21st Century and Contemporary Portrait Photography

Converse, Doodle is a dynamic C-Type print, sold in this size in an Edition of 12. The price listed is for two C-Type prints, which are 30" x 22" in size, and are sold unframed. T...

Stefanie Schneider's work was used for Marc Forster's movie 'Stay', featuring Ewan McGregor, Naomi Watts and Ryan Gosling. Naomi and Ryan were both portraying artists and Stefanie Sc...

Dreams and fantasies from the past and present are portrayed by Léa Bon’s subjects, which she uses as her own personal dolls. Léa Bon work is a profound exploration of dreams and fa...

This artwork was created by the artistic duo Hunter & Gatti (2010–2023). These works are part of the archive managed and exhibited by Cristian Hunter. The artist's technique consists...

Woman Reading, 2013, limited edition photograph, signed, archival Hopper Meditations is a personal photographic response to the work of the American painter, Edward Hopper. My ima...

Patti Smith, musician, poet. The bohemian New York poet and punk-rock artist 11X14 B&W, Silver Gelatin - Fiber Based Print Signed and numbered by artist - Keith Green Captured in New...

Putting aside his usual black and white palette, Hiroshi Watanabe uses color in his attempt to tell an unbiased story of North Korean culture and everyday ...

Stefanie Schneider's Mini Her Eyes, the Color of the Sky (Till Death Do Us Part) - 2005 featuring Daisy McCrackin signed in front, not mounted. Digital Color Photographs based on a...

Untitled - Renegade (The Last Stand) - 2004 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signature label and Certificate. Artist inventor...

Archival pigment print Signed and numbered on label, verso 12 x 18 inches (Edition of 10) 24 x 35.5 inches (Edition of 8) From the series, "Another November" This artwork is offer...

Christian Rothmann ROBOTNICS Series C-Print 2019 Edition S (Edition of 10) 12 x 8.3 inches (30.5 x 21 cm) Signed, dated and numbered verso Other Edition Sizes available: - Edition M (Edition of 6) 35.4 x 23.6 inches (90 x 60 cm) - Edition L (Edition of 6) 47.2 x 31.5 inches (120 x 80 cm) - Edition XL (Edition of 3) 88.8 x 58.8 inches (225 x 150 cm) PUR - Price Upon Request -------------- Since 1979 Christian Rothmann had more than 40 solo and 80 group exhibitions worldwide. Christian Rothmann had guest lectures, residencies, art fairs and biennials in Europe, Japan, USA, Australia and Korea. Christian Rothmann (born 1954 in Kędzierzyn, Poland ) is a painter, photographer, and graphic artist.⁠ ⁠ In 1976 he first studied at the “Hochschule für Gestaltung” in Offenbach, Germany and moved to Berlin in 1977, where he graduated in 1983 at the “Hochschule der Künste”. From 1983 to 1995 he taught at the university as a lecturer and as an artist with a focus on screenprinting and American art history. To date, a versatile body of work has been created, which includes not only paintings but also long-standing photo projects, videos, and public art.⁠ ⁠ Guest lectures, teaching assignments, scholarships and exhibitions regularly lead Rothmann to travel home and abroad.⁠ ------------------------ Rothmann's Robots These creatures date back to another era, and they connect the past and the future. They were found by Christian Rothmann, a Berlin artist, collector and traveler through time and the world: In shops in Germany and Japan, Israel and America, his keen eye picks out objects cast aside by previous generations, but which lend themselves to his own work. In a similar way, he came across a stash of historic toy robots of varied provenance collected by a Berlin gallery owner many years ago. Most of them were screwed and riveted together in the 1960s and 70s by Metal House, a Japanese company that still exists today. In systematically photographing these humanoids made of tin - and later plastic - Rothmann is paraphrasing the idea of appropriation art. Unknown names designed and made the toys, which some five decades on, Rothmann depicts and emblematizes in his extensive photo sequence. In their photographs of Selim Varol's vast toy collection, his German colleagues Daniel and Geo Fuchs captured both the stereotypical and individual in plastic figures that imitate superheroes which were and still are generally manufactured somewhere in Asia. Christian Rothmann looks his robots deep in their artificially stylized, painted or corrugated eyes - or more aptly, their eye slits - and although each has a certain degree of individuality, the little figures remain unknown to us; they project nothing and are not alter egos. Rothmann trains his lens on their faces and expressions, and thus, his portraits are born. Up extremely close, dust, dents, and rust become visible. In other words, what we see is time-traces of time that has passed since the figures were made, or during their period in a Berlin attic, and - considering that he robots date back to Rothmann's childhood - time lived by the photographer and recipients of his pictures. But unlike dolls, these mechanical robots bear no reference to the ideal of beauty at the time of their manufacture, and their features are in no way modeled on a concrete child's face. In this art project the robots appear as figures without a context, photographed face-on, cropped in front of a neutral background and reduced to their qualities of form. But beyond the reproduction and documentation a game with surfaces is going on; our view lingers on the outer skin of the object, or on the layer over it. The inside - which can be found beneath - is to an extent metaphysical, occurring inside the observer's mind. Only rarely is there anything to see behind the robot's helmet. When an occasional human face does peer out, it turns the figure into a robot-like protective casing for an astronaut of the future. If we really stop and think about modern toys, let's say those produced from the mid 20th century, when Disney and Marvel films were already stimulating a massive appetite for merchandising, the question must be: do such fantasy and hybrid creatures belong, does something like artificial intelligence already belong to the broader community of humans and animals? It is already a decade or two since the wave of Tamagotchis washed in from Japan, moved children to feed and entertain their newly born electronic chicks in the way they would a real pet, or to run the risk of seeing them die. It was a new form of artificial life, but the relationship between people and machines becomes problematic when the machines or humanoid robots have excellent fine motor skills and artificial intelligence and sensitivity on a par with, or even greater than that of humans. Luckily we have not reached that point yet, even if Hollywood adaptations would have us believe we are not far away. Rothmann's robots are initially sweet toys, and each toy is known to have a different effect on children and adults. They are conceived by (adult) designers as a means of translating or retelling history or reality through miniature animals, knights, and soldiers. In the case of monsters, mythical creatures, and robots, it is more about creating visions of the future and parallel worlds. Certainly, since the success of fantasy books and films such as Lord of the Rings or The Hobbit, we see the potential for vast enthusiasm for such parallel worlds. Successful computer and online games such as World of Warcraft...

Kate With Tassles - signed limited edition print Kate Moss, New York, 2002. (photo Mick Rock) paper size : 24x20 inches / 51 x 61 cm Stamped and numbered by the Estate. Archival...

Woman With Book and Letter, 2013, limited edition photograph, signed, archival Hopper Meditations is a personal photographic response to the work of the American painter, Edward Ho...

'Chimpanzee #2, Los Angeles, CA, 2010' is a limited-edition photograph by contemporary artist Brad Wilson from the ‘Affinity’ series which features studio portraits of wild animals. ...

Untitled - Renegade (The Last Stand) - 2004 48x46cm, Edition of 10 plus 2 Artist Proofs. Analog C-Print, hand-printed by the artist, based on the Polaroid. Signature label and Cer...

This stylish artwork, 'Pink Gloves' taken at the glamorous retro event Goodwood Revival, perfectly captures feminine sophistication with a vintage vibe. This artwork featured in Rich...

Please bear in mind that all prints are produced to order. Lead times between 15-20 days. Edition 2/10 All items are shipped as a print only and come unframed. Tim Flach is a grad...

Madonna (Burned) - 1999 48x47cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Signature label and Certificate. Artist Inventory No 334. ...

A portrait of Acuan, a Turkana man from northern Kenya in 2019. John Kenny’s work is all shot on location in some of the remotest corners of Africa. His images are all taken with na...

Please bear in mind that all prints are produced to order. Lead times are expected between 15-20 days. 'Barney' is a stunning C-Type print by contemporary British photographer Tim F...

Please bear in mind that all prints are produced to order and lead times are between 15-20 days. A stunning and dynamic Archival Pigment Print by contemporary British photographer Giles Revell. This print may also be available in a larger size. Please contact the gallery for more information. Giles Revell creates imagery that is driven by analytical and forensic ideas that question the boundaries of science and art. There is a distilled graphic style to his work which has a recurring curiosity for observing familiar themes with an alternative viewpoint. He is a master of lighting but also inspired by the potential of using new technologies to reveal innovative ways of expressing ideas. This series of abstract dance images was made in collaboration with The Royal Ballet...

"Markus Klinko is an award-winning, international fashion/celebrity photographer and director, who has worked with many of today's most iconic stars of film, music, and fashion. Kli...

Untitled - Renegade (The Last Stand) - 2004 48x46cm, Edition of 5 plus 2 Artist Proofs. Analog C-Print, hand-printed by the artist, based on the Polaroid. Signature label and Cert...

DUTCH MASTERPIECE These Self-portraits remind us of historic female archetypes and bring to mind a mysterious beauty that we would typically associate with the classical age of portr...

Divine Nude No.45 is a limited-edition photograph by French contemporary artist Ronald Martinez. This photograph is sold unframed as a print only. It is available in 2 dimensions: ...

Tricks (Till Death do us Part) - 2016 43x59cm, Edition of 10. Archival C- Print, based on the Polaroid. Certificate and signature label. Artist inventory number: 9764 Not mounted...

"Beginnings" A mother looking after her young foal is a sign of the thriving community of wild horses on Sable Island. This is a best-selling im...

Side Effects (The Girl Behind the White Picket Fence) - 2013 20x24cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Signature label and certificate. Artist Inventory #13303. Not mounted. Offered is a piece from the movie: The Girl Behind the White Picket Fence. Written and directed by Stefanie Schneider A tale told with blemished and expired Polaroid film about the hopes and dreams of a newly orphaned girl after losing her parents who lived in the Californian desert in an old travel trailer. -filmed with Polaroid film stock and Super-8 footage, overlaid with poetic voice-over monologue - this feature film creates a dynamic kaleidoscope of words and pictures, a dreamy tale that channels Terrence Malick, Gus Van Sant, and pages torn from a lonely girl's journal. (Palms Springs life magazine / Caroline Ryder) Stefanie Schneider By Caroline Ryder Inside the trailer are period accents—a vintage radio, vintage fridge, little crocheted doilies, and dusty gilt-framed photographs. It’s a surreal home-sweet-home, an Americana fantasy as imagined by German artist and experimental filmmaker Stefanie Schneider whose work is so inspired by the desert landscape, she made it her home in 2005. “There’s a completely different light here than in Germany, a beautiful light,” says Schneider, whose property in Morongo is dotted with vintage trailers. They surround her midcentury home and serve as sets for her photoshoots or as guest lodgings for her friends from Hollywood and Berlin. “But what I really love about the desert is the desolation,” she continues. “The sense of hope for something that might or might not come. It’s easy to see our dreams projected in the desert.” Famed for shooting trailer park chic fine art photographs exclusively on vintage Polaroid film, Schneider recently completed her most ambitious project to date—a feature film made entirely of Polaroid stills (4000 images in total), the story set around her magnificent 1950s trailer. The film, called “The Girl Behind The White Picket Fence” tells the story of a broken-hearted girl who lives in the trailer. Her name is Heather, and she is played by model Heather Megan Christie, girlfriend of actor Joaquin Phoenix, and former partner of Red Hot Chili Peppers singer Anthony Kiedis, with whom she has a son. Heather stars opposite Kyle Larson (who plays ‘Hank’), a real-life gypsy fisherman who catches crab in Alaska when he’s not surfing in Southern California. Neither of the two had ever acted before, and never in the history of movie-making has a director shot a film entirely on Polaroid film. “There was great difficulty shooting a film this way,” says Schneider, who, with her long straight hair, wide innocent eyes, and thick-framed glasses, conjures an art-house Gretel. “If I had used a regular camera I would have had 36 exposures per minute, much faster and easier than using the old Polaroid camera which takes a long time to shoot one frame. Also, sometimes it doesn’t shoot at the exact moment you think it’s going to—but that’s really great because then you miss the perfect moment…and often those are the best shots.” Individually, the Polaroid photographs that comprise 29 PALMS, CA stand alone, but together and in sequence, filmed with super 8 and 16mm film stock and overlaid with poetic voice-over monologues, they create a dynamic kaleidoscope of words and pictures, a dreamy tale that channels Terrence Malick. Gus Van Sant, and pages torn from a lonely girl’s journal. The idea to shoot a movie in this way came about in 2004 when Schneider was working with leading German director Mark Forster (Monster’s Ball, Finding Neverland, Quantum of Solace) on his film Stay. She had met Forster at director Wim Wender’s birthday party in Hollywood. A few years later, Forster asked Schneider to shoot Polaroids of scenes from Stay as he filmed; he used those photographs for dream and memory sequences in the movie. For the first time, Schneider saw her Polaroids strung together in sequence, moving with rhythm like a flipbook, in the context of a story. When Forster urged her to consider making a feature film using that technique, the seed of 29 PALMS, CA was sown. She mentioned the idea to her good friend German actor Udo Kier, who also gave the idea a big thumbs up, and agreed to play the part of a mysterious shaman in the film. Thanks to her strong reputation in the art world and her Hollywood connections, getting talented people on board was the easy part (for a while, Charlotte Gainsbourg was pegged to play the starring role, although she pulled out two weeks before shooting commenced because she was pregnant and not fit to travel to the desert.) The hard part was finding the perfect trailer—and bringing it to the desert. “This trailer almost killed us,” says Schneider’s partner Lance Waterman, who lives and works with Schneider in Morongo Valley. After finding it on eBay, the couple drove to Utah to pick it up, the plan being to tow it all the way back to the high desert themselves. Bad idea. “We were driving down a hill with this enormous trailer behind us when we realized that if we wanted to stop, there would be no way to do so without the trailer crushing us,” says Waterman. Adds Schneider: “Lance was even giving me instructions on how to jump out of the truck if we needed to.” Thankfully the road leveled and as soon as they were able to slow down and pull over, they called a professional towing company, which transported the trailer the remaining distance to Morongo Valley. Filming took place in Spring 2011 and 2012. Schneider recently submitted the film to major film festivals in Europe and the US, and it will be broadcast in 2013 by leading German television channel, Arte. While Schneider may come from a long tradition of photographers-turned-filmmakers—Stanley Kubrick started out as a photographer, as did Ken Russell (Tommy, Women in Love) and Larry Clark, who was a controversial fine art photographer before directing smash hit Kids—she does not see her future in Hollywood, directing blockbusters. Not necessarily. “I don’t think I want to make more films,” she says. “The actors were saying they would love to work with me again, and were asking if I would like to make other movies. But being on movie sets is far too stressful, and at least with this, I was in complete power of what was going on creatively. That said, if this gets a lot of acclaims…we can always think again. One should never say never.” Film features original soundtrack with songs by Adam Weiss, Daisy McCrackin, Billy Harvey, Sophie Huber, Zoe Bicat, Max Sharam, Cheyenne Randall...

A retired woman, China, 1979. All available sizes and editions: 24" x 20", Edition of 25 + 3 Artist Proofs 34" x 24", Edition of 25 + 3 Artist Proofs "Eve Arnold, born in 1912 to R...

Omnia Vanitas No.5 is a limited-edition photograph by French contemporary artist Ronald Martinez. This photograph is sold unframed as a print only. It is available in one size: *46...

Doll (Memories of Green) - 2003 Edition of 5, 58x56cm, analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper, based on the Polaroid, Artist inventory Number 1149...

"Modernismo M14" Photography 24" x 24" in Ed. 1/24 by Giuliano Bekor Print size: 24 x 24 Inches Edition: 1/24 Artist proof 2 Medium: Printed on high-quality museum-grade archival ph...

An underwater photograph of a beautiful topless model wrapped in red tulle. Original gallery quality archival pigment print signed by the artist. Limited edition of 12 Paper size: ...

Ensign Broderick I (Ensign Broderick record Shoot 'Blood Crush') - Bombay Beach, CA - 2019 100x120cm, Edition 3/5. Archival C-Print, based on the Polaroid. Signature label and Cer...

At fourteen with Grandma's Shawl (2018)
 25x20 cm, Edition of 10 plus 2 Artist Proofs. Giclée Print on Hahnemühle Fine Art Baryta, based on a Fuji Instant Film (not mounted) Signed o...

Waiting for the rains in Wamba The first time I visited Wamba in the heart of the Samburu district its red soil was bone dry. The rains were a couple of week’s overdue, and with onl...

'Elissa' (Bombay Beach) Edition 1/10, 20x30cm, 2017, printed on Velvet Watercolor, 310gsm, Bright White, Acid Free, Signature label and Certificate. About Tao Ruspoli (born 7 Novemb...

Sting - Signed Limited Edition Print Press Shoot New York City January 5 2010 (photo Kevin Westenberg) NB All prints are signed and numbered by the artist. Unframed Signed...

Rapscallion (Stage of Consciousness) - 2007 20x24cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and signature label. Artist Invento...

'There is no Forever' (Till Death do us Part) - 2005 20x24cm, Edition of 10, Archival C-Print print, based on the Polaroid Certificate and Signature label artist Inventory No. 9080...

Manny Edition of 25 signed and numbered by the artist A butcher at the meat market in Stone Town on Zanzibar. The newsprint is there to wrap the meat for the customers. JJK is a ...

Oxana (Stage of Consciousness) - 2007, 38x47cm, Edition of 2/30, digital C-Print based on a Polaroid. Signature label and Certificate. Artist Inventory # 3048.18. Not mounted. St...

Marilyn Monroe on the set of ‘The Misfits’, Reno, Nevada, 1960. All available sizes and editions: 20" x 24", Edition of 25 + 3 Artist Proofs 24" x 34", Edition of 25 + 3 Artist Proo...

John Kenny’s work is all shot on location in some of the remotest corners of Africa. His images are all taken with natural light and his subjects in their day to day attire. The C-t...

Casa de papel, 2020 20x20cm, Edition 1/7 plus 2 Artist Proofs, digital C-Print based on a Polaroid, not mounted. Signed on the back and with certificate. Artist inventory - PL202...

Jayne Mansfield at the Whisky a Go-Go in 1964 for LIFE Magazine. Silver Gelatin Print Edition size: 15 Available sizes: 20 x 16 inches Artist Bio: After starting his career at t...

'The End' photograph from Richard Heeps Dream in Colour series. The vintage tv plays the end credits of a movie still with the familiar words 'The End', set in a warm wood panelled i...

Last Days of Summer - 2019 - 40x50cm, Edition of 10, plus 2 Artist Proofs. Photograph printed on Fuji glossy paper, based on a reclaimed Fuji Instant Film Negative (not mounted...

Signed limited edition print of Amy Winehouse taken in London by Jake Chessum in 2004. Jake recalls the session: “I travelled from NYC to London in Febr...

'Ataduras' - 2017 Edition 1/10, Digital Print based on a embroidered Polaroid, mounted under Plexi This piece is exhibited at the Bombay Beach Biennale in the newly founded Polaro...

Way to Getty Edition of 25 signed and numbered by the artist The picture shows a scene in the cable car to the Getty Museum in Los Angeles. The picture is taken in black and white, ...

Castelloland works with objects whose uniqueness is fundamental to the narrative of each story, as each image reacts and develops through the interaction between the word and the obj...

Edition # 1/4 This is the framed, varnished giclee print on Museo wax price listed. The photograph is only available for purchase framed. Quiescence - 2009 A mixture of portraits...

Deanna Dikeman Donna in her Garden Year: 2024 Archival Pigment Print on Hahnemuehle Baryta Rag Framed Size: 13 x 13 x 0.25 inches COA provided *Ready to hang; matted and framed in a...

Narween (Saigon) - 2003 58x56cm, Edition 4/5. Analog C-Print, hand-printed by the artist, based on the original Polaroid. Artist inventory Number 469.04. Signature labe and Cert...

Maggie Taylor creates evocative single-scene narratives in her whimsical and elaborate photomontages. Working intuitively, Taylor combines 19th Century photographs, found objects, an...

"Markus Klinko is an award-winning, international fashion/celebrity photographer and director, who has worked with many of today's most iconic stars of film, music, and fashion. Kli...

Backyard Memories (Oxana's 30th Birthday) - 2007 part of the 29 Palms, CA project 20x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print print, based on the Polaroid. Cer...

Nick Vedros Cubist Poodle Archival Pigment Print Hahnemühle FineArt Baryta 325 gsm Year: 2000s Size: 9.5x14in Edition: 12 Signed, dated and numbered by hand on label Stamped COA pro...

Edition of 7 Also available in 73 x 100 cm / 28.7 x 43.3 in, Edition of 3, price on request A naked woman lies very lascivious on her back on a couch and is holding a cigarette in h...