Stik Art

[New Orleans, LA ::: b. 1952 - Queens, NY] BIO : TONY DAGRADI is an internationally recognized jazz performer, artist, composer, author and educator. For over three decades he has...

Rodeo Queen, 1981 Edition 36/50 Signed lower left, Inscribed: for the "Rose" 82. Provenance: Print was a gift to Rozanne Charington, companion and model for "Rodeo Queen", "Rose Tattoo" and "Jimenez at Adeliza's Candy Store". Lithograph on paper 42 ½ × 29 in. (107.3 × 73.7 cm) Luis Alfonso Jimenez Born, 1940, El Paso, Texas, died 2006, Hondo, New Mexico. Statement: Luis Jimenez, in his work, celebrates the vitality of life. . . . Jimenez es un hijo de la frontera; he knows its people and the landscape. It is the transformation of these people into art that is his most important contribution to the art of this vast region which stretches between Mexico and the United States. His subject matter utilizes the popular images of the cultura del norte, and a large part of it is depicted and transformed in the rough and tumble world of la frontera. He is also a son of el norte, and so he uses its materials and explores its emerging, popular myths. The tension and attraction of Jimnez’s work is that he always creates within the space of his two worlds, the Mexicano and the Americano. He constantly shows us the irony of the two forces which repel, while showing us glimpses of the synthesis he seeks. What a gift it has been to us for this talented artist to reflect on the soul of our region. He gives meaning to our existence and history. Rudolfo Anaya (passage chosen by the artist), A View from La Frontera, Man on Fire: Luis Jimenez, pp. 1, 3, 6Biography: Luis Jimenez was born in Texas to parents who had emigrated from Mexico to the United States; he would later dedicate his 1989 sculpture Border Crossing to his father, who had entered the country illegally. The elder Jimenez was a neon sign designer in El Paso, and Luis worked with him as a youth. His experience working in the neon shop and his fascination with U.S. car culture would both become major influences on his art career. Jimenez studied architecture at the University of Texas, Austin (UTA), and also took art courses in which he first created sculptures with wood, steel, and fiberglass, choosing the latter because of its association with U.S. popular culture. He subsequently became one of the artists who made fiberglass an acceptable medium in the 1960s. In 1964 Jimenez received his B.S. in art from UTA, and he continued his studies at the Universidad Nacional Autonoma de Mexico in Mexico City. In 1966 he moved to New York City and worked as an assistant to sculptor Seymour Lipton. Jimenez began to exhibit his art while in New York and in 1972 moved to New Mexico to focus on creating public sculptures, even as he maintained his diverse output of drawings, prints, and lithographs. Drawing on his early experiences, Jimenez creates works that come from a border perspective, one that draws upon the hybridity bred by culture clashes. Often socially and politically informed, his works speak not only in regional terms, those germane to the southwestern United States, but to broader, more global issues as well. They exhibit a profoundly Chicano aesthetic and sensibility, one that is informed by Mexican and Mexican American traditions, North American popular culture, Chicano cultural icons, and images and themes unique to the Southwest. Death, sexuality, and the struggle of the common people are frequent themes. Inspired by authors who write in an autobiographical style, Jimenez creates works that function as personal narrative yet are also able to make statements about culture in more global terms. His use of bold colors and lines, a legacy from his fathers work as a neon sign maker, lends a dynamic sensuality to his work, one that is particularly evident in his monumental fiberglass and acrylic urethane sculptural works Many of Jimenez's works correspond to scholar Toms Ybarra-Fraustos definition of the Chicano aesthetic of rasquachismo, a lowbrow sensibility that appeals to the working class in that it applies to objects that subvert expressions of the mainstream or dominant culture. Creating art that speaks to the people, Jimenez is able to transform regional and culturally specific myths and symbols into globally recognized and relevant icons. Exhibitions: In addition to his personal work, Jimenez has been commissioned for numerous public art projects. In 1999 his sculpture Southwest Piet was designated a National Treasure by First Lady Hillary Clinton. The many exhibitions featuring his work have included Human Concern/Personal Torment (Whitney Museum of American Art, New York, 1969). The First International Motorcycle Art Show (Phoenix Art Museum, Phoenix, AZ, 1973). Three Texas Artists (Centre Cultural Americaine, USIS, Paris, 1977), Recent Trends in Collecting (Smithsonian Institution, Washington, DC, 1982). Committed to Print (Museum of Modern Art, New York, 1989) Printmaking in Texas: The 1980s (Modern Art Museum, Fort Worth, TX. Laguna Gloria Art Museum, Austin, 1990. The Whitney Biennial (Whitney Museum of American Art, New York, 1991) Man On Fire: Luis Jimnez (Albuquerque Museum of Art, NM, 1994-95). 47th Annual Purchase Exhibition (American Academy of Arts and Letters, New York, 1995). Traveling solo exhibition, Working Class Heroes: Images from the Popular Culture (1997-2000). Jiménez Collier Gallery has been in continuous operation for over 40 years. Originally located just off Main Street in downtown Scottsdale, Arizona, we have moved to Phoenix to accommodate and showcase our large inventory including: • Original works by Maynard Dixon, Lon Megargee, Ed Mell, Fritz Scholder, Bill Schenck, Bill Lesch, Luis Jimenez, Greg Singley, Dan Budnik, and other 20th century Western, WPA and Contemporary Southwestern artists. • The Fine Art Estate of Lon Megargee • Vintage rodeo...

Nelson Mandela, Hand of Africa, Signed Limited Edition Lithograph Many people are unaware that Nelson Mandela turned his hand to art in his 80's as a way of leaving a legacy for his ...

10.5 x 16 inches - Edition 5 of 7 with 2 APs Additional framing $265. Shot in 2011 in Amsterdam Inspired by an anonymous artist of the Fontainebleau School’s Presumed Portrait of Gabrielle d’Estrées and Her Sister, the Duchess of Villars, circa 1594 Photography and acting are kindred spirits in the new series by e2 (Elizabeth Kleinveld and Epaul Julien...

Charles Donker Forest X 34 x 21 (Framed included in price, 41,5 x 56,5 cm) Etching on paper The etchings of Charles Donker are admired and collected both in the Netherlands and abro...

"Emily I" Lithograph 14" x 11" inch Edition of 50 by Gerard Marti Lithograph on museum archival paper Not framed. Ships rolled in tube Signed and numbered by the artist. About the...

"Pensive (Thoughtful)" Print 40 x 30 inch Ed. of 50 by Gerard Marti Lithograph Not framed. Ships rolled in tube Signed and numbered by the artist. “Pensive” is an elegant evening ...

Edition 1 of 5, 2 APs Framing is an additional $420. Photography and acting are kindred spirits in the ongoing series by E2 - Kleinveld & Julien, entitled In Empathy We Trust. The project presents viewers with re-imagined iconic images from the history of art. The collaborators re-envision the work of old master painters beginning with the Flemish Primitives and spanning nearly 600 years. With subjects enacting roles with varied representations of race, age, and sexual orientation, E2’s revisionist Art History works by artists such as van Eyck, Botticelli, Raphael, Velázquez, Rembrandt, Vermeer, Fragonard, Manet and Whistler. Inspired by the original paintings, E2 hopes to “jar viewers” into questioning their own perceptions. They invite viewers to see these images, and indeed the world anew, using humor, wit and playfulness. In addition, they hope that the viewers will see how stereotypes can lead to prejudice and discrimination. The collaboration began in 2010, after completing work on the traveling exhibition and book project, Before (During) After: Louisiana Photographers Respond to Hurricane Katrina. This natural and man-made disaster brought social inequities in Louisiana into vivid focus. Conversations between Kleinveld and Julien revealed their mutual interest in issues of social justice. E2 has been exhibited internationally in institutions such as: Royal Academy of Art (London), Photoville (New York), Gemeentemuseum (The Hague), Palazzo Fortuny (Venice), Museum Castelvecchio (Verona), Galerie SIRIUS (Tokyo), New Orleans Museum of Art and Ogden Museum of Southern Art (New Orleans). The duo is represented by JONATHAN FERRARA GALLERY, New Orleans and their work appears in numerous public and private collections, including: Benetton Collection (Treviso, Italy), Museum of Fine Arts (Houston), Museum of Modern and Contemporary Art (Trento, Italy), Hilliard University Art Museum (Lafayette, LA) and The Marks Collection (Houston). Elizabeth Kleinveld is an artist and photographer from New Orleans, now based in Amsterdam, who takes her inspiration from Paul Outerbridge...

18 x 24 inches - Edition 2 of 5 with 2 APs framing is an additional $420. Shot in New Orleans in 2011, background illustrated by Marco Ventura Inspired by Manet’s Olympia...

24 x 36 inches - Edition 1 of 3 with 2 APs framing is an additional $525. Photography and acting are kindred spirits in the new series by e2 (Elizabeth Kleinveld and Epaul Julien)....

10.5 x 16 inches - Edition 3 of 7 with 2 APs framing is an additional $420. Photography and acting are kindred spirits in the new series by e2 (Elizabeth Kleinveld and Epaul Julien...

In this small and delicate painting, the combination of paint, pastel and paper collage, create a strong, abstracted composition. Pink and black pop from a vibrant background of inte...