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Bridget RileyUntitled -- Screen Print, Black and White, Op Art by Bridget Riley1965
1965
About the Item
Untitled [La Lune en Rodage - Carlo Belloli], 1965
Bridget Riley
Screenprint, on wove paper
Signed, dated and numbered from the edition of 200 (plus 10 artist's proofs)
Printed by Kelpra Studio, London
Published by Editions Pandema, Basel
Image: 29.5 × 29.3 cm (75 × 74.4 in)
Sheet: 31.9 × 31.9 cm cm (81 × 81 in)
Literature: Schubert 6; The Bridget Riley Art Foundation BRS 7
Untitled [La Lune en Rodage - Carlo Belloli] was conceived for a book project comprising original printed works by various artists and curated by concrete poet and critic Carl Belloli for Editions Panderma. The work was not included in the final publication, titled La Lune en Rodage II, published in 1965.
Bridget Riley titled this print decades later to reference the intended project.
This print was initially refered to as Print 12.
- Creator:Bridget Riley (1931, British)
- Creation Year:1965
- Dimensions:Height: 12.56 in (31.9 cm)Width: 12.56 in (31.9 cm)
- Medium:
- Movement & Style:
- Period:
- Framing:Framing Options Available
- Condition:
- Gallery Location:London, GB
- Reference Number:1stDibs: LU809111869242
Bridget Riley
British painter Bridget Riley’s visually spectacular abstractions seem far removed from natural forms. Riley, however, claims she draws inspiration for her paintings and prints largely from nature, which she defines as a “dynamism of visual forces — an event rather than an appearance.”
Indeed, dynamism characterizes her work, which explores how simple geometric forms can create illusions of movement.
Born in 1931, Riley first came to worldwide attention in 1965, when she was included, alongside such other prominent figures as Victor Vasarely and Frank Stella, in the exhibition “The Responsive Eye” at New York’s Museum of Modern Art. The catalogue cover featured one of her paintings, Current (1964), composed of wavy black and white lines that seem to vibrate as they move from the top to the bottom of the canvas.
Since the 1970s, Riley has been experimenting with color, creating works like Nataraja (1993), made up of columns of brightly hued diagonal stripes that seem to pulse rhythmically. By instilling life, movement and energy into flat, geometric forms, she helped pioneer kinetic art.
Browse a collection of Bridget Riley's visionary art at 1stDibs.
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