di "Letizia" da un amico Gino P...

Theatre Performance is a black and white vintage photo, realized in Mid-20th century. Good conditions and aged. It belongs to a historical and nostalgic album including historical ...

Cristal (Till Death Do Us Part) - 2005 50x49cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory ...

Nail Polish (Beachshoot) - 2005 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory #1375. N...

For Your Eyes Only (Till Death Do Us Part) - 2005, 38x37cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist ...

Just For a Time (The last Picture Show) - 2004 58x56cm, Edition of 5 plus 2 Artist Proofs. Analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper, based on the o...

Love (Stage of Consciousness) - 2007 part of the 29 Palms, CA project. Featuring Udo Kier and Radha Mitchell 20x24cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based...

Please note that as of 1st March 2025, the Slim Aarons Estate Stamped Collection aligned its pricing across the entire collection. Please bear in mind that all prints are produced t...

Is it for love? (Till Death do us Part) - 2008 40x48cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Certificate and Signature label. Art...

Sylva Koscina - Vintage Photo is a vintage black and white photograph realized in the 1970s. Good conditions. Sylva Koscina is considered one of the be...

Feathered (Stage of Consciousness) - 2007 20x24cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print print, based on the original Polaroid. Signature label and Certificate Ar...

Traces of Time (The Girl Behind the White Picket Fence) - 2013 20x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Signature label and certificate. Artist Inventory #13370. Not mounted. Offered is a piece from the movie: The Girl Behind the White Picket Fence. Written and directed by Stefanie Schneider A tale told with blemished and expired Polaroid film about the hopes and dreams of a newly orphaned girl after losing her parents who lived in the Californian desert in an old travel trailer. -filmed with Polaroid film stock and Super-8 footage, overlaid with poetic voice-over monologue - this feature film creates a dynamic kaleidoscope of words and pictures, a dreamy tale that channels Terrence Malick, Gus Van Sant, and pages torn from a lonely girl's journal. (Palms Springs life magazine / Caroline Ryder) Stefanie Schneider By Caroline Ryder Travel up a bumpy dirt road in Morongo Valley, the trail strewn with rocks, and you’ll come upon a gigantic 1950s trailer in pristine condition, ringed by a white picket fence, with cottontail rabbits hopping among neat little rose bushes that bloom in spite of the broiling desert heat. Inside the trailer are period accents—a vintage radio, vintage fridge, little crocheted doilies, and dusty gilt-framed photographs. It’s a surreal home-sweet-home, an Americana fantasy as imagined by German artist and experimental filmmaker Stefanie Schneider whose work is so inspired by the desert landscape, she made it her home in 2005. “There’s a completely different light here than in Germany, a beautiful light,” says Schneider, whose property in Morongo is dotted with vintage trailers. They surround her midcentury home and serve as sets for her photoshoots or as guest lodgings for her friends from Hollywood and Berlin. “But what I really love about the desert is the desolation,” she continues. “The sense of hope for something that might or might not come. It’s easy to see our dreams projected in the desert.” Famed for shooting trailer park chic fine art photographs exclusively on vintage Polaroid film, Schneider recently completed her most ambitious project to date—a feature film made entirely of Polaroid stills (4000 images in total), the story set around her magnificent 1950s trailer. The film, called “The Girl Behind The White Picket Fence” tells the story of a broken-hearted girl who lives in the trailer. Her name is Heather, and she is played by model Heather Megan Christie, girlfriend of actor Joaquin Phoenix, and former partner of Red Hot Chili Peppers singer Anthony Kiedis, with whom she has a son. Heather stars opposite Kyle Larson (who plays ‘Hank’), a real-life gypsy fisherman who catches crab in Alaska when he’s not surfing in Southern California. Neither of the two had ever acted before, and never in the history of movie-making has a director shot a film entirely on Polaroid film. “There was great difficulty shooting a film this way,” says Schneider, who, with her long straight hair, wide innocent eyes, and thick-framed glasses, conjures an art-house Gretel. “If I had used a regular camera I would have had 36 exposures per minute, much faster and easier than using the old Polaroid camera which takes a long time to shoot one frame. Also, sometimes it doesn’t shoot at the exact moment you think it’s going to—but that’s really great because then you miss the perfect moment…and often those are the best shots.” Individually, the Polaroid photographs that comprise 29 PALMS, CA stand alone, but together and in sequence, filmed with super 8 and 16mm film stock and overlaid with poetic voice-over monologues, they create a dynamic kaleidoscope of words and pictures, a dreamy tale that channels Terrence Malick. Gus Van Sant, and pages torn from a lonely girl’s journal. The idea to shoot a movie in this way came about in 2004 when Schneider was working with leading German director Mark Forster (Monster’s Ball, Finding Neverland, Quantum of Solace) on his film Stay. She had met Forster at director Wim Wender’s birthday party in Hollywood. A few years later, Forster asked Schneider to shoot Polaroids of scenes from Stay as he filmed; he used those photographs for dream and memory sequences in the movie. For the first time, Schneider saw her Polaroids strung together in sequence, moving with rhythm like a flipbook, in the context of a story. When Forster urged her to consider making a feature film using that technique, the seed of 29 PALMS, CA was sown. She mentioned the idea to her good friend German actor Udo Kier, who also gave the idea a big thumbs up, and agreed to play the part of a mysterious shaman in the film. Thanks to her strong reputation in the art world and her Hollywood connections, getting talented people on board was the easy part (for a while, Charlotte Gainsbourg was pegged to play the starring role, although she pulled out two weeks before shooting commenced because she was pregnant and not fit to travel to the desert.) The hard part was finding the perfect trailer—and bringing it to the desert. “This trailer almost killed us,” says Schneider’s partner Lance Waterman, who lives and works with Schneider in Morongo Valley. After finding it on eBay, the couple drove to Utah to pick it up, the plan being to tow it all the way back to the high desert themselves. Bad idea. “We were driving down a hill with this enormous trailer behind us when we realized that if we wanted to stop, there would be no way to do so without the trailer crushing us,” says Waterman. Adds Schneider: “Lance was even giving me instructions on how to jump out of the truck if we needed to.” Thankfully the road leveled and as soon as they were able to slow down and pull over, they called a professional towing company, which transported the trailer the remaining distance to Morongo Valley. Filming took place in Spring 2011 and 2012. Schneider recently submitted the film to major film festivals in Europe and the US, and it will be broadcast in 2013 by leading German television channel, Arte. While Schneider may come from a long tradition of photographers-turned-filmmakers—Stanley Kubrick started out as a photographer, as did Ken Russell (Tommy, Women in Love) and Larry Clark, who was a controversial fine art photographer before directing smash hit Kids—she does not see her future in Hollywood, directing blockbusters. Not necessarily. “I don’t think I want to make more films,” she says. “The actors were saying they would love to work with me again, and were asking if I would like to make other movies. But being on movie sets is far too stressful, and at least with this, I was in complete power of what was going on creatively. That said, if this gets a lot of acclaims…we can always think again. One should never say never.” Film features original soundtrack with songs by Adam Weiss, Daisy McCrackin, Billy Harvey, Sophie Huber, Zoe Bicat, Max Sharam, Cheyenne Randall...

Like the Wind II (Till Death Do Us Part) - 2008 23x53.5cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the 2 original Super-8 Stills. Certificate and Signatur...

Chicken Madonna (Chicks and Chicks and sometimes Cocks) - 2016 30x37cm, Edition 1/10. Archival Print on Dibond, based on the Polaroid. Signed on back with Certificate. Artist In...

Randy and I (Wastelands) - 2003 20x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Artist inventory Number 1170. Signature label and Cer...

Miranda, Limited edition archival pigment print - Edition of 5 This image was captured on film. The negative was scanned creating a digital file which was then printed on Hahnem...

Whisky Dance I (Sidewinder) - 2005 Edition 5/10, 8 pieces installed including gaps 172x,338cm, 82x80cm each. 8 analog C-Prints, hand-printed by the artist, on Fuji Crystal Archive Paper, matte surface, based on the 8 original Polaroids. Mounted on Aluminum with matte UV-Protection. Signed on back with Certificate. Artist Inventory No. 3175.01. Exhibitions: Group exhibition Santa Monica Art...

Just Landed (Long Way Home) - 1999 featuring Radha Mitchell 57x56cm, Edition of 10, plus 2 Artist Proofs. Analog C-Print, hand-printed by the artist, based on the original Polaroid. Certificate and Signature label. Artist Inventory #260. Not mounted. Stefanie Schneider received her MFA in Communication Design at the Folkwang Schule Essen, Germany. Her work has been shown at the Museum for Photography, Braunschweig, Museum für Kommunikation, Berlin, the Institut für Neue Medien, Frankfurt, the Nassauischer Kunstverein, Wiesbaden, Kunstverein Bielefeld, Museum für Moderne Kunst Passau, Les Rencontres...

Last Season I - so I walked away from my Valley (Wastelands), diptych - 2003 20x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Artist...