Large Figurative Prints

Richard Long (British, b. 1945) Two Sahara Works, 1988 Medium: Set of 1 grano lithograph and 1 silkscreen, on rag paper Dimensions: each 63 x 93 cm (24¾ x 36½ in) Edition of 75: each...

Mulholland Drive 2001 Original Movie Poster featuring Naomi Watts Original Vintage Theatrical Unfolded Single-Sided One-Sheet Movie Poster One sheet measures 27″ x 40″ inches / 69 ...

Serigraph in colors on paper. Hand signed, titled and numbered by the artist. From the edition of 275. Sheet size 40 x 30 inches. Image size approx 35 x 25 inches. Artwork is in...

This artwork titled "Big Beautiful Doll, P 51 Mustang" is a color offset lithograph by noted American artist Robert Summers, b.1940. It is hand signed, inc...

Larry Rivers (American, 1923-2002) Larry Rivers Exhibition, Hirshhorn Exhibition Poster, 1981 Lithograph (?) Sight: 34 3/4 x 24 1/2 in. Framed: 36 x 24 1/2 x 1 1/4 in. Signed and num...

Tower Block, Car Park and Civic Building diptych Overall size cm : H291 x W201 Tower Block – Manaus, Eliza Southwood Limited Edition Silkscreen Print of 20 S...

Fun Loving Criminals II by BATIK signed limited edition POP ART print Paper Size Oversize 40 x 30" inches / 101 x 76 cm Signed & numbered by artist on front Archival Pigment print ...

"Bio Satellite Orbiting The Moon" by Yuji Hiratsuka is a print that combines a surreal or imaginative depiction of a satellite’s journey with human or anthropomorphic forms, rendered...

Guillermo Silva Santamaria, Colombian (1922 -2007) - Vencedor y Vencido, Year: 1963, Medium: Etching, Aquatint and Intaglio, signed, titled, numbered and dated in pencil, Edition: ...

Original vintage Danish poster: ODENSE, DENMARK. THE NATIVE TOWN OF HANS CHRISTIAN ANDERSEN. Great condition original. Linen backed origina...

Szpital is a vintage offset print on paper realized by Marcin Mroszciak in 1973. Good condition and aged. Print: Marcin Mroszciak

"Pennsylvania" is a limited edition poster print by the acclaimed UK artist Ed Fairburn. This captivating piece, released in 2022, is reproduced onto 100% 290gsm cotton rag premium M...

Screen print on hand torn archival art paper. Hand signed and numbered on front, thumb print on verso by the artist. Edition 10/95. Frame size approx 37 x 29 inches. Artwork is ...

The present print is one of several examples produced for Nathaniel Currier by his longtime collaborator Frances F. "Fanny" Palmer. Harry T. Peters wrote of her: "There is no more interesting and appealing character among the group of artists who worked for Currier & Ives than Fanny Palmer. In an age when women, well-bred women in particular, did not generally work for a living Fanny Palmer for years did exacting, full-time work in order to support a large and dependent family ... Her work ... had great charm, homeliness, and a conscientious attention to detail." One of a series of four prints showing American country life in different seasons, the image presents the viewer with a picturesque view of a successful American farm. In the foreground, a gentleman rides a horse with a young boy before a respectable Italianate country house. Two women and a young girl pick flowers in the garden and several farm workers attend to their duties. Beyond are other homes and a city on the coast. 16.63 x 23.75 inches, artwork 28.13 x 33.38 inches, frame Entitled bottom center "American Country Life - May Morning" Signed in the stone, lower left "F.F. Palmer, Del." Signed in the stone, lower right "Lith. by N. Currier" Copyrighted lower center "Entered according to Act of Congress in the year 1855 by N. Currier in the Clerk's office of the Southern District of N.Y." Inscribed bottom center "New York, Published by N. Currier 152 Nassau Street" Framed to conservation standards using silk-lined 100 percent rag matting and Museum Glass with a gold gilded liner, all housed in a stained wood moulding. Nathaniel Currier was a tall introspective man with a melancholy nature. He could captivate people with his piercing stare or charm them with his sparkling blue eyes. Nathaniel was born in Roxbury, Massachusetts on March 27th, 1813, the second of four children. His parents, Nathaniel and Hannah Currier, were distant cousins who lived a humble yet spartan life. When Nathaniel was eight years old, tragedy struck. Nathaniel’s father unexpectedly passed away leaving Nathaniel and his eleven-year-old brother Lorenzo to provide for the family. In addition to their mother, Nathaniel and Lorenzo had to care for six-year-old sister Elizabeth and two-year-old brother Charles. Nathaniel worked a series of odd jobs to support the family, and at fifteen, he started what would become a life-long career when he apprenticed in the Boston lithography shop of William and John Pendleton. A Bavarian gentleman named Alois Senefelder invented lithography just 30 years prior to young Nat Currier’s apprenticeship. While under the employ of the brothers Pendleton, Nat was taught the art of lithography by the firm’s chief printer, a French national named Dubois, who brought the lithography trade to America. Lithography involves grinding a piece of limestone flat and smooth then drawing in mirror image on the stone with a special grease pencil. After the image is completed, the stone is etched with a solution of aqua fortis leaving the greased areas in slight relief. Water is then used to wet the stone and greased-ink is rolled onto the raised areas. Since grease and water do not mix, the greased-ink is repelled by the moisture on the stone and clings to the original grease pencil lines. The stone is then placed in a press and used as a printing block to impart black on white images to paper. In 1833, now twenty-years old and an accomplished lithographer, Nat Currier left Boston and moved to Philadelphia to do contract work for M.E.D. Brown, a noted engraver and printer. With the promise of good money, Currier hired on to help Brown prepare lithographic stones of scientific images for the American Journal of Sciences and Arts. When Nat completed the contract work in 1834, he traveled to New York City to work once again for his mentor John Pendleton, who was now operating his own shop located at 137 Broadway. Soon after the reunion, Pendleton expressed an interest in returning to Boston and offered to sell his print shop to Currier. Young Nat did not have the financial resources to buy the shop, but being the resourceful type he found another local printer by the name of Stodart. Together they bought Pendleton’s business. The firm ‘Currier & Stodart’ specialized in "job" printing. They produced many different types of printed items, most notably music manuscripts for local publishers. By 1835, Stodart was frustrated that the business was not making enough money and he ended the partnership, taking his investment with him. With little more than some lithographic stones, and a talent for his trade, twenty-two year old Nat Currier set up shop in a temporary office at 1 Wall Street in New York City. He named his new enterprise ‘N. Currier, Lithographer’ Nathaniel continued as a job printer and duplicated everything from music sheets to architectural plans. He experimented with portraits, disaster scenes and memorial prints, and any thing that he could sell to the public from tables in front of his shop. During 1835 he produced a disaster print Ruins of the Planter's Hotel, New Orleans, which fell at two O’clock on the Morning of the 15th of May 1835, burying 50 persons, 40 of whom Escaped with their Lives. The public had a thirst for newsworthy events, and newspapers of the day did not include pictures. By producing this print, Nat gave the public a new way to “see” the news. The print sold reasonably well, an important fact that was not lost on Currier. Nat met and married Eliza Farnsworth in 1840. He also produced a print that same year titled Awful Conflagration of the Steamboat Lexington in Long Island Sound on Monday Evening, January 18, 1840, by which melancholy occurrence over One Hundred Persons Perished. This print sold out very quickly, and Currier was approached by an enterprising publication who contracted him to print a single sheet addition of their paper, the New York Sun. This single page paper is presumed to be the first illustrated newspaper ever published. The success of the Lexington print launched his career nationally and put him in a position to finally lift his family up. In 1841, Nat and Eliza had their first child, a son they named Edward West Currier. That same year Nat hired his twenty-one year old brother Charles and taught him the lithography trade, he also hired his artistically inclined brother Lorenzo to travel out west and make sketches of the new frontier as material for future prints. Charles worked for the firm on and off over the years, and invented a new type of lithographic crayon which he patented and named the Crayola. Lorenzo continued selling sketches to Nat for the next few years. In 1843, Nat and Eliza had a daughter, Eliza West Currier, but tragedy struck in early 1847 when their young daughter died from a prolonged illness. Nat and Eliza were grief stricken, and Eliza, driven by despair, gave up on life and passed away just four months after her daughter’s death. The subject of Nat Currier’s artwork changed following the death of his wife and daughter, and he produced many memorial prints and sentimental prints during the late 1840s. The memorial prints generally depicted grief stricken families posed by gravestones (the stones were left blank so the purchasers could fill in the names of the dearly departed). The sentimental prints usually depicted idealized portraits of women and children, titled with popular Christian names of the day. Late in 1847, Nat Currier married Lura Ormsbee, a friend of the family. Lura was a self-sufficient woman, and she immediately set out to help Nat raise six-year-old Edward and get their house in order. In 1849, Lura delivered a son, Walter Black Currier, but fate dealt them a blow when young Walter died one year later. While Nat and Lura were grieving the loss of their new son, word came from San Francisco that Nat’s brother Lorenzo had also passed away from a brief illness. Nat sank deeper into his natural quiet melancholy. Friends stopped by to console the couple, and Lura began to set an extra place at their table for these unexpected guests. She continued this tradition throughout their lives. In 1852, Charles introduced a friend, James Merritt Ives, to Nat and suggested he hire him as a bookkeeper. Jim Ives was a native New Yorker born in 1824 and raised on the grounds of Bellevue Hospital where his father was employed as superintendent. Jim was a self-trained artist and professional bookkeeper. He was also a plump and jovial man, presenting the exact opposite image of his new boss. Jim Ives met Charles Currier through Caroline Clark, the object of Jim’s affection. Caroline’s sister Elizabeth was married to Charles, and Caroline was a close friend of the Currier family. Jim eventually proposed marriage to Caroline and solicited an introduction to Nat Currier, through Charles, in hopes of securing a more stable income to support his future wife. Ives quickly set out to improve and modernize his new employer’s bookkeeping methods. He reorganized the firm’s sizable inventory, and used his artistic skills to streamline the firm’s production methods. By 1857, Nathaniel had become so dependent on Jims’ skills and initiative that he offered him a full partnership in the firm and appointed him general manager. The two men chose the name ‘Currier & Ives’ for the new partnership, and became close friends. Currier & Ives produced their prints in a building at 33 Spruce Street where they occupied the third, fourth and fifth floors. The third floor was devoted to the hand operated printing presses that were built by Nat's cousin, Cyrus Currier, at his shop Cyrus Currier & Sons in Newark, NJ. The fourth floor found the artists, lithographers and the stone grinders at work. The fifth floor housed the coloring department, and was one of the earliest production lines in the country. The colorists were generally immigrant girls, mostly German, who came to America with some formal artistic training. Each colorist was responsible for adding a single color to a print. As a colorist finished applying their color, the print was passed down the line to the next colorist to add their color. The colorists worked from a master print displayed above their table, which showed where the proper colors were to be placed. At the end of the table was a touch up artist who checked the prints for quality, touching-in areas that may have been missed as it passed down the line. During the Civil War, demand for prints became so great that coloring stencils were developed to speed up production. Although most Currier & Ives prints were colored in house, some were sent out to contract artists. The rate Currier & Ives paid these artists for coloring work was one dollar per one hundred small folios (a penny a print) and one dollar per one dozen large folios. Currier & Ives also offered uncolored prints to dealers, with instructions (included on the price list) on how to 'prepare the prints for coloring.' In addition, schools could order uncolored prints from the firm’s catalogue to use in their painting classes. Nathaniel Currier and James Merritt Ives attracted a wide circle of friends during their years in business. Some of their more famous acquaintances included Horace Greeley, Phineas T. Barnum, and the outspoken abolitionists Rev. Henry Ward, and John Greenleaf Whittier (the latter being a cousin of Mr. Currier). Nat Currier and Jim Ives described their business as "Publishers of Cheap and Popular Pictures" and produced many categories of prints. These included Disaster Scenes, Sentimental Images, Sports, Humor, Hunting Scenes, Politics, Religion, City and Rural Scenes, Trains, Ships, Fire Fighters, Famous Race Horses, Historical Portraits, and just about any other topic that satisfied the general public's taste. In all, the firm produced in excess of 7500 different titles, totaling over one million prints produced from 1835 to 1907. Nat Currier retired in 1880, and signed over his share of the firm to his son Edward. Nat died eight years later at his summer home 'Lion’s Gate' in Amesbury, Massachusetts. Jim Ives remained active in the firm until his death in 1895, when his share of the firm passed to his eldest son, Chauncey. In 1902, faced will failing health from the ravages of Tuberculosis, Edward Currier sold his share of the firm to Chauncey Ives...

This artwork titled "Les Petit Rats, Ballerinas V" c.1980 is an original color lithograph on Japan paper by noted Bolivian artist Graciela Rodo Boulanger, b.1935. It is hand signed and numbered XLII/C in pencil by the artist. The image size is 22.5 x 18 inches, framed size is 36 x 30.75 inches. Custom framed in a wooden gold leaf frame, with off white matting and gold color spacer. It is in excellent condition. About the artist:   Born in La Paz, Bolivia in 1935, Graciela Rodo Boulanger was raised in an artistic environment. Her mother, a concert pianist, and her father, a businessman and art connoisseur, nurtured her talents. She studied the piano and at age 11 enrolled in the School of Fine Arts. At 17 she went to Vienna to study both art and music, and at 22 shetravelled to Argentina for the stimulating artistic environment of Buenos Aires. Continuing to study both piano and painting...

Original Bendix vintage poster created by Herve Morvan in a mid-century modern style. Professional acid-free archival linen backed in very good condition. Fine. Today this original poster is difficult to find; especially in great condition. No tears, clean edges, bright colors, fine condition poster over 50 years old. This modern housewife now had the advantage of having a new Bendix washing machine that is swirling the clothes out of the machine showing the speed of this time savings appliance. The clothes seem to gain speed and turn into arrows and they spin back to this housewife. A fun and bright horizontal original French antique poster...

This piece titled "Denial" is an original print by Samantha Mendoza and is made by woodcut relief. This piece measures 40"h x 26" framed, and is shipp...

Tennis, Olympic Games Beijing 2008   is a wonderful colored screen print realized by Fabio Mauri in occasion of the  Olympic Games  held in  Beijing  in  2008.  This artwork is a pa...

Marcel Marceau, French (1923 - 2007) - Recital, Medium: Lithograph, Edition: 22/50, Image Size: 27 x 12.75 inches, Size: 36.25 x 19 in. (92.08 x 48.26 cm)

Artist: Teo Tobiasse (French/Israeli, 1927-2012) Title: "The Songs of Songs of King Solomons" Year: 1975 Medium: Color lithograph Edition: Numbered LVII/C in pencil Paper: Jap...

Artist: John Matos "Crash" Title: Raw Electricity Medium: Serigraph Measurements: 40" x 30" Edition Number: 98/99 Year: 1990 Condition:Excellent. This piece has been stored in a...

Original vintage poster: Lavocat aliments irradies. Force, Energie par les produits. This is a classic French late Art Deco period poster featuring a buff rugby player almost outpacing a steed - due no doubt to Lavocat, an 'irradiated' food. Even today, the American FDA believes that irradiating food can burn off harmful bacteria, airborne germs, and other microbes which can adversely affect food. We love this poster's depth of color, texture, and oomph - powerful and very, very Art Deco. This poster is an original Art Deco lithograph. This poster is related more to sports and running than food, but food provides energy. Note that the red is cherry red since different monitors produce the red color of this poster in different qualities. Excellent condition, undated on the poster. Behind the rugby runner is a black horse that appears to be neck and neck...

Niewygodny Kochanek - Vintage Poster is a vintage poster realized by Unknown Artist, in 1973s. Mixed colored offset print. The artwork represented a Polish film poster. Title:Unco...

Alfredo Sosabravo (Cuba, 1930) 'Torre de Babel', 1999 silkscreen on paper 36.7 x 27.6 in. (93 x 70 cm.) Edition of 40 Unframed ID: SOS1289-004-040 ______________________________________ "Manuel Alfredo Sosabravo  Born: 1930, Sagua la Grande, Matanzas, Cuba.  Studies: Between 1955-1957 he studied at the Elementary School of Applied Plastic Arts attached to the Academy of Fine Arts San Alejandro, in Havana, Cuba.  Experience: Member of the Association of Cuban Recorders and teaches several drawing and engraving courses at the National School of Art Instructors. In 1965 he entered the Graphic Experimental Workshop of Havana. In 1993 he teaches a mural ceramic course at the Faculty of Fine Arts of the University of Tenerife in the Canary Islands, working in turn at the Giuseppe Mazzotti Museum House 1903 in Albissola Mare, Italy.  Exhibitions: It is included in the 1959 annual Salon, Palace of Fine Arts, Havana. He made the first personal exhibition of importance in 1967 with oil-collages and ceramics in the Havana gallery. In 1973 he placed on the mezzanine floor of the Habana Libre Hotel a mural composed of 555 pieces of ceramics started since 1971. In 1997 he presented Sosabravo, The Guardian of the Small, in the Art Gallery, Madrid, Spain. In 2001 he exhibited graphic and painting works in El Comune de Orvieto Italia, in the Sala Conca de la Laguna, Tenerife and at the Feria de la Estampa in Madrid. In Cuba, he built the 10 m2 mural called Carnaval de la Habana for the Residencial América real estate. In 2002, Galería Cernuda Arte, Coral Gables, Florida, shows his works at the Art Miami Fair. In the United Kingdom he exhibited Murano glass oil paintings and sculptures. The Biennale di Ceramica nell'Arte Contemporary of Albissola Mare, Savona, invited him to participate with works that he would carry out in the San Giorgio da Poggi workshop. In 2003 his work was part of the Important Cuban Artworks...

Original vintage travel poster, Pleasant Scandinavia, inen backed travel to Scandinavia on SAS Airlines. Excellent condition antique poster ready to fra...

Black And White Marilyn Oversize Signed limited edition - Pop Art - Marilyn Monroe by the London based contemporary pop art image creator and artist, BATIK. Measures approximatel...

Richard Seewald Boatyard on Corfu Lithograph 1974 Size: 32.28 x 22.04 inches (82 × 56 cm) Signed in stone COA provided *will shipped rolled in a double boxed tube, unless other arrangements are made before placing the order. Richard Seewald (1889–1976) was born in Arnswalde, Germany and began studying architecture in Munich in 1909 at his father's request. However, he quickly turned to painting as a self-taught artist. Early drawings published in Die Jugend led to illustration work for other magazines. His first oil painting was created in 1913 on the island of Rab. That same year, he joined the Münchener Neue Secession and later the Deutscher Künstlerbund. Seewald became a sought-after illustrator for authors such as Daniel Defoe and Heinrich von Kleist. His own illustrated books and frequent travels around the Mediterranean influenced his evolving artistic style. In 1924, he was appointed professor at the Cologne Art School. After converting to Catholicism in 1929, he completed commissions for church murals. Disillusioned by the political climate, Seewald relocated permanently to Switzerland in 1931. The Nazis labeled his work "degenerate" in 1937, and many of his pieces were confiscated or destroyed. After WWII, Seewald cautiously re-entered the German art scene, eventually accepting a professorship in Munich in 1954. Following personal losses, he destroyed a significant portion of his work. His sketchbooks were donated to the Germanic National Museum, and his remaining estate was entrusted to a foundation in Ascona, where he is buried. Richard Seewald, German artist, illustrator, modern art, Munich Secession, degenerate art, art professor, Mediterranean influence, Catholic convert, Nazi art...

**90 DAYS ANNUAL SUPER SALE UNTIL APRIL 30TH** *This Price Won't Be Repeated Again This Year - Take Advantage Of It* **IMPORTANT: This Is A Limited Edition Print On Canvas> It will arrive rolled inside a tube** >>The print comes with COA (Certificate Of Authenticity - Signed and Numbered By The Artist<< ////The Original piece which still available is on the last picture for your appreciation//// Alright, let's start with the numbers: 1- Over 40.000 stores worldwide. 2- Millions of cups of coffee sold everyday. 3- Millions of customers served daily worldwide. 4- Over priced liquids that cost cents. 5- People spending a fortune annually that could be saved for their retirement. And simply just 30 Starbucks Siren...

Andy Warhol Drawings 1942-1987 - Museum Moyland Castle Offset Lithograph 1998 33 x 23.62 inches (84 x 60 cm) Unsigned as issued COA provided *Condition: Minute creasing along the ed...

Stay On Target! II Archival pigment pop art print of a Star Wars TIE fighter chasing actor Cary Grant from the infamous scene in Hitchcock’s North By North West...

This artwork "Marienburg Castle, Germany" 1920, is a color etching by Austrian artist Luigi Kasimir 1881-1962. It is hand signed by the estate in pencil at the lower center. The plate mark (image) size is 17.25 x 23 inches, framed size is 28.75 x 33 inches. Custom framed in a wooden gold and silver distressed frame, with fabric matting and dark grey color small fillets. It is in very good condition, the paper is slightly toned by age, it have a small discoloration near the signature, see picture #7 About the artist. Luigi Kasimir was born in 1881 at Pettau, today Ptuj, Slovenia, then a part of the Austro-Hungarian monarchy. He inherited his talent from his ancestors; his grandfather was a painter and a poet, and his father an officer in the Habsburg army, who later became a professional painter. Kasimir attended the Vienna Academy of Art where he studied under Wilhelm Unger, who introduced him to the technique of the coloured etching, and also to his future wife, the artist Tanna Hoernes.[1] He died in 1962 in Grinzing, a suburb of Vienna.Kasimir was among the first to develop the technique of the coloured etching. Before this, prints were usually hand-coloured with the colour being applied in a casual, haphazard manner. Kasimir would first create a sketch usually in pastel, he then transferred the design on as many as four to six plates, printing one after the other and applying the colour on the plate, all done by hand. Kasimir is mainly famous for his etchings, but he also produced some oil painting, as well as some pastels. One of his favourite genres was the landscape, or veduta. He demonstrated a predisposition street scenes, and tourist landmarks. He depicted places from all over Europe, mainly Italy, Austria, and Germany. He also travelled to the United States to do a series of etchings of famous sights ranging from urban landmarks such as New York City skyscrapers, to natural wonders like Yosemite Valley. Luigi Kasimir’s etchings...

Cantedeskia - Linocut Black and White XXI century, Linocut, Flower, Figurative Art 5/50 Signed, numbered MARTA BOZYK (1973). A graduate of the Graphic Department of the Academy of...

The Evening Visit  is an offset poster print after the Sicilian artist Renato Guttuso. This print was realized on the occasion of the exhibition held in Rondanini Gallery in Rome in ...

Hand signed, dated and numbered by artist with pencil. Etching and watercolour Edition of 90 prints plus 15 prints in Roman Numbers and 5 Artist's Proofs.

'Countdown To Violence' (2012) by Prefab77 Size 60 x 90 cm Limited Edition of 10 (#4/10) 5 layer spraypaint stencils & 1 layer gloss black screenprint, on hand painted, hand-deckled ...

PURE EVIL - ARTHUR MILLER'S NIGHTMARE (FLUORO) Date of creation: 2022 Medium: Screen print on Fedrigoni paper Edition: 100 Size: 85 x 70 cm Condition: In mint conditions, brand new a...

Photolithograph realized by Jeffrey Isaac in 2008. Hand signed and numbered. Edition of 260 prints, belonging to the Suite " Olympic Games Beijing 2008 ".  Each work of this portfo...

Ivan Chermayeff Lincoln Center Film Festival Poster (Hand Signed by Ivan Chermayeff), 1999 Offset Lithograph Poster (Hand Signed) - Framed Boldly ...

Wayne Ensrud, American (1934 - ) - Rehearsal, Year: 1980, Medium: Lithograph, signed and numbered in pencil, Edition: 300, AP 45, Image Size: 19 x 36 inches, Size: 25 in. x 36.5...

Screenprint, completed at Self Help Graphics in 1990. Signed and numbered from the edition of 46. Chamberlin receiver her training at La Universidad de las Amerícas, Cholula, Puebla...

Peer Gynt - Vintage Poster is an original offset print realized in 1975. Signed on the plate Good conditions.

"Kitty Cat" - 1979 Abstract Expressionist Lithograph on Paper Blue and purple abstract expressionist lithograph by Sidney Jonas Budnick (1921 - 1994) depicting an outline of a cat....

Caramel Marilyn Triptych by BATIK Archival pigment pop art print signed & limited edition. paper size 40 x 19" inches / 101 x 48 cm signed and numbered by the artist on front ed...

Interiors VII: The Train from Munich Robert E. Townsend, 1991. Resist ground etching and engraving with hand refinement in charcoal, pencil, stabilo, and eraser on BFK Rives white wove paper, 20 x 36 inches (507 x 914 mm), full margins. Signed, titled, dated and numbered 51/175 by the artist in pencil, lower margin. A brilliant, inky impression with luminous light and gradient tones. In excellent condition with one extremely minor and superficial spot of light tan adhesive residue on the verso, unobtrusive and not visible on the recto, with no other visible defects. With the blind stamp of the printer, Robert E. Townsend in the lower left margin. An especially fine impression in superb condition. [Milton 113]. When asked about this work in particular, Milton expressed that his favorite images were his darkest images, in theme, mood, and in ink. Milton, who has said that his work is infused with a postmodern awareness of the past, has focused here in a deeply personal way on a segment of history that continues to haunt us all. The work, published in 1991, evokes one of the darkest periods of European history, the eroding and erasing of European culture under fascism, and the eventual total loss of humanity. The Train from Munich is an especially relevant and emotional work for Milton, who created the piece for his wife, Edith, who escaped Munich in 1939 as a child on the fabled Kinderstransport. The Kinderstransport was a desperate rescue effort on the part of the British government to save as many Jewish children as possible by railway before borders closed on the precipice of the Second World War. Children left their parents behind, and boarded the trains alone, leaving the impending doom of Nazi Germany, they arrived in Great Britain as refugees. More than 10,000 children escaped the holocaust via the Kinderstransport. In Train from Munich, the image itself holds an almost immeasurable amount of symbolism; each inch of the matrix is a successful effort to confront this history in a way that is poignant through a series of motifs. We see the Café disappearing into a ghostlike memory of the past, an allegory to the disintegration of culture, while through the windows we can see a rampant, snarling dog; a portrait of Hitler's shepherd, Blondi. Blondi isn't the only notable figure in the composition. Milton has pointed out that the fading figure of the doorman at the Hotel Metropole is modeled after the artist and intellectual Marcel Duchamp, and the face of the young girl peering...

This artwork "titled "Horses #1" 1974 is an original color lithograph, with embossing by French/Vietnamese artist Hoi Lebadang, 1922-2015. It is hand signed and numbered 32/275 in pe...

Howard Kanovitz American, 1929–2009 1980 The Ground Above Us Lithograph Paper Size 33 × 24 in (82.6 × 61 cm) Marked pp Printers Proof Howard Kanovitz was a pioneering painter in the...

Fun Loving Criminals II by BATIK signed limited edition POP ART print Paper Size Oversize 40 x 30" inches / 101 x 76 cm Signed & numbered by artist on front Archival Pigment print ...

Silkscreen on 2-Ply Museum Board 38 x 30 inches Edition of 20 2014 Carole Feuerman is one of the world’s foremost hyperrealist sculptors. Her resin, bronze and marble sculptures of swimmers and bathers evoke notions of tranquility and serenity. Feuerman’s life-like works are nearly indistinguishable from the subjects that inspire them. Her newest silkscreen edition is a testament to the same sense of realism. Soft and subtle blends of color support the tactile qualities of her bathing caps...

33.75" x 17.5" Unframed Limited Edition Giclée with Hand Embellishment of 135 Hand Signed by Todd White “Definitely a painting about the ones you know are a total mistake from the ...

Antonio Lopez Garcia (Spain, 1936) 'Rosa y membrillo', 1992 lithograph on paper 24.7 x 35.3 in. (62.5 x 89.5 cm.) Edition of 250 Unframed ID: LOP2001-009 ...

Howard Kanovitz American, 1929–2009 1980 East End Trilogy Lithograph Paper Size 32½ × 24 in (82.6 × 61 cm) Marked pp Printers Proof Howard Kanovitz was a pioneering painter in the P...

Henry Moore OM CH FBA (British, 1898 – 1986) 2 Seated figures in stone, 1963 Lithograph in black Signed, numbered and dated ‘VII / XXXV…. Moore 63.’ (lower edge in pencil) 33 x 29.1/...

A lithograph from the Marina Picasso Estate Collection after the Pablo Picasso painting "Femme Nue Assise dans l'Herbe". The original painting was completed in 1961. In the 1970's a...

Ghizlan El Glaoui Coronation Stamp, 2024 Oil on canvas, framed Signed by the artist, on verso Framed: 94 x 62 cm Ghizlan El Glaoui is a Moroccan-born artist based in London, known f...

Howard Kanovitz American, 1929–2009 1980 Visible Difference Lithograph Paper Size 33 × 24 in (82.6 × 61 cm) Marked pp Printers Proof Howard Kanovitz was a pioneering painter in the...

Edition : 28/50 Publisher : Galerie-F Edition Very good condition Handsigned by the artist in pencil

Isca Greenfield-Sanders Bright Beach Direct to plate photogravure and aquatint. Edition of 50

Bright figurative color lithograph print by Robert Losthutter from a limited edition of 60. Signed and numbered 55/60 in pencil on lower left front corner of paper. Offered unfram...

A mixed media silkscreen by Karel Appel from 1975. An expressionist style image of a brightly colored figure over a silver, reflective underlay. Artist: Karel Appel, Dutch (1921 - ...

PRODUCT DETAILS Ivan Kupala. Fortunetelling for wreaths, canvas print by Simon Kozhin. Bring your artwork to life with the texture and depth of a stretched canvas print. Your image ...