William Kentridge Art

James Rizzi Four Seasons (Illustrated Book, Pop Art, 3D Art, Urban Art, New York Artist, Contemporary Art) Handsigned and numbered illustrated book Year: 1988 Size: 12×11.6×0.6in Edition: 965 Signed, numbered by hand Publisher: John Szoke Graphics, Inc. - NYC, USA Printed by: Arnoldo Mondadori Editori, Italy COA provided Ref.: 924802-1932 *the "Four Seasons: Spring" print is missing and not included Tags: James Rizzi, Pop art, 3D art, Urban art, New York artist, Contemporary art, Colorful art, Whimsical art, Cityscape art, Silkscreen prints, 20th-century artist, Three-dimensional paintings, Graphic art, American artist, Happy Rizzi House, 3D constructions, Animated art, Street art, Manhattan art, Graphic artist, International artist, Iconic pop artist, Playful art, Pop culture art, Childlike art...

Kerry James Marshall Keeping the Culture, 2011 Silkscreen and linocut in colors with full margins and deckled edges on Arches paper with full margins and deckled edges 20-1/4 x 30-1/4 inches Hand signed, titled and numbered 79/100 by Kerry James Marshall in graphite pencil on the front Published by Africa House International, Chicago Unframed Kerry James Marshall's 2011 "Keeping the Culture" is based upon the artist's eponymous painting done the year earlier. Marshall, along with his dealer, were voted by ArtReview the top two of the 100 most influential people in the art world of 2018 - even ahead of the #MeToo movement, and ahead of figures like Jeff Koons, Larry Gagosian and Eli Broad! His paintings now sell for tens of millions of dollars - after P. Diddy paid $21 million for a painting. The present work "Keeping the Culture" is an extremely desirable work of art and exemplifies Marshall's style. For a feature profile/article written for Marshall's first retrospective - a blockbuster show entitled "MASRY" at the Museum of Contemporary Art, LA, the Museum of Contemporary Art Chicago and the Met Breuer in New York, Barbara Isenberg of the LA Times wrote: ." The New York Times called the show “smashing” and its subject “one of the great history painters of our time.” The New York Review of Books and Artforum magazine put large images from the show on their January covers. “I’ve been acutely aware that museums are behind their academic colleagues in terms of thinking of representation and people of color,” MOCA chief curator Helen Molesworth says. “I find Kerry’s paintings ravishing — they are drop dead, great paintings — and they have an extra level of reward for people who hold in their heads a history of Western painting.” Marshall is a compelling storyteller, whether on canvas or in conversation. Talking at length during a visit to MOCA, he is easygoing but eloquent, recalling his neighborhood in Birmingham, Ala., where he was born in 1955, or about growing up black there and in Los Angeles. He remembers the names of teachers who encouraged him. Asked when he first began to notice a lack of black subjects...

Signed and numbered 20/20 Silkscreen print on Somerset enhanced velvet fine art paper 330 gsm 29.7 x 42 cm Framed (matte black wooden frame, black mount, UV anti-reflective museum ...

Artist: Karel Appel Title: Salto Sobre La Cabeza Year: 1988 Medium: Etching with aquatint Signed and dated '88, numbered 5/60 in pencil Dimensions: 19.25" x 4.5" Provenance: Gallery ...

Serigraph on paper. Hand signed and numbered by the artist. Frame size approx 32 x 24 in. Artwork is in excellent condition. Edition of 125. Certificate of authenticity included. Al...

In early February, running hares can be seen locally as they compete for females. They are huge and fast as they run across the fields. they form a frequent entertainment and have in...

Karl Alexander Gerich (English, 23.4.1956 - 4.1.2016) Pollonaise No. 24, 1988 - Etching - Sheet ca. 27.8 X 42 cm - No plate mark - Varnished ('Glossy Antique French') Worldwide shipping for this object is complimentary - There are no additional charges for handling & delivery. Finished, coloured, backed and varnished print likely to be a spare sheet (over production), which were never used. Possibly at some later stage, Karl experimented by partially painting the back with divering number of layers of pink. Held up as finished cards the pink would then shine through the varnished card. By holding up the sheet, this effect can be observed in areas with and without the pink backing. Sheets is in good condition and suitable to be framed. Karl was a brilliant playing card maker and certainly one of the most genius artist-craftsmen I had the pleasure to learn about his work and know. He could do it all: Come up with the tale, weave meaning(s) into it, fill it with spirited characters of his liking, draw it, etch it, print it, colour it and handcraft the inks, paper and card into wondersome packs of playing cards, each of them living in their own, most exquisitely crafted boxes. Every pack a magical marvel, filled with the spirit of this genius card maker … All this he did using his Adana printing press, very simple hand tools and great skill. When Karl closed down his studio in St.Peter’s Terrace in Bath, England and moved to Poplar Close, he sold off work for which he felt he no longer wanted to be the custodian. So a number of prints reached the market then. Printed sheets by Karl Gerich...

Arcadian landscape inspired tapestry. Belgian made, jacquard woven with relief stitch. Fully lined with rod pocket for hanging. Cotton and rayon. Measurements are approximate.

Artist: Félix Bracquemond (French, 1833-1914) Title: "Canards Surpris (Surprised Ducks)" *Signed by Bracquemond in pencil lower right. It is also initial signed in ink lower left Year: 1882 Medium: Original Drypoint Etching on cream Japanese paper Limited edition: 100 Printer: Imprimerie Lemercier, Paris, France Publisher: likely the artist Bracquemond himself, Paris, France Reference: "Les graveurs du XIXe siècle: Guide de l'amateur d'estampes modernes", Vol. XII, Paris, 1885–1892 - Henri Béraldi: cat. No. 778; "Inventaire du Fonds Francais Apres 1800" - Jean Adhémar, Jacques Lethève: cat. No. 394, page 383; Laran No. 394 Framing: Recently framed in a gold Baroque moulding and rag matting from Holland Framed size: 23.75" x 19.75" Sheet size: 15.25" x 11.5" Image size: 14" x 10.5" Condition: In excellent condition Notes: "B" inscribed by Bracquemond in ink lower left. There is an example of this work in the permanent collection of the Metropolitan Museum of Art, New York, NY. Biography: Félix Bracquemond was born in Paris. He was trained in early youth as a trade lithographer, until Guichard, a pupil of Ingres, took him to his studio. His portrait of his grandmother, painted by him at the age of nineteen, attracted Théophile Gautier's attention at the Salon. He applied himself to engraving and etching about 1853, and played a leading and brilliant part in the revival of the etcher's art in France. Altogether he produced over eight hundred plates, comprising portraits, landscapes, scenes of contemporary life, and bird-studies, besides numerous interpretations of other artist's paintings, especially those of Jean-Louis-Ernest Meissonier, Gustave Moreau and Jean-Baptiste-Camille Corot. After having been attached to the Sèvres porcelain factory in 1870, he accepted a post as art manager of the Paris atelier of the firm of Haviland of Limoges. He was connected by a link of firm friendship with Édouard Manet, James McNeill Whistler, and all the other fighters in the impressionist cause, and received all the honors that await the successful artist in France, including the grade of Officer of the Legion of Honor in 1889. Bracquemond was a prominent figure in artistic and literary circles in the second half of the 19th century. He was close to writers such as Edmond de Goncourt and critic Gustave Geffroy, and numbered among his friends Millet and Corot, Henri Fantin-Latour, Degas and the Impressionist circle, and Auguste Rodin. He was one of the more prolific printmakers of his time and he was awarded the grande medaille d'honneur at the Universal Exhibition of 1900. He was also a painter, ceramist, and an innovator in decorative arts. Gabriel Weisberg called him the "molder of artistic taste in his time". Indeed, it was he who recognised the beauty of the Hokusai woodcuts used as packing around a shipment of Japanese china, a discovery which helped change the look of late 19th-century art. He married French Impressionist artist Marie Bracquemond...

Alexander Calder Lithograph c. 1967 from Derrière le miroir: Lithograph in colors; 15 x 11 inches. Very good overall vintage condition; well-preseved. Unsigned from an edition of u...

Keith Haring Pop Shop: Rare larger sized, vintage original Keith Haring 1980s Pop Shop bag designed by Haring for use at his famed New York store. A classic Keith Haring Pop Shop col...

Artist: Salvador Dali (Spanish, 1904-1989) Title: "Hommage a Picasso (Cannes) (Cote d'Azur)" *Signed by Dali in pencil lower right Year: 1973 Medium: Original Drypoint Etching on Rives BFK paper Limited edition: L/CC (50/200) Printer: Atelier Rigal, Paris, France Publisher: Felicia, New York, NY and EGI, Beverly Hills, CA Reference: "The Official Catalog of the Graphic Works of Salvador Dali" - Field No. 73-5, page 84; "Dali: Catalogue Raisonné of Etchings and Mixed-Media Prints, 1924-1980" - Michler/Löpsinger No. 719, page 252 Sheet size: 26" x 19.63" Image size: 19.88" x 14.5" Condition: In excellent condition Rare Notes: Provenance: private collection - Clearwater, FL. Numbered by Dali in pencil lower left. BFK Rives watermark lower right. Some dealer reference numbers pencil inscribed on verso. Dali executed this etching in Cannes, France when he learned of Picasso's death. We are specialists in Salvador Dali's printmaking oeuvre, having personally worked with his cataloger Albert Field in the 1980's, we unconditionally guarantee all of our examples to be authentic. Biography: Salvador Dalí (May 11, 1904 – January 23, 1989), was a prominent Spanish Catalan surrealist painter born in Figueres, Spain. Dalí was a skilled draftsman, best known for the striking and bizarre images in his surrealist work. His painterly skills are often attributed to the influence of Renaissance masters. His best-known work, The Persistence of Memory, was completed in August 1931. Dalí's expansive artistic repertoire included film, sculpture, and photography, in collaboration with a range of artists in a variety of media. Dalí attributed his "love of everything that is gilded and excessive, my passion for luxury and my love of oriental...