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Keith HaringOriginal American Music Festival NYC Ballet Serigraph pop art poster1988
1988
About the Item
Original pop art poster: American Music Festival New York City Ballet – 1988 by Keith Haring.
This New York City Ballet serigraph poster from 1988 / by Keith Haring features the American Flag poster and his stylized figures dancing. Horizontal format. The edition size is unknown. Important that the text on the original reads: Printing Courtesy of Philip Morris Company. Lower right corner.
Bridging the gap between the art world and the street, Keith Haring rose to prominence in the early 1980s with his graffiti drawings made in the subways and on the sidewalks of New York City. Combining the appeal of cartoons with raw energy, Haring is regarded as a leading figure in the New York East Village Art scene in the 1970s and '80s.
'The New York City Ballet did six different performances between April and June within the scope of the American Music Festival. This poster is part of a series of eight artists' posters, designed by among others, Roy Lichtenstein, Bruce Nauman, Helen Frankenthaler and Francesco Clemente. The cigarette manufacturer Phillip Morris financed the printing.' (Keith Haring: Posters; Prestel pub.)
Catalogue Raisonné: Keith Haring: Posters (entry #67). Haring bridged the gap between the art world and the street, Keith Haring rose to prominence in the early 1980s with his graffiti drawings made in the subways and on the sidewalks of New York City.
- Creator:Keith Haring (1958-1990, American)
- Creation Year:1988
- Dimensions:Height: 35.75 in (90.81 cm)Width: 24 in (60.96 cm)Depth: 0.3 in (7.62 mm)
- Medium:
- Movement & Style:
- Period:
- Condition:Professional archival linen-backed in very fine condition, ready to frame. Has the correct wording on the bottom of the right corner as shown. Certificate of Authenticity.
- Gallery Location:Spokane, WA
- Reference Number:Seller: 250261stDibs: LU1404216005482
Keith Haring
Keith Haring began experimenting with his bold, graphic lines and cartoon-inspired figures on the walls of New York City subway stations in the early 1980s. He called them his “laboratory,” places to develop a radical new aesthetic based on an ideology of creating truly democratic public art.
Haring’s paintings, prints and murals address the universal themes of death, love and sex, as well as contemporary issues he experienced personally, like the crack-cocaine and AIDS epidemics. They derive much of their impact from the powerful contrast between these serious subjects and the joyful, vibrant pictographic language he uses to express them, full of dancing figures, babies, barking dogs, hearts and rhythmic lines, as well as references to pop culture.
To make his art even more accessible, in 1986, Haring opened the Pop Shop in Soho. In a foreshadowing of today’s intermingling of art and fashion, the shop sold merchandise and novelty items featuring imagery by Haring and contemporaries like Kenny Scharf and Jean-Michel Basquiat. While his works sometimes included text, for the most part, he chose to communicate through drawing.
“Drawing is still basically the same as it has been since prehistoric times,” Haring once declared. “It lives through magic.”
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