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Framed Figurative Prints

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Frame Included
The Anesthesiologist
Located in San Francisco, CA
This artwork titled "The Anesthesiologist c.1975 is an original etching by noted American artist Charles Bragg, 1931-2017. It is hand signed, titled and numbered H.C. IIV in pencil b...
Category

Late 20th Century Other Art Style Figurative Prints

Materials

Etching

Le Petit Chien Sur Le Fauteuil (framed hand signed lithograph)
Located in Aventura, FL
Le Petit Chien Sur Le Fauteuil (The Little Dog on the Armchair). Lithograph in colors on paper. Hand signed lower right by Rene Gruau. Hand numbered 139/300 lower left. Sheet siz...
Category

1990s Contemporary Interior Prints

Materials

Paper, Lithograph

Interiors I: Family Reunion — A penetrating scene with a hidden homage to Eadwea
Located in Middletown, NY
Interiors I: Family Reunion 1984 Resist ground etching and engraving on BFK Rives wove paper, 20 x 36 inches (501 x 913 mm), full margins. Signed, titled, dated and numbered 49/175 in pencil, lower margin. In excellent condition with minor mat tone. A luminous, rich, and well-inked impression of this haunting image, with astonishing detail and depth. Framed handsomely under museum grade glass with archival materials in a solid wood frame with silver finish. [Milton 107] Intended to be a stand alone image in its inception, Family Reunion ended up spawning seven additional images, and became a sort of Primo Pensiero in the sprawling, masterpiece suite now known as Interiors. The suite took eight years to complete, and consists of works of varying format, psychological intensity, and subject matter. The thematic darkness in the eight images waxes and wanes, and Milton intentionally included several interlude works to lighten the tension he felt while composing several of the darker images. The first two in the series, Family Reunion, and Hotel Paradise Café, were meant to be companion pieces. The equilibrium of each composition is anchored on a central brooding figure; a man (perhaps based on a Thomas Eakins portrait of the American anthropologist Frank Hamilton...
Category

1980s American Modern Figurative Prints

Materials

Etching, Engraving

Time to go - Digital Painting Pop Art Print
Located in Winterswijk, NL
Pop Art Digital Figurative Painting Print - Time to go A man on his journey: With a few strong lines that become finer in places and reveal details, the exterior is depicted to refl...
Category

21st Century and Contemporary Pop Art Figurative Paintings

Materials

Plexiglass, Digital, Digital Pigment

Nude - Etching by Enotrio Pugliese - 1963
Located in Roma, IT
Nude is an Etching realized by Enotrio Pugliese in 1963. Limited edition of 10 copies numbered and signed by the artist. Good condition on a white cardboard. Enotrio Pugliese (May...
Category

1960s Contemporary Figurative Prints

Materials

Etching

Untitled - Lithograph by Bernard Buffet­ - 1961
Located in Roma, IT
Untitled is an original modern artwork realized by Bernard Buffet in 1961. Mixed colored lithograph. Hand signed, numbered and dated. Very good condition.
Category

1960s Modern Figurative Prints

Materials

Lithograph

"Le premier pas" Engraving by Herman Eichens - 50x70 cm
Located in Geneva, CH
Paint by Anatole Vely Engraved by Herman Eichens Entered according to act of congress in the year 1878 by M. Kneeler & co in the office of the librarian of congress at Washington New...
Category

1870s Realist Figurative Prints

Materials

Engraving

Ancient View of Lyon - Etching - 1748
Located in Roma, IT
Etching on paper realized in 1748. Very good condition except for some minor foxing. Includes a wooden frame cm. 27.5x41.5
Category

1740s Modern Figurative Prints

Materials

Etching

Rare 18 Karat Gold Leaf Embossed Etching After Georges Braque L'Oiseau d'Or
Located in Surfside, FL
Embossed print after Braque, based on his sculpture by the same name. Embossed in the print paper is "'Cephale', Hommage aux bijoux de braque, or fin 23 carat, sculpt heger de Lowen...
Category

20th Century Modern Figurative Prints

Materials

Gold Leaf

Passing Shaman 17
Located in San Francisco, CA
Artist: Lawrence Fodor – American (1951- ) Title: Passing Shaman 17 Year: 1989 Medium: Monotype Image size: 18 x 12 inches Sheet size: 30 x 22 inches Framed size: 32.5 x 24.5 inches Signature: Signed, dated lower right by the artist Condition: Excellent Frame: Floating. Framed in modern wood frame. Frame in good condition. This haunting monotype is by the well-known artist Lawrence Fodor (1951-). It is in excellent condition, archivally mounted and floating in a modern wood frame. The maple frame is in good condition with a few very light scratches. Lawrence Fodor began the pursuit of painting when he was 10. He studied at Orange Coast College and received a BFA from Otis Art Institute in Los Angeles, California where he also did graduate work towards his MFA in printmaking and painting. He has studied, traveled and lived in Europe, Asia, Central and South America. His work is exhibited and collected extensively in private and public collections including the Lannan Foundation in Santa Fe, New Mexico and recently by the Modern Art Museum of Forth Worth, Texas, among others. In addition to a studio art career as a painter and printmaker he has done curating and fine art consulting, residential design and construction, graphic design, gallery management, set design and production for live theater. He has worked and had studios in Los Angeles, Long Beach and Santa Barbara, California, Kathmandu, Nepal, Tucson, Arizona and Santa Fe, New Mexico. He currently lives and works in Los Angeles, California and Santa Fe, New Mexico. Maintaining studios in both locations, his work includes painting using oil, alkyd resin and cold wax on canvas, panels, and wood boxes, monotypes, watercolors, other works on paper and photography. Source: Artist's website C UR R I C U L U M V I T A E BORN 1951, Los Angeles, CA. EDUCATION 1974 – 1976 Graduate Work toward MFA, Otis Art Institute • Los Angeles, CA 1973 Bachelor of Fine Arts, Drawing/Printmaking Major • Otis Art Institute • Los Angeles, CA 1971 Associate of Arts Degree, Fine Arts Major • Orange Coast College • Costa Mesa, CA TRAVEL 2015 – 2016 Independent study & research in Baja del Sur, Mexico 2013 Independent study & research in Key West & surrounding Keys & Islands including Dry Tortugas National Park 2009 – 2010 Independent study & research in Costa Rica, Argentina & Patagonia 1985 – 2008 Independent study & research in England, France, Germany, Italy, Spain, Mexico & Costa Rica 1974 – 1975 Independent study in Katmandu, Nepal 1974 Independent study & research in England, France, Germany, Holland, Italy & Switzerland S E L ECTED EXHIBITIONS 2019 “…a tireless hand.” • Friesen Gallery • Sun Valley, ID 2017 Eclipse: obscured memories • Friesen Gallery • Sun Valley, ID Amended Mythologies • Solo Exhibition • SCAPE • Corona del Mar, CA Purple Haze • Group Exhibition • Charlotte Jackson Fine Art • Santa Fe, NM 2016 EMERGENCE • Group Exhibition • Charlotte Jackson Fine Art • Santa Fe, NM 2014 Without Gravity • Solo Exhibition • Chiaroscuro @ Gebert Contemporary • Santa Fe, NM 2013 Friends and Family • Three-Person Exhibition with Florence Pierce & Mala Breuer • Charlotte Jackson Fine Art • Santa Fe, NM Again: Repetition, Obsession and Meditation • Group Exhibition with Agnes Martin, Sol Lewitt, Olafur Eliasson, Uta Barth, Chuck Close, Susan York & others • Lannan Foundation • Santa Fe, NM 2012 Infinite Sequence 2 • Two-Person Exhibition with Chris Richter • Friesen Gallery • Sun Valley, ID Holding Light 4: 315 paintings • Site-specific installation • ALCOVE 12.6: New Mexico Museum of Art • Santa Fe, NM Holding Light 02: 81 paintings • Installation • Laguna Art Museum • Laguna Beach CA Infinite Sequence • Two-Person Exhibition with Chris Richter • SCAPE • Corona del Mar, CA 2010 Ligatures and Kōan Boxes • Solo Exhibition • Friesen Gallery • Seattle, WA Considered • Group Exhibition • Friesen Gallery • Sun Valley, ID Speak for the Trees • Group Exhibition • Friesen Gallery • Sun Valley, ID & Seattle, WA 2009 Kōan Boxes • Solo Exhibition • Lannan Foundation • Santa Fe, NM Ligatures & Kōan Boxes • Solo Exhibition • Friesen Gallery • Sun Valley, ID Ligatures & Kōan Boxes • Solo Exhibition • Linda Durham Contemporary Art • Santa Fe, NM 2008 Ligatures • Solo Exhibition • SCAPE • Corona del Mar, CA Gold • Group Exhibition • Linda Durham Contemporary Art Stochastic II • Solo Exhibition • R Duane Reed Gallery • St. Louis, MO 2007 Stochastic • Solo Exhibition • Linda Durham Contemporary Art • Santa Fe, NM 2006 Summer Moon • Solo Exhibition • SCAPE • Corona del Mar, CA 2005 Moment of Inertia • Solo Exhibition • Linda Durham Contemporary Art • Santa Fe, NM Winter Group Exhibition • Linda Durham Contemporary Art • Santa Fe, NM 2004 Sustained Resonance • Two-Person Exhibition • SCAPE • Corona del Mar, CA Beneath the Surface • Solo Exhibition • Friesen Gallery • Sun Valley, ID Beneath the Surface • Two-Person Exhibition • Friesen Gallery • Seattle, WA Greek Contributions to Mankind • An Exhibition of Contemporary American Art • Group Exhibition, catalog • United States Embassy • Athens, Greece • Curator: Virginia Shore 2003 A Given Moment – Part 2 • Two-Person Exhibition • Peyton Wright Gallery • Santa Fe, NM Group exhibition • Jeannie Denholm • The Shed • Newport Beach, CA Outside Within • Group Exhibition • Friesen Gallery • Seattle, WA 2002 The Art Collection • Embassy of the United States of America • Dar Es Salaam, Tanzania 2002 A Given Moment • Solo Exhibition • Friesen Gallery • Sun Valley, ID Group Exhibition • Peyton Wright Gallery • Santa Fe, NM 2001 Stream from the Clearing • Two-Person Exhibition • Peyton Wright Gallery • Santa Fe, NM Group Exhibition • Friesen Gallery • Seattle, WA 2000 Group exhibition • Peyton Wright Gallery • Santa Fe, NM Group exhibition • Friesen Gallery • Seattle, WA 1999 Vestiges II • Solo Exhibition • Peyton Wright Gallery • Santa Fe, NM 1998 Into the Clearing • Two-Person Exhibition • Peyton Wright Gallery • Santa Fe, NM The Romantic Landscape • Group Exhibition • Turner Carroll Gallery • Santa Fe, NM Vestiges • Solo Exhibition • Friesen Gallery • Seattle, WA 1997 The Dialogue Within • Solo Exhibition • Friesen Gallery • Sun Valley, ID Setting Prayers on Fire • Solo Exhibition • Peyton Wright Gallery • Santa Fe, NM 1996 Solo Exhibition • Peyton Wright Gallery • Santa Fe, NM Two-Person Exhibition with Lucy Brown • Diane Nelson Fine Art • Laguna Beach, CA • Curator: Jeannie Denholm 1995 Setting Prayers on Fire • Solo Exhibition • Zenith • Denver, CO • Curator: Kyle Belding 1994 Two-Person Exhibition with Peter Joseph • Peyton Wright Gallery • Santa Fe, NM Solo Exhibition • Jan Maiden Contemporary Art • Columbus, OH 1993 Two-Person Exhibition with Holly Roberts • Jeannie Denholm Fine Art • Newport Beach, CA Solo Exhibition • Canyon Contemporary Art • Columbus, OH 1992 Perigrinari • Solo Exhibition • Peyton Wright Gallery • Santa Fe, NM 1991 Ex Arcanum Locus • Solo Exhibition • Friesen Gallery • Seattle, WA A Sense of Place • Group Exhibition• Peyton Wright Gallery • Santa Fe, NM 1990 In Lucem Proferre • Solo Exhibition • Friesen Gallery • Sun Valley, ID Monotypes from Black Mesa Workshop • Group Exhibition • Lone Pine Gallery • Irvine, CA Ritual Images/Ritual Objects • Two-Person Exhibition with Ann Mallory • Lone Pine Gallery • Irvine, CA 1989 Solo Exhibition • Friesen Gallery • Sun Valley, ID 1983 Solo Exhibition • Pamela Auchincloss Gallery • Santa Barbara, CA 1981 Solo Exhibition • Pamela Auchincloss Gallery • Santa Barbara, CA PUBL ICATIONS 2017 The Beauty in Painting A Time After Time. Sun Valley Property News, article by Courtney Lauck. 30 July 2017. “Chaco Issue,” Pasatiempo, Santa Fe New Mexican. Multiple photographs illustrating various articles about Chaco Culture National Historical Park. 21 April 2017. 2015 Chaco Canyon: Wandering the Past in the Present. Photographs & essay by the artist of Chaco Culture National Historic Park. Publisher: Andrews Art Books, Santa Fe, NM. 2015 Apparatus: in a Painter’s Studio. Photographs of vignettes in the studio of Lawrence Fodor by the artist, essay by Aline Branduaer. Publisher: Andrews Art Books, Santa Fe, NM. 2012 Holding Light, a catalogue documenting the work for an installation of paintings at the Laguna Art Museum, essay by Cyndi Conn. Publisher: Andrews Art Books, Santa Fe, NM 2009 Speak for the Trees, Composed by Andria Friesen, publisher Marquand Books, Inc., Seattle, WA. Illus.: In Lucem Proferre VIII, 1989-90, oil on canvas. Sarah S. King, Lawrence Fodor – Linda Durham Contemporary Art, Art in America, National Reviews, October 2009. Illus.: Ligature 12 Green/Blue-Green/Violet, oil/wax/alkyd on canvas. Kōan Boxes, catalogue to accompany Lannan Foundation Exhibition, essay Timothy Rodgers Ph. D., Chief Curator, New Mexico Museum of Art. Publisher: Lannan Foundation, Design Twin Palms Press, 2009. 2007 Hollis Walker “Larry Fodor...
Category

1980s Abstract Figurative Prints

Materials

Paper, Monotype

Self Portrait
Located in Toronto, Ontario
William Kentridge (b. 1955) is an internationally acclaimed South African artist renowned for his dynamic prints, drawings, large-scale installations, and animated films. Through his...
Category

2010s Contemporary Portrait Prints

Materials

Drypoint, Etching

Prehistorica, Abstract Lithograph by Hoi Lebadang
Located in Long Island City, NY
Modern lithograph by Vietnamese artist Hoi Lebadang Artist: Hoi Lebadang (1922 - 2015) Title: Prehisotrica Date: circa 1970 Medium: Lithograph with Intaglio, signed and numbered in ...
Category

1970s Modern Figurative Prints

Materials

Lithograph

Chuck Close KARA Felt-Stamp Oil & Screenprint
Located in Lake Worth Beach, FL
Artist/Designer; Manufacturer: Chuck Close (American, 1940-2021) Marking(s); notes: signed; ed. 22/40; 2012 Materials: felt-stamp oil paint and screenprint in colors on Twinrocker ha...
Category

2010s Pop Art Portrait Prints

Materials

Lithograph, Oil

The Acrobats -Lithograph by Carlo Carrà - 1922
Located in Roma, IT
The Acrobats is an original modern artwork realized by Carlo Carrà in 1922. Lithograph on paper. Hand signed and dated on the lower margin. Titled on th...
Category

1920s Modern Figurative Prints

Materials

Paper, Lithograph

Aurora (Red), Framed and Signed Modern Screenprint by Will Barnet
Located in Long Island City, NY
Aurora (Red) Will Barnet, American (1911–2012) Date: 1979 Color Screenprint on Lenox, signed and numbered in pencil Edition of AP Image Size: 16.5 x 40 inches Size: 20 x 43.5 in. (50...
Category

1970s American Modern Figurative Prints

Materials

Screen

"Dome" Cuban art signed framed original limited edition serigraph 24x18in
Located in Miami, FL
Luis Miguel Valdes (Cuba, 1949) "Dome", 2021 screenprint on heavy-weight paper Limited edition of 10 hand signed in pencil artwork: 21 x 15 in. frame: 24 x 18 in. Ref: 1G-2021-01
Category

2010s Contemporary Figurative Prints

Materials

Paper, Screen

Faust Vignettes Faust Lisant
Located in Hollywood, FL
ARTIST: Salvador Dali TITLE: Faust Vignettes Faust Lisant MEDIUM: Etching SIGNED: Hand Signed PUBLISHER: Editions Argillet, Paris EDITION NUMBER: 24/100 MEASUREMENTS: 15" x 1...
Category

1960s Surrealist Figurative Prints

Materials

Etching

Happy Days (rare framed, signed agamograph - 4D lenticular)
Located in Aventura, FL
Agamograph (4D holographic and lenticular). Hand signed lower right by Yaacov Agam. Hand numbered 97/180 lower left. Artwork size: 19 x 19 inches. Frame size: 22.5 x 22.5 inches....
Category

1970s Abstract Abstract Prints

Materials

Paper, Lenticular

Pierre François Beaumont (1719-1777) - 18th Century Engraving, Hunting Delay
Located in Corsham, GB
Pierre François Beaumont (1719-1777) after Philips Wouwerman (1619-1668). Inscribed in French in the plate. Presented in a black veneer frame with a verre églomisé mount. On paper.
Category

18th Century Figurative Prints

Materials

Engraving

Presso Tropea - Lithograph by Aldo Riso - 2003
Located in Roma, IT
Lithograph on Magnani-Pescia paper. Paper size 17,5 cm x 24,5 cm work size 14,5 cm x 22 cm. Excellent condition, no defects. Aldo Riso was born in 1927 in Santa Maria di Leuca, in th...
Category

Early 2000s Contemporary Landscape Prints

Materials

Lithograph

The Internist
Located in San Francisco, CA
This artwork titled "The Internist" c.1975 is an original etching by noted American artist Charles Bragg, 1931-2017. It is hand signed, titled and numbered 130/300 in pencil by the a...
Category

Late 20th Century Other Art Style Figurative Prints

Materials

Etching

David Schluss Midnight Celebration Serigraph Hand Signed , Numbered & Stamped
Located in Plainview, NY
David Schluss (Israeli, b. 1943) Midnight Celebration, 1995 Serigraph on Paper, Hand-Signed & Numbered 25/320, With Publisher’s Stamp A jubilant expression of motion and festivity, ...
Category

20th Century Expressionist Figurative Prints

Materials

Screen

El Casquee (She with Helmet), Surrealist Lithograph by Wifredo Lam
Located in Long Island City, NY
El Casquee (She with Helmet) from the Pleni Luna Suite Wifredo Lam, Cuban (1902–1982) Date: 1974 Lithograph, signed and numbered in pencil Edition of 72/262 Size: 25 x 19.5 in. (63.5...
Category

1970s Surrealist Figurative Prints

Materials

Lithograph

Children
Located in San Francisco, CA
Artist: Kiyoshi Saito (Japanese, 1907-1997) Title: Children Year: Circa 1960 Medium: Color woodcut Edition: Unknown Paper: Japan Image (block mark) size: 9.5 x 4.25 inches...
Category

Mid-20th Century Abstract Impressionist Figurative Prints

Materials

Woodcut

Apocalypse of John the Evangelis - Etching by Giorgio De Chirico - 1941
Located in Roma, IT
Apocalypse of John the Evangelist is an original black and white etching realized by Giorgio De Chirico in 1941. Hand signed on the lower right margin. Numbered on the lower left. ...
Category

1940s Surrealist Figurative Prints

Materials

Etching

Israeli Jerusalem Judaica Sephardic Rabbi, Boy, Torah Art Drawing Bezalel School
Located in Surfside, FL
Vibrant lithograph by Israeli master JOSSI STERN. on paper mounted to board. Sefardic Rabbi studying with son Torah. 23 x 21 framed 13.5 x 19.5 Hungary, b. 1923, d. 1992 Jossi (Yoss...
Category

20th Century Modern Figurative Prints

Materials

Lithograph

Parallel Universe, 2015
Located in Greenwich, CT
Parallel Universe is an offset lithograph on paper, 26.75 x 26.75 inches, signed and numbered 212/300 lower right. Framed in a contemporary white frame.
Category

21st Century and Contemporary Pop Art Prints and Multiples

Materials

Paper, Offset

VEDUTA DI CHIAIA, Antonio Cardon - Stampa su carta con cornice, moderna
Located in Napoli, IT
Hand-colored print of the engraving by Antoine Alexandre Joseph Cardon of the original painting by Gabriele Ricciardelli. Edizioni Pontevecchio. Lily logo and a brush with the inscr...
Category

1970s Old Masters Figurative Prints

Materials

Color

The Justice Dept (Department)
Located in San Francisco, CA
This artwork "The Justice Dept (Department)" c.1980 is an original etching by noted American artist Charles Bragg, 1931-2017. It is hand signed, titled and numbered 227/300 in pencil...
Category

Late 20th Century Other Art Style Figurative Prints

Materials

Etching

La Tauromaquia, Plate #28
Located in San Francisco, CA
This artwork titled "El Esforzado Rendon Picando un Toro, De Cuya Suerte Murio en la Plaza de Madrid" from the suite "La Tauromaquia" engraved between 1815 and 1816, is a photogravur...
Category

Early 19th Century Realist Figurative Prints

Materials

Photogravure

Angel Bay, Framed Lithograph by Marc Chagall 1960
Located in Long Island City, NY
Pulled from Volume II of the Lithographs of March Chagall. Published by Mourlot on 1960 Éditions André Sauret, Monte-Carlo. Unsigned and unnumbered, as issued Artist: Marc Chagall, Russian (1887 - 1985) Title: Angel Bay Year: 1960 Medium: Lithograph Size: 12 in. x 9 in. (30.48 cm x 22.86 cm) Frame: 20 x 17 inches Editor: Andre Sauret Publisher: George Braziller...
Category

1960s Impressionist Figurative Prints

Materials

Lithograph

Apparition at the Circus, from 1963 Mourlot Lithographe II
Located in Washington, DC
Artist: Marc Chagall Title: Apparition at the Circus Portfolio: Mourlot Lithographe II Medium: Lithograph Date: 1963 Edition: Unnumbered Frame Size: 21 7/8" x 18 7/8" Sheet Size: 12 ...
Category

1960s Modern Figurative Prints

Materials

Lithograph

More Bang for the Buck! (signed 3D mixed media serigraph)
Located in Aventura, FL
3D constructed mixed media serigraph on paper. Hand signed lower right by Charles Fazzino. Hand numbered 347/400 lower left. Artwork size 10 x 5.5 inches. Frame size 18.25 x 14 i...
Category

21st Century and Contemporary Pop Art Mixed Media

Materials

Mixed Media, Screen

Le Feuille morte from Lettera amorosa, 1963
Located in Palo Alto, CA
A leaf rests on the sheet in Georges Braque Le Feuille Morte from Lettera Amorosa, 1963 as a testament to the beauty found in the cycle of nature. As gorgeous pink and brown tones wi...
Category

1960s Modern Figurative Prints

Materials

Lithograph

Further Back to You
Located in London, GB
Tracey Emin Further Back To You, 2014 Polymer Gravure on 300 gsm Somerset Paper Signed, numbered and dated by the artist framed in ink blue frame. 42 × 50.8 cm Edition of 150 publish...
Category

2010s Contemporary Nude Prints

Materials

Paper, Lithograph

Deborah Azzopardi, Gossip, Limited Edition Silkscreen Print, Edition of 2/10
Located in London, GB
Limited Edition Silkscreen Print Framed: 106.8 x 106 cm 42 1/8 x 41 3/4 in. Unframed: 91.4 x 91.4 cm 36 x 36 in. Edition of 10 (#2/10) Artist Signature bottom right corner ----------- Deborah...
Category

2010s Pop Art Figurative Prints

Materials

Screen, Paper

Alphonse Mucha Documents Decoratifs 6 Lithographs 1902
Located in Dallas, TX
Alfons Mucha DOCUMENTS DECORATIFS Six color lithographs, 1902, on wove paper, printed by F. Champenois, Paris, published by the Librarie Cen...
Category

Early 1900s Art Nouveau Figurative Prints

Materials

Lithograph

The Pleaded - Original B/w Etching after Théodore Géricault - 1866
Located in Roma, IT
The Pleaded is an original artwork realized by after Théodore Géricault in 1866 Black and white etching. Printed by: François Nys The artwork repr...
Category

1860s Modern Figurative Prints

Materials

Watercolor, Woodcut

"Machu Pichu" - Black and Grey Lithograph #10/200
Located in Soquel, CA
"Machu Pichu" - Black and Grey Lithograph #10/200 Bold black and grey lithograph by David Alfaro Sequeiros (Mexican, 1896-1974). This piece is a high contrast, abstracted landscape....
Category

1940s Contemporary Figurative Prints

Materials

Paper, Lithograph

La Espera (The Wait -- Three Women by the sea)
Located in New Orleans, LA
The Wait. Three native Mexican women wait by the sea. This impression is #31/100. An impression of this lithograph is in the permanent collectio...
Category

Mid-20th Century Modern Figurative Prints

Materials

Lithograph

William Hogarth's "Analysis of Beauty": A Set of Two Framed 18th C. Engravings
Located in Alamo, CA
The two plates in this set were created utilizing both engraving and etching techniques by William Hogarth in 1753, originally as illustrations of his book on aesthetics, entitled "Analysis of Beauty". Due to their popularity, these plates were later published separately. The publication line in the lower right reads: "Designed, Engraved, and Publish'd by Wm. Hogarth, March 5th 1753, according to Act of Parliament." Hogarth's original copper plates were refurbished where needed by James Heath and engravings were republished in London in 1822 by Braddock, Cradock & Joy. This was the last time Hogarth's copper plates were used for printing. Most were melted during World War I for the construction of bombs. These large folio sized "Analysis of Beauty" engravings are presented in antiqued gold-colored frames with double mats; the outer silk mats are light brown-colored and the inner mats are dark brown. Each frame measures 27.38" x 31.25" x 1.13". There is one tiny spot in the right margin of plate 1 and another in the lower margin; the latter could be from the printing process. The prints are otherwise in excellent condition. The "Analysis of Beauty" series is in the collection of many major museums, including: The British Museum, The Metropolitan Museum of Art, The Tate Museum, The Chicago Art Institute and The Fine Arts Museums of San Francisco. The first engraving (Plate 1) depicts a courtyard of statues which is filled with some of the most famous works of classical sculpture. The most important sculptures are surrounded by less impressive works. The Medicean Venus (#13) is in the center with a statue of Julius Caesar (#19) to the right, elevated on a pulley with a short, overdressed Brutus stands over the falling Caesar. The Apollo Belvedere (#12) is next. A judge stands to the right with his foot on a cherub (#16). Another crying cherub holds a gallows and wipes his tears with the judge's robe. A sphinx (#21) and the drunken Silenus (#107) are below the Venus. Michaelangelo's torso (#54) and a statue of Antonius (#6) are seen in the foreground. The Farnese Hercules (#3) and a bust of another Hercules (#4) under two statuettes of Isis are also included in the scene. The key to these objects is included in the form of a serpentine line winding around a cone (#26), Hogarth's "Line of Beauty". For Hogarth the winding line is an essential element of beauty in art. Hogarth's theory of beauty is communicated in this plate. Plate 2 is thought to represent the Wanstead Assembly, with the Earl of Tynley and his household. It is an adaptation of a scene in the Happy Marriage series, which complements Hogarth's Marriage à la Mode...
Category

Mid-18th Century Old Masters Interior Prints

Materials

Engraving, Etching

Surreal Grail IX (indigo headpiece, eyes)
Located in Jersey City, NJ
Surreal Grail IX (indigo headpiece, eyes), 2019, digital collage, print, framed and matted, figurative, Digital Print / Feminist Art and Contemporary Feminist / Surrealistic / Human ...
Category

2010s Contemporary Figurative Prints

Materials

Digital

Study for a portrait of John Edwards
Located in London, GB
Original lithograph in colours on Arches paper, with full margins, framed Signed by the artist in pencil, lower right on recto Image: 68 x 49 cm, Sheet: 94.5 x 67.9 cm, Framed: 105.3...
Category

1980s Modern Figurative Prints

Materials

Lithograph

The Boston Tea Party, American Art by Joseph Hirsch
Located in Long Island City, NY
The Boston Tea Party by Joseph Hirsch, American (1901–1981) Date: 1975 Offset Lithograph (unsigned as issued) Size: 17 x 14 in. (43.18 x 35.56 cm) Frame Size: 20 x 17 inches An orig...
Category

1970s American Modern Figurative Prints

Materials

Lithograph

The Bridge
Located in San Francisco, CA
This artwork titled "The Bridge" c.1980 is an original color lithograph by noted Spanish surrealist artist Arnau Alemany Batalla, 1948-2020. It is hand s...
Category

Late 20th Century Surrealist Figurative Prints

Materials

Lithograph

''Panta Rhei'' Hand-colored etching with White Gold Leaf, Mermaids, Disney
Located in Utrecht, NL
Different worlds are melted together in the remarkable etches of Dutch artist Gea Karhof. Ancient cultures go hand in hand with 20th century icons. It is po...
Category

2010s Contemporary Figurative Prints

Materials

Gold Leaf

Rothschild Butterfly (hand signed on gesso board)
Located in Aventura, FL
Serigraph in colors on gesso board. Hand signed and numbered lower front by Romero Britto. From the edition of 48. Frame size approx 49.5 x 49.5 inches. Artwork size 32 x 32 inche...
Category

1990s Pop Art Figurative Prints

Materials

Screen, Gesso, Board

Henri Fantin-Latour "The Appearance of the Holy Grail" Old Master Print
Located in New York, NY
Henri Fantin-Latour Prelude de Lohengrin (2e planche) (The Appearance of the Holy Grail), 1898 Sight: 19 1/2 x 13 3/4 in. Framed: 24 3/4 x 17 1/2 x 1 1/2 in. Signed and dated in the ...
Category

1890s French School Figurative Prints

Materials

Lithograph

Pour ce Jour, 1968 (Poèmes, #7)
Located in Greenwich, CT
Pour ce jour (For this Day) is a woodcut on paper from Marc Chagall's Poèmes portfolio, published in 1968. The image size is 13 x 10 inches and the art is framed in an ornate, gold-t...
Category

20th Century Modern Prints and Multiples

Materials

Paper, Woodcut

Apocalypse 8
Located in Hollywood, FL
Artist: Keith Haring Title: Apocalypse 8 Size: 38 × 38 in 96.5 × 96.5 cm Medium: Screenprint in colors on Lenox Museum Board Edition: of 90 Year: 1988 Notes: Hand-signed by artis...
Category

1980s Pop Art Figurative Prints

Materials

Screen

Burg Theater
Located in San Francisco, CA
This artwork titled "Burg Theater c. 1970 is a color etching on wove paper by noted Austrian artist Robert Kasimir, 1914-2002. It is hand signed in pencil at the lower center by the ...
Category

Late 20th Century Realist Figurative Prints

Materials

Etching

"City Park, Winter" Aaron Bohrod, Mid-Century, American Realist Nocturne
Located in New York, NY
Aaron Bohrod City Park, Winter, circa 1945 Signed in pencil lower right margin Lithograph on wove paper Image 9 1/2 x 13 1/2 inches From the edition of 250 Aaron Bohrod's work has ...
Category

1940s American Realist Figurative Prints

Materials

Lithograph, Paper

Homage, Art Deco Screenprint by Giancarlo Impiglia
Located in Long Island City, NY
Homage Giancarlo Impiglia, Italian/American (1940) Date: 1984 Screenprint, signed and numbered in pencil Edition of 161/250 Size: 31.5 x 21.5 in. (80.01 x 54.61 cm) Frame Size: 40 x ...
Category

1980s Art Deco Figurative Prints

Materials

Screen

"Fishing Village" Joe Jones, Mid-Century, American Life, Small Town Scene
Located in New York, NY
Joe Jones Fishing Village, 1949 Signed in pencil lower right margin Lithograph on wove paper Image 9 5/16 x 12 9/16 inches Sheet 12 x 15 15/16 inches From the edition of 250 The initial details of Jones' career are sparse, and this is intentional. The young artist was engaged in a process of self-reinvention, crafting a persona. When he submitted a work to the Sixteen Cities Exhibition at New York City's Museum of Modern Art in 1933, he briefly characterized himself: "Born St. Louis, 1909, self-taught. " Jones intentionally portrayed himself to the art community as an authentic working-class figure, backed by a compelling history. He was the youngest of five children in a family led by a one-armed house painter from St. Louis, a Welsh immigrant, and his German American spouse. At the age of ten, Jones found himself in a Missouri reformatory due to authorities' concerns over his graffiti activities. After completing elementary school, he traveled by freight car to California and back, even being arrested for vagrancy in Pueblo, Colorado. Returning to St. Louis, he attempted to settle down by working alongside his father. Yet, Jones felt a profound restlessness and was drawn toward a more elevated artistic pursuit in his late teenage years. He discovered a local collective of budding artists that formed St. Louis’s "Little Bohemia," sharing a studio and providing mutual support until he managed to secure his own modest workspace in a vacant garage. Jones’s initial creations comprised still lifes, landscapes, and poignant portraits of those close to him. These subjects were not only accessible but also budget-friendly, as hiring models was beyond his means. He depicted himself, his father, mother, and eventually, his wife. In December 1930, at the age of 21, Jones wed Freda Sies, a modern dancer and political activist who was four years older than him. By 1933, Jones had started gaining noteworthy local recognition through a solo exhibition at the Artists’ Guild of Saint Louis. Of the twenty-five paintings on display, one, titled River Front (private collection, previously with Hirschl and Adler Galleries), was selected to illustrate a feature article about his show in The Art Digest (February 15, 1933, p. 9). Shortly before this exhibition, a young surgeon named Dr. Robert Elman took an interest in Jones’s art, purchasing several pieces and forming a group of potential patrons committed to providing the emerging artist with a monthly stipend in exchange for art. This group was officially known as the "Co-operative Art Society," but it was informally dubbed the "Joe Jones Club. " Jones became an active participant in the St. Louis artistic scene, particularly within its bohemian segments. He embraced modernism and was a founding member of the "New Hat" movement in 1931, a playful rebellion against the conservative and traditional mainstream art establishment. The summer of 1933 marked a significant shift in Jones’s journey. Sponsored by a dedicated ally, Mrs. Elizabeth Green, Jones, along with Freda and Green, embarked on an eastward road trip. In Washington, D. C., they explored the Corcoran Gallery of Art, the Freer Gallery (part of the Smithsonian Institution), the Library of Congress, and Mount Vernon. Following this whirlwind of art and American culture, they made their way to New York, where they visited various museums and galleries, including a stop at The New School for Social Research, which featured notable contemporary murals by fellow Missourian Thomas Hart Benton and the politically active Mexican artist, José Clemente Orozco. From June through August, Jones and Freda resided in the artist colony of Provincetown, Massachusetts, later returning home via Detroit to see Diego Rivera’s Detroit Industry mural housed at the Detroit Institute of Fine Arts. While Elizabeth Green allegedly hoped that Jones would refine his artistic skills under the guidance of Charles Hawthorne or Richard Miller in Provincetown, Jones followed a different path. Rather than pursuing conservative mentors, he connected with an engaging network of leftist intellectuals, writers, and artists who dedicated their time to reading Marx and applying his theories to the American landscape. Jones's reaction to the traditional culture of New England was captured in his statement to a reporter from the St. Louis Post Dispatch: “Class consciousness . . . that’s what I got of my trip to New England. Those people [New Englanders] are like the Chinese—ancestor worshipers. They made me realize where I belong” (September 21, 1933). The stark social divisions he witnessed there prompted him to embrace his working-class identity even more fervently. Upon returning to St. Louis, he prominently identified himself as a Communist. This newfound political stance created friction with some of his local supporters. Many of his middle-class advocates withdrew their backing, likely influenced not only by Jones’s politics but also by his flamboyant and confrontational demeanor. In December 1933, Jones initiated a complimentary art class for unemployed individuals in the Old Courthouse of St. Louis, the same location where the Dred Scott case was deliberated and where slave auctions formerly took place. Concurrently, the St. Louis Art League was offering paid courses. Emphasizing the theme of social activism, with a studio adorned with Soviet artwork, Jones’s institution operated for just over a year before being removed from the courthouse by local officials. The school’s political focus and unconventional teaching practices, along with its inclusion of a significant number of African American students during a period marked by rigid racial segregation, certainly contributed to its challenges. Under Jones’s guidance, the class created a large chalk pastel mural on board, measuring 16 by 37 feet, titled Social Unrest in St. Louis. Mural painting posed no challenge for the former housepainter, who was adept at handling large wall surfaces. His first significant commission in St. Louis in late 1931 was a mural that celebrated the city’s industrial and commercial fortitude for the local radio station, KMOX. This mural, aimed at conveying optimism amid severe economic hardship, showcased St. Louis's strengths in a modernist approach. When Jones resumed mural work in late 1933, his worldview had evolved considerably. The mural produced for the school in the courthouse, conceived by Jones, featured scenes of modern St. Louis selected to highlight political messages. Jones had observed the technique of utilizing self-contained scenes to craft visual narratives in the murals he encountered in the East. More locally, this compositional strategy was commonly employed by the renowned Missouri artist...
Category

1940s American Realist Landscape Prints

Materials

Paper, Lithograph

Les Buches - Lithograph after Fernand Léger - 1959
Located in Roma, IT
Lithograph realized after Fernand Léger in 1959, on Moulin Richard de Bas paper. Monogrammed in the plate. It belongs to the suite "Contrastes", printed by Daniel Jacomet and publi...
Category

1950s Cubist Figurative Prints

Materials

Lithograph

Xisco Mensua Spanish artist 1995 original signed framed engraving print n3
Located in Miami, FL
Xisco Mensua (Spain, 1960) Untitled from Portfolio "Junio - Julio", 1995 engraving on paper 12.6 x 9.5 in. (32 x 24 cm.) Edition of 6 Frame 16x20 in. ID: MEN1253-003 Hand-signed by a...
Category

1990s Contemporary Interior Prints

Materials

Paper, Engraving

CHINESE AUGURAL PRINT - Print on paper with frame 1980s
Located in Napoli, IT
Chinese augural prints art edition Menarini Florence 1982. Linked to Chinese folk customs and daily life, the prints are popular ornaments for Lunar New Year decorations and express ...
Category

1980s Modern Figurative Prints

Materials

Color

Surreal Grail VIII (halo, robe, sun overhead)
Located in Jersey City, NJ
Surreal Grail VIII (halo, robe, sun overhead) 2019, digital collage, print, framed and matted, figurative, Digital Print / Feminist Art and Contemporary Feminist / Surrealistic / Hum...
Category

2010s Contemporary Figurative Prints

Materials

Digital

VEDUTA DI CHIAIA, Antonio Cardon - Stampa su carta con cornice, moderna
Located in Napoli, IT
Hand-colored print of the engraving by Antoine Alexandre Joseph Cardon of the original painting by Gabriele Ricciardelli. Edizioni Pontevecchio. Lily logo and a brush with the inscr...
Category

1970s Old Masters Figurative Prints

Materials

Color

Space Cadet (framed hand signed screen print)
Located in Aventura, FL
25 color screen print on lambeth 370 gsm paper. Hand signed lower left by D*Face. Hand numbered 74/150 lower right. Artwork size: 29.6 x 23.7 inches. Frame size: 33 x 27 inches....
Category

2010s Street Art Figurative Prints

Materials

Paper, Screen

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