Late 20th Century Portrait Photography

Nathalie - Platinum Palladium print over 24 carat Gold leaf on vellum paper, Unframed handmade photographic reproduction on sensitised paper Edition 1 of 8 plus 2 AP ( Medium Size ) Woman in a wet silk bathrobe...

Signed limited edition print of Gwen Stefani with her band No Doubt, from acclaimed music photographer, Chris Cuffaro. Taken in July 1997 in Albany NY Signed limited edition 17x22" print, edition number 25/50 Chris Cuffaro has shot the best of the best in the music world including ground-breaking bands like Jane’s Addiction...

Rod Stewart – Beverly Hills, Los Angeles 1976 by Dvid Steen Born in London in 1945, rock musician Rod Stewart always dreamt of being a professional football player, until he began touring with various R&B, folk and blues bands. Consequently, he played with such artists as Mick Fleetwood and Jeff Beck until he joined The Faces, with good friend guitarist Ronnie Wood. They released three albums, with A Nod’s as Good as a Wink… To a Blind Horse reaching UK Number Two and US Number Six, and Ooh La La UK Number One and US Number Twenty-One. However, at the same time, Stewart was enjoying even greater success as a solo artist with hits like ‘Lady Day’ and ‘Maggie May’ and the group finally split. Rod Stewart remains one of the world’s biggest stars, although he’s equally famous for his succession of beautiful blonde girlfriends as he is for his music Limited Edition David Steen Estate Print Limited Edition: All prints are limited editions, no further prints are produced once sold Paper size - 44 x 31 " / 111 x 78 cm Limited to 20 only this size All prints are bespoke and printed to order stamped and numbered by the Estate Copyright: © David Steen / The David Steen Archive David Steen’s introduction to photography was as a 15-year-old school leaver joining Picture Post where he had the good luck to be taken under the wing of the legendary Bert Hardy as an assistant. It was the ultimate training ground in photojournalism, and the launch pad for his career. David’s reunion with Picture Post after doing his National Service (as special photographer based in Eygpt, covering the major trouble zones) was short-lived. The magazine was losing ground and closed. He moved to Fleet Street, first to a bright new Mirror title, Woman’s Sunday Mirror, where incidentally he picked up First Prize in Encyclopaedia Britannica’s Best Pictures of the Year Award for his sequence of ‘Birth of a Baby’, the progress of a young woman delivering her own baby under hypnosis. He was 21, the youngest ever to be awarded this prize. There followed time as a staff photographer with The Daily Mail; Fleet Street was the hub of the world. Then on to freelancing…Queen magazine, Nova, the Sunday Times Magazine, international magazines around the world, over the years covering projects as diverse as riots in Harlem to a film set in Acapulco, a battered wives’ refuge to the Queen and family at Sandringham: the hopeless, the homeless, the glitterati. Trained on the maxim ‘every picture tells a story’ he has focused on film stars, actors, criminals, politicians, prime ministers and countless men, women and children going about their everyday lives. David Steen believes himself to be lucky. He thinks lucky; luck is being in the right place at the right time, having the luck to have a loving family and enduring friends and winning a three-year battle against cancer. Asked by aspiring photographers for his best advice, his stock reply is: ‘Get up early.’ David Steen † 1936 – 2015 Tags: rod stewart, beverley hills, los angeles, america, 1976, 70s, the seventies, roderick david stewart, british, rock, singer, songwriter, english, scottish, best-selling, music, artist, songs, I don’t want to talk about it, Maggie, have you ver seen the rain, have I told you lately, da ya think I’m sexy, what a wonderful world...

Monica Vitti is a vintage black and white photo of the Italian actress, realized in 1970s by Agenzia ANSA. Monica Vitti is born in Rome on November 3, 1931. Admitted in 1950 to the ...

Mr and Mrs Nigel van Wieck take a stroll along a beach in Barbados, April 1976 Visual Description: A couple walks along a white and natural sand beach...

11 x 14" vintage silver gelatin photograph of photorealist painter Jon Carsman in his Manhattan studio with new work, 1974. Comes directly from the Jack Mitchell Archives with a cert...

Untitled (Three Cowboys on Horseback) depicts 3 cowboys riding horses out in a Western landscape. The figures are silhouetted by the harsh sunlight. One of the cowboys is swinging hi...

11 x 14" vintage silver gelatin photograph of artist Tom Wesselmann in his Manhattan studio with new work, 1971, signed by Jack Mitchell on the print verso. Comes directly from the J...

Helen Dzo Dzo Kaptur, 1970 Chromogenic Lambda Print Estate edition of 150 Former fashion model Helen Dzo Dzo Kaptur and other guests at the Kaufmann Desert House in Palm Springs, Ca...

11 x 14" vintage silver gelatin photograph of sculptor Claes Oldenburg in his Manhattan studio with recent work in 1970. Signed by Jack Mitchell on the print verso. Comes directly fr...

The American composer, conductor, author, music lecturer, and pianist Leonard Bernstein. Vintage b/w photo.

Interesting Stolen Shot of Leonard Bernstein conducting. Vintage B/W Photo of the second biggest conductor of all the times (after Carlos Kleiber and before Von Karajan and Toscanini...

BEYOND DECORUM, CLOSED AND OPEN Series, I am selling each individually. they are pairs of open and closed jackets. I will include the second photo for reference. This listing is just for the open jacket photograph. Vintage C-print on Fuji crystal archive paper. Image size is 40 x 30", sheet measures 50 X 35 Provenance: printed by Muse X, Los Angeles. I believe these were test, proof prints. They are not signed or editioned The work of Nigerian-born Iké Udé explores a world of dualities: photographer/performance artist, artist/spectator, African/post-nationalist, mainstream/marginal, individual/everyman and fashion/art. Iké Udé (born 1964) is a Nigerian-American photographer, performance artist, Ike Ude was born in 1964 in Lagos, Nigeria where he was raised. The eldest son of a wealthy family, he was exposed to photography and portraiture at an early age by dressing up for biweekly family portraits. Udé knew he was an artist by the age of six, when he developed a habit of firing a catapult at passers-by when he disapproved of their walk or the way they were dressed. As an adolescent, Udé attended the Government Secondary School, a British boarding school in Afikpo Nigeria. He was a habitué of London before he moved to New York in 1981 to study Media Communications at Hunter College, CUNY. He began his art career in the late 1980s with abstract painting and drawing. Since the 1990s, photography has been his primary medium. Udé is a dual citizen of the United States and Nigeria. Udé's paintings and drawings are less well known than his photography, though critics and art historians have recognized his early work. The late Henry Geldzahler, said of Udé's paintings and works on paper: "I am touched and amazed at the ways in which he manages to blend invisibly the modernist tradition with his own Nigerian roots. There is never anything forced in the conjunction; air and light seem to be his media." Udé began his Cover Girls series in 1994. Each photograph imitates the cover of a popular fashion or lifestyle magazines, in which the artist himself is featured as the model. (ala the work of Cindy Sherman) The photographs were consciously stylized, posed, photographed and then paired with type matching that of the respected magazine. At first glance, each photograph appears to be an authentic magazine cover. Udé used the magazine cover as a stage to critique the fetishism of the upper class white model and the effects of popular culture on today's consumerist society. The series was exhibited in 1994 in the New York City gallery Exit Art. Udé's black and white series of photographs, Uli, references both high fashion and Uli body art, wall motifs from Udé's Igbo heritage. The photographs explore the anonymity of the inscribed and disembodied self. Udé's dynamic use of light, namely the chiaroscuro effect, serves as a critical compositional element in the series. Udé's Beyond Decorum series, begun in 1999, juxtaposes photographs of men's shirts and women's pumps with suggestive personal advertisements in place of the clothing tags. With its accompanying book, Beyond Decorum: Photographs by Iké Udé, the series traveled across the United States and Canada. The exhibition was shown at the Institute of Contemporary Art in Portland, Maine; OBORO in Montreal, Canada; Sert Gallery; Carpenter Center at the Harvard University Art Museum; and MAK Museum in Vienna, Austria before traveling for two more years internationally. Udé's Paris Hilton: Fantasy and Simulacrum is a conversation between his alter ego, Visconti, and the celebrity Paris...

Gianni Morandi - Vintage Photo is a vintage black and white photograph realized in the 1970s. Good conditions.

Jerry Hall is photographed wearing a one-shouldered satin column dress and feathered coat by Dior during a British Vogue photoshoot at the Palace of Versailles. The image, taken Sept...

Walker, James Perry (American, born 1945). MISSISSIPPI RIVER BRIDGE, HELENA, AR 1991. Gelatin Silver print, 1991. A beautiful and haunting portrait o...

Gerard Joseph Malanga (born March 20, 1943) is an American poet, photographer, filmmaker, curator and archivist. Malanga was born in the Bronx in 1943, the only child of Italian immigrant parents. In 1959, at the beginning of his senior year at the School of Industrial Art in Manhattan, Malanga became a regular on Alan Freed's The Big Beat, televised on Channel 5 (WNEW) in New York City. He graduated from high school with a major in Advertising Design (1960). He was introduced to poetry by his senior class English teacher, poet Daisy Aldan, who had a profound influence on his life and work from then on. He enrolled at the University of Cincinnati's College of Art & Design (1960), and was mentored by the poet, Richard Eberhart who was the university's resident poet for 1961. He dropped out at the end of the Spring semester. In the fall of 1961, Malanga was admitted to Wagner College in Staten Island on a fellowship anonymously donated for the express purpose of advancing his creative abilities as a poet and artist. At Wagner he befriended one of his English professors, Willard Maas, and his wife Marie Menken...

A tanned man surrounded by young women in bikinis by the pool at Warren Avis's villa in Acapulco, Mexico, January 1978. Complimentary dealer shipping to your framer, worldwide. Un...

11 x 14" vintage silver gelatin photograph of country music singer, songwriter & guitarist Glen Campbell, 1973. Signed by Jack Mitchell on the print vers...

Donald Trump, Businessman 1985 Archival pigment print 48 x 48 inches, edition of 10, $12,000 36 x 36 inches, edition of 15, $7,000 24 x 24 inches, editio...

Sheila Metzner’s unique photographic style has positioned her as a contemporary master in the worlds of fine art, fashion, portraiture, still life and landscape photography. Looking at Metzner’s photographs is a captivating experience. Innocent, sensual, and sexual, each photo, regardless of subject, exhibits and elicits deep emotion. It is nearly impossible to just glance at Metzner’s photos; they beg to be studied. She says, “Photography in its most basic form is magic…This image, caught in my trap, my box of darkness, can live. It is eternal, immortal. The child in the image will not age as the living child will.” Sheila Schwartz was born in 1939 to an orthodox Jewish family in a poor section of Brooklyn. While attending the School of Industrial Art in Manhattan (now the High School of Art and Design), she was awarded the Mayor Robert F. Wagner scholarship to the college of her choice. She chose Pratt Institute, where she majored in visual communication. Her fondness for painting and sculpture also led her to study with abstract artists Jack Tworkov and James Brooks. After graduating in 1961, Sheila worked as an assistant to Lou Dorfsman at CBS Network Advertising. Five years later, she was hired by the Doyle Dane Bernbach advertising agency as its first female art director, and in 1968 she met and married director, creative director, and painter Jeffrey Metzner. While pregnant with their first child, she was riding in a cab with her mentor and friend, photographer Aaron Rose, discussing whether or not to give up her career in advertising. “He said, ‘You should be a photographer. You live like an artist. You have a good eye, you’d be good at it.’ ” Metzner started taking pictures, amassing them slowly over the next 13 years, while raising her and Jeffrey’s five children—Raven, Bega, Ruby, Stella and Louie. Jeffrey’s two daughters from a previous marriage, Evyan and Alison, were also a regular part of the family. “When they were really small, I’d be with them during the day, photographing and printing at night. At eight or nine in the evening, when they were all asleep, I’d take a shower to wake up and put on high heels and lipstick, which I wore then, to give me the feeling of being ready to work.” She continues, “My children never interfered. When I couldn’t travel because of them, I would find a place in upstate New York and call it Antarctica or Egypt. I found microcosms.” Nine years later, Metzner had accumulated a box of 22 pictures. One of them, a black-and-white photograph titled “Evyan, Kinderhook Creek,” caught the eye of John Szarkowski at the Museum of Modern Art, which he included in his famous and controversial exhibition “Mirrors and Windows: American Photography since 1960.” The New York Times art critic Hilton Kramer loved the picture and soon it became the dark-horse hit of the exhibition. Later that year, Metzner’s first solo show at the Daniel Wolf Gallery in New York drew record crowds. Metzner was now ready to work in color, but not just conventional color. Of her subjects, she once said, “If I use a rose, I want it to be the essential rose—the rose Beauty brought to her father from the Beast’s garden.” Now she aspired to an essential kind of color. “I wanted something that would last. I was looking for Fresson even though I didn’t know they existed.” The Fresson family works outside of Paris and specializes in a labor-intensive four-color “process de charbon” method, which they invented in 1895. Some prints can go up to seven colors, and are pigment prints, the only true archival color print. Metzner is one of just ten American photographers with whom they are willing to work. Fresson prints are the perfect complement to Metzner’s style—soft, sensuous, and grainy, the prints resemble paintings, with a finish which Metzner describes as “a glaze on fine porcelain. The moment I saw the neutral gray,” she adds, “I knew it was perfect.” In 1980 Metzner showed her Fresson color prints at her second solo exhibition at the Daniel Wolf Gallery. This show led to commissioned editorial work for such magazines as Vanity Fair, Vogue, and Rolling Stone. She secured an exclusive contract with Vogue for the next eight years. Metzner considers her portrait of actress Jeanne Moreau for Vanity Fair a turning point in her career. “It gave me a chance to show my work to a broader audience. I wasn’t just producing photographs for the art world.” Of Sheila’s foray into fashion, critic Carol Squiers says, “At a time when fashion photography was caught between sterility and the snapshot, Metzner created a sumptuous vision that stimulated the entire field.” Metzner also started doing commercial photography around this time. Her first client was Valentino, soon to be followed by Bloomingdale’s, Perry Ellis, Revlon, Shiseido, Saks Fifth Avenue, Paloma Picasso, Victoria’s Secret, Levi’s, Ralph Lauren, and fragrances for Chloe and Fendi (the Fendi campaign won a Fragrance Foundation Recognition Award). Her work also appeared on John Mellencamp...

"Mick Giving Keith The Boot", signed limited edition print by Rolling Stones bassist, Bill Wyman. Mick Jagger helping Keith Richards with his snake-skin boots on the second day of ...

11 x 14" vintage silver gelatin photograph of Artist Robert Indiana in Central Park with his iconic 'LOVE' sculpture (unusual mirror reflection photo for the New York Times), 1971. ...

16 x 20" vintage silver gelatin photograph of Italian film director Bernardo Bertolucci in 1979. It is signed by Jack Mitchell on the recto and in ...

Flood in Shimodate- Japan is a vintage black and white photograph realized in 1970s. Good conditions except for some foxing.

Printed in 1991 for the Portafolio de las Mujeres by Mother Jones. Excellent conditon Portfolio #88 SIgned in pencil on verso

Vintage Photo. The twins Kessler dancing on television photo by Tommaso La Pera

Set of 2 prints, both pre-matted with black mats. David Bowie by Brian Duffy from the 1973 Aladdin Sane album cover sessions. One print is the original cover, the second is the "eyes open" version, released for the first time to celebrate the opening of "David Bowie Is...

Brigitte Bardot, Hands on Hips, 1971 Silver gelatin print 72 x 48 inches Estate signature stamped and hand numbered edition of 50 with certificate of authenticity. Brigitte Bardot ...

East River Drive by Norman Parkinson. Robin Miller and Pippa Diggle photographed on the South Street Viaduct beneath Manhattan Bridge for Go Magazine, 1960 ...

Vintage Photo depicting Betsy Drake in 1950s. Good condition.

11 x 14" vintage silver gelatin photograph of photorealist painter Ian Hornak in his Manhattan studio with new works, 1971. Comes directly from the Jack Mi...

Vintage Photo.

Entro Organizzazione, PSI - Vintage Photograph is a black and white photograph realized in the 20th century. Hand-written on the rear. Good conditions.

Pope Paul VI (1897-1978) delivering a sermon during his visit to Venice, Italy, in October 1972. Slim Aarons Estate Edition, Certificate of Authenticity in...

Tv system, Technology in progress, Historical photograph is an original photograph realized by an Anonymous photographer. With the notes on the rear. The stamp of "Ansa" on the rear...

Gelatin silver print Signed in pencil, verso This artwork is offered by ClampArt, located in New York City. Born in Vinhedo, a small town on the outskirts of Sao Paulo, Brazil, Walter Briski, Jr. began his interests in photography at the age of thirteen. He later moved to the city of Sao Paulo to pursue his passion, and after completing his studies at the Pontificia Universidade Catolica de Campinas, he began his career as a fashion photographer working with top national magazines such as “Brazilian Vogue,” “Brazilian Interview,” and “Trip.” Soon after, Briski moved to New York City in pursuit of advancing his career. In search of strengthening his art, he learned to master the technique of black-and-white printing while employed at a highly ranked film production house. There, he printed works for artists such as Bruce Weber, Annie Leibovitz, Gordon Parks, Matthew Barney, Steven Klein, Steven Meisel, Steven Sebring, and Ellen Von Unwerth. In the midst of printing images that were reproduced in magazines such as “Vogue,” “Harper’s Bazaar,” “W,” “L’Uomo Vogue,” “I.D.,” “Arena,” “The New York Times Magazine,” and “Interview,” he also began printing his own photographs. Briski has had the wonderful opportunity to work with top models and celebrities, including the Brewer twins, Carole King...

March 16, 1971: Air Stewardess Cynthia Robertson models the new uniform for National Airlines. A synthetic tiger skin number, the new uniform will be worn by over 1000 stewardesses....

Pearl Jam Pearl Jam on Stage by Kevin Westenberg- Signed Limited Edition Kevin Westenberg is famed for his creation of provocative and electrifying images...

11 x 14" vintage silver gelatin photograph of singer Barbara Cook performing in 1975. Signed by Jack Mitchell on the print verso. Comes directly from the Jack Mitchell Archives with ...

Signed limited edition contact sheet print of David Bowie by Brian Aris, taken from a session at Brian’s London studio in 1991. Brian Aris limited edition ...

Slim Aarons Capote's House Slim Aarons Estate Edition American writer Truman Capote's house in Palm Springs, California, January 1970. 40 x 60 inches $3950 30 x 40 inches $3350 20 x 30 inches $3000 10 x 12 inches $1350 Complimentary dealer shipping to your framer, worldwide. Estate stamped and hand numbered edition of 150 with certificate of authenticity from the estate. Chromogenic Lambda print from the original transparency Over the course of a career lasting half a century, Slim Aarons (1916-2006) portrayed high society, aristocracy, authors, artists, business icons, the celebrated and their milieu. In doing so, he captured a golden age of wealth, privilege, beauty and leisure that occurred alongside—but quite separate from—the cultural and political backdrop of the second half of the Twentieth Century. The Slim Aarons Estate has released the limited Estate edition as a Lambda print, which is a modern c-type prints. They have chosen Lambda prints for their sharpness, clarity, colour saturation and quality, compared to archival inkjet prints. Lambda printing gives true continuous tone. Photograph is unframed Slide show includes a close-up of the Slim Aarons estate's stamp. Collector will get the next number in the edition * We are pleased to offer the entire archive of the Slim Aarons Estate, offering the official Slim Aarons Estate Edition (only offered in this edition of 150). Please contact us for additional photographs from Slim Aarons * Undercurrent Projects offers premium quality photographic prints from the Slim Aarons Archive, owned and housed by Getty Images. All photographs are printed and authorized by the Getty Images Gallery, London. Photographs are printed utilizing the original transparency held at the archive source. Internal: Vintage Literary photography, vintage writers, vintage glamour, vintage breakfast...

Norman Parkinson Jerry Hall & Antonio Lopez at Dunn's River Falls 1975 C print Estate stamped and numbered edition of 21 on verso Caption: Antonio Lopez is photographed filming Jerr...

Signed limited edition print of David Bowie by Barry Schultz. Taken in Hilversum, Holland at the TOP POP TV studios. Bowie mimed (several times) "Rebel Rebel" the hit single from the...

This piece is an original vintage photograph by Laszlo Willinger. It depicts "Old Hollywood" actress, Paulette Goddard, and was shot circa 1947. Thi...

Jimi Hendrix, London 1967 by Gered Mankowitz A portrait of Jimi looking serious while in an embroidered jacket. "Shot during my first session with Jimi at my Studio in early 1967." ...

Claudio Abbado - Vintage Photograph is a vintage black and white photograph realized in the 1980s. Good conditions.

Chuck Berry by acclaimed photographer. Lynn Goldsmith, taken in 1987 Framed, signed limited edition 16x20" print, edition #5/20 Frame measures 28” high x 22.5” across x 1” thick ...

Original gelatin, silver, print, signed and pencil with a title and date on the back. Framed to 28x22”.

Signed limited edition silver gelatin print of Morrissey, former frontman of rock band The Smiths, wearing a plaster on his forehead, September 5, 1991. This Morrissey print by Kevi...

Signed and numbered, verso Edition of 15 This work is offered by ClampArt in New York City.

Tehran, Shah di Iran meeting is a vintage b/w photograph realized in Teheran in the early 1970s. Hand-written notes on the rear. Good conditions with slight cutting on the left mar...

This Vintage Photo shows the Actor Ben Kingsley and the Writer Simon Wiesenthal.

Rudolf Nureyev – Applying His Make-up for the Filming of ‘valentino’, London, 1976 Limited Edition David Steen Estate Print Limited Edition: All prints are limited editions, no ...

David Bailey Alice Cooper, 1973 Archival Inkjet on paper Signed by the artist, on verso Image: 36.83 x 36.86 cm Sheet: 42 x 59.4 cm Edition of 10

Vintage Photo. The Actress Barbara Bouchet in a scene from the movie "Non si sevizia un paperino" by Lucio Fulci. Lightly damaged.

Portrait of Bruce Springsteen by Neal Preston is a vintage photographic print on double coated paper. Ink stamp of " London Features International LTD" with mention of photographer and ink stamp of Italian agency Grazia Neri. Slight ink traces on the front that do not create problems to the image. Very good conditions. Dim: cm 20 x 15 A rare and beauty print...

An Island in the Air is a Photograph realized by Urs Luthi in 1975. From the portfolio "Un'isola nell'aria", Vol. IV, edition of 75 copies. Hand signed, numbered and dated. Very g...

Gianni Morandi and Claudio Villa - Vintage Photo is a vintage black and white photograph realized in the 1970s. Good conditions.

Untitled (Phone Call) Mike Tyson speaking with Camille Ewald after winning his first title, WBC World Championship, Las Vegas, 1986 Signed and numbered, verso Archival pigment prin...