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  • Design Credit: Elizabeth Roberts Architec̦ture & Design, Photo Credit: Dustin Aksland. Dimensions: H 47.25 in. x W 37.75 in.
  • Design Credit: Timothy Godbold, Photo Credit: Karl Simone. Dimensions: H 47.25 in. x W 37.75 in.
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Damien Hirst
Honour from the Virtues (H9-6) - mint condition Damien Hirst Cherry Blossom

2021

$29,343.55

About

Damien Hirst (b. 1965) Honour from The Virtues (H9-6), laminated giclee print in colours, 2021, on aluminium panel, signed in pencil on the publisher's label affixed verso, stamp-numbered 220/693, published by Heni Editions, London, in brilliant, original condition, with original packaging.

Details

  • Creator
    Damien Hirst (1965, British)
  • Creation Year
    2021
  • Dimensions
    Height: 47.25 in (120.02 cm)Width: 37.75 in (95.89 cm)Depth: 0.25 in (6.35 cm)
  • Medium
  • Movement & Style
  • Period
  • Condition
    Excellent condition - in original box.
  • Gallery Location
    London, GB
  • Reference Number
    1stDibs: LU2039210540852

Shipping & Returns

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    Ships From: London, United Kingdom
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About the Artist

Damien Hirst

British artist Damien Hirst is widely considered the enfant terrible of contemporary art. He is the most prominent of the so-called Young British Artists, or YBAs, a group, largely composed of Hirst’s classmates at Goldsmiths, in London, that began exhibiting together in warehouses and factories after 1988 and is known for the use of unconventional materials and “shock tactics.”

In the 1990s, Hirst said, “I can’t wait to get into a position to make really bad art and get away with it.” And indeed, he is notorious for piquing critics and baffling the public with such pieces as his signature glass vitrines containing dead sheep or sharks in formaldehyde, and his diamond-encrusted skull, For the Love of God.

Working primarily in sculpture, Hirst takes after French modernist master Marcel Duchamp in his use of ready-made objects and materials, which he combines to ironic effect. He often creates in series, as with The Cure (Violet) and The Cure (Turquoise), both from 2014, which are among several pill paintings referencing Andy Warhol’s embrace of mass production. Belonging to his ongoing series of “spot” paintings, begun in the 1980s, the 2005 piece Xylene Cyanol Dye Solution is striking for its machinelike, industrial uniformity and almost childlike simplicity, a seeming rebuke to the idea of the artist-as-genius.

In addition to making art, Hirst has launched stores that sell editioned works (Other Criteria), a restaurant (Pharmacy2) and even his own London museum (Newport Street Gallery).

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