Lithograph Figurative Prints

Medium: Lithograph on vélin de Lana paper Year: 1950 Paper Size: 9.75 x 12.5 inches Inscription: Unsigned and unnumbered, as issued Notes: From the album, Signac Dessins, 1950. Publi...

Medium: Lithograph and stencil on vélin d’Arches Johannot paper Year: 1948 Paper Size: 10.75 x 15 inches Inscription: Unsigned and unnumbered, as issued Notes: From the folio, Seize ...

Artist: Pablo Picasso (1881-1973) Title: Paloma Bleu Year: 1982 Medium: Lithograph on Arches paper Size: 29.75 x 21.75 inches Edition: 403/1000; 1000, plus proofs Condition: Good Ins...

Lithograph on vélin pur fil paper. Inscription: Signed in the plate and unnumbered, as issued. Good condition. Notes: From the folio, Henri Matisse, Dessins, Thèmes et Variations, 19...

Medium: Lithograph and stencil on vélin paper Year: 1954 Paper Size: 13.5 x 9.5 inches Inscription: Unsigned and unnumbered, as issued Notes: From the folio, Femmes de Lautrec, 21 Pl...

Medium: Lithograph on grand vélin Renage filigrané à la marque de l'éditeur paper. Year: 1951 Paper Size: 12.5 x 9.5 inches; image size: 6.3 x 7.87 inches Inscription: Unsigned and u...

Salvador Dali - Dawn - Original Lithograph Joseph FORET, Paris, 1957 PRINTER : Guillard SIGNATURE : plate signed by Dali. LIMITED : 233 copies. SIZE : 41 x 33 cm REFERENCES : Fiel...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good Condition. Notes: From volume, Joan Miro by Jacques Prévert and Georges Ribemont-Dessaignes, 1956. Pu...

Lithograph on vélin pur fil paper. Inscription: Signed in the plate and unnumbered, as issued. Good condition. Notes: From the folio, Henri Matisse, Dessins, Thèmes et Variations, 19...

Lithograph and stencil on vélin papier a la cuve du Moulin Richard de Bas spécialement filigrané pour cette édition paper. Signed in the plate and unnumbered, as issued. Good conditi...

Peter Fischli / David Weiss Untitled (Airport Paris) 2008 Offset lithograph on three sheets Each sheet: 51 1/4 x 32 5/8 inches; 130 x 83 cm Edition of 100 Signed and numbered in ink ...

Study for  Floating Figure is a lithograph realized by Herbert James Draper in the early 20th Century. Stamped and titled on the lower. Good condition with slight foxing.

Lithograph on vélin d’Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, La Féerie et Le Royaume, Lithographies Originales de Marc Chagall, 1972...

This artwork titled "6 Camellias After An Unknown Japanese Artist" 1988 is a original color lithograph on Wove paper by noted American artist Gary Bukovni...

Artist: (after) Keith Haring (American, 1958-1990) Title: "Best Buddies" *Issued unsigned, though signed and dated by Haring in the plate (printed signature) center right Year: 1989 ...

Koloman Moser (1868 –1918), AUSTRIAN Instead of applying his flair and art education solely to painting, Koloman Moser embodied the idea of Gesamt Kunstwerk (all-embracing art w...

The Queen's Staircase is an original modern artwork realized in 1836 by the French artist François Alexandre Pernot (1793-1865). Original Lithograph on paper. The sheet is glued on ...

Emile BERCHMANS Renewal Original lithograph Printed signature in the plate 1897/98 Printed on paper Vélin Size 40 x 31 cm (c. 16 x 12") INFORMATION : Published by 'Estampe Modern...

This bright and lively work was originally created for a poster showcasing Miró's works at the Galleria del Milione, Milan. Bold colors, lively imagery, and vivid spontaneity are sta...

Egyptian Ruins is a modern artwork realized d'apres Karl Werner. Mixed colored cromolithograph.  The artwork is after the watercolor realized by the artist during a trip to Egypt b...

Contributors to Gerlach & Schenk’s publications valued design and innovation in the graphic arts just as much as they examined allegories as subject matter for exploration. Here, Gus...

Marlene Dietrich Legendary Film Star 20th Century Litho NYT Published Mid-Centuy Al Hirschfeld (1903-2003) "Marlene Dietrich at the Palace, 1967" Hand-sign...

Artist: Ana Mercedes Hoyos, Colombian (1942 - ) Title: Bazurto I Year: circa 2006 Medium: Lithograph, signed and numbered in pencil Edition: 75 Size: 22 x 30 in. (55.88 x 76.2 cm)

Lithograph on vélin d’Arches pur chiffon paper. Inscription: signed in the plate and unnumbered, as issued. Good condition. Notes: from the folio, L'Histoire d'O, 1962. Published and...

Jacques VILLON Reading Man, 1962 Original lithograph (Mourlot workshop) Printed signature in the plate On tinted vellum 32 x 24 cm (c. 13 x 10 in) Excellent condition

Ed Paschke BAD, 1991 Silkscreen and Lithograph on Rising Mirage Paper, accompanied by documentation Pencil signed, titled "BAD", and annotated "Trial Proof" on the front 22 × 20 inches Unframed Also accompanied by gallery issued Certificate of Guarantee This work is a unique Trial Proof on Rising Mirage Paper, pencil signed by the artist and annotated "Trial Proof" the very first impression, aside from the regular edition. It is accompanied by the tirage sheet, with the biography of the artist and a description of the work. (see photos). As such it is a rare impression. Published by Chicago Serigraphic Workshop and Artco, Incorporated Ed Paschke Biography: Ed Paschke was born in Chicago where he spent most of his life as an important painter. He was initially associated in the late 1960s with the second generation of Chicago Imagists who called themselves The Hairy Who. He received his B.F.A. from the School of The Art Institute of Chicago in 1961 and his M.F.A. in 1970. Between degrees he lived for a time in New York where he easily came under the influence of Pop art, in part, because of his interests as a child in animation and cartoons. His fascination with the print media of popular culture led to a portrait-based art of cultural icons. Paschke used the celebrity figure, real or imagined, as a vehicle for explorations of personal and public identity with social and political implications. Although his style is representational, with a loose affiliation to Photorealism, Paschke’s art plays...

A mid-century, stone lithograph titled 'Angel and Harmony' by Nura Woodson Ulreich (American, 1899-1950), created in 1943 and with certification o...

This artwork titled "The Horsemen" 1935, is an original lithograph on paper by noted American artist William Gropper, 1897-1977. It is hand signed in pencil by the artist. The artwork (image) size is 9.5 x 12.75 inches, framed size is 17.5 x 20.40 inches. Published by Associated American Artists, New York, printed by George Miller. Referenced and pictured in the artist catalogue raisonne by Steinberg, page 246 and Windisch and Cole, plate #602. Custom framed in a black metal frame, with off white matting. It is in excellent condition, the frame have very minor scratches. An example of this particular artwork is held at the Metropolitan Museum of Art, New York. and at the Portland Museum, Portland. About the artist: William Gropper was born in New York City's Lower East Side in 1897. He was the first of six children to parents who earned small wages working in sweatshops. At the age of fourteen, Gropper left school to help support his family. While carrying bolts of cloth for his deliveries, Gropper began to draw on scraps of paper, sidewalks, and walls. A passerby saw some of these drawings and invited Gropper to attend a life-drawing class at the Ferrer School. He studied there for three years from 1912 to 1915, attending classes taught by Robert Henri and George Bellows. From 1915 to 1918 Gropper attended the New York School of Fine and Applied Art part-time on scholarship. Gropper also won a scholarship to the National Academy of Design, but remained as a student for only a short time; the rigid and systematic institution conflicted with Gropper's belief in the personal nature of art. At the New York School of Fine and Applied Art, Gropper earned several prizes. One of these prizes was for his cartoons, which led him to be hired by the New York Tribune in 1917 to sketch for their features. A few years later through freelance work, his cartoons and drawings appeared in other newspapers and magazines, such as The Liberator, The New Masses, The New York Post, The New Yorker and Vanity Fair. By the late 1920s Gropper was an established cartoonist and draughtsman. He sympathized with the labor movement and was a champion of peace and personal liberty. Gropper began to paint seriously, but privately, on these themes in 1921. Gropper's first exhibition of monotypes was held in 1921 at the Washington Square Book Shop in New York. At this time, he also began to do illustrations for books. Gropper took his first sketching trip in 1924 to the West with Morris Pass. By 1930 Gropper began to receive recognition as a fine artist. In 1934, he received two mural commissions from the Schenley Corporation in New York City. In 1935, he was commissioned to paint a mural for the Hotel Taft in New York City. In 1936, Gropper received several public mural commissions: one was for the Freeport, Long Island Post Office, which was completed in 1938 and followed by another mural for the Northwestern Postal Station, Detroit, Michigan. In his first gallery exhibition in 1936 at ACA Galleries, Gropper's work was so well received by critics, collectors, and artists that the following year he had two one-man exhibitions at ACA Galleries. In 1937, Gropper traveled west on a Guggenheim Fellowship and visited the Dust Bowl and the Hoover and Grand Coulee Dams, sketching studies for a series of paintings and a mural he painted for the Department of the Interior in Washington, DC. That same year he had paintings purchased by both the Metropolitan Museum of Art and the Museum of Modern Art. Gropper exhibited at the 1939 New York World's Fair, Whitney Museum of American Art (1924-55), Art Institute of Chicago (1935-49), Carnegie International (1937-50), Pennsylvania Academy of the Fine Arts (1939-48), and National Academy of Design (1945-48). He was a founder of the Artists Equity Association and member of the National Institute of Arts and Letters. From 1940 to 1945 William Gropper was preoccupied with anti-Nazi cartoons...

Lithograph and stencil on vélin paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Picasso: Fifteen Drawings, 1946. Published by Pantheon Books, Inc., ...

Jean Jansem (1920-2013) Lydia au coussin indien, 1993 Lithographie sur papier Arches Signée et justifiée 49 x 64,5 cm / 56 x 76 cm Imprimeur: Arts-Litho, Paris Editeur: Jansem, Pari...

Decorative motifs of the french Renaissance is a vintage chromolithograph realized by an anonymous artist of the early 20th Century. Good conditions. The print represents Decorativ...

(after) Pablo PICASSO The Artist and his Model Lithograph, 1954 On Arches vellum With the blind stamp of the editor (Ed. Verve) Size 27 x 37 cm (c. 10.65 x 14.6 inch) Lithograph cr...

Lithograph on vélin pur fil paper. Inscription: Signed in the plate and unnumbered, as issued. Good condition. Notes: From the folio, Henri Matisse, Dessins, Thèmes et Variations, 19...

Medium: Lithograph on vélin paper Year: 1983 Paper Size: 15 x 22.5 inches, with centerfold, as issued Inscription: Unsigned and unnumbered, as issued Notes: From the folio, Henri Mat...

Lithograph and stencil on vélin paper mounted on backing museum board, as issued. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Vuillard, Douze Pastels P...

Medium: Lithograph on vélin paper Year: 1983 Paper Size: 15 x 11.25 inches Inscription: Unsigned and unnumbered, as issued Notes: From the folio, Henri Matisse, Jazz, Special Edition...

Theatre is a lithograph realized by Raoul Dufy in 1920. Good conditions. Edition of 110. The artwork is depicted through confident strokes in a well-balanced composition.

Medium: Lithograph and stencil on vélin Polifilo paper Year: 1947 Paper Size: 13.78 x 10.24 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From the folio, I...

Marc CHAGALL Lovers with a Rooster Lithograph and stencil (Jacomet workshop) Printed signature in the plate Numbered /500 On vellum 65 x 54 cm (c. 26 x 21...

Marc Chagall (1887-1985) The Bible, Salomon's Prayer Original lithography (Mourlot Workshop) On paper 37 x 26.5 cm (c. 14.5 x 10.2 in) A second illustration on the back, see photo...

Original linen-backed Bruxelles (Brussels) Foire Internationale oversize vintage travel poster. The poster features the most famous Grand Pal...

René Magritte - LA DURÉE POIGNARDÉE, 1938 (TIME TRANSFIXED) Date of creation: 2010 Medium: Lithograph on BFK Rives Paper Edition: 275 Size: 60 x 45 cm Condition: In very good conditi...

Mae West Legendary Sex Symbol Movie Star Mid 20th Century Hollywood Celebrity Al Hirschfeld (1903 – 2003) Mae West Sight 15 1/2 x 19 1/2 Etching with aquatint Signed lower right and...

Lithograph on vélin Johannot paper. Inscription: Unsigned and unnumbered. Good condition. Notes: From the folio, Paris Capitale, 1955; published by Joseph Foret, Editeur d'Art, Paris...

Pulled from the "L'Atelier Mourlot" exhibition catalog, published by The Redfern Gallery, London, 1965 By Joan Miró Joan Miró was a pioneering Spanish artist celebrated for his whi...

Lithograph on vélin pur Chiffon Moulin à papier Richard de Bas paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: from the folio, Le Tir à l'arc mis en lu...

Original rare horizontal, linen-backed, RICE'S SURPRISE PARTY vintage poster, in the big operatic extravaganza "1492". By Barnet & Pfleuger. This is ...

Original L'Andalouise au Temps des Maures vintage art nouveau poster. L'Andalousie au Temps des Maures. Exposition de 1900. Imprimerie C...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From the volume, Derrière le miroir, N° 193-194. Publis...

Theo TOBIASSE Song of Songs: Newlyweds with a dog Original lithograph, 2009 Signed in pencil by the artist Numbered /150 copies On vellum size 51 x 35 cm Very good condition

Original colour lithograph of a French fashion design from 'Haute Couture'. Published in a folio of designs for Summer 1971. 32cm by 22cm (sheet)

Artist: Ben Shahn, American (1898 - 1969) Title: Many Things from the Rilke Portfolio Year: 1968 Medium: Lithograph on Arches, signed in the plate Edition: 750 Size: 22.5 x 17.75 in....

Ancient Ships is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " History of the government, of the la...

Romare Bearden, American (1911 - 1988) - Pepper Jelly Lady, Year: 1980, Medium: Lithograph on Arches, signed and numbered, Edition: 113/150, Size: 26 x 21 in. (66.04 x 53.34 cm...

Lithograph on vélin pur fil paper. Inscription: Signed in the plate and unnumbered, as issued. Good condition. Notes: From the folio, Henri Matisse, Dessins, Thèmes et Variations, 19...

Paul GAUGUIN (after) Tahitian Ladies Lithograph and Watercolor stencil Printed signature of the Monogram in the plate On thin vellum 47 x 58 cm (c. 19 x 25 inch) Edited by Jacomet ...

Artist: Roy De Forest, American (1930 - 2007) Title: Walking Year: 1987 Medium: Lithograph on Arches, signed and numbered in pencil Edition: 100 Size: 24.5 x 31 in. (62.23 x 78.74 cm)

"Derriere Le Miroir" is an original color lithograph created by the artist Saul Steinberg. Edition: 53/150 Artwork Size: 14"x 20" Frame Size: 33 1/8"x 25 5/8" From the Saul Steinb...

PABLO PICASSO Spanish, 1881 - 1973 La Répétition (B. 756; M. 252) signed in black ink "Picasso" (lower left) numbered in pencil "11/50" (lower right) lithograph on Arches S. 19-2/3 x...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered. Good condition, with centerfold, as issued. Notes: From Derrière le miroir, N° 225. Published by Aimé Maeght, Éditeur...