Stik

Stik, Onbu (Piggyback) (Blue), 2013, Woodcut, Limited Edition, Contemporary

2013

Silkscreen Edition of 50 Signed, numbered and titled on the front Mint Our mission is to connect art collectors to opportunity. Whether it be figurative, abstract or landscape, we ...

Screenprint Edition of 125 100 x 70 cm (39.4 x 27.6 in) Signed and numbered Mint, as issued Published by White Cube Since this item will be shipped directly from the consignor, the...

20 colour screenprint on Somerset Radiant White Tub Sized 410gsm Edition 37 of 75 Signed, numbered and dated on the front Condition upon request Since this ...

Fine art inkjet print on photo rag 308 paper Limited edition of 100 Signed and numbered on the front Sold in the original packaging in mint condition, unframed Published by Kaikai Ki...

Donna Evans' "Angel and Skeleton" shows an angel reaching out to a skeleton as if to rescue it from a wooded landscape. Donna Evans is one of a group of N...

Triptych Tom Huck Three Scenes from a Tiny Riot, 2016 Woodcut Triptych on Arches 88 paper 20 h x 21 w (Ball of Hate) 17 h x 14 w (Rumble Thumpin) 17 h x 14 w (Bag-O-Hedz) 20/25

Framed dimensions: 22.5 x 29.75 inches We proudly welcome Alejandro Sainz Alfonso, (b.1965), to the Grenning Gallery fold. Alfonsos hugely colorful and at times, comedic take on his life in Cuba is expressed in this series of silkscreen prints. From “Fried Potatoes” to “Review of History” we see a world from the perspective of a population living under the sea inside of the 100 year old divers suits. When I asked him if this is what it is like to live in Cuba under the current political regime – he said “no – that this is what its like to be a human on planet earth”. We were intrigued to see Cuba, from an artistic perspective. Like Darwin’s Galapagos Islands, we were able to see a vibrant artistic community that has had very few outside influences since 1959. The visual and literary diet seems to have been limited to 1950s movie stars, Albrecht Durers prints...

24 x 31.5 inches, framed We proudly welcome Alejandro Sainz Alfonso, (b.1965), to the fold. Alfonsos hugely colorful and at times, comedic take on his life in Cuba is expressed in this series of silkscreen prints. From “Fried Potatoes” to “Review of History” we see a world from the perspective of a population living under the sea inside of the 100 year old divers suits. When I asked him if this is what it is like to live in Cuba under the current political regime – he said “no – that this is what its like to be a human on planet earth”. We were intrigued to see Cuba, from an artistic perspective. Like Darwin’s Galapagos Islands, we were able to see a vibrant artistic community that has had very few outside influences since 1959. The visual and literary diet seems to have been limited to 1950s movie stars, Albrecht Durers prints...