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Luigi RossiniVeduta degl’Avanzi del Maestoso Ingresso della Villa d’Adriano1826
1826
About the Item
Entire Title : Veduta degl’Avanzi del Maestoso Ingresso della Villa d’Adriano tre miglia da Tivoli
Like G.B.Piranesi, Rossini, well know as the “Piranesi’s heir”, trained as an architect and his etchings have the same tendency to emphasize the massive structure of the Ancient Rome. He became so famous thanks to his etchings of Magnificent view, Roman landscapes, antique monuments, among which “Le antichità de' contorni di Roma ossia le più famose città del Lazio. Tivoli, Albano, Castel Gandolfo, Palestrina, Tuscolo, Cora e Ferentino”, a collection of fine large 72 plates published in Rome, 1826.
Veduta deg'Avanzi del maestoso Ingresso della Villa d'Adriano tre miglia da Tivoli
From the serie “Le antichità de’ contorni di Roma”(..), Rome, 1826 by L. Rossini, a Beautiful proof with sharp details, showing Tivoli’s ruins. Signed on plate “Rossini dis. e inc.” lower-left corner, with date and place “Roma, 1824”. In good conditions with some light marks.
Image Dimensions : 56 x 43 cm
This artwork is shipped from Italy. Under existing legislation, any artwork in Italy created over 70 years ago by an artist who has died requires a licence for export regardless of the work’s market price. The shipping may require additional handling days to require the licence according to the final destination of the artwork.
- Creator:Luigi Rossini (1790-1857, Italian)
- Creation Year:1826
- Dimensions:Height: 29.53 in (75 cm)Width: 21.26 in (54 cm)Depth: 0.04 in (1 mm)
- Medium:
- Movement & Style:
- Period:
- Condition:Insurance may be requested by customers as additional service, contact us for more information.
- Gallery Location:Roma, IT
- Reference Number:Seller: J-772601stDibs: LU65032651701
Luigi Rossini
Luigi Rossini (1790-1857) like his predecessors, Giovanni Piranesi (1720–1778) and Giuseppi Vasi (1710-1782), was an architect and artist. Like Piranesi and Vasi, he wanted to glorify the architecture of ancient Rome, which he felt was deteriorating and needed to be documented. Several of the ruins he illustrated have, in fact, since disappeared leaving only his images as a record of their appearance. His images of the grand edifices of the city dramatically depict the power and glory of ancient Rome reflected by its architecture, but were accurate enough to be used by practicing architects, as well as other serious students of classical antiquity. His art continues to influence and inspire architects, artists and those who love Rome. Rossini was born in Rome and trained at the Academy of Bologna. Upon graduation, he moved to Rome and attempted a career as an architect. As he was not economically successful as an architect, he became a full-time artist, initially producing souvenirs for local collectors, wealthy and aristocratic European tourists on the Grand Tour, as well as for architectural students and practitioners all over Europe. Many of his prints were published in several imperial folio sized collections, including Le Anchita Romane (The Rome of Antiquity).
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