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Medium: Wood
Kate Moss 1993, Paradise Island Bahamas, Original Print Custom Framed
By Herb Ritts
Located in London, GB
For the 1994 Pirelli Calendar shot on the Paradise Island in the Bahamas, photographer Herb Ritts set out to capture in a series of nudes what he called “the gentle innocence” of Kat...
Category
1990s Contemporary Wood Portrait Photography
Materials
Glass, Wood, Photographic Film, Archival Paper, Photographic Paper, C Print
$4,321 Sale Price
20% Off
WOMEN OF THE IDF Large color Photograph LITAL
Located in Surfside, FL
"Women of the IDF" Large Exhibition color Photograph
30 x 40 inches, mounted on masonite and laminated.
Edition of 4 + 2 artists proof. minor dings and bumps to edges Born in Tehran, Iran, Ashkan Sahihi moved with his family to West Germany at the age of seven. Although he began taking photographs as a teenager, Sahihi traces the beginning of his professional trajectory to New York in 1987, a thriving “pop culture metropolis” where he could do the kind of photography work that he wanted to do, exploring the underbelly of the society around him. Taking assignments from German publications such as the Süddeutsche Zeitung Magazine, Der Spiegel, Dummy and GEO, he photographed subjects like prisoners on death row, players in the hip-hop scene, and the downtown art scene of New York. Neither black nor white, an insider among outsiders, he found himself able to navigate spaces and dynamics that others might have had difficulty entering. He considered this both a privilege and an obligation – to visit these places and tell these stories. His success led to commissions from American publications as well, including the New York Times Magazine, the New Yorker, Rolling Stone, and Vogue.
Put off by the limitations of photojournalism (the expectation that he would illustrate the writer’s perspective rather than author a narrative of his own), Sahihi began to embark on independent, highly compact conceptual series. His main goal in these series has been to drive forward public discourse on topics he believes have not provoked enough or the right kind of discussion: drugs, gender in the media, women in the military, etc. His portraits draw on a familiar visual language – often seated subjects before a neutral backdrop – but push the viewer to feel and think about entirely new things. Although he constantly challenges the comfort level of both the viewer and the subject, Sahihi never removes himself from the line of fire; all of his work requires the artist to immerse himself in uncomfortable situations and challenge his own emotional fortitude.
Photographic Series
In the “Face Series”, latex-gloved hands manipulate the subjects’ features, stretching, pushing, squeezing, pinching at the whim of external direction – from the artist? The customer? The public? The “Hypnosis Series” comprises 8 portraits of hypnotized subjects each experiencing a single emotion, e.g. helplessness, withholding/anger, or regret. In a society that rewards the suppression of such naked emotion, the purity of these depictions is arresting.
In 2006, Sahihi photographed himself in the homes and with the families of six ex-girlfriends and one ex-wife, imposing himself more or less awkwardly on the constellations that emerged after he had exited their lives (“Exes Series”).
For Sahihi’s most well-known work, the “Drug Series,” he convinced 11 non–drug users to consume a particular drug, then took their portraits over the course of their trips. The series was born out of Sahihi’s frustration with the hypocrisy of the political conversation about drugs in the United States. “By attempting to present an objective image of drug use, the artist addresses the cultural politics that allow our society to simultaneously glamorize the ‘drug look’ in fashion magazines and the entertainment industry and meanwhile turn a blind eye to the complicated, and vast, problem of drug abuse.” Sahihi has exhibited this series at MoMA PS1 New York in 2001, in Dresden in 2008, and alongside his installation “100 Million in Ready Cash."
Sahihi’s dense explorations through small photographic series include “Women of the IDF," portraits of female Israeli soldiers...
Category
Early 2000s Wood Portrait Photography
Materials
Masonite
D. and Felix - Contemporary, 21st Century, Polaroid, Figurative Photography
Located in Morongo Valley, CA
D. and Felix (Stranger than Paradise) - 1997
Edition of 2/30.
Image size 16 x 21.6 inch,
External dimensions: 17.7 x 23.3 inch.
Archival C-Print, based on the Polaroid.
Mounted...
Category
1990s Contemporary Wood Portrait Photography
Materials
Wood, Archival Paper, Photographic Paper, C Print, Polaroid
Vigilant by Monica Denevan. Photograph - Burma. Lower body with tattoo and sword
Located in Coltishall, GB
Vigilant by Monica Denevan - Photography, Silver Gelatin Print with Wooden Frame
Burma 2009
The legs of a young man showing tradional Burmese tattoos and carrying a sword.
The Ir...
Category
21st Century and Contemporary Contemporary Wood Portrait Photography
Materials
Paper, Silver Gelatin, Glass, Wood
Gravity (The Girl behind the White Picket Fence) - Polaroid, Contemporary, Color
Located in Morongo Valley, CA
Gravity (The Girl behind the White Picket Fence) - 2013
80x80cm,
Edition 2/5.
Analog C-Print printed on Fuji Archive Paper, hand-printed by the artist,
based on the Polaroid.
Mou...
Category
2010s Contemporary Wood Portrait Photography
Materials
Wood, Archival Paper, Photographic Paper, C Print, Color, Polaroid
Kanariepiet (Odd Stories) - Polaroid, Contemporary, Women
Located in Morongo Valley, CA
Kanariepiet (Odd Stories)
2/25, 2014
digital print mounted on mdf (15x11cm - 0,8 mm), matt coating
hand signed by the artist on the back.
-- Part of Carmen De Vos' solo show Odd St...
Category
2010s Contemporary Wood Portrait Photography
Materials
Color, Digital, Polaroid, Wood, Archival Paper
Divers by Monica Denevan. Photograph. Burma. Silver Gelatin Print. Framed
Located in Coltishall, GB
Divers by Monica Denevan Photography, Silver Gelatin Print with Wooden Frame, Burma
Monica Denevan studied photography at San Francisco State University. She has travelled extens...
Category
21st Century and Contemporary Contemporary Wood Portrait Photography
Materials
Paper, Silver Gelatin, Glass, Wood
El Sentinel by James Sparshatt - Framed BW portrait of cigar smoking Cuban man
Located in Coltishall, GB
A man of gentlemany demeanour, content with his cigar. A sentinel watching the world pass amidst the endless sugar cane country of central Cuba.
The Spirit of the Revolution serie...
Category
21st Century and Contemporary Other Art Style Wood Portrait Photography
Materials
Silver Gelatin, Wood
Te Veo by James Sparshatt - Silver Gelatin Print with Wooden Frame, 2005
Located in Coltishall, GB
Te veo… I see you. Matanzas 2005.
The Spirit of the Revolution series documents the generation of Cubans that saw the dramatic changes of 1959 as young adults. They have a strength ...
Category
21st Century and Contemporary Other Art Style Wood Portrait Photography
Materials
Silver Gelatin, Wood
La Celebracíon by James Sparshatt. Silver Gelatin Print with Wood Frame, 2004
Located in Coltishall, GB
A moment of pure joy in Holguín, Cuba, during las Romerias de Mayo festival.
James Sparshatt’s photographs of music and dance capture the emotion and intensity of people lost in the...
Category
21st Century and Contemporary Wood Portrait Photography
Materials
Silver Gelatin, Wood
Puro... Alegría #III - Neo on wood - by Sparshatt Dalzell.
Located in Coltishall, GB
Sparshatt Dalzell is a collaboration between photographer James Sparshatt and painter Rachael Dalzell.
Puro... Alegría #III - a portrait of Graciela an icon of old Havana. The po...
Category
21st Century and Contemporary Other Art Style Wood Portrait Photography
Materials
Mixed Media, Acrylic, Wood
WOMEN OF THE ISRAEL DEFENSE FORCES Large Photo NETA
Located in Surfside, FL
"Women of the IDF" Large Exhibition color Photograph
30 x 40 inches, mounted on masonite and laminated.
Edition of 4 + 2 artists proof. minor dings and bumps to edges Born in Tehran, Iran, Ashkan Sahihi moved with his family to West Germany at the age of seven. Although he began taking photographs as a teenager, Sahihi traces the beginning of his professional trajectory to New York in 1987, a thriving “pop culture metropolis” where he could do the kind of photography work that he wanted to do, exploring the underbelly of the society around him. Taking assignments from German publications such as the Süddeutsche Zeitung Magazine, Der Spiegel, Dummy and GEO, he photographed subjects like prisoners on death row, players in the hip-hop scene, and the downtown art scene of New York. Neither black nor white, an insider among outsiders, he found himself able to navigate spaces and dynamics that others might have had difficulty entering. He considered this both a privilege and an obligation – to visit these places and tell these stories. His success led to commissions from American publications as well, including the New York Times Magazine, the New Yorker, Rolling Stone, and Vogue.
Put off by the limitations of photojournalism (the expectation that he would illustrate the writer’s perspective rather than author a narrative of his own), Sahihi began to embark on independent, highly compact conceptual series. His main goal in these series has been to drive forward public discourse on topics he believes have not provoked enough or the right kind of discussion: drugs, gender in the media, women in the military, etc. His portraits draw on a familiar visual language – often seated subjects before a neutral backdrop – but push the viewer to feel and think about entirely new things. Although he constantly challenges the comfort level of both the viewer and the subject, Sahihi never removes himself from the line of fire; all of his work requires the artist to immerse himself in uncomfortable situations and challenge his own emotional fortitude.
Photographic Series
In the “Face Series”, latex-gloved hands manipulate the subjects’ features, stretching, pushing, squeezing, pinching at the whim of external direction – from the artist? The customer? The public? The “Hypnosis Series” comprises 8 portraits of hypnotized subjects each experiencing a single emotion, e.g. helplessness, withholding/anger, or regret. In a society that rewards the suppression of such naked emotion, the purity of these depictions is arresting.
In 2006, Sahihi photographed himself in the homes and with the families of six ex-girlfriends and one ex-wife, imposing himself more or less awkwardly on the constellations that emerged after he had exited their lives (“Exes Series”).
For Sahihi’s most well-known work, the “Drug Series,” he convinced 11 non–drug users to consume a particular drug, then took their portraits over the course of their trips. The series was born out of Sahihi’s frustration with the hypocrisy of the political conversation about drugs in the United States. “By attempting to present an objective image of drug use, the artist addresses the cultural politics that allow our society to simultaneously glamorize the ‘drug look’ in fashion magazines and the entertainment industry and meanwhile turn a blind eye to the complicated, and vast, problem of drug abuse.” Sahihi has exhibited this series at MoMA PS1 New York in 2001, in Dresden in 2008, and alongside his installation “100 Million in Ready Cash."
Sahihi’s dense explorations through small photographic series include “Women of the IDF," portraits of female Israeli soldiers...
Category
Early 2000s Wood Portrait Photography
Materials
Masonite
Kick Start
Located in Saint Louis, MO
With his multimedia portraits, Moroccan artist Hassan Hajjaj thrives in a space between cultures, traditions, mediums, and artistic movements. The subjects of his photography range f...
Category
Early 2000s Wood Portrait Photography
Materials
Wood, Lambda
Large Color Photograph "Women of the IDF" Ashkan Sahihi
Located in Surfside, FL
"Women of the IDF" Large Exhibition color Photograph
30 x 40 inches, mounted on masonite and laminated.
Edition of 4 + 2 artists proof. minor dings and bumps to edges Born in Tehran, Iran, Ashkan Sahihi moved with his family to West Germany at the age of seven. Although he began taking photographs as a teenager, Sahihi traces the beginning of his professional trajectory to New York in 1987, a thriving “pop culture metropolis” where he could do the kind of photography work that he wanted to do, exploring the underbelly of the society around him. Taking assignments from German publications such as the Süddeutsche Zeitung Magazine, Der Spiegel, Dummy and GEO, he photographed subjects like prisoners on death row, players in the hip-hop scene, and the downtown art scene of New York. Neither black nor white, an insider among outsiders, he found himself able to navigate spaces and dynamics that others might have had difficulty entering. He considered this both a privilege and an obligation – to visit these places and tell these stories. His success led to commissions from American publications as well, including the New York Times Magazine, the New Yorker, Rolling Stone, and Vogue.
Put off by the limitations of photojournalism (the expectation that he would illustrate the writer’s perspective rather than author a narrative of his own), Sahihi began to embark on independent, highly compact conceptual series. His main goal in these series has been to drive forward public discourse on topics he believes have not provoked enough or the right kind of discussion: drugs, gender in the media, women in the military, etc. His portraits draw on a familiar visual language – often seated subjects before a neutral backdrop – but push the viewer to feel and think about entirely new things. Although he constantly challenges the comfort level of both the viewer and the subject, Sahihi never removes himself from the line of fire; all of his work requires the artist to immerse himself in uncomfortable situations and challenge his own emotional fortitude.
Photographic Series
In the “Face Series”, latex-gloved hands manipulate the subjects’ features, stretching, pushing, squeezing, pinching at the whim of external direction – from the artist? The customer? The public? The “Hypnosis Series” comprises 8 portraits of hypnotized subjects each experiencing a single emotion, e.g. helplessness, withholding/anger, or regret. In a society that rewards the suppression of such naked emotion, the purity of these depictions is arresting.
In 2006, Sahihi photographed himself in the homes and with the families of six ex-girlfriends and one ex-wife, imposing himself more or less awkwardly on the constellations that emerged after he had exited their lives (“Exes Series”).
For Sahihi’s most well-known work, the “Drug Series,” he convinced 11 non–drug users to consume a particular drug, then took their portraits over the course of their trips. The series was born out of Sahihi’s frustration with the hypocrisy of the political conversation about drugs in the United States. “By attempting to present an objective image of drug use, the artist addresses the cultural politics that allow our society to simultaneously glamorize the ‘drug look’ in fashion magazines and the entertainment industry and meanwhile turn a blind eye to the complicated, and vast, problem of drug abuse.” Sahihi has exhibited this series at MoMA PS1 New York in 2001, in Dresden in 2008, and alongside his installation “100 Million in Ready Cash."
Sahihi’s dense explorations through small photographic series include “Women of the IDF," portraits of female Israeli soldiers...
Category
Early 2000s Wood Portrait Photography
Materials
Laminate, Masonite
Chefs's Last Supper - Portrait of 13 Michelin-starred Chefs - Framed Print
Located in London, GB
'Last supper' of 13 Michelin-starred Chefs...
John Reardon is particularly associated with his portraits of chefs for the Observer Food Monthly (UK) for which this commission based o...
Category
Early 2000s Contemporary Wood Portrait Photography
Materials
Glass, Wood, Photographic Film, Archival Ink, Archival Paper, Photograph...
Captain Nelson (29 Palms, CA) - Contemporary, Polaroid, 21st Century, Dream
Located in Morongo Valley, CA
Captain Nelson (29 Palms, CA) - 2007
37x49x3.5cm,
Edition 1/5.
Artist Inventory No 4033.01.
Analog C-Print, Hand-printed by the artist, mounted on a wooden box with matte UV-Prot...
Category
Early 2000s Contemporary Wood Portrait Photography
Materials
Wood, Archival Paper, Photographic Paper, C Print, Color, Polaroid
La Dama de la Plaza by James Sparshatt - A portrait of joy in life and cigars
Located in Coltishall, GB
A lady of pure joy… dancing in the Plaza de la Revolucion on May 1st.
The Spirit of the Revolution series documents the generation of Cubans that saw the dramatic changes of 1959 as...
Category
21st Century and Contemporary Other Art Style Wood Portrait Photography
Materials
Wood, Silver Gelatin
Nan Goldin Supreme set of 2 skateboard decks (Nan Goldin Supreme)
By Nan Goldin
Located in NEW YORK, NY
Nan Goldin Supreme Skateboard Decks, 2018 (set of 2):
– Misty and Jimmy Paulette in a taxi, (NYC 1991)
– Nan as a Dominatrix (Cambridge MA 1978)
Set of 2 limited edition Nan Goldin ...
Category
21st Century and Contemporary Street Art Wood Portrait Photography
Materials
Wood, Offset
Odd 1 Out
Located in Saint Louis, MO
With his multimedia portraits, Moroccan artist Hassan Hajjaj thrives in a space between cultures, traditions, mediums, and artistic movements. The subjects of his photography range f...
Category
Early 2000s Wood Portrait Photography
Materials
Wood, C Print
$21,600
IGGY POP - FROM THE ALBUM COVER SOLDIER 1980, STUDIO PORTRAIT (1979)
Located in London, GB
IGGY POP - FROM THE ALBUM COVER SOLDIER 1980, STUDIO PORTRAIT (1979), 1979
Archival Pigment Print, Framed
Image size 30 x 30 cm
Frame: 55 x 45.5 cm
© Brian Griffin
"I remember this...
Category
1970s Performance Wood Portrait Photography
Materials
Glass, Wood, Photographic Film, Photographic Paper, Color, Archival Pigment
Camo & Dots
Located in Saint Louis, MO
With his multimedia portraits, Moroccan artist Hassan Hajjaj thrives in a space between cultures, traditions, mediums, and artistic movements. The subjects of his photography range f...
Category
Early 2000s Wood Portrait Photography
Materials
Wood, Lambda
Bumi
Located in Saint Louis, MO
With his multimedia portraits, Moroccan artist Hassan Hajjaj thrives in a space between cultures, traditions, mediums, and artistic movements. The subjects of his photography range f...
Category
2010s Wood Portrait Photography
Materials
Wood, Lambda
$22,800
Tupac Shakur
Located in New York, NY
Homage to the late great musician Tupac Shakur. Images. Lyrics from his songs. Not framed. Acrylic paint on sheet music wheat pasted to wood panel. ...
Category
2010s Conceptual Wood Portrait Photography
Materials
Wood, Mixed Media
$12,000
Keith Snow Storm
Located in New York, NY
Mixed Media on wood featuring the infamous Keith Richards. Photographed by Joester.
About the Artist:
Steve Joester is a British-born Rock & Roll photographer and mixed media a...
Category
2010s Contemporary Wood Portrait Photography
Materials
Masonite, Mixed Media, Photographic Film
Apurant
Located in Barcelona, BARCELONA
the painting is being offered with a work and authenticity certificate
Category
1990s Wood Portrait Photography
Materials
Oil, Wood
Face to Face
By Nemo Jantzen
Located in Singapore, SG
Face to Face by Nemo Jantzen is a meticulously handmade artwork, crafted from over 2,000 images of film photography, iconic movie scenes, classic movie posters, and Hollywood legends...
Category
2010s Op Art Wood Portrait Photography
Materials
Epoxy Resin, Wood, Photographic Film
Price Upon Request
Cat Woman
Located in Santa Monica, CA
Digital photographic collage.
Category
21st Century and Contemporary Surrealist Wood Portrait Photography
Materials
Wood, Birch, Digital
Price Upon Request
Untitled #4
By Anna Minnick
Located in Kansas City, MO
Materials : Hand Cut Paper
Date : 2016
Dimensions : 12″ x 2″ x 12″
COA provided
Anna Minnick's work explores the struggles of identity and mental illness. She hopes her work forms a...
Category
2010s Contemporary Wood Portrait Photography
Materials
Glass, Wood, Paper
Price Upon Request
Untitled #3
By Anna Minnick
Located in Kansas City, MO
Materials : Hand Cut Paper
Date : 2016
Dimensions : 12" x 2" x 11"
COA provided
Anna Minnick's work explores the struggles of identity and mental illness. She hopes her work forms a...
Category
2010s Contemporary Wood Portrait Photography
Materials
Glass, Wood, Paper
Price Upon Request
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Digital, Wood
Wood portrait photography for sale on 1stDibs.
Find a wide variety of authentic Wood portrait photography available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Miguel Vallinas, Hassan Hajjaj, Stefanie Schneider, and Ashkan Sahihi. Frequently made by artists working in the Contemporary, Street Art, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Wood portrait photography, so small editions measuring 0.63 inches across are also available
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