Framed Figurative Prints

In this sentimental work from 1939, Benton expresses his admiration for the rural lifestyle of the Midwest. He highlights the connection between man and the land by depicting two fig...

Lithograph in colors on Guarro paper. Hand signed lower right by Joan Miro. Hand numbered 'HC' lower left (there is also a main edition of 150 and 15 artist's proofs in Roman numer...

Meditation and Minou Color lithograph and serigraph, 1980 Signed and numbered in pencil (see photo) Printer Styria Studio, Inc. New York Publisher: Harry Abrams...

Artist: Mark Adams (American, 1925-2006) Title: Pink Poppy Year: 1980 Medium: Color aquatint Paper: Wove Image size: 11.25 x 8.5 inches Sheet size: 18 x 13.5 inches Framed size: 20.25 x 15.75 inches Signature: Signed and dated (1980) in pencil lower right Edition: 50 This one 21/50 Condition: Very good Frame: Framed in dark wood frame with Plexiglas This beautiful aquatint is by the noted San Francisco Bay Area artist Mark Adams (1925-2006). The print is in excellent condition. It is framed, floating in a simple dark wood frame with Plexiglas. The frame is in good condition and goes very well with the print. About the artist: Mark Adams attended Syracuse University and left to study art in New York with Abstract Expressionist Hans Hoffman. He was also a tapestry and stained-glass designer. He designed the windows for Temple Emanu-El, San Francisco’s largest synagogue, as well as has textiles featured in the de Young Museum and San Francisco International Airport. Later in life, Adams transitioned to watercolors, employing everyday objects–such as a flag, a bowl of fruit, and ballet shoes–as his subjects and creating pristine and almost hyper-real images. Through Adams’s vivid, delicate, and translucent colors, these mundane items take on deeper meanings. The artist was married to Beth Van Hoesen, who has portrayed him in an interior scene surrounded by objects he might have also portrayed. Adams attended Syracuse University and left to study art in New York with Abstract Expressionist Hans Hoffman. He was also a tapestry and stained-glass designer. He designed the windows for Temple Emanu-El, San Francisco’s largest synagogue, as well as has textiles featured in the de Young Museum and San Francisco International Airport. Later in life, Adams transitioned to watercolors, employing everyday objects–such as a flag, a bowl of fruit, and ballet shoes–as his subjects and creating pristine and almost hyper-real images. Through Adams’s vivid, delicate, and translucent colors, these mundane items take on deeper meanings. The artist was married to Beth Van Hoesen, who has portrayed him in an interior scene surrounded by objects he might have also portrayed. 1983 Mark Adams: Prints and Watercolors, Hastings Gallery of Art, Hastings College of the Law, University of California, San Francisco, California Mark Adams: Recent Watercolors, John Berggruen Gallery, San Francisco, California 1981 Mark Adams: Recent Watercolors, Graham Galleries, New York, New York 1980 Mark Adams: Recent Watercolors, John Berggruen Gallery, San Francisco, California 1978 John Berggruen Gallery, San Francisco, California 1972 Smith-Anderson Gallery, Palo Alto, California 1971 San Francisco Museum of Modern Art, San Francisco, California 1971 – 74 Fire; Water, stained-glass windows, Temple Emanu-El, San Francisco, California 1970 Mark Adams: An Exhibition of Tapestries, Fountain Gallery, Portland, Oregon Mark Adams, California Palace of the Legion of Honor, San Francisco, California 1968 Hansen Gallery, San Francisco, California 1967 Tapestries and Drawings, Santa Rosa County Public Library, Santa Rosa, California 1966 Hansen Gallery, San Francisco, California 1963 I Am the Light of the World, stained-glass windows, Woodside Village Church, Woodside, California 1964 Tapestries by Mark Adams, French & Company, New York, New York 1962 Tapestries, San Francisco Museum of Modern Art, San Francisco, California 1961 Contemporary Tapestries by Mark Adams, California Palace of the Legion of Honor, San Francisco, California Contemporary Tapestries by Mark Adams, Portland Art Museum, Portland, Oregon 1959 Tapestries by Mark Adams, San Jose State College, San Jose, California Tapestries: Mark Adams, M.H. de Young Museum, San Francisco, California 1958 Modern Tapestries by Mark Adams, San Diego State College, San Diego, California 1957 Tapestries by Mark Adams, Stanford University, Stanford, California 1954 Gump's Gallery, San Francisco, California 1997 Structures: Buildings in American Art, 1900-1997, John Berggruen Gallery, San Francisco, California Second Annual Collaboration, Friesen Gallery, Sun Valley, Idaho 1996 The Robert Arneson Tribute Exhibition, John Berggruen Gallery, San Francisco, California A Collaboration, Friesen Gallery, Sun Valley, Idaho 1995 Objects of Desire, John Berggruen Gallery, San Francisco, California XXV Years, John Berggruen Gallery, San Francisco, California Mark Adams, A Way with Color; Beth Van Hoesen, Works on Paper, John Berggruen Gallery, San Francisco, California 1994 Twenty-Six Artists: A Selection of Works from John Berggruen Gallery, San Francisco, Friesen Gallery, Seattle, Washington Mark Adams: Watercolors, Jane Haslem Gallery, Washington, D.C. 1991 Mark Adams: Tapestries, Drawings, Prints, Jane Haslem Gallery, Washington, D.C. 1989 Jane Haslem Gallery, Washington, D.C. 1987 Mark Adams/Beth Van Hoesen, Pacific Presbyterian Professional Building, San Francisco, California Watercolors, Shasta College, Redding, California Master Exhibition Series, Palo Alto Cultural Center, Palo Alto, CA Flo Allen: a Model for a Generation, Stephen Wirtz Gallery, San Francisco, California Recent Acquisitions of the Achenbach Foundation for the Graphic Arts, San Francisco, California 1986 Tapestry-Contemporary Imagery/Ancient Tradition: United States, United Kingdom and Canada, Cheney Cowles Memorial Art Museum, Spokane, Washington Airport Cafe: An Exhibition About Food and Art, San Francisco International Airport, San Francisco, California The Golden Land, San Diego Museum of Art, San Diego, California Life Drawings - 1960's: Seven San Francisco Artists, Charles Campbell Gallery, San Francisco, California 1985 American Realism: Twentieth-Century Drawings and Watercolors, San Francisco Museum of Modern Art, San Francisco, California American Realism, William Sawyer Gallery, San Francisco, California Two California Artists: Mark Adams/Beth Van Hoesen, University of Tennessee, The Small Press Phenomenon: Work from 18 Bay Area Fine Art Presses, Glastonbury Gallery, San Francisco, California 1984 Contemporary American Realists, Orr's Gallery, San Diego, California The Art of Connoisseurship and the Print, DeSaisset Museum, University of Santa Clara, Santa Clara, California California Drawings, Modernism Gallery, San Francisco, California Recent Acquisitions, San Jose Museum of Art, San Jose, California Painters at U.C. Davis: Part II, Richard L. Nelson Gallery, University of California, Davis, California 1983 Bon a Tirer, DeSaisset Museum, University of Santa Clara, Santa Clara, California Contemporary Drawings, Glastonbury Gallery, San Francisco, California California Contemporary: Recent Work of 23 Artists, Monterey Peninsula of Art, Monterey, California Figure Drawings: Five San Francisco Artists, Charles Campbell Gallery, San Francisco, California 1982 New American Graphics II, Crossman Gallery, University of Wisconsin, Wisconsin Whitewater, traveling through 1983 by The Art Museum Association of America 1981 Drawings from the Figure, Art Gallery, California State University, Hayward, California 1980 Water Works, Art Gallery, University of North Dakota, North Dakota 1979 Tapestries: 15-20th Centuries, Transamerica Pyramid, San Francisco, California 1978 Contemporary Tapestries, Allrich Gallery, San Francisco, California 1977 Works on Paper - 3 Artists, Smith-Anderson Gallery, Palo Alto, California Invitational American Drawing, Fine Arts Gallery of San Diego, San Diego, California Contemporary Tapestries, San Jose Museum of Art, San Jose, California 1976 Five Centuries of Tapestry, California Palace of the Legion of Honor, San Francisco, California 1975 Contemporary Tapestries, Allrich Gallery, San Francisco, California Fiber and Clay, California State University, Hayward, California 1973 Mark Adams: Drawings, Paintings, Tapestries; Beth Van Hoesen: Intaglio Prints, Temple Emanu-El, San Francisco, California 1970 West Coast '70: Painters & Sculptor, E.B. Crocker Art Gallery, Sacramento, California Tapestries by Mark Adams and Graphics by Beth Van Hoesen, Monterey Peninsula Museum of Art, Monterey, California 16th Painting Annual 1969, Richmond Art Center, Richmond, California 1966 Newman Guild Religious Art Invitational, E.B.Crocker Gallery, Sacramento, California The 5th Biennial National Religious Art Exhibition, Cranbrook Academy of Art, Bloomfield Hills, Michigan 400 Years of Tapestry, Norfolk Museum, Norfolk, Virginia California Design, Pasadena Museum, Pasadena, California 1964 84th Annual Exhibition of the San Francisco Art Institute, San Francisco Museum of Art, San Francisco, California Bienale Internationale de la Tapisserie, Musée Cantonal des Beaux-Arts, Lausanne, Switzerland COLLECTOR; Object/Environment, Museum of Contemporary Crafts, New York, New York Religious Art, City Art Museum of St. Louis, St. Louis, Missouri 1963 5 Bay Area Artists, San Francisco Art Institute, San Francisco, California Vistas, San Francisco Art Institute, San Francisco, California 1962 California Design, Pasadena Museum, Pasadena, California Fourth Winter Invitational Exhibition, California Palace of the Legion of Honor, San Francisco, California Fine Arts for Architecture, California Council, American Institute of Architects Convention, Monterey, California Paintings...

This artwork "Village en Hiver" c.1980 is an original color lithograph by French artist Madeleine (Mady) De La Giraudiere, 1922-2018. It is hand signed a...

"Walking Tiger" Antoine Louis-Barye Antique Engraving by Firmin Gillot Circa. 1870 11 1/3 x 7 3/4 (21 3/8 x 17 1/2 frame) inches This is "Walking Tig...

This pop art lithograph of a Canadian flag is by Charles Pachter. One of Canada’s leading contemporary artists, Charles Pachter, is renowned for his iconic pop art images that often...

"Machu Pichu" - Black and Grey Lithograph #10/200 Bold black and grey lithograph by David Alfaro Sequeiros (Mexican, 1896-1974). This piece is a high contrast, abstracted landscape....

David Hockney is an English painter, printmaker, photographer, designer and dog-lover. Perhaps the most popular and versatile British artist of the 20th century, Hockney made appa...

Duke Ellington Jazz Music Legend African American Grammys NY Times Published Al Hirschfeld (1903 – 2003) Duke Ellington Sight Size: 12 x 12 1/4 inches Etching with aquatint Signed ...

"PINK PANTHER" Portrait Pop Art Plexiglass Print 39' x 28' inch by Edyta Grzyb Fine art pigment print on Hahnemühle, 300 g under acrylic glass 2025 Edition of 50 Each print is signe...

Artist: Alexander Calder Title: The Black Line Medium: Lithograph in colors Date: 1967 Edition: 42/60 Sheet Size: 22" x 30" Frame Size: 28" x 36" Signature: Hand signed and numbered ...

WARNING! Register*Vote, INFLATION means DEPRESSION Photo lithograph, 1946 Signed in the image lower left Published by CIO (Congress of Industrial Organizations) before their merger w...

Artist: Salvador Dali Title: The corridor of Katmandu Portfolio: The Hippies Medium: Etching on Arches wove paper Date: 1969 Edition: Unnumbered proof Frame Size: 34 1/4" x 27 1/2" S...

Artist: Tom Wesselmann (1931 - 2004) Title: Olympische Spiele Muenchen (Foot) Year: 1972 Medium: Screenprint Poster mounted on linen Edition: 3000 Size: 40 in. x 25 in. (101.6 cm x 6...

After Henri Matisse (1864-1954) K4 Print Published 1943 A stylish print from Matisse’s Thèmes et Variations series, produced in a limited edition of 950. Signed “in the plate” and d...

Genichiro Inokuma, Japanese (1902 - 1993) - Faces, Year: 1970, Medium: Collage on board, signed and dated in pencil, Size: 6 x 4 in. (15.24 x 10.1...

"End of Day" Original Limited Edition Etching by John McGrath (Irish/American b.1884 d.1942). This etching depicts a man with a tool slung over his shoulder walking along a path th...

PUBLIC POOL Giclée Print on Hahnemühle_Daguerre Canvas 400g 63 x 81 cm (with frame) Edition of 100 Frame: Solid Pine L-Type - 0.7cm (front) / 4cm (side), white finish Canvas stretche...

This artwork titled "II Cup of Joe" c.1990, is an original color serigraph by American artist Rickey Jewell Hohimer, 1946-2021. It is hand signed, titled and numbered 250/300 in pencil by the artist. The image size is 19.5 x 23.5 inches, framed size is 26.75 x 30 inches. The artwork is in excellent condition, the frame is slightly damaged at the top, and will be replaced by a new similar black frame when sold. This will bring the over all condition to excellent. About the artist: Although formally trained with a MFA in painting, Rickey Jewell Hohimer has used the styles of Van Gogh and Gaughin to reach for the spontaneity and simplicity of today's folk art. Hohimer creates figures which are not photos of reality; they are romantically stylized to encourage straightforward emotional responses both to the colorful images and to the situations in which they find themselves. Each of Hohimer's paintings lays out a basic story line to which viewers add their own details. "I want the viewer to become personally involved. My paintings offer a change from those which encourage extensive intellectualizing about what the artist is trying to convey. I want viewers to smile -- to enjoy the whimsical nature of what they are experiencing -- to feel it, not to analyze it!. His jazz paintings are stories on canvas of inspired musicians spontaneously making music of the moment. Life in the jazz age is clubs and nightlife beckoning to musicians to produce jazz art...

This artwork titled "Madame Butterfly" 1986, is an original color serigraph with gold addition by noted American artist Margaret Keane, 1927-2022. It is hand signed and numbered HH 109/150 in pencil by the artist. The image size is 24 x 24 inches, framed size is 39.5 x 38.5 inches. Custom framed in a wooden gold frame, with green fabric matting, gold color bevel and three different colors fillet. It is in excellent condition, the frame have some minor restorations, barely visible. About the artist. Margaret D. H. Keane was born 1927 in Tennessee, and attributes her deep respect for the Bible and inspirations of her artwork to the relationship with her grandmother. She later became one of Jehovah's Witnesses, which she said changed her life for the better. In the 1960s, Margaret Keane's artwork was sold under the name of her husband, Walter Keane. He locked her in a room and forced her to paint,while taking credit for her work. Conflict over that issue was cited as one of the reasons they divorced. Neither wanting to relinquish rights to the artwork, Walter and Margaret's divorce proceedings went all the way to federal court. At the hearing, Margaret created a painting in front of the judge to prove that she was the artist. Walter declined to paint before the court, citing a sore shoulder. In 1986, the courts sided with her, enabling her to paint under her own name. Her works while living in her husband's shadow tended to depict sad children in a dark setting, but after divorcing, moving to Hawaii, and becoming one of Jehovah's Witnesses, her paintings took on a happier, brighter style. Keane is a fixture in popular culture. Some of her well-known fans over the years have included actresses Joan Crawford and Natalie Wood, whom she painted portraits of; filmmaker Tim Burton, who commissioned Keane to paint Lisa Marie; and animator Craig McCracken, whose characters the Powerpuff Girls are based on Keane's 'waifs'; additionally the Girls' schoolteacher is named "Ms. Keane". Cultural references • The American television comedy show Saturday Night Live once had a skit that featured her work, during the time when it was thought to be by her husband, as a parody of the reaction against modern art (e.g., Cubism or the New York Armory Show). "People don't look like that!" one comedian shrieks, before the picture in question was shown to the camera and audience as the punch line. • In Woody Allen's 1973 comedy Sleeper, the people of the future consider Keane to be one of the greatest artists in history, one of many references mocking the popular culture of the seventies. • Late Night with Conan O'Brien has "bumper" art in her style depicting a glum Conan O'Brien at his desk, next to a dog. • Weird Al Yankovic's song Velvet Elvis, in which the narrator says he needs "no pictures of Mexican kids with those really big eyes or dogs playing poker". • In season 3, episode 20 of 90210 (Women on the Verge), Annie is described as looking "like a Keane painting...

This artwork titled "Cityscape" c.1930 is an original color etching on wove paper by Austrian/American artist Tana Kasimir Hoernes, 1887-1972. It is hand signed in pencil by the artist. The image (plate mark) size is 12.75 x 9.15 inches, framed size is 19.35 x 15.25 inches. Custom framed in a silver with brown patina frame, with light grey matting and green and red filet. It is in excellent condition, About the artist: Tanna Kasimir...

Luciano Pavarotti & Frank Sinatra in Concert Music Legends Grammys Litho Al Hirschfeld (1903-2003) Luciano Pavarotti and Frank Sinatra in Concert Limited Edition Etching Sight: ...

This large framed 18th century etching by Giovanni Battista Piranesi entitled "Veduta del Mausoleo d'Elio Adriana ora chiamato Castello S. Angelo nella parte opposta alla Facciata de...

This artwork titled "La Cote d'Azur" c.1980, is an original colors lithograph on watermarked Arches paper by noted French artist Jean Claude Picot, 1933-2020. It is hand signed and ...

This artwork titled "Notre Heros Tenait a Etre Pres" from the suite "Nicholas Gogol, Les Ames Mortes" created 1923-1937, published 1948, is an etching on paper by renown Russian/Fren...

Artist: Keith Haring Title: Apocalypse 2 Size: 38 × 38 in 96.5 × 96.5 cm Medium: Screenprint in colors on Lenox Museum Board Edition: 22 of 90 Year: 1988 Notes: Hand-signed by artist, Signed, numbered, and dated in pencil. Published by George Mulder Fine Arts, New York. Catalog Raisonne: Littmann, 98. Text: Willliam S. Burroughs Page 2 The planet is pulling loose from its moorings, careening into space, spilling cities and mountains and seas into the Void, spinning faster and faster as days and nights flash by like subway stations. Iron penis chimneys ejaculate blue sparks in a reek of ozone, tunnels crunch down teeth of concrete and steel, flattening cars like beer cans...

Artist: Tony Minartz (French, 1873-1944) Title: "L'Avant-Foyer de l'Opera" Portfolio: Revue de l'Art Ancien & Moderne *Issued unsigned Year: 1903 Medium: Original Etching on cream laid paper Limited edition: Unknown Printer: Unknown Publisher: Revue de l'Art Ancien & Moderne, Paris, France Framing: Recently framed in a traditional gold and black moulding with 100% cotton rag matting Framed size: 18.63" x 16.38" Sheet size: 12" x 9" Image size: 9" x 7.25" Condition: In excellent condition Notes: Printed in one color: bistre. This review was founded in 1897 in the continuity of the review Les Beaux-Arts published between 1861 and 1865; Jules Comte, the founder, entitled his first issue Les Beaux-Arts - Revue nouvelle then changed the title to La Revue de l'art ancien et moderne. Jules Comte directed the review until his death in 1912. Raymond Woog took over , who was provisional director until the start of the war in July 1914. In 1919, André Dezarrois took over this review and was its director until December 1937, date of last issue (published in January 1938). In the meantime, it publishes the Bulletin of ancient and modern art, which has gained a certain notoriety in the community. Biography: Tony Minartz, pseudonym of Antoine Guillaume, born 8 April 1873 to Cannes and died in that city on 13 December 1944 Is a painter, draftsman , illustrator and engraver French. Painter autodidact , Tony Minartz starts to become known in 1896 by exhibiting paintings at the Salon of the National Society of Fine Arts , and then decorates the Pompadour theater of painted panels for fashion shows " Grand Guignol ", directed by L. Darthenay. In 1903, Henri Béraldi , with whom he worked, praised him in The Journal of ancient and modern art, writing that "it was thirty years ago," and he has received advice from Paul Renouard to be formed the technique of etching ; Béraldi adds that his favorite subjects are "Paris at night Paris at night, always." Minartz also gives them some high-remarkable in The Journal of ancient and modern art until 1910: balls, cafe concerts, Parisian in their most beautiful dresses, but also music-halls, music halls, restaurants, large and small theaters, are the preferred settings of his compositions. Its fertile period seems to end in 1914. In addition to the National Salon, Minartz exhibited in Paris at the gallery Bartholomew (1903), the Independent Living (1905, 1906) and the gallery Devambez (1909) and received the Academic Palms . He occasionally collaborates with periodic illustrated as The Almanac Sports (Ollendorff, 1899), or satirical as Gil Blas...

Man Ray Alphabet Pour Adultes (Alphabet For Adults), 1970 Silkscreen in colors and lithograph on paper mounted on wood veneer mounted on card stock. Hand Signed. Numbered. Dated. Ha...

The Four Seasons: Spring - Japanese Woodblock Triptych in Ink on Paper Colorful kabuki scene by Utagawa Kuniteru (Japanese, active 1818-18...

Screen print on arches paper. From Double Metamorphosis Series. Hand signed and numbered by Yaacov Agam. From the edition of 180. Sheet size 36.25 x 49.75 inches. Image size 29 ...

This artwork titled "Flowers Before Window" c.1998 is an original color serigraph by Israeli artist Zamy Steynovitz, 1951-2000. It is hand signed and numbered E.A 34/50 in pencil by the artist. The image size is 10 x 7.75 inches, framed size is 21 x 18 inches. Custom framed in a gold frame, with off white matting matting. It is in excellent condition. About the artist: Zamy Steynovitz was born in Liegnitz, Poland in 1951 and at a very early age he aspired to be a painter. He won first prize in an art competition for children before immigrating to Israel in 1957. Formally educated at the Art School in Tel-Aviv and the Royal Academy in London, he completed his studies and began artistic pursuits in earnest. Zamy established his place in the art world after displaying his work in one-man exhibitions around the world. His art subjects has been strongly influenced by Jewish tradition and folklore. Additionally, his work presents general themes such as Paris cafes, still lives, flowers, circuses and landscapes. In the early stages of his work, he used rich pastels and light brush strokes. When he visited South America in the early 1980’s, his work reflected his new surroundings and were further enhanced by local brightness and colorfulness. His paintings are a reflection of his Eastern-European Jewish heritage, and they are enhanced by a rich choice of warm tones and colors He became known in the circles of the Nobel Institute for Peace in Norway, and consequently was acquainted with many Nobel prize winners, such as Anwar Sadat, Menahem Begin, the Dalai Lama, Itzhak Rabin, Shimon Peres, Elie Wiesel, Desmond Tutu, Oscar Arias Sanchez, as well as many of the world’s greatest leaders and artists. He tragically passed away in September of 2000. The work of Zamy Steynovitz is held in numerous collections worldwide. Selected exhibitions 1970 – Museum – Ramat – Gan 1973 – Brussels – gallery L’Angle Aigu 1974 – London – International Gallery 1974 – Paris – Grand Palais Gallery 1975 – Milan – Brera Gallery 1976 – N.Y. Valentino Gallery – N.Y. Hilton 1977 – N.Y. Valentino Gallery – N.Y. Hilton 1978 – Basel - Aactual Gallery 1978 – Geneva – Bohren Gallery 1978 – Oslo – Nobel Peace Prize Exhibit 1979 – London – Hamilton Gallery 1979 – N.Y. – Canty Art Gallery 1979 – Amsterdam – Schipper Gallery 1979 – Washington – International Art Fair 1980 – Cleveland – Jewish Museum 1980 – Tel-Aviv – Habima National Art Fair 1981 – Abraham – Goodman House N.Y. 1981 – San Lucas Gallery – Bogotá 1981 – Petach-Tikva – Israel – Shelanu Gallery 1982 – Pedro Gerson Gallery – Mexico City 1983 – Simon Bolivar...

Screen print on arches aquarelle (rough) paper. Hand signed lower right by Andy Warhol; hand signed lower left by Mick Jagger. Edition 35/250 (there were also 50 artist’s proofs)....

Salvador Dali (Spanish, 1904-1989) Le Coche et la Mouche (The Coach and the Fly) 1974 Drypoint etching on Japan paper Signed and numbered '79/250' (lower left) and 'Dali' (lower righ...

A very attractive French surrealist color etching by Andre Masson (1896-1987), signed & numbered. The etching is titled in French "La Sibylle et les Astres", translated as "The Sybil...

The awakening of Boaz  is an artwork from the Series "The Bible", by Marc Chagall in 1960. Mixed colored lithograph on brown-toned paper, no signature. Edition of 6500 unsigned lit...

Werner Bronkhorst The Champions (A0), 2025 Archival pigment print on Hahnemüle Photorag paper with solid walnut frame Accompanied by a certificate of authenticity 118.1 x 84.1 cm (A0...

Niki de Saint Phalle My Love We Wont, 1968 Lithograph and silkscreen on wove paper Signed and numbered 51/75 in graphite pencil on the front Frame included: elegantly floated and framed in a museum quality white wood frame with UV plexiglass From the Brooklyn Museum, which has an edition of this work in its permanent collection: "Throughout her long and prolific career Niki de Saint Phalle, a former cover model for Life magazine and French Vogue, investigated feminine archetypes and women’s societal roles. Her Nanas, bold, sexy sculptures...

This artwork from the suite "La Tauromaquia, Plate #10" engraved between 1815 and 1816, is a photogravure on creme wove paper after renown Spanish artist Francisco Jose De Goya...

From a wonderful selection of hand-coloured mezzotint engravings from: "Phytanthoza Iconographia", c1739, presented in a hand- made parcel-gilt, ebonised and decalcomania frame...

Jasper Johns Art Card: The Seasons (Spring), hand signed by Jasper Johns, 1987 Offset lithograph postcard (hand signed by Jasper Johns) Hand signed on the front by Jasper Johns Prove...

Artist/Designer; Manufacturer: Robert Longo (American, b. 1955) Marking(s); notes: signed, blind stamp; ed. HC 1/10 aside from edition of 50; 2000 Materials: lithograph on Arches wov...

A limited edition (out of 25) black and white photographic print. Framed with a black or white box frame and floated to the backboard. The dimensions of 33.5 x 45 cm is that of the p...

Pablo Picasso, After, Spanish (1881 - 1973) - Faune a la Diaule. Portfolio: Femme et Faunes, Year: 1956, Medium: Pochoir, signed in the plate, Edition: 200, Size: 19.5 x 16 in. (49.5...

Coloured lithograph on paper, edited in 1970.
 Limited edition of 90 copies, numbered as 27/90 in lower left corner. 
Hand-signed by artist in pencil in the lower right corner. Pape...

"Equal Justice Under Law" Screenprint #99/125 on Wove Paper Iconic composition by Robert Rauschenberg (American, 1925-2008). A red envelope and a hand holding sprouted grass the pli...

Norman Rockwell (American, 1894-1978) Family Tree Original painting produced 1959, this print published 1959 in Japan by The Curtis Publishing Company Lithograph Sight: 19 1/4 x 13 3...

This artwork titled "Nature Morte aux Vases" c.1980, is an original colors lithograph on wove paper by noted French artist Rene Genis, 1922-2004. It is hand signed and numbered 67/10...

Mr Doodle Yellow Flower, 2019 Screenprint on paper Signed, dated and numbered Edition of 100 34 by 34 cm. 13⅜ by 13⅜ in framed Mr Doodle, born Sam Cox in 1994 in England, is a cont...

Andy Warhol (American, 1928-1987) Lion, 1975 Medium: Offset lithograph on wove paper Print dimensions: 28 × 20 cm (11 × 7 9/10 in) Frame dimensions: 32.8 x 25.8 x 2.9 cm (13 x 10 x 1...

This is an engraving of a tomb monument rubbing that has been highlighted with gold color on a dark grey to black background. The rubbing is of a brass plaque on a stone slab. It has...

This artwork titled "Pineapple Hill, The old Day, Kapalua Maui" 1986, is an original color lithograph on paper by noted French artist Guy Buffet, 1943-2023. It is hand signed and num...

This minimalistic portrait by Pablo Picasso features thin lines that outline and frame the features of the face without oversimplifying the understated, fresh composition. A restrike...

This large framed 18th century etching by Giovanni Battista Piranesi entitled "Veduta dell'interno dell'Anfiteatro Flavio detto il Colosseo" (View of the interior of the Flavian Amph...

Robert Indiana 0, from the original Numbers portfolio (Sheehan 46-55), 1968 Color Silkscreen on Wove Paper Limited Edition of 2500 (unsigned) Frame included: Elegantly matted and fra...

Artist Georges Rouault (1871, France - 1958, France) Main title "Des ongles et du bec" Etching and aquatint on wove paper. Creation date 1926 / 1948 Publisher: Etoile Filante, P...

Mid Century Nocturnal Horses with Riders Under Moonlight Lithograph Limited Edition Compelling nocturnal lithograph of two women on horseback by ...

This artwork titled "Brandenburger Tor, Berlin (Brandenburg Gate, Berlin)". c1930 is a color etching on paper by Austrian artist Luigi Kasimir, 1881-1962. It is hand signed in pencil by the artist at the lower center. The plate mark (image) size is 13 x 16.5 inches, framed size is 23.75 x 27 inches. Custom framed in a wooden ornate gold frame, white beige matting and green color fillet. It is in excellent condition, the artwork is very slightly toned around the plate mark, barely visible. About the artist. Luigi Kasimir was born in 1881 at Pettau, today Ptuj, Slovenia, then a part of the Austro-Hungarian monarchy. He inherited his talent from his ancestors; his grandfather was a painter and a poet, and his father an officer in the Habsburg army, who later became a professional painter. Kasimir attended the Vienna Academy of Art where he studied under Wilhelm Unger, who introduced him to the technique of the coloured etching, and also to his future wife, the artist Tanna Hoernes.[1] He died in 1962 in Grinzing, a suburb of Vienna.Kasimir was among the first to develop the technique of the coloured etching. Before this, prints were usually hand-coloured with the colour being applied in a casual, haphazard manner. Kasimir would first create a sketch usually in pastel, he then transferred the design on as many as four to six plates, printing one after the other and applying the colour on the plate, all done by hand. Kasimir is mainly famous for his etchings, but he also produced some oil painting, as well as some pastels. One of his favourite genres was the landscape, or veduta. He demonstrated a predisposition street scenes, and tourist landmarks. He depicted places from all over Europe, mainly Italy, Austria, and Germany. He also travelled to the United States to do a series of etchings of famous sights ranging from urban landmarks such as New York City skyscrapers, to natural wonders like Yosemite Valley. Luigi Kasimir’s etchings...

This artwork titled "Arch of Titus" created 1923 is a color etching by Austrian artist Luigi Kasimir 1881-1962. It is hand signed in pencil at the lower center by the artist's estat...

Plate #9 from Gustav Klimt's 1907 "Dialogues of the Courtesans" portfolio, consisting of 15 collotypes on cream japon paper. The drawings in this folio are said to be studies for Klimt's well-known Water Serpents paintings...