Animal Prints

Canadian Geese in Flight Drypoint printed with plate tone in the sky c. 1940's Signed in pencil lower right Condition: Excellent Image/Plate size: 8 3/8 x 10 1/4 inches Provenanc...

Mid-Century coloured woodblock print of 'ploughing the fields' by 20th century Japanese artist Ini Kumo. The print is hand-signed in pencil, dated 1966 and numbered 130/700 to the bottom right and presented under glass in a black wooden frame. A beautiful woodblock printed image of a Japanese farmer in traditional attire ploughing the land with his ox. It is early evening and as the sun goes down it casts long shadows in front of the two figures. Perhaps the farmer is on his way back to the houses grouped in the distance already in shadow. The artist has carefully picked out areas of vibrant green and blue to give energy and colour to the image which contrast against the black of the ox. A thoroughly enchanting image. Ini Kumo is a recognised Sõsaku-hanga artist. His work is included in the Metropolitan Museum of Art in New York. Sōsaku-hanga (創作版画, "creative prints") was an art movement of woodblock printing which was conceived in early 20th-century Japan. It stressed the artist as the sole creator motivated by a desire for self-expression, and advocated principles of art that is "self-drawn" (自画 jiga), "self-carved" (自刻 jikoku) and "self-printed" (自摺 jizuri). As opposed to the parallel shin-hanga ("new prints") movement that maintained the traditional ukiyo-e collaborative system where the artist, carver, printer, and publisher engaged in division of labor. The birth of the sōsaku-hanga movement was signaled by Kanae Yamamoto...

Art: 17" x 23 1/4" Frame: 27 5/8" x 33 7/8" Original color lithograph (VIII/L) Signed lower right. This original Weisbuch lithograph comes from th...

This is an original rare and extremely collectible first octavo edition John James Audubon hand colored lithograph entitled "Brown Pelican, Young First Winter", No. 85, Plate 424, fr...

**ANNUAL SUPER SALE UNTIL MAY 15TH ONLY** Celebrating the CALIFORNIA wild life with this unique piece by Mauro Oliveira. **IMPORTANT: This is a Limited edition of 30 museum quality...

Donald Sultan is an American painter, sculptor, and printmaker. He is particularly well-known for large-scale still life paintings, and one of the first to employ a wide range of ind...

Wifredo Lam Bird and Spirit Figure, 1967 Original lithograph Hand signed in pencil Numbered / 300 On Arches vellum 50 x 65 cm (c. 20 x 26 in) REFERENCE : Catalog raisonne Tonneau...

Murmure - Grabage Tail - Main Edition - Contemporary Urban Street Art Prints As whale watching is becoming more and more popular in the Caribbean, this wo...

Joseph Fleischmann, 'Whaling' (Hartingers Wandtafeln: Zoologie T. XXXII), monumental vintage color lithograph, 1900. Signed in the matrix, lower right. A superb, beautifully nuanced impression, on cream wove paper, the full sheet with margins (1 1/2 to 2 3/16 inches), in very good condition. Sheet size 28 x 38 1/2 inches (711 x 978 mm). The full sheet, unmounted and unmatted—shipped carefully rolled and protected. Rendering by A. Berger after Joseph Fleischmann. Published by Carl Gerold’s Son, Vienna, 1900. This Artic whaling scene depicts a Greenland whale in the foreground pursued by whalers. A whaling ship is seen in the background and at right, another whale among icebergs with seagulls overhead. The print by Albert Berger...

Original pochoir process print. Paris, Galerie Lutetia, circa 1920.

1STDIBS EXCLUSIVE American Horse Power by Shane Russeck "Icon is a brand I’ve admired and respected for years. They are the pinnacle of the custom car world. Being a huge vintage ca...

This is a contemporary black and white photograph of Wild Mustangs 24x 40 Edition of 12. Signed by artist. Printed on archival paper using only archival ink. Framing available. Inq...

This is a contemporary photograph of a American Wild Mustangs. "They represent the ultimate expression of American freedom" Printed in Photo Rag using only archival ink. 40x26 Edi...

Donald Sultan is an American painter, sculptor, and printmaker. He is particularly well-known for large-scale still life paintings, and one of the first to employ a wide range of ind...

Etching and drypoint on cream wove paper, full margins. Signed and numbered 59/75 in pencil, lower margin. Notations in pencil along the lower sheet edge, recto, well outside of ima...

'Rinder' (Cattle Breeds) German chromolithograph, circa 1895. Key to animals in German below the image. 245mm by 305mm (sheet). Central vertical fold as issued.

This Blue Dog work consists of a blue dog Sitting on a desert-like earthy colored background with cacti and a moon in the background. The dog has soulful yellow eyes. This pop art ...

Set of four early 19th century English hand coloured caricature engravings of horses and carriages by S and J Fuller. Presented in period plain wood frames under glass. A charming s...

To see our other hunting pictures, scroll down to "More from this Seller" and below it click on "See all from this Seller" and then search. Lionel Ed...

Harry Bunce Early Start Limited Edition Print Mixed Media Screen Print on Panel Edition of 24 Size: H 73cm x W 73cm x W 3.5cm Signed Sold in a White Wood Frame Please note that any i...

This is a contemporary photograph of a Kodiak Bear. This was shot on Kodiak Island in 2019. 24x36 Unsigned print Archival pigment paper - Kodak Luster Archival Inks Signed and nu...

RHINOCEROS (state II) by Tammy Maclay. Edition of 20. Photopolymer print with hand painted gold detail. 22.2 H x 29.5 W (inches) 56.4 H x 75 W (CM) Dürer’s iconic Rhinoceros print w...

Théodore Géricault and Eugène Lami, 'Mazeppa' from the series 'Oeuvres de Lord Byron', lithograph, 1823, 2nd state of 3, Delteil 94. Rendered by Thé...

My fascination with birds of prey began eight years ago. There have been nesting owls on my family’s land in the United Kingdom as far as I can remember. I have heard them calling to...

My fascination with birds of prey began eight years ago. There have been nesting owls on my family’s land in the United Kingdom as far as I can remember. I have heard them calling to...

LeRoy Neiman's art style is a blend of impressionism, expressionism, and realism, with elements of Pop Art. His work is known for its vibrant colors, spontaneous brushstrokes, and dy...

Tracey Emin I Can Still Love, 2012 Home made Inkjet Print 11 7/10 × 16 1/2 inches Limited Edition Edition of approx. 150 (unnumbered) Hand signed and dated 2012 with the red Emin In...

This original lithograph is hand signed in pencil by the artist "Picasso" in the lower right image. It is hand numbered in pencil from the edition of 25, in the lower left image. The...

Available sizes: 18” x 27.52”, Edition of 8, Pigment Print 28” x 42.81”, Edition of 8, Pigment Print 38” x 58.10”, Edition of 6 Silver Gelatin Wildlife fine art photographer and con...

My fascination with birds of prey began eight years ago. There have been nesting owls on my family’s land in the United Kingdom as far as I can remember. I have heard them calling to...

Salvador Dali was a Spanish painter, printmaker, and sculptor heralded as the father of surrealism. This piece features the fabled story of Saint George gallantly slaying a dragon. T...

Signed, titled and numbered by the artist. Born in 1966, Lanfranco Quadrio is a draftsman and engraver whose work fuses the ability of the Old Masters with a contemporary vision. He...

MARGUERITE KIRMSE (English/American 1885-1954) THREE’S A CROWD, c 1930 Etching, signed and titled in pencil. Plate 6 3/8 x 9 ¾ inches. Full sheet with edges on all sides. Sheet 10 5/8 x 13 5/8 inches. In good condition, save for old tape on sheet edges verso, showing through to recto. A hint of a mat line below the signature Kirmse is considered to be one of the most important etchers of Dogs. Sheet with even white tone - photos show oblique shadows From Wikipedia: Marguerite first trained as a harpist at the Royal Academy of Music but spent much of her spare time drawing animals. She went to the United States in 1910 on holiday with friends but stayed there.[4] She was not successful in advancing her musical career and focused her attention increasingly on her animal drawing, which she developed by frequent sketching trips to the Bronx Zoo.[5] In 1921 she started producing etchings of dogs...

This is a contemporary photograph of a Kodiak Bear. This was shot on Kodiak Island in 2019. 36x48 Unsigned Archival pigment paper Framing available. Inquire for rates. Shane ...

ARTIST: Salvador Dali TITLE: St. George and The Dragon MEDIUM: Lithograph SIGNED: Hand Signed EDITION NUMBER: 227/250 MEASUREMENTS: 30" x 22" YEAR: 1973 FRAMED: No CONDITION...

My fascination with birds of prey began eight years ago. There have been nesting owls on my family’s land in the United Kingdom as far as I can remember. I have heard them calling to...

Vincent HADDELSEY (1934-2010) Horse : Polo Game, 1974 Original Lithograph Handsigned in pencil Numbered / 100 On Arches vellum 53 x 38 cm (c. 23 x 15 in) Excellent condition

Guy Allen Dachshund and Butterfly Etching Edition Size: 75 Year Completed: 2015 Image Size: H 40m x W 54 cm Approximate Size When Framed: H 69c...

This is an original 19th century John James Audubon hand-colored quadruped lithograph entitled "Caribou or American Rein Deer", No. 26, Plate CXXVI, from Audubon's "Quadrupeds of Nor...

Overall size: H40 x W60 Transcend by Kate Willows [2017] limited_edition Ink on paper Edition number 40 Image size: H:30 cm x W:20 cm Sold Unframed Please note that insitu imag...

Lithograph numbered and signed by hand 19/60 edition From Israel collection

'Chittering and Chattering III' Linoleum Block Print, Edition 10, 11 5/8 x 11 5/8 Inches, is one of a series of 6 related prints in this size in varying shades of blue. Sold ind...

(after) Alexander Calder "Calder's Circus" offset lithograph on wove paper a reproduction lithograph after the drawings by the artist Published by Art in America and Perls gallery in 1964 (from drawings done in the 1930's) these range slightly in size but they are all about 13 X 17 inches (with minor variations in size as issued.) These have never been framed. The outer folio is not included just the one lithograph. James Sweeny from the introduction “The fame of Calder’s circus spread quickly between the years 1927 and 1930. All the Paris art world came to know it. It brought him his first great personal success. But what was more important, the circus also provided the first steps in Calder’s development as an original sculptor” Clive Gray wrote ”A visit to the studio of Alexander Calder led to the chance discovery of some hundred masterful circus drawings completed over thirty years ago. We publish, for the first time, a choice of sixteen from that group.” With signed introduction by Miro. These whimsical drawings, done in the style of wire sculpture, include acrobats, clowns, jugglers, trapeeze artists, an elephant, dog and lion. they are great. Alexander Calder is widely considered to be one of the most important American sculptors of the 20th century. He is best known for his colorful, whimsical abstract public sculptures and his innovative mobiles, kinetic sculptures powered by motors or air currents, which embraced chance in their aesthetic. Born into a family of accomplished artists, Calder's work first gained attention in Paris in the 1930s and was soon championed by the Museum of Modern Art in New York, resulting in a retrospective exhibition in 1943. Major retrospectives were also held at the Solomon R. Guggenheim Museum (1964) and the Museum of Contemporary Art, Chicago (1974). Calder’s work is in many permanent collections, most notably in the Whitney Museum of American Art, but also the Guggenheim Museum; the Museum of Modern Art; the National Gallery of Art, Washington, D.C.; and the Centre Georges Pompidou. He produced many large public works, including .125 (at JFK Airport, 1957), Pittsburgh (Carnegie International prize winner 1958, Pittsburgh International Airport) Spirale (UNESCO in Paris, 1958), Flamingo and Universe (both in Chicago, 1974), and Mountains and Clouds (Hart Senate Office Building, Washington, D.C., 1976). Although primarily known for his sculpture, Calder was a prodigious artist with a restless creative spirit, whose diverse practice included painting and printmaking, miniatures (such as his famous Cirque Calder), children’s book illustrations, theater set design, jewelry design, tapestry and rug works, and political posters. Calder was honored by the US Postal Service with a set of five 32-cent stamps in 1998, and received the Presidential Medal of Freedom, posthumously in 1977, after refusing to receive it from Gerald Ford one year earlier in protest of the Vietnam War. Calder moved to New York and enrolled at the Art Students League, studying briefly with Thomas Hart Benton, George Luks, Kenneth Hayes Miller, and John Sloan. While a student, he worked for the National Police Gazette where, in 1925, one of his assignments was sketching the Ringling Bros. and Barnum & Bailey Circus. Calder became fascinated with the action of the circus, a theme that would reappear in his later work. In 1926, Calder moved to Paris, enrolled in the Académie de la Grande Chaumière, and established a studio at 22 rue Daguerre in the Montparnasse Quarter. In June 1929, while traveling by boat from Paris to New York, Calder met his future wife, Louisa James (1905-1996), grandniece of author Henry James and philosopher William James. They married in 1931. While in Paris, Calder met and became friends with a number of avant-garde artists, including Fernand Léger, Jean Arp, and Marcel Duchamp. Cirque Calder (on view at the Whitney Museum of American Art at present) became popular with the Parisian avant-garde. He also invented wire sculpture, or "drawing in space," and in 1929 he had his first solo show of these sculptures in Paris at Galerie Billiet. Hi! (Two Acrobats) in the collection of the Honolulu Museum of Art is an early example of the artist's wire sculpture. The painter Jules Pascin, a friend of Calder's from the cafes of Montparnasse, wrote the preface to the catalog. A visit to Piet Mondrian's studio in 1930, where he was impressed by the environment-as-installation, "shocked" him into fully embracing abstract art, toward which he had already been tending. Dating from 1931, Calder’s sculptures of discrete movable parts powered by motors were christened “mobiles” by Marcel Duchamp, a French pun meaning both "motion" and "motive." At the same time, Calder was also experimenting with self-supporting, static, abstract sculptures, dubbed "stabiles" by Jean Arp in 1932 to differentiate them from mobiles. Public commissions increasingly came his way in the 1960s. Notable examples are .125 for JFK Airport in 1957, Spirale for UNESCO in Paris 1958 and Trois disques, commissioned for Expo 67 in Montreal, Quebec, Canada. Calder's largest sculpture at 25.7 meters high was El Sol Rojo, constructed outside the Aztec Stadium for the 1968 Summer Olympics "Cultural Olympiad" events in Mexico City. Many of his public works were commissioned by renowned architects; I.M. Pei commissioned his La Grande Voile (1966), a 25-ton, 40-foot high stabile for the Massachusetts Institute of Technology. Part of Calder's repertoire includes pivotal stage sets for more than a dozen theatrical productions, including Nucléa, Horizon, and most notably, Martha Graham’s Panorama (1935), a production of the Erik Satie symphonic drama Socrate (1936), and later, Works in Progress (1968). In addition to sculptures, Calder painted throughout his career, beginning in the early 1920s. He picked up his study of printmaking in 1925, and continued to produce illustrations for books and journals.As Calder’s professional reputation expanded in the late 1940s and 1950s, so did his production of prints. Masses of lithographs based on his gouache paintings hit the market, and deluxe editions of plays, poems, and short stories illustrated with fine art prints by Calder became available for sale. One of Calder's most celebrated and unconventional undertakings was a commission from Dallas-based Braniff International Airways to paint a full-size Douglas DC-8-62 four-engined jet as a "flying canvas." Calder created over 2,000 pieces of jewelry over the course of his career, many of them as gifts for friends and relatives. For his lifelong friend Joan Miró, he set a shard of a broken porcelain vessel in a brass ring. Peggy Guggenheim received enormous silver mobile earrings and later commissioned a hammered silver headboard...

Mordecai MOREH Cat and Mouse, 1982 Original etching Handsigned in pencil Numbered / 300 On vellum 9 x 21 cm (c. 4 x 8 inch) INFORMATION : This etching was created for the Greeting ...

Artist: Alexander Calder Title: Beastie Portfolio: Flying Colors Medium: Lithograph Year: 1974 Edition: Open Frame Size: 27" x 33" Sheet Size: 20" x 26" Image Size: 20" x 26" Signat...

Pheasant Circle by Rob Barnes [2022] limited_edition Linocut Edition number 50 Image size: H:33 cm x W:44 cm Complete Size of Unframed Work: H:49 cm x W:61 cm x D:0.2cm Sold Unframe...

Mute Swan is a modern artwork realized in 1870 by the British artist Alexander Francis Lydon (1836-1917) . Woodcut print, hand colored, published by London...

Original stone lithograph with hand-coloring from "Birds of North America." First Octavo Edition, by John James Audubon. Plate 383. Philadelphia, J.T. Bowen, ca. 1839-44.

This is a hand-colored folio sized lithograph entitled "Gallinago Major" (Great Snipe) by John Gould from his monograph "The Birds of Great Britain", published in London in 1862-1879...

This print was created by Peruvian artist Victor Delfin. Delfin found the source of his inspiration in the ancient Paracan culture of Peru, part of the broader Incan civilization. De...

Noel Daggett, American (1925 - 2005) - We Shall Not Talk of War, Year: circa 1979, Medium: Lithograph, signed and numbered in pencil, Edition: 300, AP 40, Image Size: 19 x 25 inc...

'Alpenpflanzen' (Alpine Plants) German chromolithograph, circa 1895. Central vertical fold as issued. 240mm by 305mm (sheet)

This is an original 19th century John James Audubon hand colored lithograph entitled "Townsend's Rocky Mountain Hare", No. 1, Plate III, from Audubon's "Quadrupeds of North America",...

The Swallows Arrival [2022] limited_edition and hand signed by the artist Screenprint Edition number 20 Image size: H:58 cm cm x W:58 cm cm Complete Size of Unframed Work: H:62....

"Although leopards are widespread across almost every habitat, they are one of the most elusive big cats making even split-second sightings a real thrill. I have lived in Kenya for several years and can count my moments shared with a leopard on a pair of hands. If you are lucky enough to see one, you may see only a flick of a tail or a blur of spots as they disappear into the dense bush. Interestingly, they are also the most adaptive of the big cats and are known to prowl the streets of cities during the late hours of the night. What I experienced was something out of a dream...

This is a contemporary black and white photograph of an African Lion by Shane Russeck. 36x48 edition of 12 Signed and numbered Printed on archival paper and using archival inks Fra...

This is a contemporary photograph of an American Bison. Unsigned print Printed on archival paper and using archival inks Framing available. Inquire for rates. Shane Russeck has ...

Created by Will Barnet in 1971 as an etching and aquatint on wove paper, The Blue Robe measures 23 1/2 x 30 in. (60 x 76.2 cm), unframed. The artwork is hand-signed, titled, and anno...