Small Figurative Prints

The graphic is already framed. About Andrzej Juchniewicz - 1967–1972 Secondary School of Fine Arts in Gdynia-Orłowo. 1978–1983 studies at the Acad...

Lithograph on grand vélin d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: from the folio, La Liberté des Mers, 1959. Published by Maeght Édite...

Alberto GIACOMETTI The Charcoal Stove, 1956 Original etching On Arches vellum 38.5 x 28 cm (c. 15 x 11 inches) In very good condition

Marc Chagall (1887-1985) Tall Nude with a Fan, 1924 Original etching On vellum 34 x 51,5 cm (c. 14 x 20 in) REFERENCE: Catalog raisonne Kornfeld #39 INFORMATION : Beautiful proof...

Noli me Tangere is a Color lithograph on heavy rag paper realized in 1964. It is part of Biblia Sacra vulgatæ edition is published by Rizzoli-Mediolani between 1967 and 1969. Signed...

Lithograph on vélin de Lana paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From the folio, tête edition, Consacré à Valeri...

ARTIST: Salvador Dali TITLE: Sol Y Dali MEDIUM: Lithograph SIGNED: Hand Signed EDITION NUMBER: 153/200 MEASUREMENTS: 16.5" x 21.9" YEAR: 1967 FRAMED: Yes CONDITION: Excelle...

Map od Dordrecht is an artwork realized by Braun and Hogemberg in the late 16th century. Hand watercolored etching. 40x54 cm. Good conditions. Braun Hoghemberg (1541-1622) was a ...

Julian Trevelyan (1910-1988) Notre Dame Etching and aquatint, stamped signature, numbered 42/50 35 x 48 cm Nephew of the historian G M Trevelyan, he was educated at Bedales and Tri...

Roger Aguilar (Cuba, 1947) 'Untitled (from Porfolio Grabados Cubanos)', 1978 silkscreen on paper Canson 320 g. 23.6 x 17.6 in. (59.8 x 44.6 cm.) Edition of 200 ID: AGI-304 Hand-signe...

Collotype from frottage on vélin paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the album, Max Ernst, Histoire Naturelle, 1972. Published and printed by Verla...

Lithograph on vélin d'Arches à la forme savoir paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Dans l'Atelier de Picasso, 1957. Published by Fernan...

Richard Haas Puck Corner, SOHO, New York, 1971 Etching and Aquatint (affixed to white matting) Hand signed and numbered 10/100 by the artist on the lower front 19 3/5 × 16 1/2 inches...

After Hubert Goltzius (Dutch, 1526-1583) Maximilian; Frideri; Hadrian; and Antoninus Four chiaroscuro medallion portrait woodcuts of emperors in sepia tones c.1557, the diameter of each print 18.5cm overall frame dimension approximately 54 x 54cm Provenance: Trowbridge Gallery

SADAO WATANABE (Japanese 1913-1996) GIRLS WITH LOTS OF QUAILS, 1965 鶉と少女 Hand colored stencil print on momigami textured paper. Signed and numbered in white. Edition 50, Image 17 x 2...

Lithograph on grand vélin d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: from the folio, La Liberté des Mers, 1959. Published by Maeght Édite...

Eduardo Naranjo (Spain, 1944) 'La creación IV', 1984 etching, aquatint on paper Guarro Super Alpha 250g. 15 x 20.9 in. (38 x 53 cm.) Edition of 225 Unf...

Antonio Lopez Garcia (Spain, 1936) 'Rosas de invierno', 2021 etching, lithograph on paper Rives BFK 300 g. 23.1 x 17.8 in. (58.5 x 45 cm.) Edition of 75 U...

After Gustav Klimt, Max Eisler Plate #19, Bildnis einer alten Dame; sepia-toned monochrome collotype after the 1917 painting in oil on canvas. GUSTAV KLIMT EINE NACHLESE (GUSTAV KLIMT AN AFTERMATH), a portfolio of 30 collotypes prints, 15 are multi-color and 15 are monochrome, on chine colle paper laid down on heavy cream-wove paper with deckled edges; Max Eisler, Editor-Publisher; Osterreichischer Staatsdruckerei (Austrian State Printing Office), Printer; in a limited edition of 500 numbered examples of which: 200 were printed in German, 150 were printed in French and 150 were printed in English; Vienna, 1931. 2018 marks the 100th anniversary of Gustav Klimt’s death. It is a fitting time to reflect upon the enduring legacy and deep impact of his art. Recognizing this need for posterity with uncanny foresight, the publication of Gustav Klimt: An Aftermath (Eine Nachlese) provides a rare collection of work after Klimt which has proven to be an indispensable tool for Klimt scholarship as well as a source for pure visual delight. Approximately 25 percent of the original works featured in the Aftermath portfolio have since been lost. Of those 30, six were destroyed by fire on 8 May 1945. On that fateful final day of WWII, the retreating Feldherrnhalle, a tank division of the German Army, set fire to the Schloss Immendorf which was a 16th century castle in Lower Austria used between 1942-1945 to store objects of art. All three of Klimt’s Faculty Paintings: Philosophy, Medicine and Jurisprudence (1900-1907), originally created for the University of Vienna, were on premises at that time. Also among the inventory of Klimt paintings in storage there was art which had been confiscated by the Nazis. One of the most significant confiscated collections was the Lederer collection which featured many works by Gustav Klimt such as Girlfriends II and Garden Path with Chickens. In many instances, Aftermath is our only link to these lost treasures. Max Eisler (1881-1937), the publisher of the 1931 Aftermath portfolio, was an art historian at Vienna University specializing in modern and contemporary arts and crafts whose 1920 book on Klimt was the first Klimt monograph. He saw An Aftermath as filling-in important gaps left by the earlier print portfolios which had only featured Klimt up to 1913 and which had glossed over major art projects such as the Tree of Life frieze for the Palais Stoclet. And whereas only 10 of the 50 prints from the earlier portfolios published by H.O. Miethke were made in intricate multi-color images, Eisler augmented the earlier format by featuring half of the 30 images in stunning multi-colored collotypes. Understanding the fragile nature of the collotype printing process also reinforces this project’s distinctive and exceptional characteristics. Fragile collotype plates can not be reused. As such, this necessitates the completion of a run on the first go and also dictates a limited production number. Printed by hand, the collotypes required deft handling by the printer, Osterreichische Staatsdruckerei. A complicated and lengthy process involving gelatin colloids mixed with dichromates, the creation of 16 color separation thin glass filters to achieve the light-sensitive internegative images which could faithfully capture all of the painting’s tonal gradations and colors, exposure to actinic light, and delicate chine collie papers which allowed for greater color saturation, the printer’s collaborative role in capturing and transmitting Klimt’s nuanced paint strokes is nothing short of remarkable. The Österreichische Staatsdruckerei (Austrian State Printing Office), was the successor to the KK Hof -und Staatsdruckerei which was founded by Emperor Franz I in 1804 and whose collotype printing innovations of Klimt’s art...

Morte di Franco is an etching print realized by Leo Guida in 1978. Hand-signed, dated, titled. Artist's proof. Good condition. Leo Guida  (1992 - 2017). Sensitive to current issue...

Lithograph in colors on vélin Fabriano charta ex meris pannis "ab alveo" manu fabricata, perlucidis figuris intexta paper. Paper size: 19 x 13.75 inches. Inscription: Signed in the p...

Lithograph in colors on vélin Fabriano charta ex meris pannis "ab alveo" manu fabricata, perlucidis figuris intexta paper. Paper size: 19 x 13.75 inches. Inscription: Signed in the p...

Lithograph in colors on vélin Fabriano charta ex meris pannis "ab alveo" manu fabricata, perlucidis figuris intexta paper. Paper size: 19 x 13.75 inches. Inscription: Signed in the p...

Medium: Lithograph and stencil on vélin paper Year: 1946 Paper Size: 18.75 x 12.625 inches Inscription: Signed in the plate and unnumbered, as issued Catalogue raisonné reference: Or...

Utilizing straight lines and sharp angles, Braque creates geometric shapes reminiscent of folded origami. The true identities of these geometric forms elude us, though they vaguely r...

Medium: Lithograph and stencil on vélin paper Year: 1946 Paper Size: 12.625 x 18.75 inches Inscription: Signed in the plate and unnumbered, as issued Catalogue raisonné reference: Or...

Medium: Lithograph and stencil on vélin paper Year: 1946 Paper Size: 18.75 x 12.625 inches Inscription: Signed in the plate and unnumbered, as issued Catalogue raisonné reference: Or...

Medium: Lithograph and stencil on vélin paper Year: 1946 Paper Size: 18.75 x 12.625 inches Inscription: Signed in the plate and unnumbered, as issued Catalogue raisonné reference: Or...

Medium: Lithograph and stencil on vélin paper Year: 1946 Paper Size: 12.625 x 18.75 inches Inscription: Signed in the plate and unnumbered, as issued Catalogue raisonné reference: Or...

Medium: Lithograph and stencil on vélin paper Year: 1946 Paper Size: 18.75 x 12.625 inches Inscription: Unsigned and unnumbered, as issued Catalogue raisonné reference: Orozco, Migue...

Artist: Kiyoshi Saito (Japanese, 1907-1997) Title: Children II Year: Circa 1960 Medium: Color woodcut Edition: Unknown Paper: Japan Image (block mark) size: 9.85 x 5.35 inc...

Lithograph realized after Fernand Léger in 1959, on Moulin Richard de Bas paper. Monogrammed in the plate. Image dimension 50x39.5 cm It belongs to the suite "Contrastes", printed ...

Lithograph in colors on vélin Fabriano charta ex meris pannis "ab alveo" manu fabricata, perlucidis figuris intexta paper. Paper size: 13.75 x 19 inches. Inscription: Signed in the p...

Femme sur le Dos - Lassitude is a color lithograph realized by Henri de Toulouse Lautrec in 1896.  cm. 58 x 45, matted.  Monogrammed on plate. Good conditions. This specimen belo...

Lithograph and stencil on vélin paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Picasso: Fifteen Drawings, 1946. Published by Pantheon Books, Inc., ...

Petit Canot de St Valery is a black and white etching realized by Adolphe Hervier (1818 -1879) in 1870s. Titled in the lower. Image size: 16.5x23.5cm. Very Good condition. Realiz...

Gail Norfleet earned her BFA at The University of Texas at Austin, and her MFA at Southern Methodist University in Dallas. Among others, she has had solo exhibitions in Dallas at The...

This artwork tiled "Church of Mandraikina, Corfu" 1928 is an original color linocut on Laid fibrous paper by noted British artist Isabel De Bohun Lockyer, 1895-1980. It is hand signed, titled, dated and numbered 7/50 in pencil by the artist. The image (linocut mark) size is 7.15 x 9.85 inches, framed size is 18.75 x 21,5 inches. It is in excellent condition, especially considering the age. About the artist: Isabel de Bohun Lockyer (1895–1980) was a British painter known for her linocut color prints. She worked as an independent artist and mostly depicted landscapes. Lockyer was one of the few linocut artists at the time who was not associated with the Grosvenor School, a collection of artists and students who were primarily responsible for a resurgence of interest in printmaking and particularly linocut after World War I. Her earlier work followed closely in the tradition of woodcut due to her use of water-based inks, but later her technique showed influence from the work of Claude Flight, one of the heads of the Grosvenor School, who invited her to exhibit her prints at some of his annual British linocut...

Nouvelle Conciergerie is a black and white etching realized by Pierre-Lucien Faure-Dujarric in 1863. Titled in the lower. Image size: 17.5cmx12.5cm. Good condition. Signed and da...

Donald Baechler, Red + Blue Cup Cakes, 1999: A fun, whimsical, and highly decorative signed limited edition Baechler piece that works well in any setting. Medium: Soft-ground etch...

Lithograph on vélin d’Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: from the folio, Regards sur Paris, 1963. Publi...

Color etching with aquatint on Rives paper. From Songes portfolio. Hand signed and numbered by Marc Chagall. Cramer 112. Published by Éditions Gérald Cramer, Geneva. Printed by Lacou...

Etching on vélin de Rives paper. Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From the folio, Hésiode, Les Travaux et les jours. Eaux-fortes...

Bulls in the Roman Countryside is an original artwork realized after Charles Coleman (1807, Yorkshire - 1874, Roma) in 1992. Good condition. Not signed. 1992 edition in 25 copies....

Bumbeck, David (American, born 1940). WINDOW II. Etching and aquatint, 1966. An Artist's Proof aside from the edition of 35. Ttiled, inscribed "Artist's Proof," and signed and dated,...

La Lidia, the oldest and most popular bullfighting magazine was founded by Julian Palacios the owner of a prestigious lithograph and engraving workshop in Madrid. These colorful...

'Set Pieces: Vanity of Trust', color lithograph, 1949, edition 40, Fine and Looney 279. Signed, titled, dated and numbered '23/40' in pencil. A fine, impression with fresh colors, on...

Entrée du Port de Honfleur is a black and white etching realized by Jongkind (1819-1891) in 1863. Titled in the lower. Image size: 30.5cmx22cm. Good condition. Signed and dated o...

Lithograph and stencil with gouache and pastel inks on vélin de Rives paper, archivally hinged on vélin de Rives backing sheet, as issued. Inscription: signed in the plate and unnumb...

Enrico Baj (1924-2003) Italian, limited edition print. Hand signed and numbered in pencil from limited edition of 100 Aquatint etching Image size: cm 39.5 x 29.5, sheet cm 53 x 39 ...

Ancient Roman Fresco from "Antiquities of Herculaneum" is an etching on paper realized by Nicola Vanni in the 18th Century. Signed on the plate. Good conditions and aged. The etch...

Line engraving, on India paper, marked 'Private Plate' to lower margin. Circa 1870. 510mm by 380mm (platemark) 575mm by 455mm (sheet) Lehmann's painting dates to 1869 when Reuters ...

Artist: Salvador Dali Title: Behold his bed from The Song of Songs of King Solomon from the Portfolio Song of Songs of Solomon Year: 1972 Medium: Color Etching with Gold Dust on Arch...

Lithograph on vélin d'Arches paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Dix Reproductions, 1933. Published by Editions ...

The Boston Tea Party by Joseph Hirsch, American (1901–1981) Date: 1975 Offset Lithograph (unsigned as issued) Size: 17 x 14 in. (43.18 x 35.56 cm) Frame Size: 20 x 17 inches An orig...

This artwork from the suite "La Tauromaquia, Plate #23" engraved between 1815 and 1816, is a photogravure on creme wove paper after renown Spanish artist Francisco Jose De Goya...

Balthazar Solvyns European Buildings in Calcutta 13.25” x 19” c1796 This is an extremely rare 1st Proof etching from Solvyns first publication, A Collection of Two Hundred and F...

Tunisian Architecture is an original photolithography realized by Bettino Craxi in the 20th Century. Artist's proof. Hand-Signed. Published in the Portafoglio "Tunisiaca 1995: d'...