Vertical Animal Prints

Published By Haddad's Fine Arts, Inc Distressed condition, water damage Measures 35 in x 22.5 in

This Blue Dog work consists of a black background with a red triangle. There are 3 blue bears, one on each point of the triangle. There is a blue dog bottom center dressed in a wh...

This Blue Dog work consists of a blonde female sitting on a floral swing hanging from a tree. The female is wearing an ecru dress with flowers on the edges...

This is a contemporary photograph of an American Bison. Printed on archival luster paper using archival inks. Framing available. Inquire for rates. 36x48 Signed and numbered Editi...

Dumb Ass II is a lithograph on paper, 9.25 x 9" image size. From the edition of 395, numbered 8/275 (there were also 100 Roman and 20 AP), framed in a contemporary, silver-tone frame...

Lithograph after Georges Braque From the deluxe art review, Derrière le Mirroir 1964 Printed signature Dimensions: 38 x 28 cm DLM No. 148, 1964 Edition: Foundation Maeght at Saint P...

'Chow and Pekinese' (Pekingnese) Cecil Aldin dog lithograph, 1935. Cecil Aldin was a British artist and illustrator best known for his paintings and sketches of animals, sports, an...

David Shrigley I’ve Heard About Freedom, 2021 Digital print 70 x 50 cm Framed 78 x 68 cm Unsigned Edition of 250 Published by Shrig Shop. David Shrigley is a British artist known ...

This is a contemporary photograph of a Brown Bear. This was shot on Kodiak Island in 2019. 36x48 Edition of 12 Archival pigment paper Archival Inks Signed and numbered by Shane R...

The Lobster is an aquatint and drypoint print on chine from one of the deluxe copies of Picasso's 1942 Histoire Naturelle - Textes de Buffon series. The image size is 10.6 x 7.9 inches, unsigned as issued, and framed in a contemporary silver and gray moulding. One of about 36 prints that exist with Picasso's remarqued title in French, from the edition of 262 (there were 226 portfolios, some with additional sets on varying papers). Catalogue - Cramer #37 The exceptional etchings from Picasso’s Histoire Naturelle – Textes de Buffon are a masterful combination of sugar-lift aquatint and drypoint, showcasing a full range of gray tonalities. The etchings of animals, birds and insects are considered some of the most beautiful and most unusual examples of Picasso’s graphic work. Roger Lacourière, Picasso’s master printer, pulled the prints for each etching between 1939-1942. It was Lacourière who taught Picasso the sugar-lift aquatint technique which allowed him to mimic the effect of brushstrokes in these etched images. Picasso first explored the technique in his plates for the Vollard Suite, but it was in the creation of the Buffon images that he fully realized its stunning, painterly potential. For the edition, 226 portfolios were produced with the first thirty-six counting as deluxe compilations. These rare deluxe sets were on diverse papers (chine, japon or vergé ancien) and each included a complete additional suite showing Picasso’s title remarques along the bottom. As such, the remarqued versions of the prints are quite rare with just thirty-six of each produced for the edition (with the exception of The Wolf which is never remarqued – the image always fills the entire etching plate). These prints are based on the writings of French naturalist Georges-Louis Leclerc, Comte de Buffon, who extensively documented the natural world in his monumental work Histoire Naturelle. Picasso’s association with the project to illustrate parts of the Buffon came during a tumultuous time in European history – the prelude to, and early years of, World War II. As the continent was ravaged, Picasso lived through the disaster in Paris, which the Germans occupied in 1940. These prints could be seen as a political statement – Picasso channeling his artistic expression into a form of resistance art...

Cock's Head by Michael Rothenstein, 1959 Additional information: Medium: linocut with applied texture 72.4 x 47.9 cm 28 1/2 x 18 7/8 in signed and numbered in pencil Michael Rothen...

Horn Dog is a lithograph on paper, 9.5 x 9" image size. From the edition of 395, numbered 51/275 (there were also 100 Roman and 20 AP), framed in a contemporary, silver-tone frame - ...

This Bue Dog work consists of a brown 2-story house with white columns, a railing on the upper floor and white lattice around the base of the house. There are 2 dark trees on either...

High on the Hog is a lithograph on paper, 9 x 9" image size. From the edition of 395, numbered 9/275 (there were also 100 Roman and 20 AP). Robert Deyber...

George Edwards: "A History of Uncommon Birds", 1749-1761. A prominent English naturalist and ornithologist, George Edwards (1694 -1773) is best known for his work, ""A Natural Histo...

The Original Coppertone Italian suntan lotion vintage poster is in small format. It is backed with archival linen and is in Grade A condition. It is ready to frame. Step Back in Time, One Tan at a Time! Elevate your space with a piece of pop culture history! This original Coppertone vintage...

The artist describes this work as follows: “The impact of species loss is a deep concern that informs the ideas behind my artwork. I paint carefully rendered miniature portraits of ...

English hawk moth chromolithograph, circa 1900. Plate number top right. From an English series of illustrations of butterflies and moths. Butterflies / moths are numbered and there i...

This Blue Dog work consists of a black background with a single blue dog sitting on a dark red chair. To the right above the dog is the Earth. The dog ...

Marc Chagall Fables : The Bird Harmed by an Arrow , 1952 Original etching Printed signature in the plate Numbered 61 / 85 On Montval vellum 39 x 28 cm (c. 15 x 11 in) With COA of th...

Huge Oversize Original French film poster for the first Planet of the Apes movie in 1968. Measures 63.5 x 48.5 inches / 161 x 123 cm unframed linen-backed beautiful condition ne...

'Milvus Affinis - Allied Kite' Limited edition lithograph with original hand colouring by Henrik Gronvold. From Mathews 'The Birds of Australia, ci...

"Rhapsody: an instrumental composition irregular in form and suggestive of improvisation. I couldn’t imagine a more perfect name for this gorgeous blend of breeds. The palomino gold ...

This Blue Dog work consists of 1 dog of varying shades of pinks and blues. There are several lines of yellow, red, pink, white and blue etched around the figure of the dog. The dog ...

'Le Mouton de Barbarie' Copper-line engraving, circa 1765 From Buffon's "Histoire Naturelle, Generale et Particuliere Avec la Description du Cabinet du Roi" which was published in Paris. Jacques E. De Seve...

This Blue Dog work consists of a black background with 1 blue dog surround by varying degrees of blue dogs and blue dog heads. All dogs have soulful yellow e...

Yinka Shonibare African Bird Magic (Sokoke Scops-Owl and Okuyi Mask), 2024 Screenprint with archival pigment print on Somerset Satin Enhanced 330gsm paper 74 x 60 cm - Paper 60 x 48 ...

Hand-Embellished Print on Archival Bamboo Paper Signed and Numbered, Edition of 50 with 5 APs Monarch Butterfly, Stars, Small Print, Los Angeles Graffiti Artist, Urban Street Art

Artist: Salvador Dali Medium: Heliogravure Title: Who Stole the Tarts? Portfolio: 1969 Alice in Wonderland Year: 1969 Edition: 2430/2500 Frame Size: 24 1/4" x 19 1/2" Sheet Size: 16 ...

This Blue Dog work consists of a single dog at the left bottom of a solid black background. There are 6 cars alternating green and 2 toned red/orange surrounding the dog from top to...

This Blue Dog work consists of a single dog sitting on a dark purple/brown background, in front of a hot dog on a bun with a purple and white moon and a light purple/pink background ...

This is a contemporary photograph of a Brown Bear. This was shot on Kodiak Island in 2019. 36x48 Unsigned Archival pigment paper Archival Inks Framing available. Inquire for rate...

Monkey is an original artwork realized by Alberto Mastroianni in 1970 ca. Lithograph. Hand Signed. Edition of 150 pieces.

Joana Vasconcelos Crocheted Creatures Haendel 2023 Archival pigment print 146.3 × 111.76 cm (57.6 × 44 in) Edition of 25 In excellent condition Print is offered unframed With the use of crochet and the compartmentalisation of forms, Vasconcelos reiterates the concept that individuals frequently behave and exist separately from their conscience, showing a lack of sufficient scrutiny of their perceptions. The paradox of lace is highlighted, as it served as a means for Portuguese women to address the emptiness in their lives, representing the sole form of expression in response to an entirely passive social...

Image Size: 7" x 5.5" Unframed Limited Edition Etching of 25 Hand Signed by Mariko Ando 2009

Mid 18th century hand coloured copper plate engraving of an equestrian subject by Johann Elias Ridinger. Initial signed 'in the plate' bottom right. Presented in a fine gilt wood fra...

Mid 18th century hand coloured copper plate engraving of an equestrian subject by Johann Elias Ridinger. Initial signed 'in the plate' bottom right. Presented in a fine gilt wood fra...

In the Beginning, 2019 6-colour lithograph printed with Marinoni lithographic press, hand cut on BFK Rives 300 g paper 93 cm x 75 cm Edition of 99 Signed by the artist, numbered and ...

This is a contemporary photograph of a Mountain Lion. 40x30 Edition of 50. Signed by artist. Printed on archival paper using archival inks Shane Russeck is a modern day photograp...

Artist: Salvador Dali (Spanish surrealist, 1904-1989) Title: Le Caducee de Mars Alimente par la Boule de feu de Jupiter Year: 1974 Medium: Etching with embossing and color lithograph...

This Blue Dog work consists of a single dog sitting in the middle of a pure white background. The dog has soulful yellow eyes. This pop art animal original silkscreen print on paper is hand signed by the artist. Artist: George Rodrigue Title: Blue Dog “La Petite Femme...

Paul Jouve (after) - Tiger - Engraving 19 x 14 cm Editions Rombaldi, Paris, 1950. Copy on velin creme de Rives Copper engraving heightened with pochoir.

Lithograph on papier bouffant des Papeteries de Casteljoux paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Eaux-fortes originale pour des textes de ...

Three 18th century hand colored engravings of parrot specimens as depicted by Peter Brown, an artist and naturalist, working in London England. Originally published in 1776 in a foli...

"Gulls On The Rocks" - Original Lithograph On Paper Original Lithograph on paper titled "Gulls On the Rocks" by artist Margaret Kilburn (American, 1891-1984). A group of seagulls ca...

This is a contemporary photograph of a Kodiak Bear. This was shot on Kodiak Island in 2019. 36x48 Edition of 12 Archival pigment paper Archival Inks Signed and numbered by the ar...

Tinted lithograph with white highlights, from 'Thirty-Four Subjects of Cattle', published in 1837 by Thos. McLean, Ackermann and Tilt. Printed at A Ducote's Lithographic Establishmen...

Raphael Macek Domino, 2020 Afresco series 60 x 40 inches Archival Pigment Print Edition of 10 Framed Large-scale photograph from the Equine Beauty series. The legendary and comple...

Clare Halifax K is for Koala Limited Edition 3 colour screen print Edition of 100 Sheet Size: H 38cm x W 37cm x 0.1cm Sold Unframed Hand printed by the artist onto somerset satin pap...

Color woodcut, Edition 15 John Buck is both a sculptor and a printmaker. He works with two interrelated bodies of work: carved wood, assemblage and bronze sculptures, and large, m...

Max Ernst - Composition - Original Lithograph 1958 Dimensions: 32 x 24 cm XXe siècle Unsigned and unnumbered, as issued Max Ernst was born in Bruhl, a place near Cologne, in Germany. He was raised in a strict Catholic family, and both of his parents were disciplinarians who were dedicated to training their children into God-fearing and talented individuals. Although his father was deaf, Ernst learned so much from him, particularly when it comes to painting. In fact, much of his early years were lived under the inspiration of his father who was also a teacher. He was the one who introduced painting to Ernst at an early age. In 1914, Ernst attended the University of Bonn where he studied philosophy. However, he eventually dropped out of school because he was more interested in the arts. He claimed that his primary sources of interest included anything that had something to do with painting. Moreover, he became fascinated with psychology, among other subjects in school. Primarily, Ernst's love for painting was the main reason why he became deeply interested with this craft and decided to pursue it later on in his life. During his early years, he became familiar with the works of some of the greatest artists of all time including Claude Monet, Paul Cezanne and Vincent van Gogh. He was also drawn to themes such as fantasy and dream imagery, which were among the common subjects of the works of Giorgio de Chirico. During World War I, Ernst was forced to join the German Army, and he became a part of the artillery division that exposed him greatly to the drama of warfare. A soldier in the War, Ernst emerged deeply traumatized and highly critical of western culture. These charged sentiments directly fed into his vision of the modern world as irrational, an idea that became the basis of his artwork. Ernst's artistic vision, along with his humor and verve come through strongly in his Dada and Surrealists works; Ernst was a pioneer of both movements. It was Ernst's memories of the war and his childhood that helps him create absurd, yet interesting scenes in his artworks. Soon, he took his passion for the arts seriously when he returned to Germany after the war. With Jean Arp, a poet and artist, Ernst formed a group for artists in Cologne. He also developed a close relationship with fellow artists in Paris who propagated Avant-Garde artworks. In 1919, Ernst started creating some of his first collages, where he made use of various materials including illustrated catalogs and some manuals that produced a somewhat futuristic image. His unique masterpieces allowed Ernst to create his very own world of dreams and fantasy, which eventually helped heal his personal issues and trauma. In addition to painting and creating collages, Ernst also edited some journals. He also made a few sculptures that were rather queer in appearance. In 1920s, influenced by the writings of psychologist Sigmund Freud, the literary, intellectual, and artistic movement called Surrealism sought a revolution against the constraints of the rational mind; and by extension, they saw the rules of a society as oppressive. Surrealism also embraces a Marxist ideology that demands an orthodox approach to history as a product of the material interaction of collective interests, and many renown Surrealism artists later on became 20th century Counterculture symbols such as Marxist Che Guevara. In 1922 Ernst moved to Paris, where the surrealists were gathering around Andre Breton. In 1923 Ernst finished Men Shall Know Nothing of This, known as the first Surrealist painting. Ernst was one of the first artists who apply The Interpretation of Dreams by Freud to investigate his deep psyche in order to explore the source of his own creativity. While turning inwards unto himself, Ernst was also tapping into the universal unconscious with its common dream imagery. Despite his strange styles, Ernst gained quite a reputation that earned him some followers throughout his life. He even helped shape the trend of American art during the mid-century, thanks to his brilliant and extraordinary ideas that were unlike those of other artists during his time. Ernst also became friends with Peggy Guggenheim, which inspired him to develop close ties with the abstract expressionists. When Ernst lived in Sedona, he became deeply fascinated with the Southwest Native American navajo art. In fact, the technique used in this artwork inspired him and paved the way for him to create paintings that depicted this style. Thus, Ernst became a main figure of this art technique, including the rituals and spiritual traditions included in this form of art. Pollock, aside from the other younger generations of abstract expressionists, was also inspired by sand painting of the Southwest...

"Untitled (Pig Dancing)" colored lithograph by artist and children's book author Sandra Calder Davidson. Artist's proof. Hand numbered AP XIX/XX in front lower left corner. Hand sign...

George Cronias (1925-2004) "Track Pals" Original Color Lithograph C.1960 Track pals hanging out on a nice day at Santa Anita Lithograph dimensions 17.75"...

Sila Sehrazat Yucel is a talented artist based in Istanbul. Her background in landscape and interior architecture shapes her creative vision. With experience as an art director in ci...

'Kloakentiere' (Monotremes - echidna and platypus)) German wood-engraving, circa 1895. 240mm by 155mm (sheet)

Gustave Singier - Abstract Fish - Original Lithograph Conditions: excellent 32 x 24 cm 1955 From XXe siècle, San Lazzaro Unsigned and unumbered as issued

A color, stone lithograph titled 'Edward' by Nura Woodson Ulreich (American, 1899–1950) stamped verso with certification of authenticity. A crisp and fresh image from 'Nura's Childre...

Signed lower right 'Nura' for Nura Woodson Ulreich (American, 1899–1950) and created circa 1935; additionally titled lower left, 'Peggy and Dot' with numb...