Cubist Figurative Prints

Selected from the personal collection inherited by Marina Picasso, Pablo Picasso's granddaughter. After Pablo Picasso's death, his granddaughter Marina authorized the printing of t...

Lithograph on vélin des Papeteries du Marais paper. Paper Size: 14 x 10.25 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the album, Verve: Revue Art...

Homage to Picasso is an original lithograph realized by Gian Paolo Berto, in 1974. Good conditions. Hand-signed and numbered. edition 1/25. Includes frame: 50 x 70 The artwork re...

Poster for The Joffrey Ballet's presentation of Parade with Costume designs by Picasso. Originally performed by the Ballet Russe with Sergei Diaghilev directing music by Eric Satie a...

Staring ahead, the female sitter in this Pablo Picasso portrait sits on the edge of her bed while she is rendered in profile. While the yellow and orange lights of the city shine thr...

In this minimalist composition, Pablo Picasso depicts a ballet dancer as she rests in a chair and massages her leg. Slightly faded into the background, the dancer is rendered in a si...

Composition is a screen print realized after Fernand Léger in the mid-20th Century. Monogrammed in plate and hand numbered in pencil lower right. The composition is part of a colle...

Artist: Pablo Picasso (1881-1973) Title: Femme a la Toilette Year: 1981 Medium: Lithograph on Arches paper Size: 21.75 x 28.5 inches Edition: 1000, plus proofs Condition: Good Inscri...

Pablo Picasso's print featuring his former wife and muse, Olga Picasso (Khokhlova/Kaklowa, is a great example of the artist's more naturalistic representa...

Artist: After Pablo Picasso (1881-1973) Title: La Bonne dans l'Atelier de Sculpture (after Bloch 184) Year: 1992 Medium: Reproduced from the original edition using the grain Autotype...

Facing the left, the woman in this Pablo Picasso print appears elegant in her multicolored dress. With her hair flowing behind her and her dress swaying across her figure, the woman'...

This fragmented portrait of a painter by Pablo Picasso features bright, bold colors and relies on visible brushstrokes to show the figure of the man instead of the geometric shapes and rigid angles commonly found in his Cubist work. A lithograph from the Marina Picasso...

Lithograph and silkscreen with grease crayon, lithographic tusche, lead pencil, charcoal on vélin d'Arches paper. Paper size: 12.8 x 9.84 inches. Inscription: Unsigned and unnumbered...

Jan Van Raay (1942 - ) - Mother and Child, Year: circa 1979, Medium: Lithograph, signed and numbered in pencil, Edition: AP 50, Size: 29 x 23 in. (73.66 x 58.42 cm), Frame Size...

Lithograph and silkscreen with grease crayon, lithographic tusche, lead pencil, charcoal on vélin d'Arches paper. Paper size: 12.8 x 9.84 inches. Inscription: Unsigned and unnumbered...

Lithograph and silkscreen with grease crayon, lithographic tusche, lead pencil, charcoal on vélin d'Arches paper. Paper size: 12.8 x 9.84 inches. Inscription: Unsigned and unnumbered...

Lithograph and silkscreen with grease crayon, lithographic tusche, lead pencil, charcoal on vélin d'Arches paper. Paper size: 12.8 x 9.84 inches. Inscription: Unsigned and unnumbered...

Artist: Pablo Picasso (1881-1973) Title: Tete de Mort et Livre Year: 1982 Medium: Lithograph on Arches paper Size: 21.75 x 29.75 inches Edition: 1000, plus proofs Condition: Good Ins...

Two Faces Nude is an original print in etching and drypoint on white paper realized by an Anonymous artist of the Mid-20th Century. In very good conditions. The artwork created thro...

La Pique is a contemporary artwork realized after Pablo Picasso (1881-1973). Color linocut realized in smaller size after a linocut by Pablo Picasso of 1959. Passepartout included...

Picador, Femme et Cheval is a beautiful contemporary artwork realized after Pablo Picasso (1881-1973). Color linocut realized in smaller size after a linocut by Pablo Picasso of 195...

This Pablo Picasso print shows a little girl standing in front of her tricycle. With her hands at her hips, leaning on one foot, the girl appears to be looking both toward the viewer...

Jean-Emile Laboureur (1877-1943), La Fille aux Oies, engraving, 1916, signed in pencil lower left, numbered (4/40) lower right and inscribed “imp,” also titled lower left margin edge...

Danseurs et Musicien is an original color linocut realized after Pablo Picasso (1881-1973). Realized in smaller size after a linocut by Pablo Picasso of 1959. Passepartout include...

Jean-Emile Laboureur (1877-1943), Le Souper des Dockers, engraving, 1919-1920, signed in pencil lower left, titled lower left, and numbered (27/35) lower right. Reference: Laboureur ...

In this Pablo Picasso print, the artist has depicted a nude figure sitting in a plush chair, slumping forward to rest its elbows on its knees. Lacking any specific detail, this work ...

From the Reflections Collection. Lithograph on paper. Hand signed, dated and numbered by the artist. Artwork is in excellent condition. Certificate of authenticity included. Edition...

Bird-of-paradise is an original drawin in mixed-media realized by Gian Paolo Berto, in 1974. Good conditions. Hand-signed on the lower right. Includes frame: 53.5 x 48 The artwor...

Artist: Pablo Picasso (1881-1973) Title: Nu Couche Loiseau Year: 1982 Medium: Lithograph on Arches paper Size: 21.5 x 29.75 inches Edition: 1000, plus proofs Condition: Good Inscript...

Pablo Picasso's use of line and shading in this print of a rider in armor on horseback brings the scene to life. The quick strokes of the artist's hand, coupled with the intense cont...

Artist: After Pablo Picasso (1881-1973) Title: Minotaure attaquant une Amazone (after Bloch 195) Year: 1992 Medium: Reproduced from the original edition using the grain Autotype half...

Shown with her hands folded across her lap with a jar of honey held within them, the woman in the brimmed hat looks off to the side in this fairly naturalistic portrait by famed Cubi...

A lithograph from the Marina Picasso Estate Collection after the Pablo Picasso painting "Personnage et Colombe". The original painting was completed in 1913. In the 1970's after Pic...

Rendered in geometric shapes that emerge from the soft pastel background, the woman in this print holds a mandarin as she is depicted head-on by Pablo Picasso. A lithograph from the ...

Pablo Picasso (after) Helene Chez Archimede Medium: engraved on wood by Georges Aubert Dimensions: 44 x 33 cm Portfolio: Helen Chez Archimede Year: 1955 Edition: 240 (Here it is on...

Signed with artist stamp lower right, numbered lower left: 21/50 Shown in: Georges Bloch, Pablo Picasso Catalogue of the printed work 1970-72, Band I...

Floating against a brown background, the three hands in this Pablo Picasso print are disembodied and dimensional. Illuminated with light from above, the hands are shown realistically...

Set against a blank white background, the light brown horse in this print by Pablo Picasso is outfitted to pull a carriage or wagon. A lithograph from the Marina Picasso Estate Colle...

In this spirited beach scene, Pablo Picasso depicts three nude female figures playing with a ball. Full of movement and bursting with color, this print showcases the artist's ability...

Reclining on a sofa, the nude female model looks backward toward her raised feet as the painter renders her portrait. Comprised of short, wavy lines, this scene by Pablo Picasso focu...

Shaded in soft hues of grey and yellow, the woman represented in Pablo Picasso's print is rendered in a Cubist style with flowing lines and forms. With her arms stretched over her head as she rests, the woman's top has fallen and her chest is exposed. A lithograph from the Marina Picasso Estate Collection after the Pablo Picasso drawing "Femme Couchee...

From the Reflections Collection. Lithograph on paper. Hand signed, dated and numbered by the artist. Artwork is in excellent condition. Certificate of authenticity included. Edition...

Standing with one hand on his hip and his other hand lifting his tights from his leg, the harlequin in this Pablo Picasso print is rendered with detail and depth. Relying on line and...

In this print after Pablo Picasso, the artist depicts a mythological scene in which a little girl leads a blind minotaur. Set against a seascape, the artist’s use of flowing lines and minimal color creates a whimsical and mysterious scene. A lithograph from the Marina Picasso Estate Collection after the Pablo Picasso artwork "Minotaure Aveugle Conduit par une Petite Fille". The original painting was completed in 1934. In the 1970's after Picasso's death, Marina Picasso, his granddaughter, authorized the creation of this lithograph by Laurent Marcel Salinas, who worked closely with Picasso during his lifetime. The limited edition print run was completed and published by Marina Picasso in conjunction with Jackie Fine Arts in 1982. The lithograph is printed on French Arches paper, ink-stamped by the Estate verso, and hand-signed and numbered by Marina Picasso on the recto. The embossed seal of the Estate is lower right and the printer's chop, lower left. Accompanied by a Certificate of Authenticity. Minotaure Aveugle Conduit par une Petite Fille Pablo Picasso (After), Spanish (1881–1973) Portfolio: Marina Picasso Estate Lithograph Collection...

Lithograph after Georges Braque. Signed in the plate Edition of 150 Dimensions: 76 x 117 cm Bibliography: « Les Métamorphoses de Braque» of Heger de Loewenfeld and Raphaël de Cuttoli , Editions FAC, Paris, 1989. In 1961 Georges Braque decided with his laidary friend Heger de Loewenfeld to pick up certain of his works to in order to create artworks, this beautiful litograph is one of them. Héméra in the Mythology: In Greek mythology Hemera was the personification of day and one of the Greek primordial deities. She is the goddess of the daytime and, according to Hesiod, the daughter of Erebus and Nyx (the goddess of night). Hemera is remarked upon in Cicero's De Natura Deorum, where it is logically determined that Dies (Hemera) must be a god, if Uranus is a god. The poet Bacchylides states that Nyx and Chronos are the parents, but Hyginus in his preface to the Fabulae mentions Chaos as the mother/father and Nyx as her sister. She was the female counterpart of her brother and consort, Aether (Light), but neither of them figured actively in myth or cult. Hyginus lists their children as Uranus, Gaia, and Thalassa (the primordial sea goddess), while Hesiod only lists Thalassa as their child. The father of Cubism Three Cubist that distinguishes art historian periods were initiated and developed by Georges Braque: The Cubist Cézanne (1907-1909), Executive (1909-1912) and synthetic (1912-1922). Post-Impressionist and fawn, Braque no longer adheres to the contingency of a decorative way or the other. Cézanne’s paintings exhibited at the Grand Palais during the retrospective of 1907 are a revelation: Cézanne sought and invented a pictorial language. In his footsteps, Braque went to the South with the reasons of the Master. He returned with Estaque landscapes and surprising Ciotat it keeps Cezanne geometric model and retains the “passages” continuity from one surface to another to create the sensation of “turning around” of the object represented. But he wants to go after the consequences of the vision of Cezanne. In his paintings Houses in L’Estaque (1908) it simplifies the volumes of houses, neglects detail by removing doors and windows: the plastic rhythm that builds the table. Large Nude , a masterpiece of the period, can be considered the first work of Cézanne cubism . Systematizing and deepening Braque discoveries open the door analytical cubism. In 1909, his painting became more cerebral than sensual. The pattern is recreated in the two-dimensionality of the canvas, leaving aside any illusionistic perspective. In Still Life with Violin, objects are analyzed facets according to their characteristic elements, each facet referring to a particular view of the object. There are so many facets of points selected view: Table reflects the knowledge of the object and the ubiquity of the eye. Moreover, Braque is looking for the essence of the objects in the world rather than their contingency, which explains the absence of light source and use of muted colors (gray, ocher), contingent aspects of the object . But formal logic has stepped facets, erased any anecdote to the object and ultimately led to his painting a hermetic more marked on the edge of abstraction (see the series of Castle Roche-Guyon ). Braque, anxious to keep the concrete and refusing at all costs that the logic of Cubism takes the paintings to abstract, reintroduced signs of reality in his paintings in 1912 marks the beginning of Synthetic Cubism. Historians speak of “signs of real” rather than reality because what interests Braque, this is not to put reality into a table, but to create a painting which, by its language, refers to the real. To do this, he invented two major techniques XX th century inclusions and contributions. The inclusions consist of painting objects that have no real depth, materials (wallpaper in Nature morte aux playing cards faux wood is a pictorial inclusion) or letters (calligraphic inclusion in Portuguese ), made first brush and a few months later stencil. Contributions are defined in contrast with the collage on canvas of foreign materials: glued or sand paper, sawdust, etc.. Regarding the collages, Braque used for the first time in September 1912 a piece of adhesive paper imitating faux wood Compote...

Leaning against the draped walls, the nude figure in this print by Pablo Picasso print is geometric and fragmented, divided into different shapes. A lithograph from the Marina Picass...

Viewed from an angle, Pablo Picasso's print of this woman showcases his versatility as an artist. Set against a deep plum background, the angled sitter is represented in a less radic...

Artist: Marcel Mouly, French (1918 - 2008) Title: At the Cafe Year: circa 1977 Medium: Lithograph, signed and numbered in pencil Edition: 147/225 Size: 29.5 in. x 21 in. (74.93 cm x ...

Jean-Emile Laboureur, Anzacs, woodcut, 1918-22, signed and numbered (7/45), the second state (of 2). Reference: Sylvain Laboureur 713. In good condition, with remains of old hinges ...

This is a proof print and is unsigned. it has Jewish Hebraic motifs, a menorah with a Jewish star, a mezusah or megilla scroll by this talented Jewish woman artist. Her whole life lo...

Lithograph on vélin des Papeteries du Marais paper. Paper Size: 14 x 10.25 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Verve: Revue Artistique et ...

Artist: After Pablo Picasso (1881-1973) Title: Le Viol VII (after Bloch 202) Year: 1992 Medium: Reproduced from the original edition using the grain Autotype halftone screen process by Druck- und Verlag GmbH, 4200 Oberhausen, Germany; lithographically printed by Druck- und Verlag GmbH on japon handmade 200 g/sqm paper by created by Richard de Bas in Ambert, France and imported by Japico Drissler Feinpapiere, Frankfurt, Germany. Paper Size: 18 x 12.75 inches; a size slightly reduced from the original Vollard edition for differentiation Condition: Excellent Inscription: Artist’s signature posthumously lithographically reproduced from the original Vollard edition, and numbered in pencil by the curators of the Municipal Museum Mülheim an der Ruhr, Germany. 168/300. Notes: Published by Municipal Museum Mülheim an der Ruhr, Germany in cooperation with the Society for the Promotion of the museum in 1992 and the Fundación Picasso; printed by Plitt Druck- und Verlag GmbH, 4200 Oberhausen, Germany. The following is a German to English translation of the original text issued by the Municipal Museum Mülheim an der Ruhr, Germany in the following from which this graphic is a part, “In order to give a broad public access to this unique print work by Pablo Picasso in its entirety and at the highest quality level, the support group for the city. Museum Mülheim an der Ruhr initiated and significantly supported the new edition of the “Suite Vollard.” The reprint of the "Suite Vollard" includes a limited edition of 300 copies of 100 loose sheets each in a linen cassette. The copies were numbered from 1 to 300 on the leader sheet. The reproductions were produced in grain screen mode, a process in which which eliminates the traditional line grid and achieves maximum originality. The paper was hand-made specifically for this work by Richard de Bas in Ambert, France, one of the most traditional paper mills in Europe. The paper for the original edition also comes from this factory. The quality Blane narcisse, belin, 200 g/sqm was selected and imported from Japico Drissler Feinpapiere, Frankfurt. Reproduction and paper format has been slightly reduced compared to the original edition. The technical development and overall production was carried out by Plitt Druck- und Verlag GmbH, 4200 Oberhausen.” PABLO PICASSO (1881-1973) Spanish painter and sculptor is one of the most recognized figures of twentieth century art. During his artistic career, which lasted more than 75 years, he created thousands of works using all kinds of mediums. He changed art more profoundly than any other artist of his time. First famous for pioneering cubism...

Mother and Child I Neal Doty, American (1941–2016) Date: circa 1979 Screenprint, Signed and numbered in Pencil Edition of 65/300 Image: 32.5 x 24 inches Size: 39 in. x 30 in. (99.06 ...

Artist: Max Papart Title: Five Dancers Year: Circa 1980 Medium: Aquatint Etching with Carborundum, signed and numbered in pencil Edition: 3/25 Image Size: 34 x 34 inches Paper Size: ...

Artist: Jacques Lipchitz, Lithuanian (1891 - 1973) Title: Tree of Life Year: 1972 Medium: Portfolio of Three Lithographs, each signed and numbered in pencil Edition: 250 Size of eac...

Lithograph on paper. Hand signed, dated and numbered by the artist. Edition of 195. Image size: 27.5 x 14.5 in. Sheet size: 30.75 x 23.25 in. Artwork is in excellent condition. Ce...

Selected from the personal collection inherited by Marina Picasso, Pablo Picasso's granddaughter. After Pablo Picasso's death, his granddaughter Marina authorized the printing of t...

Medium: Lithograph and stencil on vélin paper Year: 1946 Paper Size: 12.625 x 18.75 inches Inscription: Signed in the plate and unnumbered, as issued Catalogue raisonné reference: Or...

Artist: Andre Minaux, French (1923 - 1986) Title: Passante from the Helene Portfolio Year: 1974 Medium: Lithograph, signed and numbered in pencil Edition: 150, XXX Size: 25.75 in. x ...

Medium: Lithograph on vélin paper Year: 1948 Paper Size: 16.54 x 11.81 inches Inscription: Inscription: Unsigned and unnumbered, as issued Notes: From the album, Carnet de dessins de...