Vertical Animal Prints

Limited Edition Etching (125/200). Signed by Artist. Measures 32.75 x 25.5 inches and is unframed. The piece is in Fair/Distressed Condition-discoloration/yellowing primarily in the ...

David Shrigley I'm So Excited, 2022 17 colour screen print with a two varnish overlay on Somerset Satin Tub sized 410 gsm 29 1/2 × 22 in 75 × 56 cm Edition of 125 Numbered and signe...

Original “Less Dangerous than Careless Talk” vintage World War Two poster. Archivally linen=backed in fine condition A-, ready to frame. Bright colors and excellent detail. Very clean. The images shown are the exact poster you will receive. A- "Less Dangerous than Careless Talk" is a World War II propaganda poster designed to caution against the dangers of loose lips...

Owls is an Etching hand colored realized by Gotthilf Heinrich von Schubert - Johann Friedrich Naumann, Illustration from Natural history of birds in pictures, published by Stuttgart ...

David Shrigley Sorry I Snapped At You, 2025 Woodcut 53 x 40 cm Edition of 30 hand-signed and numbered by the artist published by Shäfer Editions and comes with COA from the publisher...

This is a framed 18th century folio-sized colored stipple engraving with hand-finishing entitled "Le Sai a gorge blanche. Variete A. Buff. Simia capucina. v.a.", which was drawn and engraved by Jean Baptiste Audebert...

Andy Warhol Sam 1954 Original offset lithograph on paper Estate stamped and authenticated. Accompanied by External Andy Warhol Foundation COA

Etching on cream laid paper, 6 1/8 x 4 3/4 inches (156 x 120 mm), full margins. In good condition with some minor, uniform age tone. Printed by George Bertauts, Paris. [Beraldi II.140.26] Henri Béraldi Les graveurs du XIXe siècle: Guide de l'amateur d'estampes modernes. Librairie L. Conquet, vol. XII, Paris, 1885–1892, cat. no. 34, p. 140. __________ Well known in his native Germany as a watercolorist, Karl Bodmer had a rich experience exploring in North America in the 19th century, accompanying German explorer Prince Maximilian zu Wied-Neuwied as the official artist on an expedition which toured the Missouri River...

This is a super rare and imaginative print - LAST ONE - from the edition of only 10  (TEN) - and it makes an amazing gift!  Paul Leibow Coffee + Cigarettes, 2019 Lithograph on Newsprint Grey Somerset Velvet Printed at Tamarind Institute. Hand printed by Elena Carrasco under the supervision of Master Printer Brandon Gunn Pencil signed and numbered lower right from the edition of only 10 Bears Tamarind Institute chop mark lower left Accompanied by copy of detailed Tamarind documentation sheet Measurements: 28.25" (vertical) x 22" (horizontal) Unframed Critic Tris Mccall writes in a recent review: "Felix the Cat is older than Mickey. He was created over a century ago, and he's been fading in plain view ever since sound was added to motion pictures. But in his Gilded Age prime, Felix was incredibly popular: famous enough to leave a burn mark in his image on the collective imagination. The spirit of the Cat retains enough psychic power to guide the hand of at least one contemporary artist - painter and sculptor Paul Leibow... This playful, irreverent work uses the figure of Felix, or what's left of him, to comment on sexuality, decay and reassembly, mechanical reproduction and corporate branding, and the ubiquity and ambiguity of the commercialized image..." Lithograph with image concept invention of a non existent character: Feel licks ears over ads of vintage comics, creating a unique abstract work, including ghosted figures and cigarettes and coffee falling from an imagined earthquake. The attempt was to use a series from vintage characters that inform the piece, with a body inside the Feel Licks cat face structure. Includes a brain W-ray with lamb faces as a surreal interplay. 6-color print, derived from the artist Mark Rothko in a blend roll or orange and red hue. Limited edition print, signed recto from the edition of only 10 PAUL LEIBOW BIOGRAPHY Paul Leibow works in painting, sculpture, mixed media, and film. A documentary art video about his archival process was selected for the Metropolitan Museum of Arts (a program for art on film). Over his art career, his work has been selected for art books and exhibitions by curators from the Whitney Museum and Met. Leibow has created artworks for recording artist Bruce Springsteen for his world tour, including books, and branded icons/logos utilized for his concerts. 2019 awarded an art residency at Tamarind Institute New Mexico, with two editions archived in the New Mexico Art Museum (UNM). 2020 artworks featured in ArtMaze Magazine’s Winter Issue 16. Hyperallergic -FeelLicks Artwork “Pink”: painting included in review (Art Fair 14C) 2022 Born: New York City / School of Visual Arts - NY, BFA, / Summer Works: Art and design program– NY State / Studied with Milton Glaser 2023 Noyes Museum. NJAA Stockton. 2022 Jersey City Times Review from art critic Tris McCall at (Art Fair 14C) Nov. 2022 2021 Jersey City Times(BEST 2021 SHOW) #5 by art critic Tris McCall 2021 Novado Gallery - Review Solo Show review, Tris McCall_Jersey City Times 2021 ArtsBergen Sneak Peak: Award / Art video and panel discussion 2020 One Fair Wage: Created artwork for vertical billboard shown all over USA 2020 OFW: Featured artwork for new brand as vertical billboard in Times Square NYC 2019 New Mexico Art Museum (UNM) – Two Tamarind Editions archived into the museum. 2019 Tamarind Institute – Artist Residency (one of 4 artist awarded residency) 2019 Tamarind Institute Gallery – No Modifiers exhibition 2019 PABT Arts – New York City, Windows Gallery Aug. – November 2019 Le Galerista – French Canada –art used on apparel line 2016 MoRUS Museum, – Black Babylonian Beads- film premier, Museum reclaimed urban-space 2010 Borghi Fine Arts Gallery – NJ 2004 Waltouch Gallery – NJ 1998 Liquid Gallery – NJ Sibling Rivalry-a show with his brother. 1989 John Harms Center for the Arts, Bergen PAC – NJ 1987 John Harms Center for the Arts, Bergen PAC- NJ 1995 Watchung Arts Center NJ Installation (Elucidations of the empty) 1995 Montclair State University Art Gallery – NJ Abstract Polarities -Jurior by Ivan Karp SELECTED EXHIBITIONS 2022 Hyperallergic -Artwork painting included in review from Art Fair 14C Nov. 2022 2022 ART FAIR 14C Artwork selected for juried exhibition fundraiser Art Fair 14C Nov. 2022 2021 Novado Gallery_ Solo Show Sept 10th / Jersey City Times review by Tris McCall 2021 SHRINE.NYC / Group Show 7 2021 WNYC –poem entitled THIS, aired on April’s (poetry month) 2021 SHRINE – NYC / Group Show - online Exhibition 2020 Montclair Art Museum – JAM at MAM auction / online Exhibition 2020 Art maze Magazine’s Winter Issue 16 - international artists featured in the print edition 2020 Artcritical –David Cohen selected work for Alpha 137 Gallery show 2020 The Museum of Hoboken: Featured in Every Mask a Blank Canvas Exhibition 2020 BSB gallery – Silent auction / Online Exhibition 2020 Transformative – Online Exhibition 2020 Novado Gallery – N.J. handling work included in Exhibition RED 2020 Sugar Press – CA Print editions 2019 Paper west –Utah 2019 Frontline Arts –Oct. (The war on the world) 2019 Edward Williams Gallery – FDU, NJ Red carpet hides beneath our desire 2019 Tamarind Institute, Artist Residency New Mexico, May exhibition ”No Modifiers” 2019 Studio Montclair Gallery, NJ, Everyday Objects 2019 Studios Projects Gallery “HA exhibition” and artist talk – Hoboken NJ 2018 Paper west – Utah 2018 1340 Galley – Art registry 2018 The Rotunda Gallery – Abstract show- June, Photography shows July 2018 Edward Williams Gallery – Group FDU 2018 Union Street Galley – Pen & Ink show- March, Chicago Il. 2018 bG Galley: Stripes show – Santa Monica CA 2017 Alvin...

Original London Jet B.O.A.C. British Overseas Airline Corporation vintage poster. Mid-century design from c. 1953. Archival linen backed in ex...

Image dimensions: 20,5 x 15,5 cm A Little Duckling is an adorable lithograph printed on poussins rigid paper. Signed on plate: G. Süs. Original Title: Das Erste Sturihad. Good con...

Mike Mitchell - Japanese Paradise Flycatcher - Contemporary Artist Artists Mitchell, Mike Manufacturer Static Medium Edition Details Year: 2018 Class: Art Print ...

This artwork "Wildcat" c.1990 is an offset lithograph by noted animals wildlife artist Jacquie Marie Vaux. It is hand signed and numbered from the edition of 750 in pencil by the art...

This is a framed 18th century folio-sized colored stipple engraving with hand-finishing entitled "Le Mangabey, Buff, Simia Aethiops, Linne", which was drawn and engraved by Jean Baptiste Audebert...

Three geese flying in formation. Guy Allen’s acid etchings, inspired by the fauna of the English countryside, have a remarkable level of detail. His etchings capture the characte...

NEGRO ES BELLO II is an original limited edition lithograph created by the African-American woman printmaker and sculptor, Elizabeth Catlett using hand printmaking techniques on arch...

Georges Braque, After, French (1882 - 1963) - Three Birds, Year: circa 1960, Medium: Lithograph Poster, Image Size: 34.5 x 23 inches, Size: 37 x 25.5 in. (93.98 x 64.77 cm), Prin...

*THE ARTWORKS WILL BE SOLD: UNFRAMED, WITH PASSE-PARTOUT* Beautiful serie of artworks: Swedish Birds by Magnus von Wright Very detailed ornithological prints. Topic: Animals Image ...

English butterfly chromolithograph, circa 1900. Plate number top right. From an English series of illustrations of butterflies and moths. Butterflies / moths are numbered and there i...

This is a hand-colored engraving of a Falkland Island Quail ("Caille des Isles Malouines") by Francois Nicolas Martinet, plate 222 from 'Histoire Naturelle des Oiseaux' in associatio...

Erwin Rambow, American (1925 - 2013) - Owl, Medium: Poster, Image Size: 15 x 15 inches, Size: 19.5 x 15.5 in. (49.53 x 39.37 cm), Frame Size: 21.5 x 17.75 inches

Etching realized in 1771. It belongs to the first edition of the suite "Histoire Naturelle de Buffon". Good conditions with slight foxing.

English butterfly chromolithograph, circa 1900. Plate number top right. From an English series of illustrations of butterflies and moths. Butterflies / moths are numbered and there i...

Seguy, E.A. Insectes. Paris, Du Chartre et van Buggenhoudt [1924] Each print is produced entirely by hand using a unique printing process called pochoir, which was popular in Fran...

Plate 22 from "Inspirations" by Andre Durenceau. New York: Perleberg, 1928. Original hand-colored pochoir process print.

Benedictus, Edouard. Relais. Plate 1. Paris, Éditions Vincent, Fréal et Cie, 1930. Original pochoir, printed by J. Saudé.

ABOUT THIS PIECE: Amanda Pratt is known and admired for the energetic, inspiring brand of whimsy she brings to photography. Countless clients have benefitted from her technical preci...

Classical Bird print, after John James Audubon, printed by Harry N. Abrams, Publishers, New York unframed, 17 x 14 inches color print on paper condition: very good provenance: from...

George Rodrigue George's Sweet Inspirations From the rare limited edition of 150 Original serigraph on paper Hand signed and numbered 2000 20x16 inches MINT CONDITION

David Shrigley - I Am Elegant, I Am Oh So Very Very Elegant, 2021 Screenprint in colours 29 1/2 × 22 in 75 × 56 cm Edition of 125 Edition number 66/125 Publisher AllRightsReserved, ...

Orange Personage is an original limited edition lithograph by the Dutch artist Karel Appel printed using hand lithography techniques on archival Arches printmaking paper, 100% acid f...

This is a beautiful hand-colored folio-sized lithograph entitled "Muscicapa Atricapilla" (Pied Flycatcher) by John Gould from his monograph "The Birds of Great Britain ", published i...

Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper with watermark. John Latham was the lea...

This artwork titled "Ram's Head, Full Face" from the suite "Bestiary and some Correspondences" 1968 is an original color lithograph on Arches paper by renown British artist Graham Vi...

Blue Grosbeak is an original chromolithograph from the rare Bien edition 1860 by J.J. Audubon and shows a male and female adult Grosbeak with a young Grosbeak perched on the edge of the nest. This group of colorful birds are seen on a Dogwood cornus florida tree. This print is in good condition. The paper is evenly age toned throughout. The ” Birds of America” by John James...

Artist: Benny Andrews, American (1930 - 2006) Title: Black Bird Year: 1980 Medium: Lithograph on Cream BFK Rives Paper, signed, titled and numbered in penci...

Minotaur is an original etching artwork by Marcel Chirnoaga (Romanian, 1930–2008) one of the most important artists of fantasy painting and mythology subjects in the XX century. The...

Art Deco original pochoir print. Please find the dimensions of the artwork: 20 x 15 cm - Dimensions of the image 26 x 20 cm - Dimensions of the paper 28 x 22,5 cm - Framed dimensi...

Marc Chagall "Le Christ a l'Horloge, Paris" (Christ in the Clock) 1957 (M. 196) Color Lithograph on Arches Wove Paper Signed in Pencil "Marc Chagall" Lower Right Initialed "H.C." (Hors Commerce) Lower Left, aside from numbered edition of 90 *Floated in Gold Frame with Linen Matting, UV Plexiglass Sheet Size: 18 3/4 x 14 3/4 inches (47.5 cm x 38 cm) Image Size: 9 3/4 x 8 1/2 inches Framed Size: 28.5 x 24.25 inches Marc Chagall was a man of keen intelligence, a shrewd observer of the contemporary scene, with a great sympathy for human suffering. He was born on July 7, 1887 in Vitebsk, Russia; his original name was Moishe Shagal (Segal), but when he became a foremost member of the Ecole de Paris, he adopted French citizenship and the French spelling of his name. Vitebsk was a good-sized Russian town of over 60,000, not a shtetl. His father supported a wife and eight children as a worker in a herring-pickling plant. Sheltered by the Jewish commandment against graven images, the young Chagall never saw so much as a drawing until, one day, he watched a schoolmate copying a magazine illustration. He was ridiculed for his astonishment, but he began copying and improvising from magazines. Both Chagall's parents reluctantly agreed to let him study with Yehuda Pen, a Jewish artist in Vitebsk. Later, in 1906, they allowed their son to study in St. Petersburg, where he was exposed to Russian Iconography and folk art. At that time, Jews could leave the Pale only for business and employment and were required to carry a permit. Chagall, who was in St. Petersburg without a permit, was imprisoned briefly. His first wife, Bella Rosenfeld, was a product of a rich cultivated and intellectual group of Jews in Vitebsk. Chagall was made commissar for the arts for the area, charged with directing its cultural life and establishing an art school. Russian folklore, peasant life and landscapes persisted in his work all his life. In 1910 a rich patron, a lawyer named Vinaver, staked him to a crucial trip to Paris, where young artists were revolutionizing art. He also sent him a handsome allowance of 125 francs (in those days about $24) each month. Chagall rejected cubism, fauvism and futurism, but remained in Paris. He found a studio near Montparnasse in a famous twelve-sided wooden structure divided into wedge-shaped rooms. Chaim Soutine, a fellow Russian Jew, and Modigliani lived on the same floor. To Chagall's astonishment, he found himself heralded as one of the fathers of surrealism. In 1923, a delegation of Max Ernst, Paul Eluard and Gala (later Salvador Dali's wife) actually knelt before Chagall, begging him to join their ranks. He refused. To understand Chagall's work, it is necessary to know that he was born a Hasidic Jew, heir to mysticism and a world of the spirit, steeped in Jewish lore and reared in the Yiddish language. The Hasidim had a special feeling for animals, which they tried not to overburden. In the mysterious world of Kabbala and fantastic ancient legends of Chagall's youth, the imaginary was as important as the real. His extraordinary use of color also grew out of his dream world; he did not use color realistically, but for emotional effect and to serve the needs of his design. Most of his favorite themes, though superficially light and trivial, mask dark and somber thoughts. The circus he views as a mirror of life; the crucifixion as a tragic theme, used as a parallel to the historic Jewish condition, but he is perhaps best known for the rapturous lovers he painted all his life. His love of music is a theme that runs through his paintings. After a brief period in Berlin, Chagall, Bella and their young daughter, Ida, moved to Paris and in 1937 they assumed French citizenship. When France fell, Chagall accepted an invitation from the Museum of Modern Art to immigrate to the United States. He was arrested and imprisoned in Marseilles for a short time, but was still able to immigrate with his family. The Nazi onslaught caught Chagall in Vichy, France, preoccupied with his work. He was loath to leave; his friend Varian Fry rescued him from a police roundup of Jews in Marseille, and packed him, his family and 3500 lbs. of his art works on board a transatlantic ship. The day before he arrived in New York City, June 23, 1941, the Nazis attacked Russia. The United States provided a wartime haven and a climate of liberty for Chagall. In America he spent the war years designing large backdrops for the Ballet. Bella died suddenly in the United States of a viral infection in September 1944 while summering in upstate New York. He rushed her to a hospital in the Adirondacks, where, hampered by his fragmentary English, they were turned away with the excuse that the hour was too late. The next day she died. He waited for three years after the war before returning to France. With him went a slender married English girl, Virginia Haggard MacNeil; Chagall fell in love with her and they had a son, David. After seven years she ran off with an indigent photographer. It was an immense blow to Chagall's ego, but soon after, he met Valentine Brodsky, a Russian divorcee designing millinery in London (he called her Fava). She cared for him during the days of his immense fame and glory. They returned to France, to a home and studio in rustic Vence. Chagall loved the country and every day walked through the orchards, terraces, etc. before he went to work. Chagall died on March 28, 1985 in the south of France. His heirs negotiated an arrangement with the French state allowing them to pay most of their inheritance taxes in works of art. The heirs owed about $30 million to the French government; roughly $23 million of that amount was deemed payable in artworks. Chagall's daughter, Ida and his widow approved the arrangement. Written and submitted by Jean Ershler Schatz, artist and researcher from Laguna Woods, California. Sources: Hannah Grad Goodman in Homage to Chagall in Hadassah Magazine, June 1985 Jack Kroll in Newsweek, April 8, 1985 Andrea Jolles in National Jewish Monthly Magazine, May 1985 Michael Gibson...

"Midnight Wolf" is a framed signed limited edition abstract inuit native people's work by Northwest Coast Haida artist Clarence Mills. The print depicts a st...

Zebra is an etching realized by Jean Charles Baquoy in 1771. It belongs to the suite "Histoire Naturelle de Buffon". The Artist's signature is en...

This is an original John James Audubon hand-colored folio sized lithograph entitled "Swainson's Warbler, Male, Sylvicola Swainsonia, Tree: Vulgo, White Oak", No. 10, Plate 50, from A...

Ostrich is an artwork realized by Alberto Mastroianni in 1970 ca. Lithograph. Hand Signed. Numbered, Edition of 150 pieces.

Genevieve Hamel Oh My! Digital Print after White Colored Pencil on Wood Panel Year: 2021 Image Size: 7x5in Size: 14x11in Edition: 25 Signed, inscribed and numbered by hand COA provid...

'The Porculine Opossum' (Bandicoot) Copper-line engraving with original hand-colouring. Circa 1795, by Richard Polydore Nodder (fl.1770 – 1800). 155mm by 125mm (platemark) 225mm by...

This is an original 19th century hand-colored folio-sized lithograph entitled "Archibuteo Lagopus" (Rough-Legged Buzzard) by John Gould and Edward Lear, from Gould's "Birds of Great Britain", published in London between 1862 and 1873. The print depicts an adult Rough-Legged Buzzard perched on a branch of a tree looking to the left. This beautiful framed Gould hand-colored lithograph is presented in a gold-colored wood frame and cream-colored French mat, embellished by a gold-colored fillet. The frame measures 33" high, 25.5" wide and 1.25" thick. It is in excellent condition There are several other unframed Gould bird lithographs available on our 1stdibs and InCollect storefronts. Two or more of these striking lithographs would make an attractive display grouping. A discount is available for purchase of a set depending on the number. These additional Gould hummingbirds may be viewed by typing Timeless Intaglio in the 1stdibs or InCollect search field to be taken to our storefront. John Gould (1804-1881]) was an English ornithologist and artist. He, like his American contemporary John James Audubon, published a number of books on birds in the mid 19th century, illustrated by hand-colored lithographs. His wife and fellow artist, Elizabeth Gould, and several other artists including Edward Lear and Henry Constantine Richter produced lithographs for his various publications. He has been considered the father of bird study in Australia and the Gould League in Australia is named after him. Charles Darwin referenced Gould’s work in his book, "On the Origin of Species" and Gould named a bird after Darwin; "Darwin's finches". Gould began his career in London as a taxidermist, but in 1827 became the first curator and conservator at the museum of the Zoological Society of London. In this position naturalists brought him collections of birds from all over the world. He began creating drawings and eventually hand-colored lithographs with his wife and Edward Lear, which were the basis for his first publications. Darwin brought him specimens from the Galapagos Islands, including 12 species of finches which had never been described. In 1838, Gould and his wife travelled to Australia and their work led to the seven volume publication of “The Birds of Australia”. Gould had a fascination for hummingbirds and collected specimens of 320 varieties before ever seeing a live hummingbird on a trip to the United States in 1857. He eventually published “A Monograph of the Trochilidae, or Family of Humming-birds". Other large publications include: "The Birds of Europe"," A Monograph of the Ramphastidae, or Family of Toucans”, “A Synopsis of the Birds of Australia, and the Adjacent Islands”, “A Monograph of the Odontophorinae, or Partridges of America”, “The Birds of Asia”, “The Birds of Great Britain” and "The Birds of New Guinea and the Adjacent Papuan Islands, including many new species recently discovered in Australia". John Gould (1804-1881) was a British ornithologist and illustrator who is best known for his monumental work, "The Birds of Europe," published between 1832 and 1837. Gould was born in Lyme Regis, Dorset, England, and began working as a taxidermist and natural history dealer in London in the 1820s. In 1827, Gould was appointed the first curator and preserver of birds at the Zoological Society of London, where he began to build his collection of specimens and began to study the birds of the world. He published his first monograph, "A Century of Birds from the Himalaya Mountains," in 1831, which included 80 plates of Himalayan birds. Gould continued to publish numerous volumes on the birds of the world throughout his life, including "The Birds of Australia" (1840-1848) and "The Birds of Great Britain" (1862-1873). His works were highly regarded for their accuracy and detail, and he was one of the most prominent ornithologists of his time. In addition to his work as an ornithologist, Gould was also a successful businessman, and he used his profits to fund expeditions and to support the scientific community. He was elected a Fellow of the Royal Society in 1843, and he was awarded the Royal Medal...

Antique bird egg colour woodblock , 1880, from Francis Orpen Morris’, 'A Natural History of the Nests & Eggs of British Birds', 1875. The woodblocks ...

This is a contemporary photograph of an African Lion shot by Shane Russeck Thsi is a color uncropped version of Panthera Lea. 1stDibs Exclusive Unsigned Edition Printed on Archival...

ABOUT THIS PIECE: 23.5x19.6, edition of 15 — FACEMOUNTED TO PLEXI This piece is available face mounted to plexi glass giving a modern, durable, and sleek finish. Every print is fully...

This artwork "titled "Horses #V" 1974 is an original color lithograph, with embossing by French/Vietnamese artist Hoi Lebadang, 1922-2015. It is hand sign...

This Blue Dog work consists of the dog sitting on a black background. The dog's body is a solid pale blue and the head is embellished in shades of blue and white. The dog has soulf...

This surreal floral portrait print by Natasha Lelenco is part of her Fetiches series and explores the fusion of botanical elements with human portraiture through a surrealist lens. F...

Original vintage poster: …BECAUSE SOMEBODY TALKED. Original World War II (2) linen-backed 1944 poster. Artist: Wesley Heyman. Size 20" x 28" Linen backed. Excellent condition. Antique poster ready to frame. Original issued U. S. Government fold marks touched up during linen backing. This is not considered a defect on World War II posters. Because Someone Talked portrays a cocker resting his head on his master's scarf. The gold star flag behind his head reveals that his master has been killed in action. The flag was awarded to mothers who lost sons. Published by the United States Government Printing Office Interpretation This poster, issued by the United States government during World War II, is a warning to citizens that discussing troop movements, or other military information that might be useful to the enemy, could have serious consequences. The Service Flag...

Artist: George Rodrigue (1944-2013) Title: Midnight Surprise (Blue Dog Series) Year: 2000 Edition: 62/150, plus proofs Medium: Silkscreen on archival paper Size: 22 x 17.5 inches Con...

Abstract French lithograph, circa 1980. Signed lower right. Original artwork on paper displayed on a white mat with a gold border. Mat fits a standard-size frame. Archival plasti...

THIS PIECE IS AVAILABLE FRAMED. Please reach out to the gallery for additional information. ABOUT THIS PIECE: As a child, I was the flower girl in the wedding of a family friend. ...

Hans Neumann (German, 1873 - 1957) Schwäne (Swans), 1913 Woodblock Sight: 17 x 11 in. Framed: 25 3/4 x 19 in. Signed & inscribed bottom, artist monogram lower left This outstanding ...

This is a framed original 19th century hand-colored folio-sized lithograph entitled “Cacatua Ophthalimica” (Blue-eyed Cockatoo) by John Gould, from the supplement to his "Birds of Australia", published in London between 1851 and 1869. The print depicts a large blue-eyed cockatoo perched on a branch, with its head turned to the left. The scene is enhanced with leaves and sky and clouds in the background. This striking framed Gould...

Blocky black and white depiction of a lamb, by German artist Leonhardt Wüllfarth, c.1950. Displayed in a white mat with a gold border and fits a standard-size frame. Archival plastic...

Judy Chicago In Praise of Prairie Dogs (19-325), 2019 11 Color Lithograph on light blue Pescia paper Hand signed, dated and numbered from the limited edition of 95 on the front 22 × ...