The Angel Departing from the Family of Tobias - Etching
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Rembrandt van RijnThe Angel Departing from the Family of Tobias - EtchingCreated in 1641, printed in circa 1850
Created in 1641, printed in circa 1850
$3,000List Price
About the Item
- Creator:Rembrandt van Rijn (1606 - 1669, Dutch)
- Creation Year:Created in 1641, printed in circa 1850
- Dimensions:Height: 17.72 in (45 cm)Width: 19.69 in (50 cm)Depth: 0.99 in (2.5 cm)
- More Editions & Sizes:Plate Size: H 10.5 cm x W 15.6 cmPrice: $3,000
- Medium:
- Movement & Style:
- Period:
- Condition:This work is in good condition, it has recently been professionally cleaned and separated from an old mounting board. It has been framed using conservation acid free materials and glazed under UV protective Artglass AR70.
- Gallery Location:Pymble, AU
- Reference Number:1stDibs: LU97717364232
Rembrandt van Rijn
Rembrandt was the most influential 17th Century Dutch painter. After years of early success as a portrait painter, his life was beset by financial hardship and personal tragedy. He continued to paint portraits and develop etchings. Rembrandt's portraits of his contemporaries, self-portraits and illustrations of scenes from the Bible are regarded as his greatest creative triumphs. His self-portraits form a unique and intimate autobiography, in which the artist surveyed himself without vanity and with the utmost sincerity. Like many artists of the Dutch Golden Age, such as Jan Vermeer of Delft, Rembrandt was also an avid art collector and dealer. Rembrandt never went abroad, but he was considerably influenced by the work of the Italian masters and Netherlandish artists who had studied in Italy, like Pieter Lastman, the Utrecht Caravaggists, Flemish Baroque, and Peter Paul Rubens. Rembrandt's foremost contribution in the history of printmaking was his transformation of the etching process from a relatively new reproductive technique into a true art form, along with Jacques Callot. His reputation as the greatest etcher in the history of the medium was established in his lifetime and never questioned since. Few of his paintings left the Dutch Republic while he lived, but his prints were circulated throughout Europe, and his wider reputation was initially based on them alone.
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