1960s Figurative Prints

The Heaven of Mercury - The Divine Comedy is a woodcut print realized in 1963 for a series illustrating the Medieval poem of the "Divine Comedy" by Dante Alighieri. Not signed, as ...

Salvador Dali The punishment of hypocrites (1960) Heliogravure reworked with drypoint Printed signature in the plate On BFK Rives Vellum paper Size 32.8 x 26.4 cm (c. 13 x 10") Ref...

Lithograph, 1966. Hand signed. Edition of 100 prints. Provenance: Galleria Giulia, Rome Bibliography: A. De Garrou Gnoli, Catalogo ragionato delle opere n. 489.

Horses is an original woodcut print on paper realized in 1962 by an Anonymous artist of the 20th Century. Hand-signed on the lower right and dated, ill...

Iesu Transfigurato is a Color lithograph on heavy rag paper realized in 1964. It is part of Biblia Sacra vulgatæ edition is published by Rizzoli-Mediolani between 1967 and 1969. Si...

Edouard MAC AVOY Theater : Tragedy of Love, 1966 Original lithograph Handsigned in pencil On Rives vellum 37 x 28 cm (c. 15 x 11 inch) Excellent condition

Vase of flower is a modern artwork realized by Fabio Failla in 1966. Mixed colored etching. Hand signed, dated and numbered on the lower margin. Plate n.1 Edition of 25/99. Incl...

Marc Chagall Original Lithograph 1963 Dimensions: 32 x 24 cm Reference: Chagall Lithographe 1957-1962. VOLUME II. Condition : Excellent Marc Chagall (born in 1887) Marc Chagall was born in Belarus in 1887 and developed an early interest in art. After studying painting, in 1907 he left Russia for Paris, where he lived in an artist colony on the city’s outskirts. Fusing his own personal, dreamlike imagery with hints of the fauvism and cubism popular in France at the time, Chagall created his most lasting work—including I and the Village (1911)—some of which would be featured in the Salon des Indépendants exhibitions. After returning to Vitebsk for a visit in 1914, the outbreak of WWI trapped Chagall in Russia. He returned to France in 1923 but was forced to flee the country and Nazi persecution during WWII. Finding asylum in the U.S., Chagall became involved in set and costume design before returning to France in 1948. In his later years, he experimented with new art forms and was commissioned to produce numerous large-scale works. Chagall died in St.-Paul-de-Vence in 1985. The Village Marc Chagall was born in a small Hassidic community on the outskirts of Vitebsk, Belarus, on July 7, 1887. His father was a fishmonger, and his mother ran a small sundries shop in the village. As a child, Chagall attended the Jewish elementary school, where he studied Hebrew and the Bible, before later attending the Russian public school. He began to learn the fundamentals of drawing during this time, but perhaps more importantly, he absorbed the world around him, storing away the imagery and themes that would feature largely in most of his later work. At age 19 Chagall enrolled at a private, all-Jewish art school and began his formal education in painting, studying briefly with portrait artist Yehuda Pen. However, he left the school after several months, moving to St. Petersburg in 1907 to study at the Imperial Society for the Protection of Fine Arts. The following year, he enrolled at the Svanseva School, studying with set designer Léon Bakst, whose work had been featured in Sergei Diaghilev's Ballets Russes. This early experience would prove important to Chagall’s later career as well. Despite this formal instruction, and the widespread popularity of realism in Russia at the time, Chagall was already establishing his own personal style, which featured a more dreamlike unreality and the people, places and imagery that were close to his heart. Some examples from this period are his Window Vitebsk (1908) and My Fianceé with Black Gloves (1909), which pictured Bella Rosenfeld, to whom he had recently become engaged. The Beehive Despite his romance with Bella, in 1911 an allowance from Russian parliament member and art patron Maxim Binaver enabled Chagall to move to Paris, France. After settling briefly in the Montparnasse neighborhood, Chagall moved further afield to an artist colony known as La Ruche (“The Beehive”), where he began to work side by side with abstract painters such as Amedeo Modigliani and Fernand Léger as well as the avant-garde poet Guillaume Apollinaire. At their urging, and under the influence of the wildly popular fauvism and cubism, Chagall lightened his palette and pushed his style ever further from reality. I and the Village (1911) and Homage to Apollinaire (1912) are among his early Parisian works, widely considered to be his most successful and representative period. Though his work stood stylistically apart from his cubist contemporaries, from 1912 to 1914 Chagall exhibited several paintings at the annual Salon des Indépendants exhibition, where works by the likes of Juan Gris, Marcel Duchamp and Robert Delaunay were causing a stir in the Paris art world. Chagall’s popularity began to spread beyond La Ruche, and in May 1914 he traveled to Berlin to help organize his first solo exhibition, at Der Sturm Gallery. Chagall remained in the city until the highly acclaimed show opened that June. He then returned to Vitebsk, unaware of the fateful events to come. War, Peace and Revolution In August 1914 the outbreak of World War I precluded Chagall’s plans to return to Paris. The conflict did little to stem the flow of his creative output, however, instead merely giving him direct access to the childhood scenes so essential to his work, as seen in paintings such as Jew in Green (1914) and Over Vitebsk (1914). His paintings from this period also occasionally featured images of the war’s impact on the region, as with Wounded Soldier (1914) and Marching (1915). But despite the hardships of life during wartime, this would also prove to be a joyful period for Chagall. In July 1915 he married Bella, and she gave birth to a daughter, Ida, the following year. Their appearance in works such as Birthday (1915), Bella and Ida by the Window (1917) and several of his “Lovers” paintings give a glimpse of the island of domestic bliss that was Chagall’s amidst the chaos. To avoid military service and stay with his new family, Chagall took a position as a clerk in the Ministry of War Economy in St. Petersburg. While there he began work on his autobiography and also immersed himself in the local art scene, befriending novelist Boris Pasternak, among others. He also exhibited his work in the city and soon gained considerable recognition. That notoriety would prove important in the aftermath of the 1917 Russian Revolution when he was appointed as the Commissar of Fine Arts in Vitebsk. In his new post, Chagall undertook various projects in the region, including the 1919 founding of the Academy of the Arts. Despite these endeavors, differences among his colleagues eventually disillusioned Chagall. In 1920 he relinquished his position and moved his family to Moscow, the post-revolution capital of Russia. In Moscow, Chagall was soon commissioned to create sets and costumes for various productions at the Moscow State Yiddish Theater...

Beautiful colored etching, representing a female silhouette. Numbered, dated and hand-signed with pencil on lower margin by the Italian artist, Nino Cordio. Edition of 60 prints. Exc...

Salvador Dali La Confession de Dante (1960) Heliogravure reworked with drypoint Signature printed in the plate On BFK Rives Vellum paper Size 32.8 x 26.4 cm (c. 13 x 10") Reference...

Eclesiastes I by Sigmund Laufer, German/American (1920–2007) Date: 1964 Etching, signed and numbered in pencil Edition of 50 Size: 22 x 15 in. (55.88 x 38.1 cm)

Consummatum est! is an artwork realized in 1964. It is part of Biblia Sacra vulgatæ editionis published by Rizzoli-Mediolani between 1967 and 1969. Color lithograph on heavy rag p...

Birth of Samuel is an artwork realized by March Chagall, 1960s. Lithograph on brown-toned paper, no signature. Lithograph on both sheets. Edition of 6500 unsigned lithographs. Pri...

Original Herve Movan vintage French poster: BENDIX ALUFROID. Horizontal format size: 43" wide by 30.5. Professional acid-free archival linen backed, very good condition; ready to ...

Ex Libris - Gianni Mantero Ing. is an Artwork realized in 1930 s.  by the Italian Artist Armando Baldinelli (1908-2002). Woodcut on paper. Signed on plate on the left corner. The w...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered. Good condition, with centerfold, as issued. Notes: From Derrière le miroir, N° 151-152. Published by Aimé Maeght, Édi...

Princes of the Blossoming Valley - Purgatory, Plate-7- Divine Comedy is a woodcut print realized in 1963 for a series illustrating the Medieval poem of the "Divine Comedy" by Dante A...

The Reproaches of Virgil is a woodcut print realized in 1963 for a series illustrating the Medieval poem of the "Divine Comedy" by Dante Alighieri. Not signed, as issued. Plate n...

Ruth at the feet of Boaz  is an artwork from the Series "The Bible", by Marc Chagall in 1960. Mixed colored lithograph on brown-toned paper, no signature. Edition of 6500 unsigned li...

Picador et Taureau is a linocut reproduction realized in smaller size after a linocut by Pablo Picasso of 1959. Good conditions, except for very minor foxing on edges. Not signed. ...

Salvador DALI Height Deadly Sins : Dalinean Original etching and aquatint Rare Bon-a-tirer proof annotated Ok Mr Gerbault (Mr Gerbault was a collaborator of Edition l'Orangerie) On ...

The Face is a phototype print reproducing drawing by Renzo Vespignani of the 1960s Signed on the plate lower right. The artwork is depicted through strong strokes and perfect hatch...

Ipse erat Elias is an artwork realized in 1964. It is part of Biblia Sacra vulgatæ editionis published by Rizzoli-Mediolani between 1967 and 1969.Color lithograph on heavy rag paper...

Untitled is a modern artwork realized by Tono Zancanaro in 1966. Black and white lithograph. Hand signed and dated on the lower margin. Artist's proof (as reported on the lower ma...

Jacques Villon Cubist composition Original etching (printed in Atelier Manuel Robbe) Printed signature in the plate On Arches vellum 38 x 28 cm (c. 15 x 11 in) INFORMATION : Edite...

Mother's Portrait is an original black and white etching realized by Pio Semeghini in 1964. Hand written dedication on the right margin: "Per Pio Semegh...

Sarah And The Angels  is an artwork realized by March Chagall, 1960s. Lithograph on brown-toned paper, no signature. Lithograph on both sheets. Edition of 6500 unsigned lithograph...

Acrobate  is an artwork realized by March Chagall, 1960s. Lithograph on brown-toned paper, no signature. Lithograph on both sheets. Edition of 6500 unsigned lithographs. Printed b...

Et post buccellam introivit in eum satanas ("And after the Morsel, Satan entered into him") is an artwork realized in 1965. Color lithograph on heavy rag paper. 49 x 35 cm. It is part of Biblia Sacra vulgatæ editionis published by Rizzoli-Mediolani between 1967 and 1969. Signed and dated in plate on the lower right margin. Perfect conditions. This popular artwork...

Jules CAVAILLES The Pilgrim Original lithograph Handsigned in pencil Justified EA (artist proof) On Arches vellum 36 x 20 cm (c. 14 x 8 in) Excellent condition

Lunch Break is an original artwork realized by Italian artist Pietro Morando (Alessandria 1889- 1980). Hand-colored lithograph. Hand-signed on the lower right in pencil. Good con...

Unknown Artist - Happiness is just a thing called Jo, Year: 1965, Medium: Screenprint, signed, numbered, titled and dated in pencil, Edition: 2/15, Image Size: 23 x 11.75 inches, S...

This is an#1 of an edition of 7 Harvey Daniels (British, 1936-2013) Born in London, Daniels attended the Willesden School of Art, the Slade School of Fine Art, London University an...

" Migration " is an etching realized by  Georges Braque  in 1962. The print is hand signed and numbered. This is an edition of 90 prints. Bibliography: D. Vallier,  Braque : l'oeuvre gravé: catalogue raisonné , Flammarion, Paris 1982, p.241, n.72. Georges Braque  (1882-1963) was a French Fauve painter who began to rethink his own painting style after admiring Picasso’s  Les Demoiselles...

The Saint is an original modern Artwork realized in Italy by Guelfo Bianchini (Ancona, 1937) the 1960s. Original etching on paper. Hand-signed lower right corner. Limited edition...

Paul KLEE (after) The Man With Pear Tree Lithograph and stencil (Jacomet process), on canson paper Signed in the board 50 x 38.2 cm (19.6 x 14.9 in) INFORMATION : This lithograph w...

Ex Libris - Herbert Ott  is an Artwork realized  in Mid 20th Century,  by the artist Julio F. Sàez. Etching print on ivory paper. Ex Libris - Ba' nhidi Andor  is an Artwork realize...

Into the Grave of Elish is a colored lithograph from the gouache original on heavy rag paper from Salvador Dali’s five volume Biblia Sacra Suite published in Rome by Rizzoli , 1...

Le 8 is a contemporary artwork realized in 1968 by Erté (Romain de Tirtoff). Mixed colored lithograph on paper. The artwork is from the Series "Les Chiffres" Hand signed on the lo...

Prayer of Saint Bernard to the Virgin -  "The Divine Comedy" - Song 33 -  Paradise is a woodcut print realized in 1963 for a series illustrating the Medieval poem of the "Divine Come...

A Scene from King Oedipus is an original etching realized by Giacomo Manzù in 1968. Racolin Press inc New York, Officina Bosoni Verona. Numbered on th...

Veni, domine Iesu (The Spirit is willing, but the flesh is weak) is an artwork realized in 1964. It is part of Biblia Sacra vulgatæ editionis published by Rizzoli-Mediolani between ...

The Face is a phototype print reproducing drawing by Renzo Vespignani of the 1960s Signed on the plate lower right. The artwork is depicted through strong strokes and perfect hatch...

This beautiful artwork is hand-signed. It comes from the Portfolio "Petit Traité de Morale", Paris, Editions Georges Visat, 1968. Copy on Velin d'Arches. Includes matting. Hans Bel...

Fruit is a black and white etching realized by the French artist Michel Ciry in 1964. Signed and dated on the lower right. Sheet dimensions: 57 x 38 cm. In good conditions. The a...

The Golden Age from the Series "The Divine Comedy" - Purgatory tav. 22 is a woodcut print realized in 1963 for a series illustrating the Medieval poem of the "Divine Comedy" by D...

Figures is a black and white etching realized by the French artist Michel Ciry in 1964. Signed and dated on the lower right. Sheet dimensions: 57 x 38 cm. In good conditions. The...

Jonah in the Belly of the Whale in manu Domini is a Color lithograph on heavy rag paper realized in 1964. It is part of Biblia Sacra vulgatæ edition is published by Rizzoli-Mediolani...

Constantin TERECHKOVITCH Two Women with Dogs Stone lithograph in colors (printed in atelier Mourlot) On Arches vellum 38 x 28 cm (c. 15 x 11 in) INFO...

André DERAIN Near Saint Paul de Vence Stone lithograph in colors (printed in Atelier Lucien Detruit) Printed signature in the plate On Arches vell...

Stultae et prudentes Filiae is a Color lithograph on heavy rag paper realized in 1964. It is part of Biblia Sacra vulgatæ edition is published by Rizzoli-Mediolani between 1967 and 1...

Unknown/ Unidentified Artist, "Familie" Edition 34/100, Abstract Figurative Lithograph signed and numbered in pencil, 15.25 x 21, Late 20th Century, 1967 Colors: Red, Blue, Yellow, ...

The Archangel Gabriel from the Series "The Divine Comedy" by Dante Alighieri is a woodcut print realized in 1963. Good conditions. Not signed. Plat...

Henri MATISSE (after) Jacques Bubourg : Aquarelles, Dessins Lithograph poster Printed signature in the plate Printed in Atelier Mourlot in 1962 On thin vellum 65 x 47 cm (c. 26 x 19...

Salvador Dali The deceivers (1960) Heliogravure reworked with drypoint Printed signature in the plate On BFK Rives Vellum paper Size 32.8 x 26.4 cm (c. 13 x 10") References: - Fiel...

Hand signed and numbered. Edition of 100 prints. This original print shows a composition divided into some frames, similar to windows, in which Campigli represents some female figur...

Jethro Brings Zepporah  is an artwork realized by March Chagall, 1960s. Lithograph on brown-toned paper, no signature. Lithograph on both sheets. Edition of 6500 unsigned lithogra...

Ecce homo is a Color lithograph on heavy rag paper realized in 1964. It is part of Biblia Sacra vulgatæ edition is published by Rizzoli-Mediolani between 1967 and 1969. Signed and d...